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Vous avez sélectionné:
Three scenes from
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110 partitions trouvées
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GROVLEZ Three Scenes from the Almanac for horn quartet
GROVLEZ Three Scenes from the Almanac for horn quartet
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Quatuor de cuivres: 4 cors
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gabriel Grovlez
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Ian Butterworth
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GROVLEZ Three Scenes from the
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Ian Butterworth
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SheetMusicPlus
Horn - Level 4 - SKU: A0.963640 Composed by Gabriel Grovlez. Arranged by Ian Butterworth. 20th Century. 28 pages. Ian Butterworth #5286183. Published by...
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Horn - Level 4 - SKU: A0.963640 Composed by Gabriel Grovlez. Arranged by Ian Butterworth. 20th Century. 28 pages. Ian Butterworth #5286183. Published by Ian Butterworth (A0.963640). Three movements from Scenes from the Almanac originally for piano solo: The Little Prayers of Jesus; The Donkeys and The Huntman's Song. Composed in 1911. All parts are of equal importance.
$7.99 ≈
¥57.98
Scenes from the Sea
Scenes from the Sea
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James E
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Scenes from the Sea
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James Goodwin
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.926712 Composed by James E. Goodwin. 20th Century,Contemporary. Score and parts. 238 pages. James Goodwin #5996663. P...
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Full Orchestra - Level 4 - SKU: A0.926712 Composed by James E. Goodwin. 20th Century,Contemporary. Score and parts. 238 pages. James Goodwin #5996663. Published by James Goodwin (A0.926712). Scenes from the Sea is a suite in five movements for full orchestra, each of which lasts approximately three minutes, except for the last movement which lasts five minutes. Movement One, entitled Schools of Fish, is a brisk opener that symbolizes the sea as a whole, teeming with life. Movement Two is called Shipwrecks. The music is contemplative and represents the multitude of ships that rest at the bottom of the sea, many of which are the graves of brave sailors. Movement Three is a march called Fighting Crabs, and is about two crabs who fight to the death for food. In Movement Four, The Abyss, the listener descends to the depths, whereupon he/she finds a peaceful rest. The last movement, A Squall, begins calmly, but a foreboding storm in the distance threatens to takes away the calm. The Navy Hymn, Eternal Father, Strong to Save, is heard just before the storm strikes. Finally, the calmness returns and the piece ends triumphantly. Scores and parts are included for full orchestra, including piano. Full program notes are available from the composer.
$120.00 ≈
¥870.83
Vignettes (Three Scenes for Bassoon and String Quartet)
Vignettes (Three Scenes for Bassoon and String Quartet)
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Kari Cruver Medina
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Kari Cruver Medina
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Vignettes
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Kari Medina Music
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SheetMusicPlus
Bassoon,Cello,Viola,Violin - Level 4 - SKU: A0.1260983 Composed by Kari Cruver Medina. Arranged by Kari Cruver Medina. 21st Century,Chamber,Classical,Co...
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Bassoon,Cello,Viola,Violin - Level 4 - SKU: A0.1260983 Composed by Kari Cruver Medina. Arranged by Kari Cruver Medina. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 71 pages. Kari Medina Music #854070. Published by Kari Medina Music (A0.1260983). Wonderful newly written chamber music (2021) by a female composer, Vignettes is a delightful work for Bassoon and String Quartet. Refreshing and evocative, Vignettes creates three distinct moods as it explores solo bassoon in relationship to the texture and color of the strings. The first movement, “Hopespun†is joyous and accessible, celebrating a dotted note pattern both dancelike and carefree. The second movement, “Somewhere, Tears†is lyrical and reflective, characterized by a poignant descending melody that moves throughout the ensemble.  “Infinite Imagines,†the third movement, is playful and imaginative, with a curious pizzicato theme that weaves its way through a series of short whole-tone scale patterns that are interrupted by comedic melodic bursts from the bassoon. Vignettes is a marvelous concert or competition piece, sure to please both performers and audience alike. Vignettes (Three Scenes for Bassoon and String Quartet)I. HopespunII. Somewhere, TearsIII. Infinite ImaginesInstumentation: Bassoon, Violin I, Violin II, Viola, CelloParts and Full Score included(each movement between 3-4 min) approx 12-13 Min. total time
$19.99 ≈
¥145.07
Schumann, R. - Traumerei for Three Violins
Schumann, R. - Traumerei for Three Violins
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Trio à cordes: 3 violins
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for T
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 3 - SKU: A0.540537 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 5 pages. ...
