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Top Hat Blues Alto Sax and Piano
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Vous avez sélectionné:
Top Hat Blues Alto Sax and Piano
Partitions à imprimer
14 partitions trouvées
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1
Top Hat Blues - Alto Sax and Piano
Top Hat Blues - Alto Sax and Piano
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Jazz combo
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INTERMÉDIAIRE
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Charles E
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Top Hat Blues - Alto Sax and P
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Charles E. & Maria A. Davis
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.836607 Composed by Charles E. Davis. Blues,Instructional,Jazz,Standards. Score and parts. 9 pages. Charles E. & Maria A. ...
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Jazz Combo - Level 3 - SKU: A0.836607 Composed by Charles E. Davis. Blues,Instructional,Jazz,Standards. Score and parts. 9 pages. Charles E. & Maria A. Davis #3050005. Published by Charles E. & Maria A. Davis (A0.836607). This lively jazz/blues piece is written for Alto Sax and Piano, but may also be performed by a jazz combo/ensemble as well. This piece makes a great recital piece, or may be played for other occasions as well. Package includes Alto Sax and Piano parts.
$3.99 ≈
3.68€
Keep Your Lamps Trimmed And Burning (Alto Saxophone and Piano)
Keep Your Lamps Trimmed And Burning (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Keep Your Lamps Trimmed And Bu
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1271936 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sacred,Spiritua...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1271936 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sacred,Spiritual. Score and part. 10 pages. Exultet Music #864288. Published by Exultet Music (A0.1271936). Traditional gospel blues song that alludes to the Parable of the Wise and Foolish Virgins has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any church or concert setting. Â Used especially during Advent or the topic of the Second Coming. Â An accompaniment track is also available.
$4.99 ≈
4.60€
The Tulip Ch'Boogie for Alto Saxophone Duet
The Tulip Ch'Boogie for Alto Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Alto S
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.591352 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. 2 scores. 3 pages. David McKeown #...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.591352 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. 2 scores. 3 pages. David McKeown #6292195. Published by David McKeown (A0.591352). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for two Alto Saxophones. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.75€
The Tulip Ch'Boogie for Alto and Tenor Saxophone Duet
The Tulip Ch'Boogie for Alto and Tenor Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Alto a
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.591351 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Sc...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.591351 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292191. Published by David McKeown (A0.591351). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Alto and one Tenor Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.75€
The Tulip Ch'Boogie for Soprano and Alto Saxophone Duet
The Tulip Ch'Boogie for Soprano and Alto Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Sopran
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.591353 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.591353 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292197. Published by David McKeown (A0.591353). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Soprano and one Alto Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.75€
The Tulip Ch'Boogie for Flute and Alto Saxophone Duet
The Tulip Ch'Boogie for Flute and Alto Saxophone Duet
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Flûte, Saxophone (duo)
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INTERMÉDIAIRE
#
David McKeown
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The Tulip Ch'Boogie for Flute
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - SKU: A0.591341 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and pa...
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - SKU: A0.591341 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292169. Published by David McKeown (A0.591341). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Flute and one Alto Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.75€
The Tulip Ch'Boogie for Trumpet and Alto Saxophone Duet
The Tulip Ch'Boogie for Trumpet and Alto Saxophone Duet
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Trompette, Saxophone (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Trumpe
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591358 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591358 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292211. Published by David McKeown (A0.591358). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Trumpet and one Alto Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.75€
The Tulip Ch'Boogie for Clarinet and Alto Saxophone Duet
The Tulip Ch'Boogie for Clarinet and Alto Saxophone Duet
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Saxophone, Clarinette (duo)
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INTERMÉDIAIRE
#
David McKeown
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The Tulip Ch'Boogie for Clarin
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - SKU: A0.591332 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and...
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - SKU: A0.591332 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292147. Published by David McKeown (A0.591332). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Clarinet and one Alto Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.75€
Top Hat Blues - Quartet and Piano
Top Hat Blues - Quartet and Piano
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Ensemble Jazz
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INTERMÉDIAIRE
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Charles E
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Top Hat Blues - Quartet and Pi
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Charles E. & Maria A. Davis
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.836632 Composed by Charles E. Davis. Blues,Instructional,Jazz,Standards. Score and parts. 18 pages. Char...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.836632 Composed by Charles E. Davis. Blues,Instructional,Jazz,Standards. Score and parts. 18 pages. Charles E. & Maria A. Davis #3626341. Published by Charles E. & Maria A. Davis (A0.836632). This lively jazz/blues piece is written for a jazz quartet consisting of Alto Sax, C Flute, Clarinet, Trombone, and Piano. This piece makes a great recital piece, or may be played for other occasions as well. Package includes individual parts and complete score.
$7.99 ≈
7.36€
Keep Your Lamps Trimmed And Burning (Duet for Soprano and Alto Saxophone)
Keep Your Lamps Trimmed And Burning (Duet for Soprano and Alto Saxophone)
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2 Saxophones (duo)
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Keep Your Lamps Trimmed And Bu
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Soprano Saxophone - Level 2 - SKU: A0.1271118 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sac...
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Alto Saxophone,Soprano Saxophone - Level 2 - SKU: A0.1271118 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sacred,Spiritual. Saxophone Duet. 14 pages. Exultet Music #863511. Published by Exultet Music (A0.1271118). Traditional gospel blues song that alludes to the Parable of the Wise and Foolish Virgins has been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Â Accessible and appropriate for any church or concert setting. Â Used especially during Advent or the topic of the Second Coming. Â An accompaniment track is also available.
$4.99 ≈
4.60€
PAPA'S FAMOUS DANCES PART 2
PAPA'S FAMOUS DANCES PART 2
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99 ≈
9.20€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.20€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.20€
Ain't That A Lot Of Love
Ain't That A Lot Of Love
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Jazz combo
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INTERMÉDIAIRE
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Taj Mahal
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Nigel Hanley
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college bands, tribute shows
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Ain't That A Lot Of Love
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Nigel Hanley Music
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1369868 By Taj Mahal. By Homer Banks and Willia Dean Parker. Arranged by Nigel Hanley. Blues,Pop,R & B,Rock,Soul. 36 page...
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Jazz Combo - Level 3 - SKU: A0.1369868 By Taj Mahal. By Homer Banks and Willia Dean Parker. Arranged by Nigel Hanley. Blues,Pop,R & B,Rock,Soul. 36 pages. Nigel Hanley Music #954227. Published by Nigel Hanley Music (A0.1369868). * Key of Eb * male vocal - medium low range - top note DbThis chart is an 8 and 9 piece 60s soul band arrangement of 'Ain't That A Lot Of Love', a 1966 song written by Homer Banks and Willia Dean Parker.It is styled on the 1999 version recorded by Tom Jones and includes a 3 part horn section and a 4 part horn section. The piano part has cues for horns. The baritone part is a separate part and works with both horn sections.The instrumentation is:pianoguitarbassdrums-------trumpetalto saxtenor saxtrombone----------trumpettenor saxtrombone----------baritone sax-------------The complete mp3 track can be downloaded at  www.nigelhanleymusic.comOther keys and instrumentation available on request:  info@nigelhanley.comSuitable for: soul and rock bands with horns, cover bands, talent quests, cruise ship bands, high school & college bands, tribute shows.* 60s * 90s * soul * rock *
$29.99 ≈
27.62€
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Top Hat Blues Alto Sax and Piano
