Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Were you there?
Non classifié
31
Piano & claviers
Piano seul
13
Orgue
4
Piano, Voix
3
Piano Facile
3
Piano, Voix et Guitare
2
1 Piano, 4 mains
1
Instruments en Do
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Ukulele
1
Voix
Chorale SATB
9
Voix Alto, Piano
5
Chorale Unison
2
Chorale SSAA
1
Voix seule
1
Chorale SSATTB
1
Chorale 2 parties
1
Chorale 3 parties
1
Voix haute
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quintette de Clarinettes: 5 clarinettes
3
Clarinette
3
Saxophone Alto et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Soprano et Piano
2
Hautbois (partie séparée)
2
Quatuor de Saxophones: 4 saxophones
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Piano (duo)
1
2 Clarinettes (duo)
1
Flûte traversière et Piano
1
+ 9 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette
3
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
3 Trompettes (trio)
2
Cor
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 trompettes
1
Cor et Piano
1
Trombone
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Alto, Piano
4
4 Violoncelles
3
Violon
3
Violon et Piano
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
1
Violoncelle, Piano
1
Harpe
1
2 Violons (duo)
1
Violon, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Contre Basse
1
Alto seul
1
+ 9 instrumentations
Retracter
Percussions & orchestre
Orchestre à Cordes
2
Orchestre
2
Orchestre d'harmonie
2
Orchestre de chambre
2
Orchestre, Violon
1
Ensemble de cuivres
1
+ 1 instrumentations
Retracter
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Were you there?
Partitions à imprimer
191 partitions trouvées
<
1
26
51
....
176
Were You There
Were You There
#
Chorale SATB
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
American Spiritual
#
Gerard Willmes
#
Were You There
#
Gerard Willmes
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.885499 Composed by American Spiritual. Arranged by Gerard Willmes. Christian,Easter,Sacred,Spiritual. Octavo. 4 ...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.885499 Composed by American Spiritual. Arranged by Gerard Willmes. Christian,Easter,Sacred,Spiritual. Octavo. 4 pages. Gerard Willmes #5208951. Published by Gerard Willmes (A0.885499). An ethereal setting of this favourite spiritual. Arranged for one or two solo voices and four part choir, invite your congregation into a time of reflection with this setting of this Lenten classic. This title is also available for three part choir.
$2.59 ≈
2.39€
Were You There
Were You There
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
American Spiritual
#
Gerard Willmes
#
Were You There
#
Gerard Willmes
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.885498 Composed by American Spiritual. Arranged by Gerard Willmes. Christian,Easter,Sacred. Octavo. 4 pages. Gera...
(+)
Choral Choir (SAB) - Level 3 - SKU: A0.885498 Composed by American Spiritual. Arranged by Gerard Willmes. Christian,Easter,Sacred. Octavo. 4 pages. Gerard Willmes #5207373. Published by Gerard Willmes (A0.885498). An ethereal setting of this favourite spiritual. Arranged for one or two solo voices and three part choir, invite your congregation into a time of reflection with this setting of this Lenten classic.
$2.59 ≈
2.39€
The Nearness Of You
The Nearness Of You
#
Jazz
#
George Shearing
#
Steve William Lussing
#
The Nearness Of You
#
S. W. Lussing
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. ...
(+)
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. Jazz. Score and parts. 5 pages. S. W. Lussing #3126013. Published by S. W. Lussing (A0.923852). Many venerable songs were written in the age before computers and midi synthesizers. A musical score or lead sheet was intended to be interpreted for style and tempo, and while some of those interpretations may not necessarily have been wrong, quite often they weren't always what the author intended, but face it, it's just plain hard to write music exactly in the way that the song is intended to be sung. Enter the computer age, and the ability for performers to understand that the interval of a note is an absolute time interval which puts the natural rhythm, or beat, of a musical arrangement at about 25% faster than a beat per second, which is why I arrange music to be performed at ~ 80 BPM, which means, approximately 80 beats per minute. That is not etched in stone, but it does represent the comfort zone to which the performer should subscribe when singing or playing a song. Contemporary jazz singers are, in my opinion, therefore obligated to re-arrange the songs that they intend to record, to avoid the embarrassment of getting it wrong. It happens. Timing is of the essence. Many of those old jazz classics are well served with a rewrite for the contemporary artist.The Nearness of You was written in 1938 by Hoagy Carmichael, with lyrics by Ned Washington, and was performed in the 1938 Paramount movie, Romance in the Dark, by Gladys Swarthout of the Metropolitan Opera. It has been recorded numerous times over the years, and it maintains its popularity today. The guitar chording for this arrangement is targeted toward the experienced and more advanced players, but I encourage the experienced intermediate level player to take up the challenge of learning to play this song. It will be a rewarding experience.