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String Ensemble,String Trio Violin - Level 3 - SKU: A0.540537 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 5 pages. Linda M Scott #4295833. Published by Linda M Scott (A0.540537). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a trio of three violins is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥43.47
“Three scenes of animals” for piano quartet (Selection from Le carnaval des animaux)
“Three scenes of animals” for piano quartet (Selection from Le carnaval des animaux)
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Charles Camille Saint-Saëns
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Tsuyoshi Yoroiguma
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“Three scenes of animals
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Small Ensemble Bassoon,Flute,Horn,Piano - Level 4 - SKU: A0.1077097 Composed by Charles Camille Saint-Saëns. Arranged by Tsuyoshi Yoroiguma. 20th Cen...
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Small Ensemble Bassoon,Flute,Horn,Piano - Level 4 - SKU: A0.1077097 Composed by Charles Camille Saint-Saëns. Arranged by Tsuyoshi Yoroiguma. 20th Century,Children,Classical,Contest,Festival,Standards. Score and parts. 24 pages. Tsuyoshi Yoroiguma #681250. Published by Tsuyoshi Yoroiguma (A0.1077097). This is a selection from Le carnaval des animaux arranged for piano quartet. It contains three titles as follows. (also can be played separately) No.2 Poules et coqs No.4 Tortues No.5 L'éléphant Instrumentation: Flute/ F Horn/ Bassoon/ Piano PDF file: 10 pages of score and 13 pages of parts Total playing time:3min 30sec.
$24.00 ≈
¥174.17
Scenes from Literature: The Infernal Whirlwind
Scenes from Literature: The Infernal Whirlwind
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Piano seul
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AVANCÉ
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Christian Robert Hendricks
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Scenes from Literature: The In
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C.R. Hendricks
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. Hendricks #36648...
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Piano Solo - Level 5 - SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. Hendricks #3664869. Published by C.R. Hendricks (A0.1028659). The first in a series of solo piano works inspired by scenes from literature, The Infernal Whirlwind is both a representation of and reaction to Canto V in Dante's Inferno. Dante and his guide Virgil enter the second level of Hell, where the souls of people who gave into lust are condemned. At first Dante hears but a faint sound of commotion, but upon fully entering the level he encounters a massive tempest of souls being buffeted about. He recognizes some famous figures here and there. Eventually, his attention is drawn to two figures, the primary one being Francesca da Rimini. She tells of how, after reading of Sir Lancelot, she and her brother-in-law allowed themselves to love each other. Dante, deeply moved by the pathos of Francesca's story and disturbed by the continuous whirlwind, faints.Composers such as Rachmaninov and Tchaikovsky have been inspired by Francesca da Rimini specifically, but The Infernal Whirlwind is more concerned with what the whirlwind itself represents: the control lust and desire held on these souls, both while living and in the afterlife. The central theme is a twelve-tone row, but the work is not truly serialist in construction or conception: It rather represents the winding, ranging, unsettled nature of passion itself, and of the whirlwind.The piece lasts about 5 minutes, and is for an advanced player. In the beginning it requires use of all three pedals (una corda, sostenuto, sustain). Perhaps the main influence is Liszt, and one could find useful a Lisztian approach to performance. .
$8.95 ≈
¥64.95
Scenes from the Life of Death
Scenes from the Life of Death
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Apostolos Paraskevas
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Scenes from the Life of Death
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Si...
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Solo Guitar - Level 4 - SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Sickle Publications #6212247. Published by Silver Sickle Publications (A0.942098). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life!
$11.99 ≈
¥87.01
Scenes From the Life of Death, Part 1
Scenes From the Life of Death, Part 1
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #...
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Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99 ≈
¥14.44
Scenes From the Life of Death, Part 3
Scenes From the Life of Death, Part 3
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #...
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Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #6103011. Published by Silver Sickle Publications (A0.1070392). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99 ≈
¥14.44
Scenes From the Life of Death, Part 2
Scenes From the Life of Death, Part 2
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #...
