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Translator: J
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Vous avez sélectionné:
Translator: J
Partitions à imprimer
199 partitions trouvées
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176
Schubert Winter Journey (Winterreise) translated J. Sams (original keys)
Schubert Winter Journey (Winterreise) translated J. Sams (original keys)
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Piano, Voix
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Classique
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Franz Schubert
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Jeremy Sams
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Schubert Winter Journey
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Polyhymnia
#
SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.946423 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. Score. 74 pages. Polyhymnia #6342633....
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Piano,Vocal,Voice - SKU: A0.946423 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. Score. 74 pages. Polyhymnia #6342633. Published by Polyhymnia (A0.946423). Schubert's great song cycle Winterreise in a modern English translation by Jeremy Sams.
$20.00 ≈
17.91€
The Fair Maid of the Mill (Die Schone Mullerin) translated J. Sams (original keys)
The Fair Maid of the Mill (Die Schone Mullerin) translated J. Sams (original keys)
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Piano, Voix
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Classique
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Franz Schubert
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Jeremy Sams
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The Fair Maid of the Mill
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Polyhymnia
#
SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.946422 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Concert,Romantic Period. Score. 59 pages. Polyhymnia #...
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Piano,Vocal,Voice - SKU: A0.946422 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Concert,Romantic Period. Score. 59 pages. Polyhymnia #6342627. Published by Polyhymnia (A0.946422). A new English translation of Schubert's great song cycle Die Schone Mullerin (The Fair Maid of the Mill) by Jeremy Sams.
$20.00 ≈
17.91€
Schubert Schwanengesang (Swan Song) translated J. Sams (low voice)
Schubert Schwanengesang (Swan Song) translated J. Sams (low voice)
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Voix basse, Piano
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Classique
#
Franz Schubert
#
Jeremy Sams
#
Schubert Schwanengesang
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Polyhymnia
#
SheetMusicPlus
Low Voice,Vocal Solo - SKU: A0.946428 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. Polyhymnia #6342645. Pub...
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Low Voice,Vocal Solo - SKU: A0.946428 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. Polyhymnia #6342645. Published by Polyhymnia (A0.946428). A new modern English translation of Schubert's great song collection Schwanengesang (Swansong).
$20.00 ≈
17.91€
O Come, O Come, Emmanuel
O Come, O Come, Emmanuel
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Flûte, Violon
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Translator: J
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Legato Trio
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O Come, O Come, Emmanuel
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Legato Trio
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - Level 4 - SKU: A0.509006 Composed by Translator: J. M. Neale (1851) and Tune: VENI EMMANUEL. Arranged...
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 4 - SKU: A0.509006 Composed by Translator: J. M. Neale (1851) and Tune: VENI EMMANUEL. Arranged by Legato Trio. Christmas,Classical,Holiday,Praise & Worship,Sacred. Score and parts. 3 pages. Legato Trio #120100. Published by Legato Trio (A0.509006). This Christmas carol arrangement of O Come, O Come Emmanuel is for two treble instruments such as violin and flute, with chords for guitar or piano accompaniment. We hope you will enjoy our Christian Christmas music arranged for duo/duet – may the instrumental background music bless your home in this festive season of remembering the coming of Christ.
$5.49 ≈
4.92€
J.J. ROUSSEAU L'INDOVINO DEL VILLAGGIO Intermezzo SECOND PART Translation, adaptation, reduction by
J.J. ROUSSEAU L'INDOVINO DEL VILLAGGIO Intermezzo SECOND PART Translation, adaptation, reduction by
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
#
J
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Helios D'Andrea
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J.J. ROUSSEAU L'INDOVINO DEL V
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D'Andrea Helios
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.981554 Composed by J.J. ROUSSEAU. Arranged by Helios D'Andrea. Classical,Instructional,Standards. Score. 55 pages....