$4.99 ≈
4.60€
Sam, You Made The Pants Too Long
Sam, You Made The Pants Too Long
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sam M
#
Dan Severino
#
Sam, You Made The Pants Too Lo
#
Piano Teacher Press
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.864794 Composed by Sam M. Lewis and Victor Young. Arranged by Dan Severino. Contemporary. Score. 6 pages. Piano Teacher P...
(+)
Piano Solo - Level 4 - SKU: A0.864794 Composed by Sam M. Lewis and Victor Young. Arranged by Dan Severino. Contemporary. Score. 6 pages. Piano Teacher Press #5216007. Published by Piano Teacher Press (A0.864794). Sam, You Made the Pants Too Long is a very humorous song about a tailor that made a client a perfect outfit except for one minor detail, ..... the pants were too long!! This song follows the pattern of a Recitative-Aria. The first dozen bars are rather declamatory exclaiming the problem. This story is immediately elaborated in the shuffle rhythm of the song.This arrangement tries to capture the humor and irony of the lyrics. A good performance will require a lot of wit and dynamism. The Recitative can be done very freely, but the Song (Aria) need to keep a steady rhythm with a lot of punch at the climax points. Play the middle section of the song in a more relaxed manner and in the final repetition of the main theme be your most expressive. End strong. This arrangement therefore has a lot of teaching value making students use their imagination in crafting a good interpretation and telling a story. Sam , You Made the Pants Too Long is a great novelty piece for a number that would especially stand out at a recital. It's also a great piece for a social gathering.
$4.99 ≈
4.60€
Only You
Only You
#
Chorale SSAA
#
FACILE
#
Yazoo
#
Karen Wilson
#
Only You
#
Karen Wilson
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1269265 By Yazoo. By Vince Clarke. Arranged by Karen Wilson. A Cappella,Contemporary,Pop. Octavo. 5 pages. Karen...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.1269265 By Yazoo. By Vince Clarke. Arranged by Karen Wilson. A Cappella,Contemporary,Pop. Octavo. 5 pages. Karen Wilson #861803. Published by Karen Wilson (A0.1269265). Alison Moyet sang this song in the key of A major. As we all know, she has a beautiful, low voice. I arranged it in A major, but we found all the parts were on the low side, so I therefore transposed it up a minor third (to C major). Obviously, it'll depend on your voices as to which key you decide upon. Good luck!
$1.99 ≈
1.84€
Mozart's At the Window [Two-Part Treble]
Mozart's At the Window [Two-Part Treble]
#
Chorale 2 parties
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Mozart's At the Window [Two-Pa
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.891216 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Con...
(+)
Choral Choir (SA) - Level 2 - SKU: A0.891216 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 14 pages. Dandelion Music Press #3106871. Published by Dandelion Music Press (A0.891216). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level treble choirs and treble community choirs, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in SATB voicingMusic abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.94€
Mozart's At the Window [SATB]
Mozart's At the Window [SATB]
#
Chorale SATB
#
Classique
#
Wolfgang Amadeus Mozart
#
Mozart's At the Window [SATB]
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporar...
(+)
Choral Choir (SATB) - SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 18 pages. Dandelion Music Press #3106157. Published by Dandelion Music Press (A0.891208). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level HS choirs and community choirs with adult choral beginners, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in Two-Part Treble voicing.Music abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$3.25 ≈
3.00€
Memorial (for Brass Quintet & Percussion)
Memorial (for Brass Quintet & Percussion)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Dr
#
Memorial
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. H...
(+)
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95 ≈
23.01€
The Wearing of the Green
The Wearing of the Green
#
Piano seul
#
INTERMÉDIAIRE
#
Behren
#
Paul Taylor
#
The Wearing of the Green
#
Paul Taylor
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1296241 Composed by Behren. Arranged by Paul Taylor. Holiday,Multicultural,Patriotic,Traditional,World. Score. 2 pages. P...
(+)
Piano Solo - Level 3 - SKU: A0.1296241 Composed by Behren. Arranged by Paul Taylor. Holiday,Multicultural,Patriotic,Traditional,World. Score. 2 pages. Paul Taylor #886486. Published by Paul Taylor (A0.1296241). This tune, although light-hearted in spirit was banned by the British for creating fervor for Irish Nationalism. Wearing green indicated that a citizen was in support of the Irish rebellion. Many people did so and were hanged by the British authorities. Nowadays on St. Patrick's day, the wearing of the green seems to have lost its notoriety and is described as a safeguard to prevent leprechauns from seeing you, thereby making you immune to their pranks:).
