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Two Irish Folksongs
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2
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Vous avez sélectionné:
Two Irish Folksongs
Partitions à imprimer
13 partitions trouvées
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1
Two Irish Folksongs
Two Irish Folksongs
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Traditional Irish Folksongs
#
Matthew Brown
#
Two Irish Folksongs
#
Matthew Brown
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1325201 Composed by Traditional Irish Folksongs. Arranged by Matthew Brown. Celtic,Folk,Irish,Multicultura...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1325201 Composed by Traditional Irish Folksongs. Arranged by Matthew Brown. Celtic,Folk,Irish,Multicultural,Traditional,World. 13 pages. Matthew Brown #913430. Published by Matthew Brown (A0.1325201). Original SAB and piano arrangements of two traditional Irish folksongs, She Moved Through the Fair and The Parting Glass.www.mattbrowncomposer.com
$3.99 ≈
3.72€
Two Irish Folksongs
Two Irish Folksongs
#
Piano seul
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Traditional and Turlough O'car
#
Alejandro Ignacio Luiso
#
Two Irish Folksongs
#
Alejandro Luiso
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.935530 Composed by Traditional and Turlough O'carolan. Arranged by Alejandro Ignacio Luiso. Celtic,Holiday,Standards,Worl...
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Piano Solo - Level 3 - SKU: A0.935530 Composed by Traditional and Turlough O'carolan. Arranged by Alejandro Ignacio Luiso. Celtic,Holiday,Standards,World. Score. 3 pages. Alejandro Luiso #6448479. Published by Alejandro Luiso (A0.935530). This new arrangement combines two different songs from the traditional Irish repertoire in a new and refreshing version for piano. The first song, Samhradh (Summer), is a nostalgic and ethereal song, while the second, Sà Beag Sà Mór (Small fairy mound, big fairy mound), from the famous Irish composer Turlough O'Carolan provides a mood contrast with its dance-like tempo and lively energy. Although very common songs to play in the harp or fiddle, this piece brings together two iconic celtic melodies with the piano, an instrument not very often asociated with the genre. .
$3.99 ≈
3.72€
Chorale and Intermezzo
Chorale and Intermezzo
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Elder
#
Chorale and Intermezzo
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBW186-S Composed by Daniel Elder. Score. 19 pages. Imagine Music - Digital #CBW186-S. Published by Imagine Music - Dig...
(+)
Concert band - Grade 4 - SKU: IZ.CBW186-S Composed by Daniel Elder. Score. 19 pages. Imagine Music - Digital #CBW186-S. Published by Imagine Music - Digital (IZ.CBW186-S). 9 x 12 in inches.Chorale and Intermezzo takes two traditional American folksongs from the early hymn tradition and combines them in a placid, lyrical work. It is tailored to be performed in a set between its complementary arrangements March and Caprice, a setting of two sea shanties, and Fanfare and Dance, a juxtaposition of two Irish folksongs. In contrast to its bookend counterparts, this work is longer and more patient in its development of these quiet and profound melodies.
$12.00 ≈
11.20€
Chorale and Intermezzo
Chorale and Intermezzo
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Elder
#
Chorale and Intermezzo
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBW186 Composed by Daniel Elder. Score and Parts. 84 pages. Imagine Music - Digital #CBW186. Published by Imagine Music...
(+)
Concert band - Grade 4 - SKU: IZ.CBW186 Composed by Daniel Elder. Score and Parts. 84 pages. Imagine Music - Digital #CBW186. Published by Imagine Music - Digital (IZ.CBW186). 9 x 12 in inches.Chorale and Intermezzo takes two traditional American folksongs from the early hymn tradition and combines them in a placid, lyrical work. It is tailored to be performed in a set between its complementary arrangements March and Caprice, a setting of two sea shanties, and Fanfare and Dance, a juxtaposition of two Irish folksongs. In contrast to its bookend counterparts, this work is longer and more patient in its development of these quiet and profound melodies.
$80.00 ≈
74.66€
March and Caprice
March and Caprice
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Elder
#
March and Caprice
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS1510-S Composed by Daniel Elder. Score. 17 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #CBS1510-S...
(+)
Concert band - Grade 4 - SKU: IZ.CBS1510-S Composed by Daniel Elder. Score. 17 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #CBS1510-S. Published by Imagine Music - Digital (IZ.CBS1510-S). 9 x 12 in inches.March and Caprice is an arrangement based on a juxtaposition of two sea shanties, What Shall We Do with theDrunken Sailor? and Spanish Ladies. It combines these into an aesthetically exciting and technicallychallenging piece that showcases the agility of the modern concert band. It is designed to be part of a set with itscomplementary arrangements Fanfare and Dance, a setting of two Irish folksongs, and Chorale and Intermezzo, anexploration into two early American tunes. This work features a lively dialogue between the pointillistic and lyricalnatures of these two shanties. It may be programmed alongside its two counterpart arrangements or performedseparately to equal effect. Performance length: ca. 2'30.
