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Vous avez sélectionné:
You Can Teach Yourself About Music
Partitions à imprimer
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You Can Teach Yourself About Music
You Can Teach Yourself About Music
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Théorie de la musique
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DÉBUTANT
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L
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You Can Teach Yourself About M
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by L. Dean Bye. Theory and Reference, Classical. You Can Teach Yourself. All styles. E-book. Mel Bay Publications - Digital Sheet Music #9430...
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Composed by L. Dean Bye. Theory and Reference, Classical. You Can Teach Yourself. All styles. E-book. Mel Bay Publications - Digital Sheet Music #94300EB. Published by Mel Bay Publications - Digital Sheet Music
$14.99
You Can Teach Yourself to Compose Music
You Can Teach Yourself to Compose Music
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Formation musicale - Solfège
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Bob Ashton
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You Can Teach Yourself to Comp
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Composed by Bob Ashton. For All Instruments. You Can Teach Yourself. All Styles. Beginning. E-book and online audio. 88 pages. Published by Mel Bay Publications...
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Composed by Bob Ashton. For All Instruments. You Can Teach Yourself. All Styles. Beginning. E-book and online audio. 88 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781610655453. A very comprehensive book that answers many frequently asked questions about song composition. It starts at the very beginning the basic concept, and takes you step-by-step to the final completion and production of a song. Audio download available online.
$14.99
You Can Teach Yourself Mandolin
You Can Teach Yourself Mandolin
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Mandoline
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DÉBUTANT
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Methodes
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Dix Bruce
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You Can Teach Yourself Mandoli
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Dix Bruce. For Mandolin. You Can Teach Yourself. All Styles. Beginning. E-book. 104 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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Composed by Dix Bruce. For Mandolin. You Can Teach Yourself. All Styles. Beginning. E-book. 104 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609749989. You Can Teach Yourself Mandolin is written as a teach-yourself text with play-along examples and tunes on the companion recording. In the author's word, "It is aimed at helping you get started immediately on your way to mandolinhood by giving you the basics of the mandolin and mandolin playing." With this informal, often humorous text, Dix Bruce will guide you step-by-step through the basics of learning this versatile instrument. Learn all about accompanying yourself and others, common chords and useful strums, reading simple melodies, playing a colorful assortment of mandolin folk songs, and more. All musical examples and tunes are written in bothstandard notation and tablature. Diagrams of all the principal chords used on the mandolin are shown in the Chord Appendix, making this book a particularly useful study aid for the beginning mandolinist. Illustrated with drawings and photographs of vintage instruments. This book has accompanying audio and video.
$14.99
Keep Yourself Alive
Keep Yourself Alive
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Basse electrique
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FACILE
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Rock
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Queen
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Igor Sardi Bass
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2) - https://www
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Keep Yourself Alive
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Igor Sardi Bass
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SheetMusicPlus
Bass Guitar - Level 2 - SKU: A0.1270241 By Queen. By Brian May. Arranged by Igor Sardi Bass. Rock. Score. 4 pages. Igor Sardi Bass #862674. Published by...
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Bass Guitar - Level 2 - SKU: A0.1270241 By Queen. By Brian May. Arranged by Igor Sardi Bass. Rock. Score. 4 pages. Igor Sardi Bass #862674. Published by Igor Sardi Bass (A0.1270241). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$9.99
Mandolin Chord Melody System
Mandolin Chord Melody System
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Mandoline
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INTERMÉDIAIRE
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Methodes
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Aaron Weinstein
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Mandolin Chord Melody System
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvis...
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Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Eight Duets for Euphonium and Tuba or Two Tubas
Eight Duets for Euphonium and Tuba or Two Tubas
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Euphonium, Tuba (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georg Frideric Handel
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Robert Coulter
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Eight Duets for Euphonium and
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Cherry Classics Music
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SheetMusicPlus
Tuba Duets Tuba and Euphonium Duets - Advanced Intermediate - Composed by Georg Frideric Handel. Arranged by Robert Coulter. Classical Period, Baroque Per...
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Tuba Duets Tuba and Euphonium Duets - Advanced Intermediate - Composed by Georg Frideric Handel. Arranged by Robert Coulter. Classical Period, Baroque Period, Renaissance, Early Music. Set of Parts. 12 pages. Published by Cherry Classics Music
Robert Coulter's arrangement of Eight Duets for Euphonium and Tuba or Two Tubas by Handel is a great way to get together to play or even record yourself and play back over the track. The music can be performed by Euphonium (mostly middle register) and Tuba or with two tubas with an F Tuba on the top part.
These Eight Duets are perfect for a recital, the teaching studio, or just for fun, appropriate for intermediate to moderately advanced performers, and total about 15 minutes of great music.
$20.00
The Be-Bop Range Book
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
FROLIC (Piano Solo)
FROLIC (Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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FROLIC
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1104290 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Children,Christmas,Classical,Instructional,New Age. Score. 9 pages. Whi...
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Piano Solo - Level 4 - SKU: A0.1104290 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Children,Christmas,Classical,Instructional,New Age. Score. 9 pages. White Piano International Publishing #707500. Published by White Piano International Publishing (A0.1104290). FROLICAdvanced Intermediate Piano Soloby ROBERT VAN HORNE  9 pagesDuration is about 3:20 In 1995, while performing at Nordstrom Valley Fair in San Jose, CA, I was asked to participate in a group of other Nordstrom pianists from all over the United States in a charitable Holiday project to benefit the “Make A Wish Foundation.†I was told to record several Holiday pieces and submit them to the main office in Seattle. It was a sunny Saturday morning in May when I recorded in my home a few of my favorite holiday songs, like Silent Night, Have Yourself A Merry Little Christmas, God Rest Ye Merry Gentlemen and other Christmas carols.After doing this, I asked myself, why don't I compose a new instrumental piano piece and submit it along with the other familiar demo examples. I imagined children playing in the snow, sledding down hills, their excitement on Christmas morning, and the wonderful spirit of the holiday season. After a little while I composed this piece. I then thought to myself; “I’ll call it CHRISTMAS FROLIC. Even though Nordstrom never used this piece on their Holiday CD, I performed it for audiences. I remember once telling a friend, “Here’s a new piece I composed called CHRISTMAS FROLIC, however, it can only be played during the Christmas season. My friend replied; “Robert, why don’t you just call it FROLIC, then you can play it all year long.The sheet music is clearly notated with dynamic and articulation marks, phrasing, pedal indications, suggested fingerings and appropriate musical terms for playing. This advanced intermediate piano solo can be played year around. It is an excellent teaching piece that can be used in recitals and school musical events and makes and excellent encore for professionals.It is a delightful musical listening treat for audiences and ideal for more advanced piano students. FROLIC was recorded as a piano selection in 1998 on Robert’s CD entitled PIANO & MEMORIES. The audio sample from the album has accompanied orchestral instrumentation and is not included in the piano sheet music. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comHere is the link to the video: YouTube Link: https://youtu.be/8tC7nyF6W0I.
$5.99
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