$1.99 ≈
1.84€
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Nobody Love a Fairy When She's Forty - in C major (soprano key)
#
Arthur Le Clerq
#
Kim Kirkman
#
Nobody Love a Fairy When She's
#
Kim Kirkman
#
SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditi...
(+)
Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99 ≈
1.84€
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
#
Piano, Voix
#
FACILE
#
Arthur Le Clerq
#
Kim Kirkman
#
Nobody Loves a Fairy When She'
#
Kim Kirkman
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99 ≈
1.84€
Lithuanian Nonet for winds & strings
Lithuanian Nonet for winds & strings
#
Contemporain
#
Juozas ŽileviÄius
#
Kazys DaugÄ—la
#
Lithuanian Nonet for winds &am
#
Kazys Daugela
#
SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys Dau...
(+)
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99 ≈
55.33€
Music for Three, Volume 3 Part 2 Viola 50322
Music for Three, Volume 3 Part 2 Viola 50322
#
Celtique/Irlandais
#
Various
#
Daniel Kelley
#
Music for Three, Volume 3 Part
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - SKU: A0.530636 Composed by Various. Arranged by Daniel Kelley. Contemporary,Sacred,Spiritua...
(+)
Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - SKU: A0.530636 Composed by Various. Arranged by Daniel Kelley. Contemporary,Sacred,Spiritual,Wedding. Score and parts. 50 pages. Last Resort Music Publishing #4854635. Published by Last Resort Music Publishing (A0.530636). Including works by Handel, Massenet & Mozart and titles such as Amazing Grace, Dodi Li & Be Thou My VisionAn incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. Table of Contents My Heart Ever Faithful Aria from Cantata #68 (Bach)Wachet Auf Chorale from Cantata #140 (Bach)Agnus Dei from incidental music to L'Arlesienne (Bizet)Amazing Grace (Early American Melody)Hallelujah Chorus from The Messiah (Handel)Heavens Are Telling, The from The Creation (Haydn)Children's Prayer from Hansel and Gretel (Humperdink)A Mighty Fortress is Our God (Luther)Meditation from Thais (Massenet)On Wings of Song from Op. 34 #2 (Mendelssohn)Alleluia from Exsultate Jubilate, K. 165 (Mozart)Ave Maria (Schubert)SImple Gifts (Shaker Hymn)Deep River (Spiritual)Give Me That Old-Time Religion (Spiritual)Go Tell It on the Mountain (Spiritual)He's Got the Whole World in His Hands (Spiritual)Nobody Knows the Trouble I've Seen (Spiritual)Sometimes I Feel Like a Motherless Child (Spiritual)Swing Low, Sweet Chariot (Spiritual)Were You There? (Spiritual)Battle Hymn of the Republic (Steffe & Howe)Onward Christian Soldiers (Sullivan)Be Thou My Vision (Traditional Irish Melody) Traditional Jewish BashanaDodi Li (Bridal March) Erev Shel Shoshanim (Wedding processional) Hava Nagila and Tsena TsenaJerusalem of Gold (Y'rushalayim Shel Zahov)Od Yeshoma, Version 1 (Wedding recessional)Od Yeshoma, Version 2 (Wedding recessional)Oif'n PripetshokOse Shalom and Hevenu Shalom Aleychem Simon Tov and Chosen Kalle Mazel Tov (Wedding recessional)Yedid Nefesh (Wedding processional)The following parts are available for Music for Three, Volume 350311 Part 1 Flute or Oboe or Violin50313 Part 1 Clarinet in Bb50321 Part 2 Flute or Oboe or Violin50322 Part 2 Viola 50323 Part 2 Clarinet in Bb50331 Part 3 Cello or Bassoon50340 Keyboard or Guitar50399 Score Please visit www.lastresortmusic.com for more titles and information!
$20.00 ≈
18.45€
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
#
Piano seul
#
INTERMÉDIAIRE
#
Clay Boland, Jr
#
Favorite American Folk Songs,
#
BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
#
SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC...
(+)
Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00 ≈
23.98€
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
#
Violon, Clarinette, Piano (trio)
#
AVANCÉ
#
Adam Lenhart
#
Two Scenes from The Rubá
#
Adam Lenhart
#
SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
(+)
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
13.82€
Gathering - an original hymn for SATB voices
Gathering - an original hymn for SATB voices
#
Voix seule
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Gathering - an original hymn f
#
Kevin G. Pace
#
SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #322...
