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Vous avez sélectionné:
Tragedy Piano
Partitions à imprimer
145 partitions trouvées
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Tragedy
Tragedy
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Piano seul
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INTERMÉDIAIRE
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Bee Gees
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Piano Go Life
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Tragedy
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Piano Go Life
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.794596 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Piano Go Life. Dance,Disco. Score. 9 pages. ...
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Piano Solo - Level 3 - SKU: A0.794596 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Piano Go Life. Dance,Disco. Score. 9 pages. Piano Go Life #6695529. Published by Piano Go Life (A0.794596). Bee Gees - Tragedy Piano Cover.
$9.99 ≈
9.18€
Tragedy Piano
Tragedy Piano
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1 Piano, 4 mains
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FACILE
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Rick Dickert
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Rick Dickert
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Tragedy Piano
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Rick Dickert
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SheetMusicPlus
1 Piano,4 Hands - Level 2 - SKU: A0.1117369 By Rick Dickert. By Rick Dickert. Arranged by Rick Dickert. 20th Century,Chamber,Film/TV,Historic,New Age. F...
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1 Piano,4 Hands - Level 2 - SKU: A0.1117369 By Rick Dickert. By Rick Dickert. Arranged by Rick Dickert. 20th Century,Chamber,Film/TV,Historic,New Age. Full Performance. Duration 101. Rick Dickert #718922. Published by Rick Dickert (A0.1117369). A/B arrangement of sad, single note piano motif, to quicker animated bridge of subtle optimism, returning to initial pattern. Suggested for scenes of heartbreak, tragedy, natural disaster, underscoring of serious narration, lost love and live theatrical performance use. Key of C Minor, 85 beats/min.
$1.99 ≈
1.83€
Tragedy Piano
Tragedy Piano
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Piano seul
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FACILE
#
Contemporain
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Rick Dickert
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Tragedy Piano
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Rick Dickert
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.991527 Composed by Rick Dickert (SOCAN - CAE: 216900980). Contemporary. Score. 2 pages. Rick Dickert #3029135. Published ...
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Piano Solo - Level 2 - SKU: A0.991527 Composed by Rick Dickert (SOCAN - CAE: 216900980). Contemporary. Score. 2 pages. Rick Dickert #3029135. Published by Rick Dickert (A0.991527). A/B arrangement of sad, single note piano motif, to quicker animated bridge of subtle optimism, returning to initial pattern. Suggested for scenes of heartbreak, tragedy, natural disaster, underscoring of serious narration, lost love and live theatrical performance use. Key of C Minor, 85 beats/min 1:38 duration
$3.99 ≈
3.67€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
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Piano seul
#
INTERMÉDIAIRE
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Classique
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Ar
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Weddi...
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Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Borades is a tragdie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Borades are the descendants of Boras.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Borades?, written in 1763 when Rameau was 80. lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.42€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
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Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music...
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Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Borades is a tragdie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Borades are the descendants of Boras.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Borades?, written in 1763 when Rameau was 80. lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
https://youtu.be/qTwqBVt2Clw
$6.99 ≈
6.42€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
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Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period...
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Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Borades is a tragdie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Borades are the descendants of Boras.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Borades?, written in 1763 when Rameau was 80. lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.42€
12 Evocations (for Piano solo)
12 Evocations (for Piano solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by T...
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Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
?vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.
These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.
Evocation I ? The Harvest
The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.
Evocation II ? The Sepia photograph
Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.
Evocation III ? The dead soldier
The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.
Evocation IV ? The composer
The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.
Evocation V ? The Glowing Sun
The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.
Evocation VI ? The Far
Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...
Evocation VII ? The Queen of Spades
The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.
Evocation VIII ? The Poem
A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?
Evocation IX ? The Thinker
A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.
Evocation X ? The Island of the Hydrangeas.
A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.
Evocation XI ? The Near
When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.
Evocation XII ?Saffron rice
The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99 ≈
23.88€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Ar
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period...
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Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Borades is a tragdie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Borades are the descendants of Boras.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Borades?, written in 1763 when Rameau was 80. lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.42€
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
9.51€
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages....
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Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99 ≈
14.69€
Tragedy for clarinet viola and piano
Tragedy for clarinet viola and piano
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Clarinette, Alto et Piano (trio)
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Jordan Grigg
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Tragedy for clarinet viola and
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Jordan Grigg
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SheetMusicPlus
Clarinet,Piano,Viola - SKU: A0.1057808 Composed by Jordan Grigg. 20th Century,Standards. Full Performance. Duration 807. Jordan Grigg #3466948. Publishe...
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Clarinet,Piano,Viola - SKU: A0.1057808 Composed by Jordan Grigg. 20th Century,Standards. Full Performance. Duration 807. Jordan Grigg #3466948. Published by Jordan Grigg (A0.1057808).