$10.00 ≈
9.33€
March and Caprice
March and Caprice
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Elder
#
March and Caprice
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS1510 Composed by Daniel Elder. Score and Parts. 71 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #C...
(+)
Concert band - Grade 4 - SKU: IZ.CBS1510 Composed by Daniel Elder. Score and Parts. 71 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #CBS1510. Published by Imagine Music - Digital (IZ.CBS1510). 9 x 12 in inches.March and Caprice is an arrangement based on a juxtaposition of two sea shanties, What Shall We Do with theDrunken Sailor? and Spanish Ladies. It combines these into an aesthetically exciting and technicallychallenging piece that showcases the agility of the modern concert band. It is designed to be part of a set with itscomplementary arrangements Fanfare and Dance, a setting of two Irish folksongs, and Chorale and Intermezzo, anexploration into two early American tunes. This work features a lively dialogue between the pointillistic and lyricalnatures of these two shanties. It may be programmed alongside its two counterpart arrangements or performedseparately to equal effect. Performance length: ca. 2'30.
$80.00 ≈
74.66€
Gustav Holst - Folksongs of Hampshire set for Flute Choir
Gustav Holst - Folksongs of Hampshire set for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. ...
(+)
Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. Score, Set of Parts. 53 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.
$17.50 ≈
16.33€
Holst - Folksongs of Hampshire set for Woodwind Choir
Holst - Folksongs of Hampshire set for Woodwind Choir
#
Ensemble à vent
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Gustav Holst
#
John Gibson
#
Holst - Folksongs of Hampshire
#
JB Linear
#
SheetMusicPlus
Woodwind Choir or Ensemble - Advanced Intermediate - Composed by Gustav Holst (1874-1934). Arranged by John Gibson. 20th Century, Folk. Score, Set o...
(+)
Woodwind Choir or Ensemble - Advanced Intermediate - Composed by Gustav Holst (1874-1934). Arranged by John Gibson. 20th Century, Folk. Score, Set of Parts. 90 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.
$24.25 ≈
22.63€
Gustav Holst - Folksongs of Hampshire set for Clarinet Choir
Gustav Holst - Folksongs of Hampshire set for Clarinet Choir
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
Clarinet, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk,...
(+)
Clarinet, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. Score, Set of Parts. 62 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.
$17.50 ≈
16.33€
Gustav Holst - Folksongs of Hampshire set for Flute Quartet
Gustav Holst - Folksongs of Hampshire set for Flute Quartet
#
Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Folklorique/Traditionel
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
Flute, Woodwind Quartet - Advanced Intermediate - Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk. 38 pages. Published by JB Li...
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Flute, Woodwind Quartet - Advanced Intermediate - Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk. 38 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute quartet by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Flute 1 - 3, and alto with an alternate 4th flute for the alto.
$17.25 ≈
16.10€
Jock o' Hazeldean
Jock o' Hazeldean
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Piano, Voix et Guitare
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FACILE
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Traditional
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Jock o' Hazeldean
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SmartWorks Publications
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1373465 Composed by Traditional. Arranged by Alpin Smart (transcription for voice and guitar). 19th Century...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1373465 Composed by Traditional. Arranged by Alpin Smart (transcription for voice and guitar). 19th Century,Celtic,Folk,Irish,Romantic Period,Traditional. Score. 3 pages. SmartWorks Publications #957823. Published by SmartWorks Publications (A0.1373465). The celebrated 19th century Scottish novelist, Sir Walter Scott - like Robert Burns (Scotland) and Thomas Moore (Ireland) - took old ballads and folksong melodies, and wrote new lyrics to these traditional melodies, a common practice from at least the 18th century onwards, and right up to the time of W. B. Yeats' The Salley Gardens. Scott adapted the 'border ballad' (old folksongs and ballads from the southern border of Scotland and the north of England), John of Hazel Green (or 'Hazelgreen'), keeping to the 'gist' of the original story about a young woman forced against her will into an arranged marriage with a young wealthy 'squire'; but, she loves 'Jock' (or 'John', and sometimes, 'Jack'!), and so, on her wedding day, she elopes with 'John'/'Jack'/'Jock', escaping 'over the border' (north or south, take your pick!), thus beyond the reach of powerful 'squires' and family! (the small border town of 'Gretna Green' was traditionally the place to elope to, and be guaranteed a swift union without the usual formalities, like the 'posting of bans').
$4.99 ≈
4.66€
Scarborough Fair arr. for flute, clarinet, bassoon and piano
Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpa...
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Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99 ≈
11.19€
Scarborough Fair arr. for flute, oboe, bassoon and piano
Scarborough Fair arr. for flute, oboe, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Mult...
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Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99 ≈
11.19€
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Two Irish Folksongs
