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You're Losing Me
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Vous avez sélectionné:
You're Losing Me
Partitions à imprimer
23 partitions trouvées
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1
You're Losing Me
You're Losing Me
#
Piano, Voix
#
FACILE
#
Pop musique
#
Taylor Swift
#
Taylor Swift
#
You're Losing Me
#
Mr. Lu Lai
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1340043 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Taylor Swift. Contemporary,Multicultural,P...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1340043 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Taylor Swift. Contemporary,Multicultural,Pop,World. Score. 9 pages. Mr. Lu Lai #925707. Published by Mr. Lu Lai (A0.1340043). You’re Losing Me Piano score.
$5.99 ≈
5.35€
Easy On Me
Easy On Me
#
Piano, Voix et Guitare
#
DÉBUTANT
#
Pop musique
#
Adele
#
Paul Lorenz
#
Easy On Me
#
Paul Lorenz
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1382812 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,R an...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1382812 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,R and B,Soul,Standards. Score. 5 pages. Paul Lorenz #967239. Published by Paul Lorenz (A0.1382812). Unlock the Soulful Melodies of Adele's Easy On Me Embrace the Elegance of Piano with Adele's Easy On Me Paul Lorenz Music invites you to explore the emotional depth of Adele's hit single Easy On Me through our exclusive collection of easy piano sheet music. Designed for musicians of all skill levels, our arrangements capture the essence of this soul-stirring song, making it accessible and enjoyable to play. Whether you're a seasoned pianist or just starting out, Easy On Me - Adele piano sheet music is your gateway to mastering this poignant track. Your Perfect Companion: Easy On Me Piano Sheet Music Dive into the world of piano music with Easy On Me - Adele piano sheet music. Our meticulously crafted scores ensure that pianists can experience the joy of playing one of Adele's most heartfelt songs with ease. Paul Lorenz Music stands at the intersection of quality and innovation, providing easy on me piano sheet music that resonates with both classical enthusiasts and modern audiences. Elevate Your Performance with Adele Piano Sheet Music Easy Paul Lorenz Music's Adele piano sheet music easy collection offers an unparalleled opportunity to engage with music that speaks to the heart. Our easy on me sheet music pdf is not just a document; it's a doorway to enhancing your musical expression. The detailed annotations and expressive dynamics included in our easy piano sheet music Adele ensure a rewarding playing experience. Discover the Ultimate Adele Easy On Me Sheet Music Collection With Paul Lorenz Music, accessing Adele easy on me sheet music and Adele easy on me piano sheet music has never been simpler. Our platform is a treasure trove for musicians searching for high-quality sheet music that captures the original integrity of Adele's masterpiece. Whether you prefer a digital format or a traditional sheet, our easy on me sheet music PDF and comprehensive collection cater to every preference. Frequently Asked Questions Is Easy On Me easy to play on piano? Absolutely, especially with our tailored arrangements that simplify complex sections without losing the song's emotional impact. Where can I get free sheet music PDF? Paul Lorenz Music offers a wide range of free sheet music PDFs, including Adele's Easy On Me, available for download on our website. Is there digital sheet music? Yes, we provide digital sheet music formats for a seamless, accessible learning experience. Where can I find sheet music for a song? Discover an extensive collection of song sheet music, including Adele's hits, on Paul Lorenz Music's platform.Dive deeper into your musical journey with Paul Lorenz Music. Our commitment to quality, innovation, and connection ensures you have access to the best classical and contemporary music resources. For those enchanted by Easy On Me - Adele, explore our comprehensive collection and elevate your musical repertoire.
$4.99 ≈
4.46€
You're Losing Me
You're Losing Me
#
Piano Facile
#
DÉBUTANT
#
Taylor Swift
#
Felipe Silveira
#
You're Losing Me
#
Felipe Silveira de Lima
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1412774 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Felipe Silveira. Pop,Singer/Songwriter. Score. 6 ...
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Easy Piano - Level 1 - SKU: A0.1412774 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Felipe Silveira. Pop,Singer/Songwriter. Score. 6 pages. Felipe Silveira de Lima #994778. Published by Felipe Silveira de Lima (A0.1412774). EASY arrangement for piano.
