this time in his career Satie was filling his scores with non standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms Piano & claviers
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Artistes : • Satie, Erik
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Les Trois Valses Distinguées du Précieux Dégoûté (Three Distinguished Waltzes of a Jaded Dandy)
# Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor# INTERMÉDIAIRE/AVANCÉ# this time in his career Satie # Erik Satie# Steven Paxton# Les Trois Valses Distingu&eacu# Creative Spirit# SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1392483 Composed by Erik Satie. Arranged by Steven Paxton. 20th ...(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1392483 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. 32 pages. Creative Spirit #976004. Published by Creative Spirit (A0.1392483). Transcription for woodwind quintet of the work originally composed by Erik Satie in 1914 for solo piano. By this time in his career Satie was filling his scores with non-standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms. In the case of Les Trois Valses Distinguées du Précieux Dégoûté, Maurice Ravel was undoubtedly the target of Satie’s satire. Ravel was the Précieux Dégoûté (a revolting or jaded dandy, a fop), and Satie’s Trois Valses subtly derided Ravel’s popular Valses nobles et sentimentales, composed four years earlier. (Another set, Avant-Dernièrniers Penseés, is also published by Creative Spirit in a transcription for woodwind quintet.)TOTAL DURATION: about 3–1/2 minutes.
this time in his career Satie was filling his scores with non standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms
