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Vous avez sélectionné:
Two Perspectives
Partitions à imprimer
103 partitions trouvées
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Four Reflections (Perspectives on America)
Four Reflections (Perspectives on America)
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P
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Four Reflections
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Pete Strohm Music
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SheetMusicPlus
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1081913 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score a...
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Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1081913 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and parts. 136 pages. Pete Strohm Music #686045. Published by Pete Strohm Music (A0.1081913). Four Reflections (Perspectives on America) from American composer P. F. Strohm, is a combined setting of two other works, Dialogue and Trilogy in a single concert piece. This setting is scored for a 10-part brass ensemble, comprised of two brass quintets, one using tuba and one using bass trombone.Combining the two works makes the resulting work an ideal brass section concert showcase. Opening with a hard-hitting, four minute, straight-ahead jazz movement with trumpet solos, the work follows with a lovely chorale-like 3/2 movement that lasts another four minutes. Then comes a powerful three-and-a-half minute incantation, which bursts into a two-and-a-half minute dance in 7/4. The work is solid brass, rewarding for both performers and listeners. Four Reflections is both demanding and exciting, perfect for recital or concert. Level of difficulty is Medium-Advanced, and total performance time is 14:10. Member, ASCAP.
$18.95 ≈
17.04€
Two Sides To Every Story
Two Sides To Every Story
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Piano seul
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AVANCÉ
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Chris Coster
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Two Sides To Every Story
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Sheet Music Plus.com/costermusicpress
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1024261 Composed by Chris Coster. Contemporary. Score. 9 pages. Sheet Music Plus.com/costermusicpress #5742469. Published...
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Piano Solo - Level 5 - SKU: A0.1024261 Composed by Chris Coster. Contemporary. Score. 9 pages. Sheet Music Plus.com/costermusicpress #5742469. Published by Sheet Music Plus.com/costermusicpress (A0.1024261). Two Sides to Every Story is an original composition that was written for Wheaton College. The piece is based off of the idea that two different individuals are talking about the same experience, but from their own perspective. There is a lot of unique melodic and harmonic colors that are implemented into the piece. Throughout the process of writing this piece, I learned to not be afraid of risks and to explore new types of colors that I am less comfortable with. It is my honor to share with you my new composition. .
$2.99 ≈
2.69€
Two Dream Poems (2020) for Soprano and Piano
Two Dream Poems (2020) for Soprano and Piano
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Piano, Voix
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AVANCÉ
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Corinne Byrne, soprano and Set
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Two Dream Poems
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Blue Unity Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contempo...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contemporary. Score. 21 pages. Blue Unity Music #706801. Published by Blue Unity Music (A0.1103534). George Brandon: Two Dream Poems (2020) for Soprano and Piano This piece consists of musical settings of two 20th century poems concerning the dream state: one by the American poet Gary Snyder; the other by Mavash Sabet from Iran. Gary Snyder’s poem, “Maudgalyayana Saw Hellâ€, is a complex and multilayered portrayal of a passage through the dream state, beginning with falling asleep and ending with waking up. At the same time as it describes a mythical journey and an inward psychological journey, it also presents a Buddhist metaphysical perspective in which the whole of life, and our ordinary sense of reality, appear and are questioned as dream states as well. At the time that Mavash Sabet wrote her poem “Hello Again†she was a political prisoner sentenced to twenty years in prison for her religious and educational activities. on behalf of the Bahai faith, a religion which is persecuted by Iran's theocratic government. “Hello Againâ€, from her book Prison Poems, describes a dream experience that renewed her inner sense of freedom despite being incarcerated, and provided her with strength and hope for the future. Complex but singable, intense and lyrical, these compelling songs will make a great impact in a concert or recital program. Duration: approximately 9 mins. Advanced.
$6.95 ≈
6.25€
Perspective
Perspective
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Piano seul
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FACILE
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New Age
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Contemporain
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Tim Neumark
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Perspective
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Tim Neumark
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.781665 Composed by Tim Neumark. 20th Century,Contemporary,New Age. Score. 5 pages. Tim Neumark #4268807. Published by Tim...
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Piano Solo - Level 2 - SKU: A0.781665 Composed by Tim Neumark. 20th Century,Contemporary,New Age. Score. 5 pages. Tim Neumark #4268807. Published by Tim Neumark (A0.781665). Perspective is track #4 from Tim's album, Galaxy. This piece is written in the key of B minor (two sharps). For early intermediate to intermediate pianists.
$5.50 ≈
4.95€
Steps for Two
Steps for Two
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Piano seul
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FACILE
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Jazz
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Danilo Wimmer
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Steps for Two
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Danilo Wimmer
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1418971 Composed by Danilo Wimmer. Jazz. Score. 3 pages. Danilo Wimmer #1000420. Published by Danilo Wimmer (A0.1418971)....
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Piano Solo - Level 2 - SKU: A0.1418971 Composed by Danilo Wimmer. Jazz. Score. 3 pages. Danilo Wimmer #1000420. Published by Danilo Wimmer (A0.1418971). Steps for Two is a composition for jazz piano beginners that invites the player to interpret the piece from his or her own perspective. The tempo is deliberately kept a little slower in order to offer a broader scope for expression and interpretation. It has been set at around 60 bpm, but can be adjusted according to preference.The piece is not only suitable for solo performances, but can also be played in a classical jazz trio with drums and double bass. It provides an ideal opportunity for beginners to develop their playing while adding their own creative nuances.
$3.99 ≈
3.59€
Two Choral Motets (Orphan's Prayer / Child's Prayer) - SATB
Two Choral Motets (Orphan's Prayer / Child's Prayer) - SATB
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Chorale SATB
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INTERMÉDIAIRE
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Christopher M
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Two Choral Motets
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Christopher M Kraus Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1309551 By Christopher M. Kraus. By Christopher M. Kraus. A Cappella,Classical,Religious,Renaissance,Sacr...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1309551 By Christopher M. Kraus. By Christopher M. Kraus. A Cappella,Classical,Religious,Renaissance,Sacred. 2 pages. Christopher M Kraus Music #898715. Published by Christopher M Kraus Music (A0.1309551). Two choral motets expressing the mystery of adoption in Christ through the perspective of both the orphan coming the throne with nothing to their name and then the child, blessed in the riches and sonship of Christ. These paired motets are written for an intermediate skill level choir as a performance / musical offering work and not recommended for congregational worship.Copyright © 2018First performed in a concert on Hymnody as part of the Faith Concert Series.
$2.99 ≈
2.69€
The Cosmic Perspective
The Cosmic Perspective
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Piano, Voix
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FACILE
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Music: David Alpher
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The Cosmic Perspective
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Kripplebush Publishing Company
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.976464 Composed by Music: David Alpher. Lyrics: Jennie Litt. Contemporary,Musical/Show,New Age,Pop,Spiritual. Scor...
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Piano,Vocal,Voice - Level 2 - SKU: A0.976464 Composed by Music: David Alpher. Lyrics: Jennie Litt. Contemporary,Musical/Show,New Age,Pop,Spiritual. Score. 7 pages. Kripplebush Publishing Company #1988623. Published by Kripplebush Publishing Company (A0.976464). This unusual contemporary love song explores human relationships, atomic particles, and the infinity of the universe using mixed 3/4 and 4/4 meters, and a mix of cabaret, musical theatre and pop styles. It is appropriate for cabaret shows, live concerts, recordings, and voice lessons. Scored for voice and piano, it is featured on songwriters Alpher & Litt's 2014 CD Two Apples (available at CDBaby.com. ASCAP. Check out more contemporary cabaret songs by Alpher & Litt at www.litt-and-alpher.com or at YouTube channel Jennie Litt & David Alpher.
$5.50 ≈
4.95€
I Believe in Father Christmas (Two-Part)
I Believe in Father Christmas (Two-Part)
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Chorale 2 parties
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FACILE
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Susan Boyle
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Christopher Alexander
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I Believe in Father Christmas
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Christopher Alexander
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1414665 By Susan Boyle. By Greg Lake and Peter Sinfield. Arranged by Christopher Alexander. Christ...
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Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1414665 By Susan Boyle. By Greg Lake and Peter Sinfield. Arranged by Christopher Alexander. Christmas,Folk,Pop. 12 pages. Christopher Alexander #996444. Published by Christopher Alexander (A0.1414665). NEW GENERATION CHORAL SERIESIn response to the hyper-commercialism toward Christmas, this song by Greg Lake (of Emerson, Lake, and Palmer fame) brings a folk-like accompaniment to the poignant lyrics, a humbling perspective for the spirit of the holiday season. First premiered at the 2011 New Generation Singers Christmas Concerts.Also available in SATB and SAB.
$2.25 ≈
2.02€
Two Motets for Worship (Downloadable)
Two Motets for Worship (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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James Biery
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Two Motets for Worship
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir a cappella - Medium - SKU: MQ.50-2518-E Composed by James Biery. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music...
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SATB choir a cappella - Medium - SKU: MQ.50-2518-E Composed by James Biery. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #50-2518-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-2518-E). James Biery brings a new perspective to these traditional Latin hymns with new four-part strophic settings. With singable voice lines of modest difficulty, these motets have an expressive and beautifully shaped structure. The Latin texts are traditionally used at Benediction of the Blessed Sacrament; the English texts (which are not a translation of the Latin) will find frequent usage as short anthems or as Introit and Benediction responses in Protestant services.Includes:O Rise and SingO salutaris hostiaLord, Dismiss Us with Thy BlessingTantum ergo Sacramentum.
$2.15 ≈
1.93€
Just to Live: a Song of Compassion for two-part choir and piano
Just to Live: a Song of Compassion for two-part choir and piano
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Chorale 2 parties
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FACILE
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Kim Kirkman and Patricia Roche
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Just to Live: a Song of Compas
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Kim Kirkman
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.779700 Composed by Kim Kirkman and Patricia Roche. Multicultural,Pop,World. Octavo. 8 pages. Kim Kirkman #6795...
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Choral Choir (2-Part) - Level 2 - SKU: A0.779700 Composed by Kim Kirkman and Patricia Roche. Multicultural,Pop,World. Octavo. 8 pages. Kim Kirkman #6795731. Published by Kim Kirkman (A0.779700). Just to live is a song written from the perspective of a refugee.It has a timely and moving message about heart-break and the plight of people forced to leave their homeland.The final verse has a descant.Lyrics are:From the hatred in our homeland, Through the terrors of land and sea, We fled from certain death, Seeking peace and harmony. We come seeking life, with only what we wear. Does no-one see our plight? Will no-one hear our prayer? All we want is to live in freedom; All we want is to live in peace; All we want is to live. Only live. Just to live. The light of hope is fading, dimmed by dark despair. We could see the gates of paradise. We were almost there. We come seeking life, with only what we wear. Does no-one see our plight? Will no-one hear our prayer? All we want is to live in freedom; All we want is to live in peace; All we want is to live. Only live. Just to live. Heart broken and exhausted, we grieve for the lost: Our loved ones tortured, killed; Survival has a terrible cost. All we want is to live in freedom; All we want is to live in peace; All we want is to live. Only live. Just to live. All we want is to live in freedom; All we want is to live in peace; All we want is to live. Only live. Just to live. Let us live.
$1.99 ≈
1.79€
Opera Scenes for Women
Opera Scenes for Women
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Philip Seward
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Opera Scenes for Women
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Music Anon
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages....
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Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00 ≈
40.47€
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104...
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Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.89€
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.89€
Lost Songs of Ancient Ireland [SATB with Treble Descant]
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25 ≈
5.62€
Welcome Back, Billy Best - Full Score
Welcome Back, Billy Best - Full Score
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Chorale Unison
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Jody W Lindh and Joe Cox
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Welcome Back, Billy Best - Ful
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Chorister's Guild - Digital
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SheetMusicPlus
Unison/Two-part chorus - SKU: C7.CGC35 Composed by Jody W Lindh and Joe Cox. General. With Soloists, two keyboards, electronic piano/synthesizer. Cantat...
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Unison/Two-part chorus - SKU: C7.CGC35 Composed by Jody W Lindh and Joe Cox. General. With Soloists, two keyboards, electronic piano/synthesizer. Cantata. Full Score. 84 pages. Chorister's Guild - Digital #CGC35. Published by Chorister's Guild - Digital (C7.CGC35). UPC: 749193003213.This songbook contains 36 selections from Africa, Latin America, and Asia, over half of which have never been published before in the USA. In addition to full scores and indigenous instrumental suggestions, the director's edition contains all you need to successfully teach this music to choirs and congregations. An extensive introduction contains theological, word--and sung--prayer perspectives, musical performance practices, background on writers and countries, liturgical contexts, and ideas for use in worship. The singer's edition is filled with wonderful photographs, many in color, of children from the represented countries.