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Piano,Vocal,Voice - Level 4 - SKU: A0.981554 Composed by J.J. ROUSSEAU. Arranged by Helios D'Andrea. Classical,Instructional,Standards. Score. 55 pages. D'Andrea Helios #6613027. Published by D'Andrea Helios (A0.981554). Adaptation of italian text to original music.Translation of the french original text (Le Devin du Village). Reduction and cutting of the choir and parts danced.Tonal transport of some arias or duets with the tenor because in the original music they are too acute and intended for Contro-Tenor. Reduction from five characters to three singing characters.
$15.00 ≈
13.43€
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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J.S. Bach - "Erbarme dich
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,...
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Piano Solo - Level 4 - SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #736279. Published by Flavio Regis Cunha (A0.1136271). Bach: Erbarme dich mein Gott - Matthäuspassion - (for Piano Solo).This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano Solo. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Advanced Intermediate.Format: Concert 9 x 12 inches.12 Pages.
$4.99 ≈
4.47€
J.S. Bach - Choral (from Christmas Oratorio) in G Major - Intermediate
J.S. Bach - Choral (from Christmas Oratorio) in G Major - Intermediate
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Chorale SATB
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INTERMÉDIAIRE
#
Classique
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Choral
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Piacere Music Sheets
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1153238 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Pe...
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Choral Choir (SATB) - Level 3 - SKU: A0.1153238 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Period,Standards,Traditional. Octavo. 13 pages. Piacere Music Sheets #753480. Published by Piacere Music Sheets (A0.1153238). Opus/Catalog Number: BWV 248, No. 59Key/Tone: G MajorMovements/Sections: ChoraleYear/Date of Composition: 1734-35Difficulty:Â Grade 4/12 (Intermediate)Obs.: Also known as Beside Thy Cradle Here I Stand - Chorale from Weihnachtsoratorium, and Ich steh an deiner Krippen hier, this piece is part of Johann Sebastian Bach's Christmas Oratorio.The original lyrics (in German) were written by Paul Gerhardt (1607-1676) and were first published in 1653. The German to English translation was realized by John Troutbeck (1832-1899).This arrangement is made for SATB Choir (Soprano, Alto, Tenor and Bass) and Organ, and contains the complete lyrics in English.This piece is also available with the original German words.Included: Full score and parts for each instrument/voice.
$5.95 ≈
5.33€
O Come, O Come Emmanuel
O Come, O Come Emmanuel
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Chorale SSAA
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FACILE
#
J
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Weldon C
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O Come, O Come Emmanuel
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Weldon C Kennedy
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1365078 Composed by J. M. Neale (translator, 1851). Arranged by Weldon C. Kennedy. 19th Century,A Cappell...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1365078 Composed by J. M. Neale (translator, 1851). Arranged by Weldon C. Kennedy. 19th Century,A Cappella,Advent,Christmas,Holiday. 5 pages. Weldon C Kennedy #949382. Published by Weldon C Kennedy (A0.1365078). This original SSAA arrangement is simple enough for young ensembles, and yet offers timing and harmonies that are sophisticated enough to appeal to all ages. The beautiful harmonies contained in this music are brought to life through the arrangement of the female voices. This arrangement has been sung numerous times by SSAA ensembles in public performance, and has always proven to be a favorite.
$1.99 ≈
1.78€
The Fair Maid of the Mill (Die Schone Mullerin) translated by J. Sams (medium voice)
The Fair Maid of the Mill (Die Schone Mullerin) translated by J. Sams (medium voice)
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Contemporain
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Polyhymnia
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The Fair Maid of the Mill
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Polyhymnia
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SheetMusicPlus
Small Ensemble - SKU: A0.946424 Arranged by Polyhymnia. Contemporary. Score and parts. 59 pages. Polyhymnia #6342631. Published by Polyhymnia (A0.946424...
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Small Ensemble - SKU: A0.946424 Arranged by Polyhymnia. Contemporary. Score and parts. 59 pages. Polyhymnia #6342631. Published by Polyhymnia (A0.946424).
