Hymne a la Vierge. Pierre Villette's Hymne A La Vierge for unaccompanied Mixed Choir. Completed in 1954, based on a poem by Roland Bouheret.

Un paramètre pour SATB choeur A Cappella (divisi: 5 Sopranos, 4 Altos, 3 ténors, 3 Basses). Le texte, Octavio Paz a été traduit de l'espagnol original par Muriel Rukeyser. / Chant Et Piano

Missa Brevis de Giovanni Palestrina pour quatre voix non accompagnés, a été édité et arrangée pour usage moderne, par Henry Washington. Cette édition contient également une réduction du piano pour fins de pratique. / Chant Et Piano

Psalm 8 for SATB chorus was composed by Antonio Bibalo in 2006. Antonio Bibalo has a large catalogue of Orchestral and Chamber works but it is for Operas such as The Glass Menagerie and Miss Julie that he is best known.

Sacred Music Part 2 Nine Anthems-Nine Anthems with Strings. Purcell Society Edition No.14.

A celebratory anthem of love and unification with an anonymous text set for two SSATB choruses with three Soprano soloists. A Piano accompaniment is provided for rehearsal purposes.

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli SATB chorus and orchestra.This vocal score edited by Janet Beat includes a piano accompaniment.

This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for Soprano and Tenor Soli SATB chorus and orchestra. Now available for the first time in print this score has been prepared from the known sources revised and edited with critical commentary and includes a preface by Paul Spicer and introductory notes by Sir David Willcocks. Four of the choral movements (II-V) are settings of Latin and English texts. These are drawn from the Psalms and the 'Miss pro defunctis' the book of Common Prayer and are immemorial reflections upon the transient griefs and indestructible hopes of mankind. All are appropriate to the mood and purpose ofa Requiem. Movement VI is a setting of lines from the Salisbury Diurnal used here in the translation by Dr G. H. Palmer appearing at the end of Robert Bridges' Anthology The Spirit of Man. The first performance was at the Three Choirs Festival at Gloucester on 7th September 1950 which the composer conducted. The Bach Choir gave the first London performance early in 1951 and recorded the work in 1970 with the Philharmonia Orchestra under Sir David Willcocks.

A Meditation on the Sacred Passion of the Holy Redeemer for Tenor and Bass solo SATB Choir with Organ accompaniment with hymns for congregational participation. The text was selected and written by Reverend J. Sparrow-Simpson and revised by Michael Pilkington. The crucifixion was first performed in 1887.This Novello edition of the vocal score is clear and well presented with thoroughly accurate and detailed editorial markings and suggestions as edited by Michael Pilkington.