$4.99 ≈
4.59€
Dream of a Tragedy ( Traum von einer Tragödie)
Dream of a Tragedy ( Traum von einer Tragödie)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Barry Stinton
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Dream of a Tragedy
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Barry Stinton
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.940608 Composed by Barry Stinton. 20th Century,Contemporary. Score. 5 pages. Barry Stinton #3383585. Published by Barry S...
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Piano Solo - Level 4 - SKU: A0.940608 Composed by Barry Stinton. 20th Century,Contemporary. Score. 5 pages. Barry Stinton #3383585. Published by Barry Stinton (A0.940608). For solo pianoThis piece has been composed using the inspiration from various romantic composers such as Liszt and Chopin using a familiar right hand melody style of octave movements to Chopin's F minor nocturne. The piece is based off of C sharp minor a favourite and popular key of many. There are several incorporated runs and melodies, with slight key changes using a standard sonata style form moving from the main theme to other lands and beyond. It was composed recently in November 2017.
$2.99 ≈
2.75€
TRAGEDY! COMEDY! IRONY! - from "Roxane, of Bergerac" - a full length musical
TRAGEDY! COMEDY! IRONY! - from "Roxane, of Bergerac" - a full length musical
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Dave Flippo-music, Marie Yuen-
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TRAGEDY! COMEDY! IRONY! - from
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David William Flippo
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.995997 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Jazz,Musical/Show. Score. 7 pages. David William...
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Piano,Vocal,Voice - Level 3 - SKU: A0.995997 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Jazz,Musical/Show. Score. 7 pages. David William Flippo #4781867. Published by David William Flippo (A0.995997). A duet between Cyrano and Christian- a slow beguine lament about the frustrating romantic situation they've gotten into with Roxane. Piano/Vocal Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95 ≈
3.63€
[Adams] Drums of Tragedy (from Nightsongs)
[Adams] Drums of Tragedy (from Nightsongs)
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Piano, Voix
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Contemporain
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H
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[Adams] Drums of Tragedy
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American Composers Alliance Inc.
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.953258 Composed by H. Leslie Adams. Contemporary. Score. 14 pages. American Composers Alliance Inc. #4736969. Published by A...
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Piano,Vocal,Voice - SKU: A0.953258 Composed by H. Leslie Adams. Contemporary. Score. 14 pages. American Composers Alliance Inc. #4736969. Published by American Composers Alliance Inc. (A0.953258). The second song from the cycle Nightsongs for voice and piano with text by Langston Hughes - PDF download includes score with versions for high, medium, and low voices.
$16.95 ≈
15.58€
Tragedy Uncovered
Tragedy Uncovered
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Nathan Whaley
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Tragedy Uncovered
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Nathan Whaley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1031418 Composed by Nathan Whaley. Contemporary. Score. 3 pages. Nathan Whaley #3367705. Published by Nathan Whaley (A0.1...
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Piano Solo - Level 3 - SKU: A0.1031418 Composed by Nathan Whaley. Contemporary. Score. 3 pages. Nathan Whaley #3367705. Published by Nathan Whaley (A0.1031418). A sad song for piano.performance: https://www.youtube.com/watch?v=q_Y1Ct4KAj0
$1.99 ≈
1.83€
Anonymous-The Barkshire tragedy,in F Major
Anonymous-The Barkshire tragedy,in F Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Anonymity
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OSM Press
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Anonymous-The Barkshire traged
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1393612 Composed by Anonymity. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #977073. Published by ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1393612 Composed by Anonymity. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #977073. Published by Open Cloud (A0.1393612).
$1.99 ≈
1.83€
Bittersweet Tragedy
Bittersweet Tragedy
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Piano seul
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FACILE
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Daniel Omelio and Melanie Mart
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Celena Chang
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Bittersweet Tragedy
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Celena Chang
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1361763 Composed by Daniel Omelio and Melanie Martinez. Arranged by Celena Chang. 21st Century,Pop. Score. 7 pages. Celen...
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Piano Solo - Level 2 - SKU: A0.1361763 Composed by Daniel Omelio and Melanie Martinez. Arranged by Celena Chang. 21st Century,Pop. Score. 7 pages. Celena Chang #946216. Published by Celena Chang (A0.1361763).
$4.99 ≈
4.59€
Tragedy
Tragedy
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Piano, Voix et Guitare
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Norah Jones
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Tragedy
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.369650 By Norah Jones. This edition: Interactive Download. Jazz,Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard -...
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Interactive Download SKU: HX.369650 By Norah Jones. This edition: Interactive Download. Jazz,Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital (HX.369650). English.