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Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #6103009. Published by Silver Sickle Publications (A0.1070390). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99 ≈
¥14.44
Duo Sonata No. 06 for Guitar and Oboe "Three Scenes of Evergreen"
Duo Sonata No. 06 for Guitar and Oboe "Three Scenes of Evergreen"
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Ken Turley
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Duo Sonata No. 06 for Guitar a
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Ken Turley
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SheetMusicPlus
Flute,Guitar,Oboe,Viola,Violin - Level 4 - SKU: A0.926006 Composed by Ken Turley. 20th Century,Contemporary,Standards. 28 pages. Ken Turley #4847459. Pu...
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Flute,Guitar,Oboe,Viola,Violin - Level 4 - SKU: A0.926006 Composed by Ken Turley. 20th Century,Contemporary,Standards. 28 pages. Ken Turley #4847459. Published by Ken Turley (A0.926006). Inspired by the rain forests of the Pacific Northwest, three perspectives explored from the same starting point. Moody and quirky, these three movements will challenge and engage both players and audience in an intricate interlacing of melody, harmony and rhythm.
$7.00 ≈
¥50.80
Three scenes from "Rocky" 1. Gonna Fly Now
Three scenes from "Rocky" 1. Gonna Fly Now
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Tsuyoshi Yoroiguma
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Three scenes from "Rocky" 1. G
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Brass Quintet - Advanced Intermediate - Digital Download Arranged by Tsuyoshi Yoroiguma. Score, Set of Parts. 22 pages. Published by Tsuyoshi Yoroiguma...
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by Tsuyoshi Yoroiguma. Score, Set of Parts. 22 pages. Published by Tsuyoshi Yoroiguma
It's exciting ! Let's play this music to the victory. Five brass players bring audience to the Rocky's ring side . This arrangement is good for advanced players. This is a full-chorus arrangement in original key for Brass Quintet (2 Bb Trumpets/F Horn/Trombone/Tuba). The PDF file includes 14 pages of score and 12 pages of parts. Playing time :2min45sec. Please visit youtube to listen full sound sample.https://youtu.be/1E2tga33Q98 1. Gonna Fly Now (from 0min.00sec.) 2. Eye Of The Tiger (from 2min.53sec.) 3. The Final Bell (from 5min.39sec.)
$29.00 ≈
¥210.45
First Suite from Razumov for clarinet & string quartet
First Suite from Razumov for clarinet & string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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First Suite from Razumov for c
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Burke & Bagley
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.787298 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 48 pages. Burke...
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Chamber Orchestra - Level 4 - SKU: A0.787298 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 48 pages. Burke & Bagley #7781. Published by Burke & Bagley (A0.787298). The First Suite from Razumov derives from three scenes of Act One of Razumov, a chamber opera based on the novel Under Western Eyes by Joseph Conrad. 1st Movement (Haldin assassinates the Minister): Duration 2:30 2nd Movement (Mikulin interviews Razumov): Duration 3:00 3rd Movement (Razumov tells Haldin, 'It is done'): Duration 3:30 The Suite was premiered by the OdeonQuartet with Sean Osborn, clarinet, at Town Hall, Seattle, October 21, 2003, and was subsequently recorded by members of the Kiev Philharmonic for the Masterworks of the New Era CD series, volume 6. The First Suite from Razumov was awarded the 2012 Cheryl A. Spector Prize. Also available in arrangements for clarinet, cello & piano trio and for violin, cello & piano trio. For recordings of all three movements and more info, visit www.gregbartholomew.com/suiterazindex.html
$29.99 ≈
¥217.64
Scenes From An Italian Restaurant
Scenes From An Italian Restaurant
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Instruments en Do
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FACILE
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Billy Joel
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Sarah Jane Cion
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Scenes From An Italian Restaur
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Safflower Music LLC
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.789147 By Billy Joel. By Billy Joel. Arranged by Sarah Jane Cion. Contemporary,Rock. Lead Sheet / Fake Book. 3 pages. S...
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C Instrument - Level 2 - SKU: A0.789147 By Billy Joel. By Billy Joel. Arranged by Sarah Jane Cion. Contemporary,Rock. Lead Sheet / Fake Book. 3 pages. Safflower Music LLC #396421. Published by Safflower Music LLC (A0.789147). A much needed lead sheet version of this Billy Joel tune for pianists looking to play the part solo or in a cover band with a quick three-pager. Enjoy!
