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that is why He came
Partitions à imprimer
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On That Cross
On That Cross
#
Chorale SSATTB
#
FACILE
#
Musique Sacrée
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
(+)
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00 ≈
2.81€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
#
Musique Sacrée
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
(+)
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.86€
On That Cross (choir pack + piano part + licence)
On That Cross (choir pack + piano part + licence)
#
Musique Sacrée
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
(+)
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00 ≈
14.97€
Suffer in the Savior's Name, sacred music for SATB choir
Suffer in the Savior's Name, sacred music for SATB choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Kevin G
#
that is why He came
#
Suffer in the Savior's Name, s
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.933093 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pag...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.933093 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #538852. Published by Kevin G. Pace (A0.933093). A beautiful, sacred composition for SATB choir with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: When unfairness threatens peace, when reviled against, When all persecutions rage, calmness is the quest. Know there’s One who suffered more; that is why He came. Suffer in the Savior’s name; suffer without shame. When condemned and spat upon, criticized or harmed, When abused mistakenly, reach the Savior’s arms. Know there’s One who conquers all. Sing this sweet refrain: Suffer in the Savior’s name without any blame. When betrayal causes pain, proving enmity, Show (grant) forgiveness instantly so to be set free. Promised is a place in heav’n under God’s sure care. Suffer in the Savior’s name; his love will be there. Suffer in the Savior’s name; suffer without shame. He will bless all suffering; that is why He came. Suffer in his holy Name, Jesus Christ above. Suff’ring brings all righteousness; suff’ring brings his love.
$1.99 ≈
1.86€
Suffer in the Savior's Name, a sacred hymn
Suffer in the Savior's Name, a sacred hymn
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Kevin G
#
that is why He came
#
Suffer in the Savior's Name, a
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.911825 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pag...
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Choral Choir (SATB) - Level 4 - SKU: A0.911825 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #517787. Published by Kevin G. Pace (A0.911825). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: When unfairness threatens peace, when reviled against, When all persecutions rage, calmness is the quest. Know there’s One who suffered more; that is why He came. Suffer in the Savior’s name; suffer without shame. When condemned and spat upon, criticized or harmed, When abused mistakenly, reach the Savior’s arms. Know there’s One who conquers all. Sing this sweet refrain: Suffer in the Savior’s name without any blame. When betrayal causes pain, proving enmity, Show (grant) forgiveness instantly so to be set free. Promised is a place in heav’n under God’s sure care. Suffer in the Savior’s name; his love will be there. Suffer in the Savior’s name; suffer without shame. He will bless all suffering; that is why He came. Suffer in his holy Name, Jesus Christ above. Suff’ring brings all righteousness; suff’ring brings his love.
$1.99 ≈
1.86€
Nehemiah 8:5, is Why I Stand
Nehemiah 8:5, is Why I Stand
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Chorale Unison
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INTERMÉDIAIRE
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Musique Sacrée
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John W
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Nehemiah 8:5, is Why I Stand
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John Fisher
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.972975 Composed by John W. Fisher. Christian,Jewish,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. John F...
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Choral Choir (Unison) - Level 3 - SKU: A0.972975 Composed by John W. Fisher. Christian,Jewish,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. John Fisher #4625135. Published by John Fisher (A0.972975). In some places of worship, some parishioners rise when the Scripture is read. When I first observed that, I asked one who was standing why he did that and he said it came from the Book of Nehemiah. After further research, I composed this baritone solo to preach out a lesson. I asked another member of the church if she knew anything of this practice, and she told me some do it but others do not want visitors to stand out. With an Old Time hymn sing accompaniment, this makes for good summer fill in music while the choir is on vacation.
$5.00 ≈
4.68€
Three Wise Camels - a Roger Jones Christmas musical
Three Wise Camels - a Roger Jones Christmas musical
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Chorale SATB
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INTERMÉDIAIRE
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Alison Fuggle, Jane Hicks, and
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Annie Routley
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Three Wise Camels - a Roger Jo
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927449 Composed by Alison Fuggle, Jane Hicks, and Roger Jones. Arranged by Annie Routley. Children,Christian,Chr...
