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Where Are You? for Voice and Piano
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Once Upon a Rhyme (A Musical for Children of All Ages)
Once Upon a Rhyme (A Musical for Children of All Ages)
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Piano, Voix
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INTERMÉDIAIRE
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Lon W
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Once Upon a Rhyme
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LCS Productions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1442735 Composed by Lon W. Chaffin. Broadway,Musical/Show. Score. 80 pages. LCS Productions #1022712. Published by...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1442735 Composed by Lon W. Chaffin. Broadway,Musical/Show. Score. 80 pages. LCS Productions #1022712. Published by LCS Productions (A0.1442735). This is a one-act musical to be performed for children. It takes traditional nursery rhyme characters and interweaves their stories to create a fun, and sometimes poignant, tale of love and self-discovery.The characters include Wee Willie Winkie, Jack and Jill, Mary (who had a little lamb) Georgy Porgy, Tom Tucker, the Baker, and the Candlestick Maker.This version is for voices and piano. There is also a version with a chamber ensemble score. Please contact the composer directly for more information.PrefaceBeing a kid can be fabulous and frightening at the same time. There are so many new things to find and feel and life is an adventure that's exciting and scary. As adults, we've all been there, and have become what we are because of where we've been. It's sad though, to see grown-ups who have lost the child in themselves. There's something very healthy in being able to play, pretend, imagine, laugh without reservation, and cry without embarrassment. Once Upon a Rhyme was intended to speak to the child in us all, whether we're 6 or 60. We invite you to... look and you will find visions in your mind of a day when love was play and life a nursery rhyme. Once upon a rhyme, forever in your heart. Find the child within yourself and let the visions start..
$29.99
12 Evocations (for Piano solo)
12 Evocations (for Piano solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by T...
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Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
?vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.
These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.
Evocation I ? The Harvest
The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.
Evocation II ? The Sepia photograph
Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.
Evocation III ? The dead soldier
The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.
Evocation IV ? The composer
The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.
Evocation V ? The Glowing Sun
The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.
Evocation VI ? The Far
Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...
Evocation VII ? The Queen of Spades
The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.
Evocation VIII ? The Poem
A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?
Evocation IX ? The Thinker
A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.
Evocation X ? The Island of the Hydrangeas.
A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.
Evocation XI ? The Near
When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.
Evocation XII ?Saffron rice
The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99
Build Your Kingdom Here
Build Your Kingdom Here
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rend Collective
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B
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Build Your Kingdom Here
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1416208 Composed by Rend Collective. Arranged by B. McCormick. Celtic,Christian,Folk,Irish,Praise & Worship...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1416208 Composed by Rend Collective. Arranged by B. McCormick. Celtic,Christian,Folk,Irish,Praise & Worship,Sacred. Score. 8 pages. B. McCormick #997891. Published by B. McCormick (A0.1416208). Overview: This comprehensive sheet music arrangement of “Build Your Kingdom Here†by Rend Collective is tailored for piano, vocals, and guitar. Designed to fit neatly on a music stand, it spans four pages, with the first page dedicated to the initial verse (which can be discarded once played). The remaining three pages contain the complete music arrangement. Key Features: Piano Part:The piano part combines the melody and accompaniment.It serves as the foundation, providing harmonic support and rhythmic structure.The piano carries the emotional weight of the song.Vocal Melody:Singers can follow the melody line, ensuring accurate pitch and phrasing.The lyrics are set below the piano part, allowing seamless coordination.Guitar Chords:Guitar chords are indicated above the bars.Guitarists can strum or fingerpick these chords to accompany the piano and vocals.The chord symbols guide harmonic progression throughout the song.Structure and Repeats:Clearly marked sections (verse, chorus, instrumental) facilitate smooth transitions.Pay attention to the 1st, 2nd, or 3rd time through bars for accurate repetition.Transposition and Key:The arrangement is in C major, a tone lower than the original key.This transposition enhances congregational participation and makes the song more accessible. To play in the original key, transpose up a tone (use the transpose function on an electric piano/keyboard or add a capo on the second fret for guitars).Performance Note:Interpret dynamics, tempo, and expression to suit your worship context. Remember that music is not just notes; it’s an invitation to encounter God and declare His kingdom.Where to Use: Church Worship: Ideal for praise and worship bands during services. Youth Events: Energize gatherings with this uplifting anthem. CCLI Reporting: Report usage to CCLI (Christian Copyright Licensing International) when incorporating this song in your church context. About Rend Collective: Rend Collective is a lively Christian folk rock worship band hailing from Bangor, Northern Ireland. The band's lineup features Gareth Gilkeson, Chris Llewellyn, Ali Gilkeson, Patrick Thompson, and Steve Mitchell.Their song Build Your Kingdom Here is a fervent plea for God's presence and power to permeate all facets of our lives and communities. Echoing the Lord's Prayer, the chorus highlights the desire for God's kingdom to manifest on earth just as it is in heaven.Remember, as musicians, you’re not just playing notes; you’re participating in God’s work to establish His kingdom here and now.Â
$4.99
At Christmastime ~ piano/vocal/chords in D
At Christmastime ~ piano/vocal/chords in D
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Piano, Voix
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FACILE
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Noël
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919581. Published by Gregor Rice Publishing (A0.1010931). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture... if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyri.
$3.99
At Christmastime ~ piano/vocal/chords in Ab
At Christmastime ~ piano/vocal/chords in Ab
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Piano, Voix
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FACILE
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Noël
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Mark Kieswetter, Gregor Rice a
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1010930 Composed by Mark Kieswetter, Gregor Rice and Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice and...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1010930 Composed by Mark Kieswetter, Gregor Rice and Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice and Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919575. Published by Gregor Rice Publishing (A0.1010930). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture, if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one.
$3.99
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Euphonium and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Euphonium and piano with chords
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Piano, Voix et Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964516 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacre...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964516 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6331251. Published by Leyandder Trustworthy (A0.964516). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Euphonium, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Xylophone and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Xylophone and piano with chords
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Piano, Voix et Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964501 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacre...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964501 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6331215. Published by Leyandder Trustworthy (A0.964501). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Xylophone, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Piccolo and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Piccolo and piano with chords
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Piano, Voix et Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964466 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacre...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964466 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6329477. Published by Leyandder Trustworthy (A0.964466). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Piccolo, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Tuba and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Tuba and piano with chords
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Piano, Voix et Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964498 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacre...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964498 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6331207. Published by Leyandder Trustworthy (A0.964498). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Tuba, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
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Violon et Piano
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AVANCÉ
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Sergei Rachmaninoff
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Nicole Elyse DiPaolo
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Rachmaninoff - Etude-Tableau i
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole...
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Piano,Violin - Level 5 - SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #3125333. Published by Nicole Elyse DiPaolo (A0.799602). This is my own arrangement of one of my favorite Rachmaninoff pieces, his Etude-Tableau in G minor from the op. 33 set (labeled no. 5 or no. 7 in the set, depending on whom you ask), written in 1911. Suitable for early advanced players, this arrangement is a great addition to your next recital program. The violin part contains numerous parallel sixths, making this a fruitful study in double-stopped 6ths for the high-school or college-age violinist. In addition, the piano accompaniment might also work well on the harp.Both the score and the violin part are included with your purchase. About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$6.95
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Nicole Elyse DiPaolo
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Chopin - Waltz in E minor op.
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3...
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Piano,Violin - Level 4 - SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3123257. Published by Nicole Elyse DiPaolo (A0.799603). This is my own arrangement of one of my favorite Chopin waltzes for the piano. As the Duo del Mare, violinist Amy Schlicher and I performed this arrangement aboard the ms Zaandam cruise liner, where it proved very popular. Because Amy and I did not have extra time or venues in which to rehearse, I intentionally made this arrangement very accessible (so that we could play it well without rehearsal or an intermediate-level duo could master it with some practice). This waltz would make a great encore or showpiece on your next program.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$5.95
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Flute and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Flute and piano with chords
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.964467 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,East...
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Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.964467 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6329921. Published by Leyandder Trustworthy (A0.964467). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Flute, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Violin and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Violin and piano with chords
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Violon et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 1 - SKU: A0.964506 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Eas...