$4.99 ≈
¥36.21
Scenes From An Italian Restaurant
Scenes From An Italian Restaurant
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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Billy Joel
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John Fries
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Scenes From An Italian Restaur
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.612673 By Billy Joel. By Billy Joel. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Bo...
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C Instrument - Level 4 - SKU: A0.612673 By Billy Joel. By Billy Joel. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #221865. Published by John Fries (A0.612673). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Although never released as a single, it has become one of Joel's most celebrated compositions among fans and critics alike; it appears on most of his compilation albums and is a live favorite. The song is effectively a medley of three distinct pieces. Italian Restaurant begins as a gentle, melodic piano ballad depicting, in the first person, a scene of two old classmates reuniting in an Italian restaurant and moves on to a rag time section. Rolling Stone ranked it the 324th greatest song of all time on their updated 500 Greatest Songs of All Time list.
$3.99 ≈
¥28.96
Scenes from Storyville
Scenes from Storyville
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Ensemble de cuivres
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Jazz
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Edwin Mclean
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Scenes from Storyville
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Edwin McLean
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SheetMusicPlus
Brass Ensemble - SKU: A0.969257 Composed by Edwin Mclean. Jazz. Score and parts. 23 pages. Edwin McLean #5896675. Published by Edwin McLean (A0.969257)....
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Brass Ensemble - SKU: A0.969257 Composed by Edwin Mclean. Jazz. Score and parts. 23 pages. Edwin McLean #5896675. Published by Edwin McLean (A0.969257). Storyville was a famously seedy district in early 20th-century New Orleans. Early jazz greats got their start there. This composition is a jazz-tinged modern work in three short movements. The audio sample is the first movement, Blowin' in the Dawn.
$12.95 ≈
¥93.98
First Suite from Razumov for piano trio
First Suite from Razumov for piano trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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First Suite from Razumov for p
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Burke & Bagley
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.787282 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Scor...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.787282 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 24 pages. Burke & Bagley #45565. Published by Burke & Bagley (A0.787282). This suite derives from three scenes of Act One of Razumov, a chamber opera based on the novel Under Western Eyes by Joseph Conrad. Themes for the first movement are taken from the opening scene, in which a university student (Haldin) assassinates a government minister. Haldin then seeks refuge in the room of a fellow student, Razumov. Haldin asks Razumov to go find the driver who will help Haldin escape from the city. The second movement is based on the scene in which the chief of state security interviews Razumov to find out what he knows about the assassin. The concluding movement corresponds to the scene in which Razumov reports to Haldin that he has found the man who will meet him. 1st Movement (Haldin assassinates the Minister): Duration 2:30 2nd Movement (Mikulin interviews Razumov): Duration 3:00 3rd Movement (Razumov tells Haldin, 'It is done'): Duration 3:30 Originally arranged for clarinet and string quartet, the Suite was premiered by the OdeonQuartet with Sean Osborn, clarinet, at Town Hall, Seattle, October 21, 2003, and was subsequently recorded by members of the Kiev Philharmonic for the Masterworks of the New Era CD series, volume 6. The First Suite from Razumov was awarded the 2012 Cheryl A. Spector Prize.
$24.99 ≈
¥181.35
Scenes (Loops / Resonances / Phase)
Scenes (Loops / Resonances / Phase)
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Contemporain
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Scenes
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Marcos Fernandez-Barrero
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Centu...