$20.00 ≈
17.91€
L’Almanach Aux Images No. 8 - PETITES LITANIES DE JÉSUS
L’Almanach Aux Images No. 8 - PETITES LITANIES DE JÉSUS
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Grovlez
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Thomas Ling
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L’Almanach Aux Images No
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1416518 Composed by Gabriel Grovlez. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period,Spiritual. Score...
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Piano Solo - Level 4 - SKU: A0.1416518 Composed by Gabriel Grovlez. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period,Spiritual. Score. 3 pages. Thomas Swee Chin #998197. Published by Thomas Swee Chin (A0.1416518). The title translates to Little Litanies of Jesus. Litanies are a form of prayer consisting of a series of invocations and responses. In this piece, Grovlez likely draws inspiration from religious themes, particularly the Christian tradition, focusing on aspects related to Jesus Christ.The music is characterized by its reverent and contemplative mood, reflecting the solemnity of the liturgical text. Grovlez's composition may feature melodies that are simple yet poignant, emphasizing the devotion and spirituality conveyed through the title.Grovlez's use of musical techniques such as dynamics, phrasing, and tempo variations may further contribute to the overall emotional depth of the composition.Overall, Petites Litanies de Jésus is a heartfelt and introspective musical expression of devotion to Jesus, capturing the essence of prayer and spiritual reflection in its melodic and harmonic elements.
$5.80 ≈
5.19€
Bester Jüngling (lower key)
Bester Jüngling (lower key)
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Voix Soprano, Piano
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Classique
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Wolfgang Amadeus Mozart
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(Editor) Lee G
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Bester Jüngling
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Bargraphica
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.812043 Composed by Wolfgang Amadeus Mozart. Arranged by (Editor) Lee G. Barrow. Classical,Opera,Standards. 5 pages. B...
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Soprano voice,Vocal Solo - SKU: A0.812043 Composed by Wolfgang Amadeus Mozart. Arranged by (Editor) Lee G. Barrow. Classical,Opera,Standards. 5 pages. Bargraphica #4822061. Published by Bargraphica (A0.812043). From The Impresario (Die Schauspieldirektor). Mademoiselle Silberklang's aria in a lower key (Db4-Ab5) with piano reduction. Original German text and new English translation.
$3.99 ≈
3.57€
Let us worship Jesus! "Adorons Jésus!"
Let us worship Jesus! "Adorons Jésus!"
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Chorale SATB
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Musique Sacrée
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Dimpanga Bakisi Simon
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Let us worship Jesus! "Ad
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Simon Dimpanga
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1025133 Composed by Dimpanga Bakisi Simon. Christian,Gospel,Praise & Worship,Sacred. Octavo. 6 pages. Simon Dimpanga #4348...
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Choral Choir (SATB) - SKU: A0.1025133 Composed by Dimpanga Bakisi Simon. Christian,Gospel,Praise & Worship,Sacred. Octavo. 6 pages. Simon Dimpanga #4348955. Published by Simon Dimpanga (A0.1025133). French version of Let us worship Jesus. For Worship-Bands and aboveCan also be translated in english.
$1.99 ≈
1.78€
Růža su já, růža - simple Moravian folk song arranged for ukulele solo (C6 tune)
Růža su já, růža - simple Moravian folk song - ukulele solo (C6 tune)
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Ukulele
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INTERMÉDIAIRE
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Traditional
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Petr Zeman
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Růža su já, rů
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Petr Zeman
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SheetMusicPlus
Ukulele - Level 3 - SKU: A0.1011202 Composed by Traditional. Arranged by Petr Zeman. World. Score. 1 pages. Petr Zeman #3077853. Published by Petr Zeman...