$12.95 ≈
11.65€
The Aftermath
The Aftermath
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Gavin Green
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The Aftermath
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Gavin.G
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1446348 Composed by Gavin Green. Contemporary,New Age,Thriller. 36 pages. Gavin.G #1026157. Published by Gavin.G (A0....
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Full Orchestra - Level 4 - SKU: A0.1446348 Composed by Gavin Green. Contemporary,New Age,Thriller. 36 pages. Gavin.G #1026157. Published by Gavin.G (A0.1446348). This song comes from two different perspectives of intense emotions of grief, confusion, and worry while the other is happy, oblivious to the horrors that are upon him.
$50.00 ≈
44.97€
Inconsequências
Inconsequências
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Piano seul
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AVANCÉ
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Francisco Ribeiro
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Inconsequências
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Francisco Ribeiro
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1393741 Composed by Francisco Ribeiro. 21st Century,Classical,Contemporary. Score. 10 pages. Francisco Ribeiro #977211. P...
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Piano Solo - Level 5 - SKU: A0.1393741 Composed by Francisco Ribeiro. 21st Century,Classical,Contemporary. Score. 10 pages. Francisco Ribeiro #977211. Published by Francisco Ribeiro (A0.1393741). A minimalist solo piano work, inspired by Vicky Chow's 2016 performance on Roulette Intermedium (https://www.youtube.com/watch?v=gpjbf6lc2FY&ab_channel=VickyChow). The title translates to Inconsequences.A note on the piece:Could something be inconsequential? Is it possible, objectively, to materialize something truly insignificant? Will it always depend on different perspectives? In this work, I did not attempt to answer these questions but rather to present two ways of looking at this curious enigma that reach similar conclusions: the repetition of something weak and possibly uninteresting results in a greater appreciation for it, gradually adding emotional value that was initially simple and raw. In other words, inconsequence is ephemeral, quickly shedding its prefix.
$20.00 ≈
17.99€
AUNQUE ES DE NOCHE
AUNQUE ES DE NOCHE
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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EAM
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AUNQUE ES DE NOCHE
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Eduardo A. Malachevsky
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1284578 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Christian,Classical,Spir...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1284578 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Christian,Classical,Spiritual. 30 pages. Eduardo A. Malachevsky #875753. Published by Eduardo A. Malachevsky (A0.1284578). AUNQUE ES DE NOCHE (Although it is night)Lyrics taken from the «Dark Night of the Soul» by St John of the CrossFirst Price awarded score at the «Concurso Internacional de Composición Coral de Cámara de Pamplona», SPAIN 2010 Voicing: SSAATTBB & SSATB Soloists  |  Durata Circa: 9 min  |  Language: Spanish  |  Lyrics: St. John of the Cross  |  Score's pages: 23|  Score's meassures: 155 Score Preview & info  | YouTube's Composer Channel St. John of the Cross wrote the poem when he was in jail in the Toledo prison (1578). Immerse in the dark and arid night, the torment and the anguish of the dungeon, he contemplates and reflects on that mystery so precious for himself: The mystery of the Holy Trinity. One and multiple at the same time, the image of ‘water’ (that flows and runs…) is the best that comes to his mind in this meditation in which the highest and more abstract perspectives of the faith becomes so close and takes flesh, so to speak, in the touching simplicity of this primary element, element of the life itself.The Vocal Ensemble is divided in two: a SSAATTBB Choir Ensemble of 8 voices (or more) and a SSATB Soloist Ensemble . Although this division, the whole ensemble works as a unity; consequently the soloists should be stand up mixed with the rest of the voices.
$4.30 ≈
3.87€
Shadow and Self
Shadow and Self
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Piano Trio: Violon, Alto, Piano
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AVANCÉ
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Contemporain
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Matthew Scott Phillips
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Shadow and Self
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Matthew Scott Phillips
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.
$7.00 ≈
6.30€
Doubt & Determination (An Epic Sonata of Indeterminacy)
Doubt & Determination (An Epic Sonata of Indeterminacy)
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary...
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99 ≈
6.29€
Sacrum Creaturae
Sacrum Creaturae
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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William Grosvenor Neil
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Sacrum Creaturae
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TheComposerStudio.Com, LLC
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #...
