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Vous avez sélectionné:
We Remember F Horn
Partitions à imprimer
16 partitions trouvées
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1
We Remember - F Horn
We Remember - F Horn
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Cor (partie séparée)
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Musique Sacrée
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Joseph M
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We Remember - F Horn
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Hal Leonard - Digital
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SheetMusicPlus
Choir,Choral - SKU: HX.502538 Composed by Joseph M. Martin, Joseph M. Martin and Michael E. Showalter, and Michael E. Showalter. This edition: scorch. S...
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Choir,Choral - SKU: HX.502538 Composed by Joseph M. Martin, Joseph M. Martin and Michael E. Showalter, and Michael E. Showalter. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 235. Hal Leonard - Digital #289598. Published by Hal Leonard - Digital (HX.502538).
$7.00 ≈
6.53€
We are the world - Michael Jackson/Lionel Richie - Wind Quintet
We are the world - Michael Jackson/Lionel Richie - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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USA For Africa
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We are the world - Michael Jac
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Thomas Graf - the-hit- factory.com
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - By USA For Africa. Arranged by Thomas Graf. Score, Set of Parts. 14 pag...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - By USA For Africa. Arranged by Thomas Graf. Score, Set of Parts. 14 pages. Published by Thomas Graf - the-hit- factory.com
One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson!
Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon
Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...
Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
Video: https://www.youtu.be/40Vjm6vvONs
$20.00 ≈
18.66€
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Cor Anglais
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INTERMÉDIAIRE
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slid...
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English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.66€
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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Cor
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INTERMÉDIAIRE
#
Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide...
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French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.66€
We Wish You a Merry Christmas for French Horn Quintet
We Wish You a Merry Christmas for French Horn Quintet
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Ensemble de Cors
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INTERMÉDIAIRE
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Noël
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Unknown
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Ander
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We Wish You a Merry Christmas
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Woods Only, Arrangements
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SheetMusicPlus
Horn Quintet - Level 3 - SKU: A0.1346841 Composed by Unknown. Arranged by Ander. Chamber,Christmas. 15 pages. Woods Only, Arrangements #931623. Publishe...
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Horn Quintet - Level 3 - SKU: A0.1346841 Composed by Unknown. Arranged by Ander. Chamber,Christmas. 15 pages. Woods Only, Arrangements #931623. Published by Woods Only, Arrangements (A0.1346841). We present to you the magical and innovative sheet music for the Christmas classic, We Wish You a Merry Christmas, arranged especially for a Horn in F Quintet. This unique version breathes new life into the familiar melody, playfully tweaking it to create a charming atmosphere while maintaining the essence of the original work. This arrangement is perfect for any Christmas event, whether as chamber music in recitals, concerts, public shows, or as teaching material for teachers to encourage their music students. With its captivating melody and innovative arrangement, this sheet music is a valuable addition to any musical repertoire. Get your sheet music now and bring the magic of Christmas to your music! We Wish You a Merry Christmas has never sounded so fresh and exciting. Don’t miss the chance to enchant your audience with this special arrangement. Remember, music is the universal language that unites us all. We wish you a Merry Christmas and a New Year full of music and joy!
$49.99 ≈
46.64€
In Dreams: Part 3 F Horn
In Dreams: Part 3 F Horn
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Methodes
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Ryan Meeboer
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In Dreams: Part 3 F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Woodwind Ensemble Woodwind Ensemble - SKU: AX.81-PC-0000040_3H Part 3 F Horn. Composed by Ryan Meeboer. Instructional. Part. 2 pages. Alfred Musi...
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Woodwind Ensemble Woodwind Ensemble - SKU: AX.81-PC-0000040_3H Part 3 F Horn. Composed by Ryan Meeboer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #81-PC-0000040_3H. Published by Alfred Music - Digital Sheet Music (AX.81-PC-0000040_3H). ISBN 9781554733842. UPC: 685462013852.In Dreams is a musical representation of exactly what our dreams are like: peaceful, calming, horrific and unpredictable; yet, there is always something to remember about them when we wake up. This piece reflects that by manipulating a memorable eighth note motif through various styles, feels, tempos and instrumentation.
$3.00 ≈
2.80€
We Will Remember You
We Will Remember You
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Lloyd Larson
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We Will Remember You
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Hope Publishing - Digital
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SheetMusicPlus
Instrumental Parts: Conductor's Score: Flute, Oboe, Cla-D - SKU: H1.C6117PDP Composed by Lloyd Larson. Piano Accompaniment with Optional Instrumental Pa...
