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Two Short Pieces for Harp
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Vous avez sélectionné:
Two Short Pieces for Harp
Partitions à imprimer
10 partitions trouvées
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1
Two Short Pieces for Harp
Two Short Pieces for Harp
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Harpe
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INTERMÉDIAIRE
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Mary Jane Lang
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Two Short Pieces for Harp
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MaryJaneLang
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SheetMusicPlus
Harp - Level 3 - SKU: A0.889289 Composed by Mary Jane Lang. Contemporary,Instructional,Standards. Score. 7 pages. MaryJaneLang #19719. Published by Mary...
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Harp - Level 3 - SKU: A0.889289 Composed by Mary Jane Lang. Contemporary,Instructional,Standards. Score. 7 pages. MaryJaneLang #19719. Published by MaryJaneLang (A0.889289). These pieces explore rhythm with theme and variation style. They are good for practice, learning cross rhythms, developing coordination, in a fun way. They are good for students and professionals alike.
$12.99 ≈
12.15€
Three "Encores" for Violin/Flute with Harp: Clair de Lune, La Fille aux Cheveux de Lin, Minstrels
Three "Encores" for Violin/Flute with Harp: Clair de Lune, La Fille aux Cheveux de Lin, Minstrels
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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N
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Three "Encores" for
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iStrings
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.1009419 Composed by Claude Debussy. Arranged by N. Szederkenyi. 20th Century,Classica...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.1009419 Composed by Claude Debussy. Arranged by N. Szederkenyi. 20th Century,Classical,Contemporary. Score and parts. 20 pages. IStrings #615080. Published by iStrings (A0.1009419). Maybe the most well known music by Debussy, Clair de Lune along with two at least as beautiful short pieces; lots of fun for the performers and audience equally.
$23.00 ≈
21.52€
What do they matter? (for medium-high voice and harp)
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99 ≈
5.60€
Blooper 4 for Harp and Strings
Blooper 4 for Harp and Strings
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Orchestre de chambre
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FACILE
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Cristiano Vecchi
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Blooper 4 for Harp and Strings
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Cristiano Vecchi
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1160307 Composed by Cristiano Vecchi. Chamber,Children,Contemporary,Film/TV,Video Game. Score and Parts. 19 pages....
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Chamber Orchestra - Level 2 - SKU: A0.1160307 Composed by Cristiano Vecchi. Chamber,Children,Contemporary,Film/TV,Video Game. Score and Parts. 19 pages. Cristiano Vecchi #760600. Published by Cristiano Vecchi (A0.1160307). Bloopers is a series of short pieces composed with the MikroKanon App and arranged for traditional instruments. Blooper 4 (Cancer) is a mysterious, fairy-tale slow piece with a counterpoint of exatonal fragments on the harp and other strings, accompanied by a discrete mesmerizing movement of the violas. The piece is in two parts, where the second is the retrograde of the first. The rhythm pattern used to develop the counterpoint is Flux 3454. Duration: 58. SCORE and PARTS.
$5.99 ≈
5.60€
Music for Children
Music for Children
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Contemporain
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instrumen...
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Voice, recorder and percussion - Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff- Schulwerk. Downloadable. Op. 5. Schott Music - Digital #Q49516. Published by Schott Music - Digital
English.
Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.
$21.99 ≈
20.57€
Canon & Gigue
Canon & Gigue
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Harpe
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FACILE
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Classique
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Johann Pachelbel
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Yoko Nakanishi
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Canon & Gigue
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Yoko Nakanishi
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SheetMusicPlus
Harp - Level 2 - SKU: A0.1422989 Composed by Johann Pachelbel. Arranged by Yoko Nakanishi. Baroque,Classical,Early Music,Medieval. 22 pages. Yoko Nakani...
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Harp - Level 2 - SKU: A0.1422989 Composed by Johann Pachelbel. Arranged by Yoko Nakanishi. Baroque,Classical,Early Music,Medieval. 22 pages. Yoko Nakanishi #1004345. Published by Yoko Nakanishi (A0.1422989). Pachelbel's Canon and Jig arranged for three harps. The canon has been shortened to make it easier to play for smaller concerts, and the two pieces make a lovely program when played as a set. 34-string lever harp or grand harp can be used to play this piece.
$8.99 ≈
8.41€
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00 ≈
93.56€
Highlands [2 violins]
Highlands [2 violins]
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2 Violons (duo)
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FACILE
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Ir...