$4.99 ≈
4.46€
You're Losing Me
You're Losing Me
#
Batterie
#
INTERMÉDIAIRE
#
Pop musique
#
Taylor Swift
#
COPYDRUM
#
You're Losing Me
#
COPYDRUM
#
SheetMusicPlus
Drum Set,Drums - Level 3 - SKU: A0.1386934 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by COPYDRUM. Pop. Score. 3 pages. COPYDRUM #9708...
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Drum Set,Drums - Level 3 - SKU: A0.1386934 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by COPYDRUM. Pop. Score. 3 pages. COPYDRUM #970818. Published by COPYDRUM (A0.1386934).
$5.00 ≈
4.47€
You're Losing Me
You're Losing Me
#
Piano seul
#
INTERMÉDIAIRE
#
Pop musique
#
Taylor Swift
#
Lauren Pennington
#
You're Losing Me
#
Lauren Pennington
#
SheetMusicPlus
By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Lauren Pennington. Pop,Singer/Songwriter. Score. 6 pages. Lauren Pennington #862798. P...
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By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Lauren Pennington. Pop,Singer/Songwriter. Score. 6 pages. Lauren Pennington #862798. Published by Lauren Pennington
$5.00 ≈
4.47€
You're Losing Me
You're Losing Me
#
Piano, Voix et Guitare
#
Pop musique
#
Taylor Swift
#
You're Losing Me
#
Hal Leonard - Digital
#
SheetMusicPlus
By Taylor Swift. This edition: Interactive Download,scorch. Pop. Score. 8 pages. Hal Leonard - Digital #350891. Published by Hal Leonard - Digital...
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By Taylor Swift. This edition: Interactive Download,scorch. Pop. Score. 8 pages. Hal Leonard - Digital #350891. Published by Hal Leonard - Digital
$4.99 ≈
4.46€
Me Da Um Dinheiro Ai - Score Only
Me Da Um Dinheiro Ai - Score Only
#
Glauco Silva Araujo Ferreira,
#
Helicleiton
#
Me Da Um Dinheiro Ai - Score O
#
Helicleiton
#
SheetMusicPlus
Brass Ensemble,Brass Trio - Level 1 - SKU: A0.1503468 Composed by Glauco Silva Araujo Ferreira, Homero Da Silva Araujo Ferreira, and Ivan Silva Araujo F...
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Brass Ensemble,Brass Trio - Level 1 - SKU: A0.1503468 Composed by Glauco Silva Araujo Ferreira, Homero Da Silva Araujo Ferreira, and Ivan Silva Araujo Ferreira. Arranged by Helicleiton. Latin. 2 pages. Helicleiton #1078917. Published by Helicleiton (A0.1503468). If you're looking for a vibrant and unique arrangement for trumpet, saxophone, and trombone, my version of the iconic Me dá um dinheiro aí is the perfect choice. Blending the contagious energy of samba with rich and dynamic harmonies that highlight each instrument, this arrangement offers a truly unique musical experience. The trumpet shines with a bright and striking tone, the saxophone adds smoothness and charm, while the trombone completes the sound with its depth and power. Every phrase has been carefully crafted to create a fluid interaction between the instruments, respecting the essence of the original melody, yet with a modern twist that will surprise listeners.This arrangement is tailored for musicians seeking something distinct and impactful for their repertoire, especially for events, ensemble performances, and shows that demand a standout moment. The choice of trumpet, sax, and trombone is intentional—these instruments, when played together, create the perfect balance between brilliance and depth, producing a rich sound that fills any space. The arrangement explores various registers, providing moments of dialogue between the instruments, as well as unison passages that emphasize the strength of the composition. It’s a versatile piece that can be adapted to different settings without losing its original charm.Focused on creative and sophisticated arrangements, this work is ideal for musicians looking to add a popular yet stylish piece to their repertoire. In addition to offering an interesting technical challenge for the performers, the arrangement maintains the fun and irreverent essence of the original song, making it perfect for captivating audiences in any type of performance. It’s a tribute to one of Brazil’s most beloved songs, but with a fresh approach that makes it even more engaging and modern.
$4.99 ≈
4.46€
You're Losing Me
You're Losing Me
#
Piano seul
#
INTERMÉDIAIRE
#
Pop musique
#
Taylor Swift
#
Jin Kay Teo
#
You're Losing Me
#
Jin Kay Teo
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1418610 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Jin Kay Teo. Pop. Score. 4 pages. Jin Kay Teo #10...