(+)
Vocal Solo,Voice - Level 4 - SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3224905. Published by Kevin G. Pace (A0.701527). An original hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/c9lVXglYbCoTeaching His children, Jesus spoke softly, Gathering all of His followers there. He taught the kingdom of God on this earth Was as man sewing good seeds in fields with great care. Then, while sleeping at night, an enemy came And sowed the tares among the wheat in shame. Soon when the wheat grew, showing great promise, Tares also covered the space all around. Knowing the young roots were tender and new, Then the man, in great wisdom, approached his good ground. Let them both grow together. Harvest time waits. The tares and wheat then gathered to their fates. Now is the harvest. Gather together All the elect from the quarters of earth. Those who will call on the Savior in faith, And in places of holiness stand with true worth. For the angels are waiting for their command. Come gather close to reach His outstretched hand.
$1.99 ≈
1.84€
5 Scale Forms for Guitar
5 Scale Forms for Guitar
#
Guitare notes et tablatures
#
DÉBUTANT
#
Methodes
#
Brian Streckfus
#
Brian Streckfus
#
5 Scale Forms for Guitar
#
Brian Streckfus
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian S...
(+)
Easy Guitar (with TAB) - Level 1 - SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99 ≈
1.84€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
(+)
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.07€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
(+)
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.07€
Bethlehem Angel and The First Noel
Bethlehem Angel and The First Noel
#
Noël
#
Ginny Saltzman
#
Bethlehem Angel and The First
#
Ginny's House of Music
#
SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Sc...
(+)
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99 ≈
4.60€
A Virgin Most Pure (English carol) - brass quintet
A Virgin Most Pure (English carol) - brass quintet
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Noël
#
Traditional English Carol
#
Todd Marchand
#
A Virgin Most Pure
#
Con Spirito Music
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726016 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Sacred....
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726016 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 15 pages. Con Spirito Music #2957889. Published by Con Spirito Music (A0.726016). A Virgin Most Pure is an English traditional carol that appeared in Davies Gilbert's A Collection of Ancient Christmas Carols, with the Tunes to which they were formerly sung in the West of England (London, 1822). The first verse and refrain are as follows:A virgin most pure, as the prophets do tell, / Hath brought forth a baby, as it hath befell; / To be our Redeemer from death, hell, and sin, / Which Adam's transgression had wrapped us in.[Refrain] Aye, and therefore be merry; / Rejoice, and be you merry; / Set sorrow aside; / Christ Jesus our Saviour was born on this tide.The tune is built upon the Mixolydian scale (seventh mode), having the same sequence of tones and semitones as a major scale but with a lowered seventh degree. In this arrangement, the occasional addition of the flat seventh to the tonic chord and its use as a leading tone in some harmonic progressions emphasizes the modal quality of the tune.©Copyright 2013 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00 ≈
13.83€
Two Hebrew pieces for choir
Two Hebrew pieces for choir
#
Chorale SATB
#
Viktor Ullmann
#
Two Hebrew pieces for choir
#
Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB) a cappella - SKU: S9.Q7182 Composed by Viktor Ullmann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. D...
(+)
Mixed choir (SATB) a cappella - SKU: S9.Q7182 Composed by Viktor Ullmann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 5 minutes. Schott Music - Digital #Q7182. Published by Schott Music - Digital (S9.Q7182). Hebrew.Viktor Ullmann composed his choral arrangements of Hebrew, Yiddish and Chassidic songs in the ghetto of Theresienstadt in 1943/1944. In the function of “Head of the Studio for New Musicâ€, Ullmann made a significant contribution to the so-called “leisure activities†in the ghetto. The works were evidently intended for the repertoire of the various choirs at Theresienstadt, including children’s choirs such as the Karel Vrbas Youth Choir in which Ullmann’s son Max also sang. There is no evidence to confirm that Ullmann’s choral works were actually performed in Theresienstadt, for example in one of the frequent concerts given by Rafael Schächter’s choir of up to a hundred voices (cf. Milan Kuna, Musik an der Grenze des Lebens, 21998. p.313). The German translations below first appeared in the song book Makkabi-Liederbuch published in Berlin in 1930 (2nd edition 1935) which was available to Viktor Ullmann as a source for the melodies and text orthography for his choral arrangements in Theresienstadt.
$3.99 ≈
3.68€
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
#
McCorkle, Dennis F
#
I Can See
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.76€
Release
Release
#
Bill Taylor music, Bill Taylor
#
Bill Taylor
#
Release
#
William R Taylor
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill ...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010. Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010. This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show. We sung it as best we could with so little practice time and in a key way too high. This version is transposed down a fifth. Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here. If inspired, support your local elder and/or hospice organizations. I love my children to be happy. What’s new with you Mom? Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.
$2.99 ≈
2.76€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia
#
Guido Menestrina
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99 ≈
7.37€
<
1
26
51
....
176
Were you there?
