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Vous avez sélectionné:
Waiting Here For You
Partitions à imprimer
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176
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
22.39€
12 Evocations (for Piano solo)
12 Evocations (for Piano solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by T...
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Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
?vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.
These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.
Evocation I ? The Harvest
The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.
Evocation II ? The Sepia photograph
Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.
Evocation III ? The dead soldier
The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.
Evocation IV ? The composer
The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.
Evocation V ? The Glowing Sun
The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.
Evocation VI ? The Far
Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...
Evocation VII ? The Queen of Spades
The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.
Evocation VIII ? The Poem
A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?
Evocation IX ? The Thinker
A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.
Evocation X ? The Island of the Hydrangeas.
A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.
Evocation XI ? The Near
When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.
Evocation XII ?Saffron rice
The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99 ≈
23.28€
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50 ≈
4.93€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.57€
Jesus The Very Thought of Thee | Easy Organ Solo for Religious Settings
Jesus The Very Thought of Thee | Easy Organ Solo for Religious Settings
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Orgue
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DÉBUTANT
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Musique Sacrée
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Bernard of Clairvaux, 1091-115
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Jake Hershberger
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Jesus The Very Thought of Thee
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Jasberger Music
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SheetMusicPlus
Organ - Level 1 - SKU: A0.1314933 By Bernard of Clairvaux, 1091-1153. By John B. Dykes, 1823-1876. Arranged by Jake Hershberger. Christian,Classical,Pra...
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Organ - Level 1 - SKU: A0.1314933 By Bernard of Clairvaux, 1091-1153. By John B. Dykes, 1823-1876. Arranged by Jake Hershberger. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 5 pages. Jasberger Music #903673. Published by Jasberger Music (A0.1314933). Indulge in the exquisite harmonies of 'Jesus the Very Thought of Thee,' a meticulously crafted organ meditation by the talented Jacob Hershberger. Tailored for organ enthusiasts of all levels, this arrangement stands as a testament to the hymn's profound beauty. Its gentle cadence and soul-soothing melodies create a transformative musical experience, making it an essential addition to your repertoire.Immerse yourself in the ethereal atmosphere this arrangement evokes, designed to elevate your worship services, meditation sessions, or moments of personal reflection. Jacob Hershberger's rendition captures the essence of this beloved hymn, offering a unique perspective that sets it apart from the ordinary. The artistry of this piece lies in its ability to seamlessly blend tradition with innovation, resulting in an easy yet enchanting LDS organ prelude.Step into the captivating world of 'Jesus the Very Thought of Thee,' and let the music guide your soul. Experience the divine resonance that this arrangement brings to your fingertips, allowing you to express your musicality effortlessly. With its timeless appeal and effortless playability, this piece is more than just sheet music—it's a transformative journey waiting to unfold under your fingertips.Delight in the serenity of this organ meditation, a masterpiece that transcends the ordinary and resonates with the spirit. Elevate your musical expression and infuse your performances with the power of this enchanting arrangement. Discover the magic of music anew with Jacob Hershberger's rendition of 'Jesus the Very Thought of Thee.'🎹 Artist: Jacob Hershberger 🎶 Album: Restoration Hymns from the Church of Jesus Christ of Latter-day Saints📅 Released: April 1, 2023 🔗 Stream on Spotify, Apple Music, and more: 🎥 Watch on YouTube: https://www.youtube.com/watch?v=XArBlrm6Rew.
$4.95 ≈
4.43€
Right Here Waiting
Right Here Waiting
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Piano Facile
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DÉBUTANT
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Pop musique
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Richard Marx
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Idalmo Santos
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Right Here Waiting
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Idalmo Santos
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1399547 By Richard Marx. By Richard Marx. Arranged by Idalmo Santos. Pop. Score. 3 pages. Idalmo Santos #982837. Publishe...
