Inspire your students to make some noise with Teach and Play Balinese Gamelan!The six pieces in this book represent an exciting and varied selection of music from the island of Bali from a Balinese warrior dance and a traditional lullaby to rhythmic 'monkey' chanting and a shadow-puppet play. Each piece is broken down into clear and simple steps that show you how to build up the music gradually with your class. Combined with the accompanying DVD - which contains 60 short clips of the author and a group of KS3 students demonstrating all of the instruments and patterns to each piece - teaching and learning world music has neverbeen so easy or enjoyable.The six pieces are supplemented with valuable background information about the music and culture cross-curricular projects composing ideas advice on assessment and guidance on teaching whole-class world-music ensembles. The material in this book has been designed primarily for use with KS2 and KS3 classes but the addition of higher-ability parts for each piece means the book can be tailored easily to KS4 as well. It is not necessary to own authentic instruments to get the most out of this book as classroom alternatives are suggested and demonstrated. 'This series has been written by a genuine expert who has thorough knowledge of his subject and shares this with the reader in a lively enthusiastic and passionate way. I have never found any books before that are so clear in explaining the fundamentals of these world-music genres and doing so in a format based around practical relevant and achievable tasks is even more remarkable. I can see these books becoming one of those series that every music teacher will have either read or heard about in years to come.'Matt Allen Head of Music Chessington Community College Kingston

Séga Sidibé est l'un des derniers maîtres garants de la tradition du djembé malien. Il livre ici un grand nombre de phrases de solo variations roulements chauffés et sorties sur les rythmes : Suku Denba foli et Dansa considérés par les anciens comme étant des rythmes fondateurs. Les auteurs proposent une méthode d'apprentissage en 6 étapes ainsi que de nombreuses pistes de travail pour créer ses propres variations afin que chacun développe une expression personnelle qui le libère de la simple récitation.

A Must-Have Collection of Well-Known Songs Including Several Bells Features!-If you've been taking Glockenspiel lessons for a while you're probably eager to learn some familiar songs. The First 50 Songs You Should Play on the Bells/Glockenspiel includes a wide variety of favorite songs from pop hits and movie themes to folk songs and classical melodies several of which originally featured bells! Songs include: All of Me · All You Need Is Love · Canon in D · Carnival of Venice · Fight Song · The Fool on the Hill · God Bless America® · The Godfather (Love Theme) · Hallelujah · Happy · Hello · I Will Always Love You · Just Give Me a Reason · Let It Go · Pure Imagination · Roar · Rolling in the Deep · Satin Doll · Shake It Off · Shallow · Stand by Me ·Stay with Me · This Is Me · Ukranian Bell Carol · What a Wonderful World · and more.

Maracatu de Baque Virado-Maracatu for Drumset and Percussion explores the traditional Brazilian rhythms of the Maracatu de Baque Virado.Author Scott Kettner explores every aspect of this dynamic genre including instruments of Maracatu de Baque Virado changing traditions of maracatu traditional and contemporary maracatu manifestations drumset applications New Orleans mambo and more.After graduating from New York's New School University Kettner moved to Brazil to learn more about maracatu. With this book he shares an accessible and pragmatic approach to learning and understanding the instruments and basic rhythms of Maracatu de Baque Viradoand how to apply these rhythms to drumset.

Par YAMMINE HABIB. Une méthode unique pour aborder les nombreuses techniques de la darbouka et les divers rythmes arabes du Proche-Orient, d?Arabie et du Maghreb. Au sommaire : Théorie du rythme dans la musique arabe ? La périodicité ? Le juz? (Cellule rythmique minimale) ? Le temps premier ou temps de référence ? La darbouka, organologie et histoire ? Statut général de l?instrument ? Origine de la darbouka dans le monde arabe ? Les différents noms de la darbouka (tabla, dumbek ou doumbek , derbakke?) ? Les frappes de bases (Dum, Tak, Ka, Sak) ? Les frappes de blocages et de changement de timbre ? 22 Leçons pour progresser rapidement : Mesures 2 temps, 3 temps, 4 temps, 6/8 ? Divisions binaire et ternaire du temps ? Les accents ? Roulements de triples croches ? Ras des 4 doigts ? Les glissements ? Les 25 rythmes les plus connus du monde arabe : Rythmes 2 temps (Ayy b, Malfouf, Gubb hî?) ? Rythmes 4 temps (Masm dî saghîr, Maqs m, Wahda?) ? Rythmes 3 temps (Sam °î d rij?) ? Rythmes en 6/8 (Yuruk Sam °î, Berw lî?) ? Rythmes 8 temps (Chobî, Masm dî kabîr?) ? Rythmes impairs (Dawr hindî, Aqs q ifranjî?) ? Rythmes 10 temps (Sam °î thaqîl, Jorjina) ? Rythmes 12 temps (Dal° na, Hadd wî) ? Et des liens internet audio et vidéo pour illustrer tous les rythmes de la méthode?/ Méthode / Darbouka

Par NILLES ANIKA. If you don’t have access to your drums regularly, travel a lot, or have neighbors with sensitive ears, you will already have a PRACTICE PAD. But practicing without a drum kit is special! To keep your hands agile and dive deeper into EFFECTIVE METHODS that really improve your pad technique, ANIKA NILLES‘ PAD BOOK is JUST THE THING!  Anika gives plenty of options WHAT AND HOW to practice on a pad. Practice pads are particularly well suited because they reduce drumming to one basic sound source. This way you follow a process of continuous progression in terms of stickings and rudiments, phrasings and rhythm concepts. The FUNDAMENTAL WORKOUTS are allocated to four chapters: Subdivision Studies, Mixed Meters, Hand Independence, and Polyrhythms. The result is a complete system with triplets, 16th notes, quintuplets, sextuplets and septuplets, which are broken down into individual steps starting with a very basic layout before moving to more complex rhythms. The focus is on building up and consolidating fundamentals across all note values, raising awareness on a feel for time and rhythm, and presentation of many possibilities on how you can expand acquired skills. Anika also puts together a collection of WARM-UPS which suggest ideas on how you create your own rhythm patterns out of the technical features in this book. The deeper meaning underpinning Anika’s ideas is always how to be MORE CREATIVE. It is about working on your weaknesses, developing new ideas and rhythms for yourself, or simply looking at familiar things from a different perspective. Back on the DRUM KIT you will find that you can focus on more specific, musically relevant topics such as sound, orchestration, and dynamics, since the hands, body, and mind have already internalized the basics practiced on the pad. JUST FUNDAMENTAL   / Methods & Tutors / Etude / Percussions

Par POWELL JOHN. / Répertoire / Glockenspiel, Xylophon, Vibraphon, Marimba 1, Mari

Par LINKIN PARK. / Répertoire / Glockenspiel & Xylophon, Vibraphon, Marimba 1, Mar

Par TONES AND I. / Répertoire / Xylophon & Glockenspiel, Vibraphon, Marimba 1, Mar

Par POST MIKE / CARPENTER PETE. / Répertoire / Glockenspiel, Xylophon, Vibraphon, (Röhrenglocken)