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Ukulele - Level 3 - SKU: A0.1011202 Composed by Traditional. Arranged by Petr Zeman. World. Score. 1 pages. Petr Zeman #3077853. Published by Petr Zeman (A0.1011202). Moravian folk song for home playing or schools and students. Duration 30 sec. Play rubato, softly and loosely with lyrical expresion.Translation from Czech: Rose, I am a rose till I have no man - when I'll have a man, the rose will fall from me. Bloom, I am a bloom till I have no children - when I'll have a child, the bloom will fall from me.Listen original arrangement: https://www.youtube.com/watch?v=8OD6qrLCoBY
$1.99 ≈
1.78€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
23.24€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
17.87€
Faroese National Anthem for Piano
Faroese National Anthem for Piano
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Piano seul
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Faroese National Anthem for Pi
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Keith Terrett
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instruction...
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Piano Solo - Level 3 - SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Keith Terrett #1011784. Published by Keith Terrett (A0.1431316). An arrangement of the Faroese National Anthem for Piano.Tú alfagra land mítt (Thou fairest land of mine), officially Mítt alfagra land (My fairest land), is the national anthem of the Faroe Islands. It was written in 1906 by headteacher Símun av Skarði, and the melody was composed in 1907 by violinist Petur Alberg.The song was written in a work dated 1 February 1906 by Símun av Skarði, the headmaster of a high school in Føgrulið, southwest of Klaksvík. It was written during a time of strong division in the Faroe Islands between conservatives who wanted to preserve Danish rule and autonomists who wanted more self-government, of which Símun was the latter.Violinist Petur Alberg wrote the first notes of the music of the anthem on 4 September 1907, after the melody came to him that evening. He later sang the melody down the phone in the Løgting to Símun av Skarði, who liked it. Petur then sent it to a music teacher he knew in Akureyri, Iceland, and to asked him to harmonise it for a male quartet. In October 1907, the male quartet arrangement arrived, and singers began to practice it for a Boxing Day concert in Sloan's Hall in Tórshavn. Petur, not daring to reveal the song's author, told the singers the song was Icelandic, by a certain Jón Sveinsson. However, the singers liked the song. The song was performed at the concert on 26 December 1907, which was the first time any song by Petur had been performed publicly and the first time Tú alfagra land mítt was performed publicly.On 8 January 1908, Tú alfagra land mítt was published in the Faroese newspaper Tingakrossur. It was then published in the Lesibók, a literary history in chronological order, in 1911. It was later published in many editions of the Songbók Føroya fólks (Faroese People's Songbook), generally in the number one position, from 1913 through 1959.In 1925, a Nynorsk translation of the song by Rolf Hjort Schøgen was published in the Tingakrossur. In 1928, a Danish translation by university student Tormod Jørgensen was published in Højskolebladet No. 7928.[1][2] An Icelandic translation by Jochum M. Eggertsson appeared in the magazine Dvöl in 1935. The same year, a German translation by Ernst Krenn was published in the Føroyaheftið (Faroese Instalment), a Faroese booklet at the Nordic Society in Vienna, Austria. In 1943, an English translation by Padre G. C. C. Knowleson was featured in the notes of the magazine The Pioneer by some British soldiers in the Faroe Islands during World War II. As the national anthem Tú alfagra land mítt won out in a rivalry with Eg oyggjar veit (I know some islands), from 1877, on which song should become the national anthem of the Faroe Islands. Tú alfagra land mítt has been sung at all festivals in the Faroe Islands, and it has been in the psalm book of the Faroese Church since 1990. The national radio station Útvarp Føroya, established in 1957, played it every night before ending its broadcast for the evening.
$4.99 ≈
4.47€
Betlehem Városban
Betlehem Városban
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Cloches
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FACILE
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Scott Pfitzinger
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Scott Pfitzinger
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Betlehem Városban
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Pfitzinger Music
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.1490682 Composed by Scott Pfitzinger. Arranged by Scott Pfitzinger. Christmas,Holiday,Multicultural,Religious,World. 8 page...
