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What Can I Give Him?
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Vous avez sélectionné:
What Can I Give Him?
Partitions à imprimer
24 partitions trouvées
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1
What'd I Say
What'd I Say
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Piano, Voix et Guitare
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Ray Charles
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What'd I Say
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013232 By Ray Charles. By Ray Charles. Standard. 12 pages. Alfred Music - Digital Sheet Music #00-PS-0013232. Publis...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013232 By Ray Charles. By Ray Charles. Standard. 12 pages. Alfred Music - Digital Sheet Music #00-PS-0013232. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013232). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
17.87€
L'alchimista
L'alchimista
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Piano seul
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Contemporain
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873).
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Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99 ≈
3.57€
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.68€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.57€
Surrender To You
Surrender To You
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Chris Blanton
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Surrender To You
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Chris Blanton Music
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1235359 Composed by Chris Blanton. Christian,Praise & Worship,Religious,Rock. Lead Sheet / Fake Book. 1 pages. Chris Bl...
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C Instrument - Level 3 - SKU: A0.1235359 Composed by Chris Blanton. Christian,Praise & Worship,Religious,Rock. Lead Sheet / Fake Book. 1 pages. Chris Blanton Music #830608. Published by Chris Blanton Music (A0.1235359). Your guitarists are gonna love playing this anthemic declaration! Plenty of room for all skill levels to shine.The verses include lyrics that reassure our perspectives in the faith-journey:I give You my heart, and You bring me healing within.Delighting in You changes my view of who you have called me to be.In the Chorus, we sing back to Jesus what He declares of Himself in John 14:6.And the Bridge melody soars up with a proclamation that I'm no longer bound by striving!This song can be a great opportunity to teach the borrowed chords music theory concept to the whole group, as this piece makes excellent use of both the Flat-Seven and the Minor-Four chords.
$1.99 ≈
1.78€
Mary Ann
Mary Ann
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Piano, Voix et Guitare
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Ray Charles
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Mary Ann
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013238 By Ray Charles. By Ray Charles. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013238. Publish...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013238 By Ray Charles. By Ray Charles. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013238. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013238). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Let the Good Times Roll
Let the Good Times Roll
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Piano, Voix et Guitare
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Ray Charles
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Let the Good Times Roll
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013233 By Ray Charles. By Fleecie Moore and Sam Theard. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-PS...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013233 By Ray Charles. By Fleecie Moore and Sam Theard. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0013233. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013233). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Ain't That Love
Ain't That Love
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Piano, Voix et Guitare
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Ray Charles
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Ain't That Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013236 By Ray Charles. By Ray Charles. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0013236. Publish...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013236 By Ray Charles. By Ray Charles. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0013236. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013236). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
This Little Girl of Mine
This Little Girl of Mine
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Piano, Voix et Guitare
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Ray Charles
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This Little Girl of Mine
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013242 By Ray Charles. By Ray Charles. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013242. Publish...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013242 By Ray Charles. By Ray Charles. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013242. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013242). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Sinner's Prayer
Sinner's Prayer
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Piano, Voix et Guitare
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Ray Charles
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Sinner's Prayer
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013241 By Ray Charles. By Lloyd Glenn, Sr. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013241. Pub...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013241 By Ray Charles. By Lloyd Glenn, Sr. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013241. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013241). ISBN 9780739078198. UPC: 038081415499. Lowell Fulson.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Come Rain Or Come Shine
Come Rain Or Come Shine
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Piano, Voix et Guitare
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Ray Charles
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Come Rain Or Come Shine
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013248 By Ray Charles. By Harold Arlen. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0013248. Publis...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013248 By Ray Charles. By Harold Arlen. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0013248. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013248). ISBN 9780739078198. UPC: 038081415499. Johnny Mercer.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
One Mine Julep
One Mine Julep
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Piano, Voix et Guitare
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Ray Charles
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One Mine Julep
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013240 By Ray Charles. By Rudolph Toombs. Standard. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0013240. Publ...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013240 By Ray Charles. By Rudolph Toombs. Standard. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0013240. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013240). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Let's Go Get Stoned
Let's Go Get Stoned
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Piano, Voix et Guitare
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Ray Charles
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Let's Go Get Stoned
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013246 By Ray Charles. By Josephine Armstead, Nicolas Ashford, and Valerie Simpson. Standard. 6 pages. Alfred Music ...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013246 By Ray Charles. By Josephine Armstead, Nicolas Ashford, and Valerie Simpson. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0013246. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013246). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Over the Rainbow
Over the Rainbow
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Piano, Voix et Guitare
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Comédie Musicale
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Film/TV
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Ray Charles
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Victor A
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Over the Rainbow
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013234 By Ray Charles. By Harold Arlen. Arranged by Victor A. Vanacore. Standard. 5 pages. Alfred Music - Digital Sh...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013234 By Ray Charles. By Harold Arlen. Arranged by Victor A. Vanacore. Standard. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0013234. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013234). ISBN 9780739078198. UPC: 038081415499. E.Y. Harburg.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
Crazy Love
Crazy Love
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Piano, Voix et Guitare
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Ray Charles
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Crazy Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013245 By Ray Charles. By Van Morrison. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013245. Publis...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013245 By Ray Charles. By Van Morrison. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013245. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013245). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99 ≈
3.57€
The Daedalus and Icarus Journey
The Daedalus and Icarus Journey
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Apostolos Paraskevas
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The Daedalus and Icarus Journe
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99 ≈
8.05€
Heidenröslein: Variations on a Theme by Franz Schubert
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00 ≈
17.91€
BUKAN PENJARA SEHARAPAN
BUKAN PENJARA SEHARAPAN
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SR
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Liric : SR
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BUKAN PENJARA SEHARAPAN
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SR.Pakpahan,SST
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SheetMusicPlus
Large Ensemble Bass Guitar,Cello,Drums,Glockenspiel,Harmonica,Harp,Piano,Trumpet,Viola,Violin,Voice - Level 5 - SKU: A0.990761 Composed by SR.Pakpahan,S...
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Large Ensemble Bass Guitar,Cello,Drums,Glockenspiel,Harmonica,Harp,Piano,Trumpet,Viola,Violin,Voice - Level 5 - SKU: A0.990761 Composed by SR.Pakpahan,SST. Arranged by Liric : SR.Pakpahan,SST. Contemporary,Musical/Show,New Age,Pop,Sacred. Score and parts. 63 pages. SR.Pakpahan,SST #5213461. Published by SR.Pakpahan,SST (A0.990761). Solo Pop Song of SACRED MUSIC.A Song for COMPOSITION COMPETITION SMPPRESS Contest 2020.Yesus Kristus sebagai Dasar Konstruksi Pekerjaan,(1 Kor 3:10 - 15)3:10 Sesuai dengan kasih karunia Allah, yang dianugerahkan kepadaku, aku sebagai seorang ahli bangunan yang cakap telah meletakkan dasar, dan orang lain membangun terus di atasnya. Tetapi tiap-tiap orang harus memperhatikan, bagaimana ia harus membangun di atasnya. 3:11 Karena tidak ada seorangpun yang dapat meletakkan dasar lain dari pada dasar yang telah diletakkan, yaitu Yesus Kristus. 3:12 Entahkah orang membangun di atas dasar ini dengan emas, perak, batu permata, kayu, rumput kering atau jerami, 3:13 sekali kelak pekerjaan masing-masing orang akan nampak. Karena hari Tuhan akan menyatakannya, sebab ia akan nampak dengan api dan bagaimana pekerjaan masing-masing orang akan diuji oleh api itu. 3:14 Jika pekerjaan yang dibangun seseorang tahan uji, ia akan mendapat upah. 3:15 Jika pekerjaannya terbakar, ia akan menderita kerugian, tetapi ia sendiri akan diselamatkan, tetapi seperti dari dalam api.Jesus Christ as the foundation of Job Construction,(1 Cor 3, 10 -15}:3:10 According to the grace of God given to me, like a skilled master-builder I laid a foundation, but someone else builds on it. And each one must be careful how he builds. 3:11 For no one can lay any foundation other than what is being laid, which is Jesus Christ. 3:12 If anyone builds on the foundation with gold, silver, precious stones, wood, hay, or straw, 3:13 each builder’s work will be plainly seen, for the Day will make it clear, because it will be revealed by fire. And the fire will test what kind of work each has done. 3:14 If what someone has built survives, he will receive a reward. 3:15 If someone’s work is burned up, he will suffer loss. He himself will be saved, but only as through fire.
$33.00 ≈
29.55€
Sonata for Violin & Harpsichord in D minor (VB 157)
Sonata for Violin & Harpsichord in D minor (VB 157)
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Violin & Harpsi
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Artaria Editions
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SheetMusicPlus
Harpsichord,Instrumental Duet,Violin - Level 3 - SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Arta...
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Harpsichord,Instrumental Duet,Violin - Level 3 - SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00 ≈
26.87€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
34.88€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
34.88€
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