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Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00 ≈
1.87€
After Dark
After Dark
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Piano Facile
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FACILE
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Forrest Avery Carney and Moham
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Nicole Elyse DiPaolo
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After Dark
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Nicole Elyse DiPaolo
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. ...
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Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. 3 pages. Nicole Elyse DiPaolo #714697. Published by Nicole Elyse DiPaolo (A0.1112682). An abridged version of After Dark optimized for early intermediate pianists and those with small hands. The left hand chords can be varied with arpeggios, tremolos, and the like as the student's skill level allows. Great for teens who are fairly early in their piano studies and busy students who want to learn this piece quickly. ABOUT THE ARRANGER: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions (two of which also featured her own Piano Trio in C minor) and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited contributor to the Tonebase app's piano blog; and a sought-after online instructor of piano, music theory, and composition. She has additionally been an online teaching artist for the Tunaweza Kimuziki cultural/artistic exchange program+, through which IU instructors teach undergraduate music students in Kenya via Zoom and WhatsApp. Ms. DiPaolo was also on the composition and collaborative piano faculty at Blue Lake Fine Arts Camp in 2014 and 2015. In June 2018, Ms. DiPaolo was a Collaborative Piano Fellow at the Bay View Music Festival in Petoskey, Michigan, performing with the festival's SOARS voice program participants on fully staged opera scenes and art song recitals as well as in the Bay View Young Artist Series (Charlevoix, MI). She then joined the Spooky Goose Opera team as an online coach/pianist for their Quarantine Concert Series, the world's first livestreamed Zoom production of Mozart's Die Zauberflöte (summer 2020), and new opera projects under development. When not on the piano bench, Ms. DiPaolo continues to compose and arrange, and her compositions have been described as very effective with a fantastic amount of intrigue, mindfulness...[and] colorful nuance (Seven Sky Music). Ms. DiPaolo's music has been heard across the world. Along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed nationwide, and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Ms. DiPaolo's music also received its Mexican premiere in 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014 Ms. DiPaolo published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, for early-intermediate pianists of all ages, available on SheetMusicPlus and MusicaNeo, and she is currently working on Vignettes, a new set of pedagogical pieces that will introduce intermediate pianists to the Impressionist language of Maurice Ravel. Most recently, her Divertimento and Lucid Dreaming for solo harp were chosen to be featured in the She Scores new music festival, celebrating women composers with ties to Ohio, held at Case Western Reserve University in June 2022 and recorded for later broadcast on Mark Satola's Cleveland Ovations program on WCLV radio (90.3). Also a sought-after composition teacher and adjudicator, Ms. DiPaolo frequently judges state, regional, and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists. In her private online studio, she has recently expanded her curricular offerings to include partimento and other historical methods of teaching tonal composition and improvisation.
$5.99 ≈
5.60€
Modern Wind Music - Oboe
Modern Wind Music - Oboe
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Anthony Gilbert, Margaret Lucy
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John Turner
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Modern Wind Music - Oboe
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Forsyth Brothers Ltd
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1423263 Composed by Anthony Gilbert, Margaret Lucy Wilkins, Richard Orton, and Thomas Pitfield. Arranged by John Turner. ...
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Oboe,Piano - Level 4 - SKU: A0.1423263 Composed by Anthony Gilbert, Margaret Lucy Wilkins, Richard Orton, and Thomas Pitfield. Arranged by John Turner. 20th Century,Classical,Contemporary. Score and part. 42 pages. Forsyth Brothers Ltd #1004561. Published by Forsyth Brothers Ltd (A0.1423263). Forsyth's Modern Wind Music series contains exciting and challenging, but not unduly difficult, works by talented English composers of current or recent vintage for recital, study or recreation. Each volume includes three works with piano, one unaccompanied piece, and one piece for two or more players of the instrument. In this volume for Oboe, Anthony Gilbert's Sunrising is an aubade inspired by a short and sublime poem by Sir Willian Davenant, and contrasts sharply with the skittish humour of Thomas Pitfield's Polka. There are also two pieces by Margaret Lucy Wilkins - a poised Pirouette for solo oboe, and its companion piece for four oboes - Pas de Quatre. Richard Orton provides a contribution steeped in Greek mythology - the story of the shepherd Gyges and his magical ring of invisibility.Contents:Polka by Thomas Pitfield Sunrising by Anthony GilbertGyges by Richard OrtonPirouette by Margaret Lucy WilkinsPas De Quatre by Margaret Lucy Wilkins (four oboes)
$13.99 ≈
13.09€
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Two Short Pieces for Harp