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Choral Choir (SATB) - Level 3 - SKU: A0.927449 Composed by Alison Fuggle, Jane Hicks, and Roger Jones. Arranged by Annie Routley. Children,Christian,Christmas,Musical/Show,Sacred. Octavo. 57 pages. Christian Music Ministries #6087153. Published by Christian Music Ministries (A0.927449). Three Wise Camels - an amazing journey of discovery.Particularly appropriate for churches and schools.Camelia, Humphrey and Samson are three camels who set out on what proves to be the most exciting excursion of their lives! Seen through the camels' eyes, the musical reveals truths about the costly gifts of the Three Kings as they follow the extra-bright star which guides them along their way to Bethlehem where, to their amazement, they discover that the gifts are for a little boy. Samson is awe-struck when he sees angels while Humphrey wonders why the child isn't living in a palace. Camelia is just thrilled that she came! The musical ends with them all bowing down in praise and worship of Jesus, the true King.Told in a light-hearted and amusing way, this musical will appeal to young and old alike. Eight songs for choir, soloists and three wise camels.This vocal score contains all 8 songs with full piano score, guitar chords, SATB choir parts plus solo parts, and drama.
$9.99 ≈
9.35€
He'll Have To Go
He'll Have To Go
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Instruments en Do
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INTERMÉDIAIRE
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Jim Reeves
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John Fries
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He'll Have To Go
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John Fries
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.518392 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Le...
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C Instrument - Level 3 - SKU: A0.518392 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #129085. Published by John Fries (A0.518392). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..
$3.99 ≈
3.73€
He'll Have To Go
He'll Have To Go
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jim Reeves
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John Fries
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He'll Have To Go
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202380 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202380 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Score. 2 pages. John Fries #801070. Published by John Fries (A0.1202380). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..
$4.99 ≈
4.67€
Everything for the Church Soloist-Digital Download
Everything for the Church Soloist-Digital Download
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Various Writers
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing ...
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Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95 ≈
74.80€
Love Brought Him To Earth
Love Brought Him To Earth
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Chorale SATB
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Noël
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Hugh Goodridge
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Love Brought Him To Earth
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Goodridge & Huvon Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.889133 Composed by Hugh Goodridge. Christmas. Octavo. 5 pages. Goodridge & Huvon Music Publishing #506541. Published by Go...
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Choral Choir (SATB) - SKU: A0.889133 Composed by Hugh Goodridge. Christmas. Octavo. 5 pages. Goodridge & Huvon Music Publishing #506541. Published by Goodridge & Huvon Music Publishing (A0.889133). 2015 Holiday Contest Here is a lullaby kind of Christmas song that reinforces the love that the babyJesus has why He came to earth. This can be a solo work though it's scored for a mixed choir.
$4.00 ≈
3.74€
In the Sweet By and By hymn for string trio
In the Sweet By and By hymn for string trio
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that mak
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SMT Music
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In the Sweet By and By hymn fo
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SMT Music
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Mu...
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String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99 ≈
12.15€
Symphony No. 9 ... My Imaginary London (2014)
Symphony No. 9 ... My Imaginary London (2014)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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going to London, that is
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Symphony No. 9 ... My Imaginar
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 ...
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Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
$9.99 ≈
9.35€
Where Eagles Dare (Theme) - Score Only
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99 ≈
14.03€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.05€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.05€
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.80€
Rosary Sonatas: The Visitation
Rosary Sonatas: The Visitation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Visitation
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 47 pages. JMJ Arrangements #685702. Published by JMJ Arrangements (A0.1081580). In those days, Mary arose and went with haste into the hill country, to a city of Judah, and she entered the house of Zechariah and greeted Elizabeth. And when Elizabeth heard the greeting of Mary, the babe leaped in her womb; and Elizabeth was filled with the Holy Spirit and she exclaimed with a loud cry, 'Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me? For behold, when the voice of your greeting came to my ears, the babe in my womb leaped for joy. And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.' And Mary said, “'My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has regarded the low estate of his handmaiden. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is on those who fear him from generation to generation. He has shown strength with his arm, he has scattered the proud in the imagination of their hearts, he has put down the mighty from their thrones, and exalted those of low degree; he has filled the hungry with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his posterity for ever.' And Mary remained with her about three months, and returned to her home. (Luke 1:39-56 RSV-CE).
$19.99 ≈
18.70€
First Of May
First Of May
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Bee Gees
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Peet du Toit
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First Of May
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Pee...