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Instrumental Parts: Conductor's Score: Flute, Oboe, Cla-D - SKU: H1.C6117PDP Composed by Lloyd Larson. Piano Accompaniment with Optional Instrumental Parts. General Worship, Communion. Instrumental Parts. 54 pages. Hope Publishing - Digital #C6117PDP. Published by Hope Publishing - Digital (H1.C6117PDP). Words by Louis F. Benson & Lloyd Larson. Luke 22:14 - Luke 22:15 - Luke 22:16 - Luke 22:17 - Luke 22:18 - Luke 22:19 - Luke 22:20 - Luke 24:30 - Luke 24:42 - John 8:15 - John 21:13 - Malachi 4:2 - Acts 2:42.Original anthem with words by Louis F. Benson & Lloyd Larson Incorporating the 19th-century hymn text For the Bread Which You Have Broken with original music, this communion anthem reflects on the remembrance of the Last Supper. Easily learned, this comes from Lloyd and Joel Raney's 2017, Lenten cantata, Hope in the Shadows, code no. 8801. Instrumental parts: Conductor's Score, Flute, Oboe, Soprano Sax or Clarinet (Sub for Oboe), Clarinet, Horn, Alto Sax (Sub for Horn) Clarinet (Sub for Horn), Cello/Bassoon, Bass Clarinet (Sub for Cello/Bassoon) and Piano.
$34.95 ≈
32.61€
We Are The World
We Are The World
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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USA For Africa
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Thomas Graf
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We Are The World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.569477 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.569477 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. Contemporary. Score and parts. 23 pages. Thomas Graf - the-hit-factory.com #6355209. Published by Thomas Graf - the-hit-factory.com (A0.569477). One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! Instrumentation: Part I (Tpt in C/Bb), Part II (Tpt in Bb/Horn in F), Part III (Horn in F/Eb/Bb, Trombone), Part IV (Trombone/Euph./Baritone in C/Bb) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$12.99 ≈
12.12€
We Will Remember You
We Will Remember You
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Horváth Adrián
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Cymbals, Glockenspiel.
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We Will Remember You
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Horváth Adrián
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1155941 Composed by Horváth Adrián. Contemporary,Praise & Worship,Religious,Sacred. Score and Parts. 47 pages. Ho...
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Concert Band - Level 2 - SKU: A0.1155941 Composed by Horváth Adrián. Contemporary,Praise & Worship,Religious,Sacred. Score and Parts. 47 pages. Horváth Adrián #756250. Published by Horváth Adrián (A0.1155941). Visit my website: https://www.hadrian.huFuneral Music. Instrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Piccolo, Flute 1., 2., Oboe 1., 2., Bassoon, Clarinet in Eb, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Horn in F 1., 2., 3., 4., Horn in Eb 1., 2., 3., 4., Flugelhorn 1., 2., Bass Flugelhorn in Bb 1., 2., (T.C.), Bass Flugelhorn in C 1., 2., (B.C.), Euphonium in Bb (T.C.), Euphonium in C (B.C.), Trumpet in Bb 1., 2., 3., 4., Trombone 1., 2., 3., Tuba 1., 2., Snare Drum, Bass Drum & Cymbals, Glockenspiel.
$49.99 ≈
46.64€
We Are The World
We Are The World
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Contemporain
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USA For Africa
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Thomas Graf
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Instrumentation:
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We Are The World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Tenor Saxophone - Level 3 - SKU: A0.568649 By USA For Africa. By Lio...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Tenor Saxophone - Level 3 - SKU: A0.568649 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. Contemporary. 14 pages. Thomas Graf - the-hit-factory.com #3037121. Published by Thomas Graf - the-hit-factory.com (A0.568649). One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/EDbymO5ccRE
$14.99 ≈
13.98€
We Are The World
We Are The World
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Pop musique
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USA For Africa
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Thomas Graf
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We Are The World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 3 - SKU: A0.569486 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas...
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 3 - SKU: A0.569486 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. Pop. 13 pages. Thomas Graf - the-hit-factory.com #6355231. Published by Thomas Graf - the-hit-factory.com (A0.569486). One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$15.99 ≈
14.92€
We Will Remember Them: 1st F Horn
We Will Remember Them: 1st F Horn
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Orchestre d'harmonie
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We Will Remember Them: 1st F H
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0018714_H1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018714_H1. Published by Alfred Music - Digita...
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Concert Band - SKU: AX.00-PC-0018714_H1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018714_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018714_H1). UPC: 038081564982.
$3.00 ≈
2.80€
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50 ≈
16.33€
We Will Remember: 1st F Horn
We Will Remember: 1st F Horn
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Cor (partie séparée)
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Methodes
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Gary Fagan
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We Will Remember: 1st F Horn
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Gary Fagan. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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By Gary Fagan. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00 ≈
2.80€
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00 ≈
13.99€
I Don’t Want to Play in Your Yard: Trumpet Feature
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
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F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95 ≈
7.42€
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We Remember F Horn
