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Viking! Percussion 2
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Vous avez sélectionné:
Viking! Percussion 2
Partitions à imprimer
10 partitions trouvées
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1
My Mother Told Me (Vikings) - String Quartet and Percussion
My Mother Told Me (Vikings) - String Quartet and Percussion
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Folk Song
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Raúl Andueza Blanco
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My Mother Told Me
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Raul Andueza
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.910586 Composed by Folk Song. Arranged by Raúl Andueza Blanco. Folk,Multicultural,World. Score and ...
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String Quartet String Quartet - Level 3 - SKU: A0.910586 Composed by Folk Song. Arranged by Raúl Andueza Blanco. Folk,Multicultural,World. Score and parts. 9 pages. Raul Andueza #6113073. Published by Raul Andueza (A0.910586). Easy arrangement of the folk song that appears in the TV Series Vikings. The video example is from the cello ensemble arrangement but the string quartet version is very similar.
$7.99 ≈
7.45€
The Vikings: 1st Percussion
The Vikings: 1st Percussion
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Orchestre d'harmonie
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Methodes
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Andrew Boysen
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Festival.
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The Vikings: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017053_PC1 1st Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0017053_PC1 1st Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017053_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017053_PC1). UPC: 038081498270.The Vikings is not your traditional march. This dark, angry piece follows all of the traditional march concepts, including the standard form, repeats, key changes, and even a piccolo solo over the trio, but will provide a stunning change of pace from a standard march. (4:10)Concert/Contest; Festival.
$3.00 ≈
2.80€
The Vikings: 4th Percussion
The Vikings: 4th Percussion
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Orchestre d'harmonie
#
Methodes
#
Andrew Boysen
#
Festival.
#
The Vikings: 4th Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017053_PC4 4th Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0017053_PC4 4th Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017053_PC4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017053_PC4). UPC: 038081498270.The Vikings is not your traditional march. This dark, angry piece follows all of the traditional march concepts, including the standard form, repeats, key changes, and even a piccolo solo over the trio, but will provide a stunning change of pace from a standard march. (4:10)Concert/Contest; Festival.
$3.00 ≈
2.80€
The Vikings: 2nd Percussion
The Vikings: 2nd Percussion
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Orchestre d'harmonie
#
Methodes
#
Andrew Boysen
#
Festival.
#
The Vikings: 2nd Percussion
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017053_PC2 2nd Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0017053_PC2 2nd Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017053_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017053_PC2). UPC: 038081498270.The Vikings is not your traditional march. This dark, angry piece follows all of the traditional march concepts, including the standard form, repeats, key changes, and even a piccolo solo over the trio, but will provide a stunning change of pace from a standard march. (4:10)Concert/Contest; Festival.
$3.00 ≈
2.80€
The Vikings: 3rd Percussion
The Vikings: 3rd Percussion
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Orchestre d'harmonie
#
Methodes
#
Andrew Boysen
#
Festival.
#
The Vikings: 3rd Percussion
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017053_PC3 3rd Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0017053_PC3 3rd Percussion. Composed by Andrew Boysen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017053_PC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017053_PC3). UPC: 038081498270.The Vikings is not your traditional march. This dark, angry piece follows all of the traditional march concepts, including the standard form, repeats, key changes, and even a piccolo solo over the trio, but will provide a stunning change of pace from a standard march. (4:10)Concert/Contest; Festival.
$3.00 ≈
2.80€
Viking! - Percussion 2
Viking! - Percussion 2
#
Percussion (partie séparée)
#
Michael Sweeney
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Viking! - Percussion 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Michael Sweeney. Festival. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.334879). - Concert Band - Festival - Hal Leonar...
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Composed by Michael Sweeney. Festival. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.334879). - Concert Band - Festival - Hal Leonard - Digital Sheet Music
$6.00 ≈
5.59€
Test Drive
Test Drive
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John Powell
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Rob Bushnell
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Test Drive
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RBMusic
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1196739 By John Powell. By John Powell. Arranged by Rob Bushnell. 20th Century,Celtic,Film/TV,Folk,Irish. Brass Band. 79 pages. RBMusic #795900. Published by RBMusic (A0.1196739). Test Drive is from the soundtrack to the 2010 computer-animated action fantasy film How to Train Your Dragon, based on the book by Cressida Cowell. It follows the story of Hiccup and Toothless as they form an unlikely friendship, against the backdrop of the Viking village of Berk, where the other villagers attempt to kill dragons when they attack.The music is composed by John Powell. Whilst this was his sixth collaboration with DreamWorks Animation, it was the first where he was the sole composer (having worked with other composers such as Harry Gregson-Williams and Hans Zimmer prior to this). In an interview with The Wasp, Powell said that the directors wanted “size and depth and emotionâ€, wanting “a feeling of the Nordic musical past.†This led him to the music of Nielsen, Grieg and, in particular, Sibelius. “Sibelius was the key. I studied a lot of Sibelius as a kid, and I've always adored his music.†He continues, “we looked at all the folk music from the Nordic areas. And I'm part Scottish and grew up with a lot of Scottish folk music, so that came into it a lot. And Celtic music was something that Jeffrey [Katzenberg] felt had this very attractive quality to it, and a sweetness, that he thought would be wonderful for the film.Test Drive appears in the film when Hiccup first takes flight on Toothless. It perfectly brings together “Hiccup's Theme†and “Toothless' Themeâ€. The two themes take over from each other, representing the development of their onscreen relationship during this flight scene as Hiccup starts to trust Toothless, and vice versa. The soundtrack was nominated for the Academy Award for Best Original Score and the BAFTA Award for Best Film Music.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=IpPIK4T068s.Other searchable terms: Jay Baruchel, America Ferrera, Astrid Hofferson, Gerard Butler, Stoick the Vast, Craig Ferguson, Gobber the Belch, blacksmith, Christopher Mintz-Plasse, Fishlegs Ingerman, Jonah Hill, Snotlout Jorgenson, T.J. Miller, Kristen Wiig, Tuffnut and Ruffnut Thorston, David Tennant, Spitelout, Robin Atkin Downes, Ack, Philip McGrade, Starkard, Kieron Elliott, Hoark the Haggard, Ashley Jensen, Phlegma the Fierce, Randy Thom, Night Fury.
$44.99 ≈
41.93€
Vahalla (Brass Band) - Score
Vahalla (Brass Band) - Score
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Contemporain
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Michael Young
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Vahalla
#
Michael Young
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.934105 Composed by Michael Young. Contemporary. Brass Band. 47 pages. Michael Young #4846991. Published by Michael Young (A0.934105). 2019 South Brisbane Federal Band Composition Competition - People's Choice AwardValhalla is a composition for brass band that was inspired by Norse mythology, particularly their beliefs and ideas on death and the afterlife. The word ‘Valhalla’ itself translates into English as hall of the fallen. It is where Odin sends those who he deems worthy to reside with him in the afterlife. The composition explores the warrior’s journey to the afterlife, and has been inspired by representations of Norse mythology in pop culture in films such as Erik the Viking and the Thor films from the Marvel Cinematic Universe
$15.00 ≈
13.98€
Diasporic Dances
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00 ≈
93.20€
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
7.41€
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Viking! Percussion 2