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Handbell - Level 2 - SKU: A0.1490682 Composed by Scott Pfitzinger. Arranged by Scott Pfitzinger. Christmas,Holiday,Multicultural,Religious,World. 8 pages. Pfitzinger Music #1067488. Published by Pfitzinger Music (A0.1490682). Betlehem Városban is a traditional Hungarian Christmas carol. The title translates to In the Town of Bethlehem.This arrangement is for 3-6 octaves of handbells. It is completely in 7/8 time and moves pretty quickly. It is very energetic and takes less than two minutes. While it is appropriate for any holiday setting, it could easily be used as a closer or encore for a concert.(Reproducible for one ensemble)Lyrics:Betlehem városban, rongyos istállóban maszületett,Egy szűznek méhéből, drága szent véréből Megváltónk lett.Kit angyal hirdetett, pásztornak jelentett,Ki őtet imádni és dicsőíteni méltóvá lett.Öreg bojtár mondja, hogy bárány és gida készen légyen.Ő harmadmagával, sípos és dudással már elmégyen.Mindeneknek lessen ajándéka készen,Mivel a kisdedet, mint Üdvözítőnket megtiszteljék.Üdvözlégy született, jászolba tétetett kisded Jézus,Tehozzád járulunk, elődbe borulunk, tőlünk ne fuss.Halálunk óráján, életünk fogyatánVedd hozzád lelkünket, ne hagyj el bennünket, kisded Jézus.(a story of the birth of Jesus, roughly paralleling Luke 2:6-16)English version from Google Translate:He was born in the city of Bethlehem, in a shabby barn,He became our Savior from the womb of a virgin, from his precious holy blood.Whom an angel announced, reported as a shepherd,He became worthy to be worshiped and glorified.Old burdock says to be ready lamb and kid.He will leave with a third of himself, with a whistle and a horn.Let everyone have a gift ready,Because you are honored as our Savior.Hail, your baby Jesus, born and placed in a manger,We join you, we fall before you, don't run away from us.At the hour of our death, at the end of our lifeTake our souls to you, don't leave us, little Jesus.
$30.00 ≈
26.87€
Queen of the Night
Queen of the Night
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Piano, Voix
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INTERMÉDIAIRE
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Opera
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Classique
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Rachel J
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Queen of the Night
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Rachel J Peters
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1302565 Composed by Rachel J. Peters. Classical,Opera. Score. 7 pages. Rachel J Peters #892186. Published by Rache...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1302565 Composed by Rachel J. Peters. Classical,Opera. Score. 7 pages. Rachel J Peters #892186. Published by Rachel J Peters (A0.1302565). Aria for contralto from the opera Lesson Plan DURATION: 4:30WORLD PREMIERE: On Site Opera, 2022Based on Georg Philip Telemann’s cantata, Der Schulmeister, with additional music, libretto, and singing translation by Rachel J. Peters, Lesson Plan brings an international opera star Alice Tommasso awkwardly into teaching online after a scheduling faux pas while live engagements are paused. Intercepted by an overwhelmed school administrator/amateur choir director, the pair clash over technique and the meaning of art. At this point, Alice wonders if her only remaining choices are to teach dilettantes forever or to leave the profession entirely. Alice publicly reveals--in a plaintive deconstruction of Mozart’s famously difficult “Queen of the Night†star turn--what stymies her most: there is simply no way to compress and convey the experience of a hard-won opera singing career in an hour-long class.For more information about this opera, visit www.racheljpeters.com.
$5.00 ≈
4.48€
Salve Regina, Solemn Tone, for Piano
Salve Regina, Solemn Tone, for Piano
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Piano, Voix
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FACILE
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Gregorian Chant
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Todd J
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Salve Regina, Solemn Tone, for
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Todd J. Scallan
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1497287 Composed by Gregorian Chant. Arranged by Todd J. Scallan. Christian,Classical,Latin,Sacred,Spiritual. Scor...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1497287 Composed by Gregorian Chant. Arranged by Todd J. Scallan. Christian,Classical,Latin,Sacred,Spiritual. Score. 1 pages. Todd J. Scallan #1073701. Published by Todd J. Scallan (A0.1497287). Piano arrangement of the Gregorian chant Salve Regina (Solemn Tone). The original chant notation using neumes is translated to modern staff notation with piano accompaniment in the key of E minor. This piano arrangement is from the collection of classical pieces entitled Echoes in Variation.