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Easy Piano - Level 1 - SKU: A0.1399547 By Richard Marx. By Richard Marx. Arranged by Idalmo Santos. Pop. Score. 3 pages. Idalmo Santos #982837. Published by Idalmo Santos (A0.1399547). Play your heart out with 'Right Here Waiting' - Score for Beginners!🎶Have you always wanted to play one of the most iconic ballads on the piano? Now's your chance! We present a special version of the song Right Here Waiting, adapted especially for beginners. With this simplified score, you'll be able to play the gentle, passionate melody that has won hearts around the world.✨ Easy to Learn - Our sheet music is designed so that even beginners can play a complete and enchanting song.💖 Perfect for Gifting - Surprise someone special with a serenade played by you! It's the ideal gift for birthdays, anniversaries or simply to express love.📥 Immediate Download - Buy now and receive your sheet music digitally to start playing in minutes.Don't miss the opportunity to bring music into your life and the lives of those you love. Get your sheet music for Right Here Waiting today!
$4.99 ≈
4.47€
Someone's Waiting For You
Someone's Waiting For You
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Chorale 3 parties
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DÉBUTANT
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Contemporain
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Sammy Fain
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Curtis Hanson
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Someone's Waiting For You
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.719780 Composed by Sammy Fain. Arranged by Curtis Hanson. Contemporary. Octavo. 5 pages. Curtis Hanson #6496063. ...
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Choral Choir (SSA) - Level 1 - SKU: A0.719780 Composed by Sammy Fain. Arranged by Curtis Hanson. Contemporary. Octavo. 5 pages. Curtis Hanson #6496063. Published by Curtis Hanson (A0.719780). This lovely song from Disney's The Rescuers is here arranged for SSA voices and can be performed by a trio or larger ensemble. It is not difficult though there is a bit of chromaticism, but it would still be a wonderful piece for a young treble ensemble.
$1.99 ≈
1.78€
Dorina for organ
Dorina for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Dorina for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00 ≈
11.64€
Right Here Waiting
Right Here Waiting
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Pop musique
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Richard Marx
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Idalmo Santos
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Right Here Waiting
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Idalmo Santos
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SheetMusicPlus
Trombone Quartet Trombone,Tuba - Level 2 - SKU: A0.1474646 By Richard Marx. By Richard Marx. Arranged by Idalmo Santos. Pop. 11 pages. Idalmo Santos #10...
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Trombone Quartet Trombone,Tuba - Level 2 - SKU: A0.1474646 By Richard Marx. By Richard Marx. Arranged by Idalmo Santos. Pop. 11 pages. Idalmo Santos #1052223. Published by Idalmo Santos (A0.1474646). Play your heart out with 'Right Here Waiting' - Score for Beginners!🎶Have you always wanted to play one of the most iconic ballads? Now's your chance! We present a special version of the song Right Here Waiting, adapted especially for for trombone and tuba groups. With this simplified score, you'll be able to play the gentle, passionate melody that has won hearts around the world. The first voice (alto trombone) can be played on the tenor trombone, so I've prepared a score in bass clef at the end of the file.
$12.99 ≈
11.63€
May The Lord Be With You / Que el Señor esté contigo
May The Lord Be With You / Que el Señor esté contigo
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Piano, Voix et Guitare
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Musique Sacrée
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Shaun Parry
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May The Lord Be With You / Que
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MusicforMillions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0....
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Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99 ≈
1.78€
5 pieces for organ
5 pieces for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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5 pieces for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin ...
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Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00 ≈
27.76€
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
15.22€
Springtime jaunt for clarinet and classical guitar (mp3)
Springtime jaunt for clarinet and classical guitar (mp3)
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András Csáki
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Springtime jaunt for clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506746 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506746 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 181. David Warin Solomons #1082117. Published by David Warin Solomons (A0.1506746). This jaunty number in swing time was originally a satirical song for alto and piano or alto and guitar (Looking just looking at the personal ads) - which is also available on this site. I decided that the music on its own without words (but with a few variations) would also work well... so here is Springtime jaunt.The words of the original song are:Young man, twenty four,lookin' for a soul mate:slim dark handsome versatile.Who will answer?Will it be the man of my dreams?Will he be the one,will he write to me,will he like my style,will we get on?Looking, just lookingat the personal ads,can we find true love?Are they the peoplewaiting only for us?Waiting for a letter,waiting for a letter,looking, looking.Kindly lady, thirty eight,cuddly butch and lively,likes a laugh and country walks.Who will answer?Will it be the girl of my dreams?Will she be the one,will she write to me,will she like my style,will we get on?[Chorus]Leather wearing, fifty four,into whips and bondage:genuine answers only, please!Who will answer,will it be the whip of my dreams?Will he be the one,will he write to me,will he like my style,will we get on?[Chorus]Grey panther ninety two,into older women,cuddle to my Zimmerframe,Who will answer,will it be the crutch of my dreams?Will she be the one,will she write to me,will she like my style,will we get on?[Chorus].