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Small Ensemble Piano,Violin,Voice - Level 1 - SKU: A0.964506 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6331235. Published by Leyandder Trustworthy (A0.964506). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Violin, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Nocturne in Eb Major, Op. 9, No. 2 (MEDIUM PIANO) [Frédéric Chopin]
Nocturne in Eb Major, Op. 9, No. 2 (MEDIUM PIANO) [Frédéric Chopin]
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Piano seul
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INTERMÉDIAIRE
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Classique
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mastering this composition, yo
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Frederic Chopin
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Darek
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Nocturne in Eb Major, Op. 9, N
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1259040 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #85...
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Piano Solo - Level 3 - SKU: A0.1259040 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #852303. Published by Darek (A0.1259040). Nocturne in Eb Major, Op. 9, No. 2 (MEDIUM PIANO) [Frédéric Chopin]Intermediate arrangement for pianists of Nocturne in Eb Major, Op. 9, No. 2 by Frédéric Chopin. Intermediate version for pianists. Included: Fingering, Dynamics, Articulation and Youtube tutorial. I invite you to explore the captivating world of Frédéric Chopin's Nocturne in Eb Major, Op. 9, No. 2 through my meticulously curated piano sheet music. As an intermediate pianist, I understand the desire to tackle challenging yet rewarding compositions, and this Nocturne is the perfect choice. Immerse yourself in the beauty and complexity of this iconic piece, expertly transcribed for intermediate-level pianists like yourself. My sheet music offers a comprehensive package that includes fingering, dynamics, and articulation markings, meticulously crafted to guide you towards a polished and expressive performance. With my detailed annotations, you'll gain insight into the delicate nuances that make Chopin's Nocturne truly remarkable. From the softest pianissimos to the most passionate crescendos, these markings enable you to unlock the full musicality and emotion inherent in the composition. To complement the sheet music, I have also prepared a YouTube tutorial exclusively for you. This video guide provides step-by-step demonstrations, offering valuable insights and techniques to enhance your interpretation. Immerse yourself in my comprehensive tutorial, and watch as your performance reaches new heights. Chopin's Nocturne in Eb Major is a timeless masterpiece that transports us to the romantic era, where the piano reigned supreme. By mastering this composition, you'll not only expand your repertoire but also gain a deeper appreciation for the rich heritage of classical music.  I prioritize your musical journey, offering sheet music tailored to your intermediate skill level. I believe in providing a balance between challenge and attainability, allowing you to stretch your abilities while experiencing the joy of playing this exquisite Nocturne. Dive into the enchanting realm of the piano, where each note tells a story and every phrase carries profound emotion. Let Chopin's Nocturne guide you on a path of self-expression and musical discovery. My sheet music provides the perfect opportunity to refine your skills and showcase your talent as an intermediate pianist. Don't miss out on the chance to elevate your performance and embrace the artistry of Chopin's Nocturne. Unlock your potential and experience the satisfaction that comes from conquering a complex piece of music. With my meticulously prepared sheet music and accompanying tutorial, you'll embark on a musical adventure that will captivate both yourself and your audience. Choose excellence, choose expression, and choose my sheet music for the Nocturne in Eb Major, Op. 9, No. 2. Let the piano become your voice, and let this composition be your muse as you continue to evolve as an intermediate pianist. Begin your musical journey today and unlock the profound beauty of Chopin's Nocturne.
$2.00
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
Where Youth's Eternal - piano solo
Where Youth's Eternal - piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carrie Jacobs-Bond
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Phil Beaman
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Where Youth's Eternal - piano
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Phil Beaman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1159553 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century. Score. 2 pages. Phil Beaman #759815. Publi...
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Piano Solo - Level 4 - SKU: A0.1159553 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century. Score. 2 pages. Phil Beaman #759815. Published by Phil Beaman (A0.1159553). Where Youth's Eternal is a piano solo arrangement of the 1901 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. I have freely arranged this piece, based much more on the original accompaniment than the original melody, in order to create a dramatic piece capturing the bravado and confidence of immortal youth. There are continual quick leaps as you cover multiple parts over the entire keyboard. A great piece of powerful drama.  2 page score; 2:45 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
$2.50
Since First I Saw Your Face
Since First I Saw Your Face
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Piano, Voix
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FACILE
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Thomas Ford
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Konrad Harley
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Since First I Saw Your Face
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Konrad Harley
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #92247...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.