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Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 12 pages. Peet du Toit #6200345. Published by Peet du Toit (A0.802654). First of May is a song by the Bee Gees with lead vocals by Barry Gibb, released as a single from their 1969 double album Odessa. The song was first recorded in Atlantic Studios in New York and was continued in IBC Studios, London. Barry said in the booklet with Tales from the Brothers Gibb that the title of the song came from the birthday of his dog, Barnaby. Maurice recalled the session in which that song came about. Barry and I were sitting at the piano, he said, And I started playing the chords, and Barry started singing, 'When I was small and Christmas trees were tall' and I started singing along with it. We put a demo down with a vocal and we kept the piano track. Went back to England, and went into IBC Studios in London, added onto that piano track and Barry's vocal stayed on as well. We had a choir and an orchestra all on this one piano. This song was initially taped in demo form in New York City on 16 August 1968.The orchestral arrangement from maestro Bill Shepherd was featured on the second chorus. The song starts with a piano on the first verse and chorus. Shepherd's orchestra was featured in second verse and second chorus. After singing the second chorus, the singer repeated the first verse. The music was stopped when he sings don't ask me why, but time has passed us by, Someone else moved in from far away.It was quite a challenge to arrange such subtle music for a brass quintet. I am very pleased with the result though. Enjoy!
$19.00 ≈
17.78€
Seven Days Without Prayer
Seven Days Without Prayer
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,C...
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99 ≈
1.86€
Gödel, Escher, Bach (2023)
Gödel, Escher, Bach (2023)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Gödel, Escher, Bach
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Thomas Oboe Lee
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1377044 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 61 pa...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1377044 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 61 pages. Thomas Oboe Lee #961650. Published by Thomas Oboe Lee (A0.1377044). I came across Douglas R. Hofstadter's book Gödel, Escher, Bach when I was a doctoral student at Harvard University, 1977-81. I guess I bought it because I saw the name Bach on its cover. I have to confess however that I was unable to go through it all; the Gödel theorems and others were beyond my elementary knowledge of math and science. Early this summer I accidentally found an article in The Atlantic about a conversation between Sami Al-Suwailem and Professor Hofstadter regarding a question that the former presented to the LLM (large-language-model), ChatGPT: Why Did I Write GEB? NB: GEB is an acronym of Gödel, Escher, Bach. The conversation between them about ChatGPT was hilarious; basically Hofstadter said ChatGPT is ridiculously clumsy and inept. I, on the other hand, immediately thought: wouldn't it be fun to set excerpts of the GEB text in a song cycle for tenor and piano?I wrote to Prof. Hofstadter and he was enthusiastic about my idea of a GEB song cycle and encouraged me to go ahead.After reading through the tome of 700-plus pages (and skimming through the over my head mathematical parts), I came up with eight paragraphs of texts which I set to music.1. A Fugue is ...2. Fishes and Scales ...3. Bach and Cage ...4. The Carroll Dialogue ...5. Crab Canon ...6. The Brain's Ants ...7. Is 15 wondrous, or unwondrous?8. The Origin of Life ...
$9.99 ≈
9.35€
Rosary Sonatas: The Finding of the Child Jesus in the Temple
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99 ≈
18.70€
Peace on Earth - Christmas Song - Strings quintet and piano
Peace on Earth - Christmas Song - Strings quintet and piano
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Noël
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Connie Boss
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on Earth
Peace
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Peace on Earth - Christmas Son
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.801564 Composed by Connie Boss. Celtic,Christian,Christmas,Sacred. Score and parts. 4 pages. Conni...
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Small Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.801564 Composed by Connie Boss. Celtic,Christian,Christmas,Sacred. Score and parts. 4 pages. Connie Boss #6202107. Published by Connie Boss (A0.801564). This is a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all. Strings arrangement that does include the lyrics. Note: This shows going from verse 2 to bridge. You could repeat the refrain in between and/or add the refrain at the end of the piece. cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace on EarthPeace on EarthPeace on EarthPeace one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$5.00 ≈
4.68€
Peace on Earth - Christmas Song - Strings (with solo) and Piano
Peace on Earth - Christmas Song - Strings (with solo) and Piano
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Noël
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Connie Boss
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on Earth
Peace
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Peace on Earth - Christmas Son
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801570 Composed by Connie Boss. Christian,Christmas,Sacred. Score and p...
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Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801570 Composed by Connie Boss. Christian,Christmas,Sacred. Score and parts. 8 pages. Connie Boss #6206817. Published by Connie Boss (A0.801570). This is a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all. Strings arrangement that does include the lyrics. Note: This shows going from verse 2 to bridge. You could repeat the refrain in between and/or add the refrain at the end of the piece. cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace on EarthPeace on EarthPeace on EarthPeace one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$5.50 ≈
5.15€
Pachelbel: Canon for Baritone Horn & Piano
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95 ≈
27.09€
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