$4.99 ≈
4.59€
House of Tragedy
House of Tragedy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Eric Bingham-Kumpf
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House of Tragedy
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Eric Bingham-Kumpf
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.703778 Composed by Eric Bingham-Kumpf. Contemporary,Halloween. Score. 2 pages. Eric Bingham-Kumpf #5722283. Published by ...
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Piano Solo - Level 4 - SKU: A0.703778 Composed by Eric Bingham-Kumpf. Contemporary,Halloween. Score. 2 pages. Eric Bingham-Kumpf #5722283. Published by Eric Bingham-Kumpf (A0.703778).
$2.50 ≈
2.30€
Extra! Extra! Piano Book 3
Extra! Extra! Piano Book 3
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Piano seul
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FACILE
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Leonie Capararo
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Extra! Extra! Piano Book 3
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Notewell Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.892980 Composed by Leonie Capararo. Children,Instructional,Standards. Score. 23 pages. Notewell Music #6108945. Published...
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Piano Solo - Level 2 - SKU: A0.892980 Composed by Leonie Capararo. Children,Instructional,Standards. Score. 23 pages. Notewell Music #6108945. Published by Notewell Music (A0.892980). Extra! Extra! Piano Book 3 continues on where Extra! Extra! Piano Book 2 left off with 11 original piano solos for the early intermediate player. Explore a variety of styles from the Neo-classical 'Sonatina', the dreamy contemporary classical 'The Aquarium' or the dramatic 'Tragedy Strikes'. Develop the technique, pedalling and musicality with this fresh new repertoire.
$10.00 ≈
9.19€
"Hellenic Suite" for violin and piano
"Hellenic Suite" for violin and piano
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Violon et Piano
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AVANCÉ
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Panagiotis Theodossiou
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"Hellenic Suite" for
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Panagiotis Theodossiou
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.886697 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 76 pages. Panagiotis Theodossiou #3575309. P...
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Piano,Violin - Level 5 - SKU: A0.886697 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 76 pages. Panagiotis Theodossiou #3575309. Published by Panagiotis Theodossiou (A0.886697). Hellenic Suite, for violin and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for viola and piano available. Excerpts of violin - piano version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011.
$28.00 ≈
25.73€
"Hellenic Suite" for viola and piano
"Hellenic Suite" for viola and piano
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Alto, Piano
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AVANCÉ
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Panagiotis Theodossiou
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"Hellenic Suite" for
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Panagiotis Theodossiou
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodoss...
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Piano,Viola - Level 5 - SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodossiou #3575307. Published by Panagiotis Theodossiou (A0.886696). Hellenic Suite, for viola and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for violin and piano available. Excerpts of this version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011. https://www.youtube.com/watch?v=p85FLAegsfo&t=4s
$28.00 ≈
25.73€
Piano Trio 'Thoughts on Lancaster' 3rd movement 'Schlof, Bubeli Schlof'
Piano Trio 'Thoughts on Lancaster' 3rd movement 'Schlof, Bubeli Schlof'
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Piano Trio: piano, violon, violoncelle
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Contemporain
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Steven Mento
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Piano Trio 'Thoughts on Lancas
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Steven R Mento
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - SKU: A0.982773 Composed by Steven Mento. Contemporary. Score and parts. 6 pages. Steven R Mento #10561. ...
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Piano Trio,String Ensemble Cello,Piano,Violin - SKU: A0.982773 Composed by Steven Mento. Contemporary. Score and parts. 6 pages. Steven R Mento #10561. Published by Steven R Mento (A0.982773). Score and parts, Amish lullabye, tragedy of 2006 schoolhouse shooting.
$2.99 ≈
2.75€
It Is Well with My Soul (piano solo)
It Is Well with My Soul (piano solo)
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Paul Bliss
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Anne Britt
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It Is Well with My Soul
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Anne Britt
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.741217 Composed by Philip Paul Bliss. Arranged by Anne Britt. Christian,Sacred. Score. 5 pages. Anne Britt #4809659. Publ...
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Piano Solo - Level 3 - SKU: A0.741217 Composed by Philip Paul Bliss. Arranged by Anne Britt. Christian,Sacred. Score. 5 pages. Anne Britt #4809659. Published by Anne Britt (A0.741217). The text to this beloved hymn was written by Horatio G. Spafford in the midst of overwhelming personal tragedy, and, together with the musical setting by Philip P. Bliss, is a resounding testimony of faith and hope. Intermediate level. 5 pages. Performance time: approximately 3:30. Included in the It Is Well songbook: https://www.sheetmusicplus.com/title/22035187Also available for intermediate piano duet: https://www.sheetmusicplus.com/title/20519084and vocal duet or solo: https://www.sheetmusicplus.com/title/21721959Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99 ≈
3.67€
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