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Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Century,Classical,Contemporary,Film/TV,New Age. Individual part. 30 pages. Marcos Fernandez-Barrero #896802. Published by Marcos Fernandez-Barrero (A0.1307538). A solo piano work commissioned by Palau de la Música Catalana and funded by the Barcelona Creació Sonora to be premiered on the 28th September 2022 at Palau de la Música Catalana (Barcelona) by Alex Alguacil. Scenes is a musical composition comprising three distinct pieces: Loops, Resonances, and Phase. These works can be programmed independently or played consecutively without interruption to create a seamless, unified musical experience.Each of the three pieces draws its melodic inspiration and thematic ideas from Los Requiebros, the opening composition of Enrique Granados' Goyescas. In Los Requiebros, Granados skillfully incorporates a traditional Valencian tune known as La Tirana del TrÃpili to depict a romantic scene inspired by one of Francisco Goya's paintings. Goya's art served as a profound influence on Granados during this period.In Scenes, the aforementioned Valencian tune, along with various other elements rooted in the Spanish-Catalan piano school of Granados' era, is explored, dissected, reassembled, and blended with original ideas. This creative process results in three unique acoustic scenes where the central musical material is manipulated through looping, resonating, and phase shifting techniques. The resulting compositions provide a fresh perspective on the source material, offering a captivating journey through the world of sound, evoking a sense of timelessness and innovation.Scenes invites the audience to explore the rich heritage of Spanish-Catalan music while embracing contemporary approaches to composition and performance. The choice to perform the three pieces in succession without interruption allows for a seamless narrative that unites these scenes into a singular, immersive musical experience_________________________________________________________Una obra para solo encargo del Palau de la Música Catalana y financiada por el Barcelona Creació Sonora para su estreno el 28 de septiembre de 2022 en el Palau de la Música Catalana (Barcelona) a cargo de Alex Alguacil. “Scenes†(Escenas) es una composición que consta de tres obras distintas: Loops, Resonances y Phase. Estas pueden ser programadas de manera independiente o tocarse de manera consecutiva sin interrupciones para crear una experiencia musical unificada y fluida.Cada una de las tres piezas extrae su inspiración melódica y sus ideas temáticas de Los Requiebros, la obra de apertura de Goyescas de Enrique Granados. En Los Requiebros, Granados incorpora de manera magistral una melodÃa tradicional valenciana conocida como La Tirana del TrÃpili para representar una escena romántica inspirada en una de las pinturas de Francisco Goya. En Scenes, la mencionada melodÃa valenciana, junto con varios otros elementos arraigados en la escuela de piano española-catalana de la época de Granados, se exploran, deconstruyen, reensamblan y mezclan con ideas originales. Este proceso creativo da como resultado tres escenas acústicas únicas en las que el material musical central se manipula mediante técnicas de bucle, resonancia y cambio de fase. Las composiciones resultantes ofrecen una perspectiva fresca sobre el material fuente, brindando un viaje cautivador a través del mundo del sonido, evocando una sensación de atemporalidad e innovación.Scenes invita al público a explorar la rica herencia de la música española-catalana al tiempo que adopta enfoques contemporáneos para la composición y la interpretación. La elección de interpretar las tres piezas de manera sucesiva sin interrupciones permite una narrativa fluida que une estas escenas en una experiencia musical singular y envolvente.
$19.95 ≈
¥144.78
Opera Scenes for Women
Opera Scenes for Women
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Philip Seward
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Opera Scenes for Women
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Music Anon
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages....
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Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00 ≈
¥326.56
Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00 ≈
¥50.80
'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00 ≈
¥50.80
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
¥50.80
Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00 ≈
¥50.80
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Publ...
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String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00 ≈
¥283.02
Childhood Scenes: Christmas
Childhood Scenes: Christmas
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Dalva R
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Childhood Scenes: Christmas
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1142434 Composed by Dalva R. R. Barbosa. Christmas,Classical,Film/TV. Score. 6 pages. Dalva Regina Ribeiro Barbosa #74280...
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Piano Solo - Level 4 - SKU: A0.1142434 Composed by Dalva R. R. Barbosa. Christmas,Classical,Film/TV. Score. 6 pages. Dalva Regina Ribeiro Barbosa #742808. Published by Dalva Regina Ribeiro Barbosa (A0.1142434). This solo piano piece was composed in 2011. It has recently undergone a little review. The piece is a three-part rondó: Part one: In A flat. It presents the fun of preparing the food that will be served and decorating the tree from the point of view of children. There are two small episodes in there, the first being more festive as a dance and the second sweeter almost cantabile. Part two: In f minor. Here we have the point of view of an adult immersing in their childhood imaginary. Although this adult may be surrounded by children, grandchildren, and aggregates, in this moment of abstraction, they feel lonely, longing for memories. A more melodic theme is presented twice, but there is a filling with little tension marked by internal conflict. Part three: Return to the themes in A flat (part 1) showing the moment of delivery of gifts and family moments.
$3.00 ≈
¥21.77
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