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String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #6565287. Published by TheComposerStudio.Com, LLC (A0.980596). Sacrum Creaturae (2019) (score and parts) for string quartet and digital acoustic commissioned and premiered August 18th, 2021 at the Stringwood Chamber Music Festival by the Artaria String Quartet, profiles three endangered creatures: wolves, dolphins, and birds in the three movements of this string quartet. Each of the digital acoustics, the recorded and processed sounds of wolves, dolphins, and birds, explore the sounds of these creatures from three perspectives. Canis Lupus-Nocturne developed through the exploration of wolf howls, growls, snarls, barks, and choruses. My goal in integrating the sounds of wolves with the string quartet was to make them equally passionate and expressive driving the dynamic and emotional climaxes of the music with equal intensity. Programatically, I have placed the wolves deep in the forest, in an environment that allows the string quartet to evoke the mystery and primal energy associated with these animals. I make musical references to the controversy of re-introducing these animals in the wild and the history of violent annihilation by hunters. Delphinus-Cradlesong comprises the slow, middle movement of this piece. The cradlesong is literal and is inspired by the recent discovery by marine scientists that a mother dolphin will sing to its unborn calf so that it bonds with the mother and is familiar with her voice after birth. I have essentially orchestrated my Cradlesong for solo piano for string quartet and the whistling sounds of a mother dolphin singing to its calf. The final movement, 21 Birds, incorporates the bird calls of 21 birds in the Driftless region of the upper Mississippi, integrated with the thematic music of the string quartet. I treat the birds as 21 soloists and as an orchestra of birds accompanying the quartet. In the performance with the quartet, I have employed various special effects, such as reverberation, echo, and delay to blend the two acoustics. Parts rental for performance including the digital acoustic files and support http://www.thecomposerstudio.com/chamber-music/#tab-13006 Inquires at: thecomposerstudio@gmail.com.
$30.00 ≈
26.98€
Nu Tal (Mi Tierra) - Set of Parts
Nu Tal (Mi Tierra) - Set of Parts
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Juan Carlos Guerra González
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Nu Tal
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos...
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Full Orchestra - Level 3 - SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos Guerra Gonzalez #3093617. Published by Juan Carlos Guerra Gonzalez (A0.933325). Nu Tal (Mi Tierra) or My Land, is one of my first orchestral works, commissioned by Dr. Irving Ramirez, associate conductor of the El Salvador’s Symphony Orchestra.At the beginning, the idea was to set four small sketches of different images from my country. The 3rd movement was composed first, at that point I didn’t have a name for the work but after a talk with my mother in law, Aracely Sánchez; who is an expert in Salvadoran folklore, I decided to change the work’s name to Nu Tal (My Land in Nahuatl) and use some elements from our folklore. Then, I combined the idea I had from the images and the folk rhythms and tunes to create the whole work.The first movement of the work contains actually two movements. The first part is an image of a plane going to El Salvador. While the plane comes out of the clouds a beautiful land is seen through the window until the plane lands safely at its destination. Immediately, the folk part of the movement (movement II) begins with the invocation performed by the shell to the four cardinal points and then an autochthonous sound is presented welcoming our guests to this magical land, and the theme develops until the end of the movement.The third part was the first composed and it is an image including various ideas that represents a vision of El Salvador from different perspectives and the complexity of the different generations that are currently creating El Salvador’s demographic landscape.The fourth movement is an amalgamate of folkloric ideas and images. The beginning is the call from a church by the bells, then the brass presents the main theme of the movement, which is based on the Gregorian chant Salve Regina that I deconstructed using different rhythmic meters. Then a traditional rhythm is developed for the final section of the work.Link to the audio rendering: https://soundcloud.com/juancarlosguerragonzalez/nu-tal-complete-recording-sibelius-noteperformer-rem...
$125.00 ≈
112.42€
Two Perspectives
Two Perspectives
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Piano seul
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FACILE
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Guilherme Veroneze
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Two Perspectives
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Guilherme Veroneze
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1432397 By Guilherme Veroneze. By Guilherme Veroneze. Classical,Contemporary,New Age. Score. 2 pages. Guilherme Veroneze ...
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Piano Solo - Level 2 - SKU: A0.1432397 By Guilherme Veroneze. By Guilherme Veroneze. Classical,Contemporary,New Age. Score. 2 pages. Guilherme Veroneze #1012887. Published by Guilherme Veroneze (A0.1432397). A peaceful piano solo song. Easy to play!
$4.99 ≈
4.49€
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Two Perspectives