$4.99
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
David Bowie: Life On Mars for Clarinet & Piano
David Bowie: Life On Mars for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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David Bowie
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James M
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David Bowie: Life On Mars for
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jmsgu3
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SheetMusicPlus
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Publ...
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.
"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:
Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie?s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]
In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song ? filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]
The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".
Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.
The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).
Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95
Imogen Heap - Hide and Seek
Imogen Heap - Hide and Seek
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Imogen Heap
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Mario Stallbaumer
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Imogen Heap - Hide and Seek
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Imogen Heap. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallba...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Imogen Heap. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
This is an accurate piano arrangement of the whole song which is not too hard to play, and sounds fantastic. The whole melody is included in the piano part, so it sounds great as an instrumental solo version.
However, this sheet music also comes with a system for the singer, and the full lyrics are included, so you can also use these sheets to accompany a singer, or sing along yourself!
With this piano sheet music, you can play "Hide and Seek" in a beautiful piano version.
If you like this arrangement, please consider leaving a review - it would mean a lot to me!
"Hide and Seek" was released in 2005 as the first single from Imogen Heap's second album "Speak for Yourself", and became one of her most famous songs.
The song consists of a solo voice recording, accompanied by keyboard synth chords with a vocoder effect, creating a wonderful, unique electronic a cappella sound.
Here are the full lyrics to "Hide and Seek" by Imogen Heap:
Where are we?
What the hell is going on?
The dust has only just begun to form
Crop circles in the carpet
Sinking, feeling
Spin me around again
And rub my eyes
This can't be happening
When busy streets
A mess with people
Would stop to hold
Their heads heavy
Hide and seek
Trains and sewing machines
All those years
They were here first
Oily marks appear on walls
Where pleasure moments hung
Before the takeover
The sweeping insensitivity
Of this still life
Hide and seek
Trains and sewing machines
(You won't catch me around here)
Blood and tears
They were here first
Mmm, what'd you say?
Mmm, that you only meant well?
Well, of course you did
Mmm, what'd you say?
Mmm, that it's all for the best?
Of course it is
Hmm, what'd you say?
Hmm, that it's just what we need
You decided this
What'd you say?
Hmm, what did she say?
Ransom notes keep falling out your mouth
Mid-sweet talk, newspaper word cut-outs
(Paper word cut-outs)
Speak no feeling, no I don't believe you
(I don? t believe you)
You don't care a bit, you don't care a bit
Ransom notes keep falling out your mouth
Mid-sweet talk, newspaper word cut-outs
(Hide and seek)
Speak no feeling, no I don't believe you
You don't care a bit, you don't care
You don't care a bit
Oh no, you don't care a bit
Oh no, you don't care a bit
(Hide and seek)
Oh no, you don't care a bit
You don't care a bit
You don't care a bit
$4.99
The Heavens Declare ~ Psalm 19 (for SA Duet with Piano accompaniment)
The Heavens Declare ~ Psalm 19 (for SA Duet with Piano accompaniment)
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Voix duo, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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ALTO ~ A3 to B4
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The Heavens Declare ~ Psalm 19
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Sharon Wilson
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.565135 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise ...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.565135 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred. 21 pages. Sharon Wilson #3465630. Published by Sharon Wilson (A0.565135). This Scripture song based on Psalm 19 verses 1-4 is formatted as a vocal duet (SOPRANO-ALTO) with piano accompaniment. This SA Duet arrangement is in the key of C with vocal ranges as follows: SOPRANO ~ D4 to D5; ALTO ~ A3 to B4. This is a straight-forward arrangement with the SOPRANO carrying the melody throughout and the ALTO adding a non-complex harmony.The purchase price includes the 11-page combined score with both vocal and piano parts on each page plus a separate VOCALS only score (5 pages) and a PIANO only score (4 pages). To purchase multiple copies for 2-part choral use, this arrangement is available separately at a reduced price. Duration 2:50To enhance the presentation of this song, a slide show featuring stars and space could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
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Where Are You? for Voice and Piano