$5.99 ≈
5.36€
Love Me With All Your Heart (Cuando Calienta El Sol)
Love Me With All Your Heart (Cuando Calienta El Sol)
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The Ray Charles Singers
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Stewart J Wallace
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Love Me With All Your Heart
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Stewart J Wallace
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SheetMusicPlus
Choral Choir,Choral (3-Part Mixed) - Level 3 - SKU: A0.1400023 By The Ray Charles Singers. By Carlos A. Martinoli, Carlos Rigual, and Sunny Skylar. Arra...
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Choral Choir,Choral (3-Part Mixed) - Level 3 - SKU: A0.1400023 By The Ray Charles Singers. By Carlos A. Martinoli, Carlos Rigual, and Sunny Skylar. Arranged by Stewart J Wallace. Country,Folk,Latin,Pop,Wedding. 22 pages. Stewart J Wallace #983251. Published by Stewart J Wallace (A0.1400023). In its Spanish title this song is (almost) guaranteed to make the sun shine - it means when the sun heats up! It's a popular Spanish song with music by Nicaraguan songwriter and bandleader Rafael Gaston Perez, with lyrics by Carlos and Mario Rigual and an English version (not a translation) by Sunny Skylar. Los Hermanos Rigaul recorded the song and it become a number 1 hit in Italy for 4 weeks.The 12/8 time signature gives the song a lilting quality and the repeated notes drive home the passion of the lyrics. In this arrangement, the Spanish words can be sung on the repeated or used throughout the song, and there are some extra harmony notes in the 3rd voice in the final verse to give the sound more weight.
$1.99 ≈
1.78€
Day By Day
Day By Day
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Oscar Ahnfelt
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J
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Day By Day
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1387421 Composed by Oscar Ahnfelt. Arranged by J. Randolph Hall. This edition: Intera...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1387421 Composed by Oscar Ahnfelt. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Folk,Pop,Praise & Worship,Standards,World. 10 pages. Duration 102. J. Randolph Hall #6gNNdkWOZI4MoSLhOVkue7. Published by J. Randolph Hall (A0.1387421). Key: C major.Anfelt was a 19th Century Swedish singer and composer. His tune (aka Blott En Dag) was used by Lina Sandell and translated into English by A.L. Skoog. A modulation to a new key comes at the end of section B with the aid of a French augmented sixth chord. Once the new key is established, a descant by yours truly is added.
$4.00 ≈
3.58€
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
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Accompagnement Piano
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INTERMÉDIAIRE/AVANCÉ
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Erbarme dich mein Gott -
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FRC Music
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1134110 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter...
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Instrumental Solo - Level 4 - SKU: A0.1134110 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Individual part. 12 pages. FRC Music #734208. Published by FRC Music (A0.1134110). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. advanced IntermediateFormat: Concert, 9 x 12 inches.12 pages.
$4.99 ≈
4.47€
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Erbarme dich mein Gott -
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1133934 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,East...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1133934 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #734061. Published by Flavio Regis Cunha (A0.1133934). This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.Advanced Intermediate.Format: Concert, 9 x 12 inches.12 pages.
$4.99 ≈
4.47€
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Erbarme dich mein Gott -
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Flavio Regis Cunha
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SheetMusicPlus
Instrumental Solo,Piano - Level 4 - SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,...
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Instrumental Solo,Piano - Level 4 - SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Wedding. Score and individual part. 12 pages. Flavio Regis Cunha #734195. Published by Flavio Regis Cunha (A0.1134097). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
$4.99 ≈
4.47€
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