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Tub'opéra 2
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Vous avez sélectionné:
Tub'opéra 2
Partitions à imprimer
6 partitions trouvées
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1
Tub'opéra 2
Tub'opéra 2
#
Euphonium, Piano (duo)
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Classique
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G
#
Yves Bouillot
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Tub'opéra 2
#
Yves Bouillot
#
SheetMusicPlus
Euphonium,Piano - SKU: A0.931756 Composed by G. Donizetti, Georges Bizet, Giuseppe Verdi, J. Massenet, and Richard Wagner. Arranged by Yves Bouillot. Ro...
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Euphonium,Piano - SKU: A0.931756 Composed by G. Donizetti, Georges Bizet, Giuseppe Verdi, J. Massenet, and Richard Wagner. Arranged by Yves Bouillot. Romantic Period. Score and part. 36 pages. Yves Bouillot #6536401. Published by Yves Bouillot (A0.931756). This album is a compilation of 6 operas arias of Bizet (Carmen - Les pêcheurs de perles), Verdi (Rigoletto), Wagner (Tannhauser), Donizetti (l'elixir d'amour) and Massenet (Werther). All are written for tenor or baritone voices. Trancribes here for euphonium and piano.
$6.00 ≈
5.59€
Zampa Overture for Double Brass Quintet
Zampa Overture for Double Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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F
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James Haynor
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Zampa Overture for Double Bras
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1316130 Composed by F. Herold. Arranged by James Haynor. Romantic Period. 60 pages. James ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1316130 Composed by F. Herold. Arranged by James Haynor. Romantic Period. 60 pages. James Haynor #904867. Published by James Haynor (A0.1316130). Zampa, ou La fiancée de marbre is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville.Arranged here for Double Brass Quintet, The Overture to  “ Zampa “ makes a stirring addition to any large brass concert. Intended for intermediate/advanced players.( Duration - 5:33 ).
$10.00 ≈
9.32€
La Vie Parisienne for Brass Quintet
La Vie Parisienne for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Jacques Offenbach
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James Haynor
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La Vie Parisienne for Brass Qu
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James Haynor
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1298685 Composed by Jacques Offenbach. Arranged by James Haynor. Romantic Period. 18 pages....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1298685 Composed by Jacques Offenbach. Arranged by James Haynor. Romantic Period. 18 pages. James Haynor #888563. Published by James Haynor (A0.1298685). La vie parisienne is an opéra bouffe, or operetta, composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects.Arranged here for Brass Quintet this is taken from the finale of Act 1. It makes for a lively addition to any concert or recital.( Duration - 3:10 )Â
$10.00 ≈
9.32€
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95 ≈
18.59€
King Priam
King Priam
Opera
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Opera
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott...
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SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99 ≈
78.28€
Habanera from CARMEN (Flexible Instrumentation)
Habanera from CARMEN (Flexible Instrumentation)
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Orchestre d'harmonie
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Opera
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Georges Bizet
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Ian Deterling
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Habanera from CARMEN
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Ian A. Deterling
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SheetMusicPlus
Composed by Georges Bizet (1838-1875). Arranged by Ian Deterling. Romantic Period, Movies, TV. Score, Set of Parts. 78 pages. Published by Ian A. Dete...
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Composed by Georges Bizet (1838-1875). Arranged by Ian Deterling. Romantic Period, Movies, TV. Score, Set of Parts. 78 pages. Published by Ian A. Deterling
Habanera (L?amour set un oiseau rebelle) is an aria from Georges Bizet?s 1875 opra comique Carmen. Bizet, a French composer (1838-1875), took the now famous melody from what he believed to be a folk song. The melody was actually written by Sebastin Iradier (1809-1865), a Spanish musicians and composer. Carmen was first performed in Paris in 1875 - shortly before Bizet?s death. Sadly, he was unaware that his work would quickly achieve international acclaim.
Habanera begins in minor and changes to major in measure 20 (from Dm to D Major in the original; from Cm to C Major in this arrangement). Although the melody was borrowed, Bizet?s harmonic style, with the addition of the habanera rhythm, has made this aria incredibly popular and instantly recognizable to many.
This adaptation is arranged into five parts plus percussion:
Part 1
Flute, Oboe, Clarinet, Trumpet, Violin
Part 2
Clarinet, Trumpet, Alto Sax., Violin
Part 3
Tenor Sax., Clarinet, Alto Sax., Horn, Viola
Part 4
Tenor Sax., Euphonium (T.C.), Horn, Trombone, Euphonium, Bassoon, Cello
Part 5
Euphonium (T.C.), Bass Clarinet, Bari Sax., Trombone, Euphonium, Bassoon, Cello, Contrabass, Tuba
Percussion:
Bass Drum
Tambourine
Triangle
Mallet Percussion
Timpani (2 drums)
All instrument ranges stay within Grade 3 literature.
Score and set of parts - 65 pages.
Note - this arrangement has been transposed from the keys of D Minor and D Major to C Minor and C Major.
$55.00 ≈
51.26€
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1
Tub'opéra 2