$5.00 ≈
4.48€
Waiting for Santa - Cello Duet/Cello Solo
Waiting for Santa - Cello Duet/Cello Solo
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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Katherine L Fraser
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Katherine L Fraser
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Waiting for Santa - Cello Duet
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Katherine L Fraser
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.1374353 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Children,Christmas,Classical,...
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Cello Duet Cello - Level 3 - SKU: A0.1374353 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Children,Christmas,Classical,Contest,Festival,Holiday. Score. 5 pages. Katherine L Fraser #958956. Published by Katherine L Fraser (A0.1374353). This is an instrumental version of an original Christmas/Children's song, Waiting for Santa. It may also be played as a cello solo - Part 1 has the melody throughout. Use the dynamics to make it sing. A ritardando may be added from Measures 47 to 51. Feel free to adjust the tempo to suit the event or skill level. The attached audio and video provide a better idea of tempo and dynamics. Ideal for general performance, recitals, get-togethers, and holiday events. I hope you enjoy!!!Following are the lyrics:Santa, I’ve heard the storiesOf a sleigh pulled by reindeerWho fly through the air.Santa, I’m waiting to tell youWhat I’ve been dreaming that only you’ll hear.Some kids may want a teddy bear.Some may ask you for the moon.  I’m afraid that you might laugh at me.And my turn is coming soon.  Santa, I’ve been so lonely.There’s nothing but grown-ups,And they’re not much fun.     Santa, can you send me a good friend,Someone who’ll like me just as I am?Some kids have asked for teddy bears.Some have asked you for the moon.  One kid wants a trip to Disneyland.Well, Disneyland sounds awfully good (Mickey Mouse, Donald Duck, Cinderella, Cruella…).Santa, I hope you heard me,And if you grant my wish,I’ll make you my King.
$4.99 ≈
4.47€
Constant the Love of Our Savior, sacred music for SATB Choir
Constant the Love of Our Savior, sacred music for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Constant the Love of Our Savio
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1164165 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1164165 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #764513. Published by Kevin G. Pace (A0.1164165). A beautiful, sacred choral arrangement for SATB choir.  Music by Kevin G. Pace.  Text by Mark R. Fotheringham.Text:Constant the love of our Savior. Constant the pow'r of His grace. He will ever be there in your times of trial. Constant His loving embrace.Faith is a flower unfolding, Rising aloft from a seed. Faith planted by heaven so long ago, Waiting to bloom at your need.Sure is the promise of springtime. Surely the dead rise again. All the children of God are eternal spirits. Surely they live, foe and friend. Hope is a dream ever shining, Lifting the soul to the sky. Hope cheers ev'ry heart with the light of truth, Giving you courage to try. Trust in the work of the Gospel. Trust in the way of the Lord. All your service to others is sanctified, So trust in the truth of the Word. Love is the way of the Savior, Lighting the way of the right. Love forges the heart with celestial fire, Thus may you live in His sight.