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Piano Solo - Level 3 - SKU: A0.1418610 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Jin Kay Teo. Pop. Score. 4 pages. Jin Kay Teo #1000184. Published by Jin Kay Teo (A0.1418610). Arranged by Jin Kay Teo for solo piano Performance on YouTube: https://youtu.be/NHTAl3s1YBcSubscribe for more covers! http://bit.ly/2SBnrTT.
$4.99 ≈
4.46€
You Don't Own Me
You Don't Own Me
#
Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Grace Featuring G-eazy
#
Liz Garnett
#
You Don't Own Me
#
Liz Garnett
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1344227 By Grace Featuring G-eazy. By Grace. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. 5 pages....
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1344227 By Grace Featuring G-eazy. By Grace. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. 5 pages. Liz Garnett #929713. Published by Liz Garnett (A0.1344227). This is a song that, paradoxically, feels both evocative of a particular historical moment and timeless. In it's first guise, as sung by Lesley Gore in 1963, it is a harbinger of both the sexual revolution and Second Wave feminism. Three decades later, as the closing sequence to the movie The First Wives Club, it is full of  confidence and joie de vivre, but by 2016, when released by Grace, it has turned darker, as G-Eazy's rap dramatises the controlling man the song addresses.This arrangement positions the song as a statement of strength and defiance, and re-appropriates material from the rap to craft an original bridge.n.b. This arrangement is notated in treble and bass alta (i.e. sounding an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: G3 - D5Bari: G3 - C5Bass: D3 - F#4www.HelpingYouHarmonise.com
$2.99 ≈
2.67€
You're Losing Me by Taylor Swift - Piano/Vocal/Guitar
#
Piano, Voix et Guitare
#
Taylor Swift
#
You're Losing Me
#
Musicnotes
Sheet Music for You're Losing Me by Taylor Swift arranged for Piano/Vocal/Guitar in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for You're Losing Me by Taylor Swift arranged for Piano/Vocal/Guitar in C Major. Digital sheet music from Musicnotes.
$6.99 ≈
6.24€
You're Losing Me [easy - abridged] by Jennifer Eklund - Piano Solo
#
Piano seul
#
Jennifer Eklund
#
You're Losing Me [easy - abrid
#
Musicnotes
Sheet Music for You're Losing Me [easy - abridged] by Jennifer Eklund arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for You're Losing Me [easy - abridged] by Jennifer Eklund arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.17€
You're Losing Me [intermediate - abridged] by Jennifer Eklund - Piano Solo
#
Piano seul
#
Jennifer Eklund
#
You're Losing Me [intermediate
#
Musicnotes
Sheet Music for You're Losing Me [intermediate - abridged] by Jennifer Eklund arranged for Instrumental Solo in C Major. Digital sheet music from Musicnote...
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Sheet Music for You're Losing Me [intermediate - abridged] by Jennifer Eklund arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.17€
You're Losing Me [intermediate - full] by Jennifer Eklund - Piano Solo
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Piano seul
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Jennifer Eklund
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You're Losing Me [intermediate
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Musicnotes
Sheet Music for You're Losing Me [intermediate - full] by Jennifer Eklund arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for You're Losing Me [intermediate - full] by Jennifer Eklund arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes.
$5.99 ≈
5.35€
You're Losing Me by Taylor Swift - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Taylor Swift
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You're Losing Me
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Musicnotes
Sheet Music for You're Losing Me by Taylor Swift arranged for Piano/Vocal/Chords;Singer Pro in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for You're Losing Me by Taylor Swift arranged for Piano/Vocal/Chords;Singer Pro in C Major. Digital sheet music from Musicnotes.
$6.99 ≈
6.24€
His Memory
His Memory
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published...
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Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00 ≈
21.44€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.56€
Taylor Swift: You're Losing Me - voice, piano or guitar
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Virtualsheetmusic
Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill level. / pop
$7.97 ≈
7.12€
Calm My Restless Mind
Calm My Restless Mind
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Piano seul
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AVANCÉ
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New Age
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Ann Ruane
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Calm My Restless Mind
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1308097 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897368. Published by Ann Ruane-Lux ...
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Piano Solo - Level 5 - SKU: A0.1308097 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897368. Published by Ann Ruane-Lux Eterna Healing (A0.1308097). Let the rich harmonies wash away inner tension and bring calm. Even with the rich texture, it is soothing and helps untie the knots within you.        Refrain: Calm my restless mind. Let me know You’re here. I need to find peace. Calm my restless mind. Let me know You’re here. Lead me to my heart. (From the closing poem of “Fall in Love with the Whispers of Your Heart†Book 2.)From the collection, Inner Mosaic, by Ann Ruane. Perfect for meditation, healing therapies, service prelude/interlude, reflection, and more.
$3.50 ≈
3.13€
Kings & Queens
Kings & Queens
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Chorale SSAA
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INTERMÉDIAIRE
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Ava Max
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Andrea Markowitz Gantte
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Kings & Queens
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Andrea Markowitz Gantte
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1302975 By Ava Max. By Amanda Koci, Brett McLaughlin, Desmond Child, Henry Walter, Hillary Bernstein, Jak...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1302975 By Ava Max. By Amanda Koci, Brett McLaughlin, Desmond Child, Henry Walter, Hillary Bernstein, Jakob Erixson, Madison Love, Mimoza Blinsson, and Nadir Khayat. Arranged by Andrea Markowitz Gantte. A Cappella,Contemporary,Pop. 8 pages. Andrea Markowitz Gantte #892576. Published by Andrea Markowitz Gantte (A0.1302975). Originally sung by Ava Max. Arranged by Andrea Markowitz Gantte. This SSAA arrangement of Kings and Queens is a great choice as an opening or closing piece for your treble contemporary acapella group or choral ensemble. The divisi in this piece is SSAA, with the exception of a few moments of splitting in order to create lush chords and a powerful sound. It offers a few unique opportunities for your ensemble including a mid-range, belting solo, a trio that could be performed with any number of people on each part, depending on the size of your group, and a vocal percussion part. If you're looking for a song with a powerful statement, this is the selection for you! Enjoy!Song Duration: 2:30Interested in this song but need it voiced differently? Simplified?LIke this style of arrangement and want a song written specifically and uniquely for your group?Contact me at andreamganttemusic@gmail.com.
$2.75 ≈
2.46€
Come, Ye Sinners, Poor and Needy (Flute & Piano)
Come, Ye Sinners, Poor and Needy (Flute & Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Joseph Hart
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Carol Troutman Wiggins
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Come, Ye Sinners, Poor and Nee
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.727496 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Folk,Religious,Sacred,Traditional. Score a...
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Flute,Piano - Level 3 - SKU: A0.727496 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Folk,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4595869. Published by Carol Troutman Wiggins (A0.727496). COME, YE SINNERS, POOR AND NEEDYFlute & Piano DuetComposed by Joseph Hart in 1759, this hymn has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.Piano Rehearsal Track available on this site.
$9.99 ≈
8.92€
I Will Arise and Go to Jesus (Flute & Piano) Piano Rehearsal Track
I Will Arise and Go to Jesus (Flute & Piano) Piano Rehearsal Track
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Flûte traversière et Piano
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Musique Sacrée
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Joseph Hart
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Carol Troutman Wiggins
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I Will Arise and Go to Jesus
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - SKU: A0.1065687 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 114. Carol Troutman...
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Flute,Piano - SKU: A0.1065687 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 114. Carol Troutman Wiggins #4595931. Published by Carol Troutman Wiggins (A0.1065687). I WILL ARISE AND GO TO JESUS Flute & Piano DuetComposed by Joseph Hart in 1759, this hymn, also known as Come, Ye Sinners, Poor and Needy has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.
$3.99 ≈
3.56€
I Will Arise and Go to Jesus (Flute & Piano)
I Will Arise and Go to Jesus (Flute & Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Joseph Hart
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Carol Troutman Wiggins
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I Will Arise and Go to Jesus
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.732893 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Spiritual,Traditional. Sc...
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Flute,Piano - Level 3 - SKU: A0.732893 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Spiritual,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4595929. Published by Carol Troutman Wiggins (A0.732893). I WILL ARISE AND GO TO JESUS Flute & Piano DuetComposed by Joseph Hart in 1759, this hymn, also known as Come, Ye Sinners, Poor and Needy has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.Piano Rehearsal Track available on this site.
$9.99 ≈
8.92€
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
8.93€
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You're Losing Me