$1.99 ≈
1.78€
Right Here Waiting
Right Here Waiting
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Richard Marx
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James Haynor
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Right Here Waiting
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782429 By Richard Marx. By Richard Marx. Arranged by James Haynor. Contemporary,Pop. 13 pages. James Hayn...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782429 By Richard Marx. By Richard Marx. Arranged by James Haynor. Contemporary,Pop. 13 pages. James Haynor #6449509. Published by James Haynor (A0.782429). Right Here Waiting is a song by American singer and songwriter Richard Marx. It was released on June 29, 1989, as the second single from his second album. Scored here for clarinet quintet, Right Here Waiting adds a very enjoyable chart to your concert or recital. ( Duration 3:45 )
$12.99 ≈
11.63€
Right Here Waiting
Right Here Waiting
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Richard Marx
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James Haynor
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Right Here Waiting
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782428 By Richard Marx. By Richard Marx. Arranged by James Haynor. Contemporary,Pop. Score...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782428 By Richard Marx. By Richard Marx. Arranged by James Haynor. Contemporary,Pop. Score and parts. 13 pages. James Haynor #6448445. Published by James Haynor (A0.782428). Right Here Waiting is a song by American singer and songwriter Richard Marx. It was released on June 29, 1989, as the second single from his second album. Scored here for brass quintet, Right Here Waiting adds a very enjoyable chart to your concert or recital. ( Trumpets may of course play the written Flugelhorn parts. ) ( Duration 3:45 )
$12.99 ≈
11.63€
Right Here Waiting
Right Here Waiting
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Richard Marx
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James Haynor
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Right Here Waiting
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782432 By Richard Marx. By Richard Marx. Arranged by James Haynor. Contemporary,Pop....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782432 By Richard Marx. By Richard Marx. Arranged by James Haynor. Contemporary,Pop. Score and parts. 13 pages. James Haynor #6452419. Published by James Haynor (A0.782432). Right Here Waiting is a song by American singer and songwriter Richard Marx. It was released on June 29, 1989, as the second single from his second album. Scored here for woodwind quintet, Right Here Waiting adds a very enjoyable chart to your concert or recital. ( Duration 3:45 )
$12.99 ≈
11.63€
The River's Edge. For viola and piano.
The River's Edge. For viola and piano.
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Fiona Caldarevic
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The River's Edge. For viola an
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Fiona Caldarevic
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.827198 Composed by Fiona Caldarevic. Concert,Contemporary. Score and part. 8 pages. Fiona Caldarevic #3379327. Published...
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Piano,Viola - Level 4 - SKU: A0.827198 Composed by Fiona Caldarevic. Concert,Contemporary. Score and part. 8 pages. Fiona Caldarevic #3379327. Published by Fiona Caldarevic (A0.827198). The River's Edge was composed by Australian composer Fiona Caldarevic for piano and viola in response to a haiku by Sue Killham about their home town of Narrandera NSW Australia, as part of the Naviar Haiku series: Verdant town of treesPoised upon the river's edgeWaiting for one dayWatch a performance of this composition here: https://youtu.be/q6DNSbA_WZgDigital PDF download includes full score and separate viola part.
$6.99 ≈
6.26€
Waiting For A Girl Like You
Waiting For A Girl Like You
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Foreigner
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Daryl McKenzie
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Waiting For A Girl Like You
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374320 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #9...
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Full Orchestra - Level 4 - SKU: A0.1374320 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #958924. Published by Daryl McKenzie (A0.1374320). Arranged in the style of Foreigner for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of Gm (Key a minor 3rd lower than Foreigner)Note: Playable without Saxes. Full audio demo (Sibelius Sounds): click hereAlso available in the Key of Bbm (key as Foreigner): search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99 ≈
89.55€
Someone's Waiting For You (from Disney's The Rescuers)
Someone's Waiting For You (from Disney's The Rescuers)
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Piano grosses notes
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DÉBUTANT
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Someone's Waiting For You
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.454189 Disney,Film/TV. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454189). About Hal Leonard E-Z ...
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SKU: HX.454189 Disney,Film/TV. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454189). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.68€
Passacaglia for organ solo
Passacaglia for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Passacaglia for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin S...
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Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.64€
Camden Town for organ solo
Camden Town for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Camden Town for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.64€
Playtime for organ
Playtime for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.64€
Waiting For A Girl Like You
Waiting For A Girl Like You
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Foreigner
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Daryl McKenzie
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Waiting For A Girl Like You
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Daryl McKenzie
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374319 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #9...
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Full Orchestra - Level 4 - SKU: A0.1374319 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #958923. Published by Daryl McKenzie (A0.1374319). Arranged in the style of Foreigner for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of Bbm (Key as Foreigner)Note: Playable without Saxes. Full audio demo (Sibelius Sounds): click hereAlso available in the Key of Gm: search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99 ≈
89.55€
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Waiting Here For You
