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Three Renaissance Dance Movements
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Vous avez sélectionné:
Three Renaissance Dance Movements
Partitions à imprimer
10 partitions trouvées
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1
Three Renaissance Dance Movements
Three Renaissance Dance Movements
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Ensemble de cuivres
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INTERMÉDIAIRE
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Various
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Derrick T
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1] Alman (Allemande) by Anon
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Three Renaissance Dance Moveme
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Derrick Thom. Lewis
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.975864 Composed by Various. Arranged by Derrick T. Lewis. Baroque,Renaissance. Score and parts. 25 pages. Derrick Tho...
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Brass Ensemble - Level 3 - SKU: A0.975864 Composed by Various. Arranged by Derrick T. Lewis. Baroque,Renaissance. Score and parts. 25 pages. Derrick Thom. Lewis #3415691. Published by Derrick Thom. Lewis (A0.975864). The selections are; 1] Alman (Allemande) by Anon. 2] Corrento by Edmund Hooper (organist of Westminster Abbey) 3] Galliard by Wm. Byrd.All pieces are drawn from the FITZWILLIAM VIRGINAL BOOK (~1600)
$15.99 ≈
14.90€
Centone III Late Renaissance Suite for Brass Quintet
Centone III Late Renaissance Suite for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Paul Peuerl
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Richard Decker
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Centone III Late Renaissance S
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817184 Composed by Paul Peuerl. Arranged by Richard Decker. Baroque,Chamber,Histo...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817184 Composed by Paul Peuerl. Arranged by Richard Decker. Baroque,Chamber,Historic,Multicultural,World. 54 pages. Charles Decker Music Press #6748157. Published by Charles Decker Music Press (A0.817184). Paul Peuerl, German composer and organist, was not only instrumental in developing the variation suite of dance movements, but also one of the few German composers in the Late Renaissance to compose Italianate instrumental canzons. Three motets and one canzon make up this engaging Centone. The brass quintet arrangement is scored for two B-flat trumpets with alternate C trumpet parts, horn in F, trombone and tuba. The recording is of the entire edition.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini's Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$18.95 ≈
17.66€
Three Spanish Dances from Le Cid Suite for Brass Quintet
Three Spanish Dances from Le Cid Suite for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Jules Massenet
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Charles Decker
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Three Spanish Dances from Le C
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817187 Composed by Jules Massenet. Arranged by Charles Decker. 19th Century...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817187 Composed by Jules Massenet. Arranged by Charles Decker. 19th Century,Chamber,Multicultural,Opera,Romantic Period,World. 45 pages. Charles Decker Music Press #6789509. Published by Charles Decker Music Press (A0.817187). From Massenet’s 1885 opera, Le Cid, these three movements are from his popular orchestral concert ballet suite of Spanish dances and showcase the technical and interpretative capabilities of brass quintet performers. Of the ten dances in the orchestral ballet suite, Castillane, Andalouse, and Catalane have been arranged to feature quintet members in solo roles with brilliant scoring and hauntingly beautiful melodic settings. The arrangement is scored for two B-flat trumpets with alternate C trumpet parts included and optional flugelhorns used in the Andalouse movement, horn in F, trombone, and tuba. The recording is of the entire edition.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet publications use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$16.99 ≈
15.83€
Three Laments of Heloise for Chamber Orchestra
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00 ≈
93.20€
Partita No. 4 in D Major, BWV 828
Partita No. 4 in D Major, BWV 828
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Classique
#
Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 4 in D Major, BWV
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Songburd Music
#
SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 89 pages. Songburd Music #993405. Published by Songburd Music (A0.1411059). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 4 in D Major (BWV 828) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue.Notably, Bach’s keyboard Partita No. 4 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$89.99 ≈
83.87€
Partita No. 1 in B-Flat Major, BWV 825
Partita No. 1 in B-Flat Major, BWV 825
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Classique
#
Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 1 in B-Flat Major,
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Songburd Music
#
SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 53 pages. Songburd Music #993398. Published by Songburd Music (A0.1411052). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 1 in B-Flat Major (BWV 825) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 1 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99 ≈
55.91€
Partita No. 3 in A Minor, BWV 827
Partita No. 3 in A Minor, BWV 827
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Classique
#
Johann Sebastian Bach
#
Lydia Consilvio
#
Partita No. 3 in A Minor, BWV
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Songburd Music
#
SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 64 pages. Songburd Music #981022. Published by Songburd Music (A0.1397731). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 3 in A Minor (BWV 827) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 3 is comprised of movements based on Renaissance dance forms— allemande, corrente, sarabande, and gigue—each influenced by the step-pattern of that specific dance.  These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99 ≈
55.91€
Trois Sarabandes for 5 Trombones
Trois Sarabandes for 5 Trombones
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Classique
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Contemporain
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Erik Satie
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Ralph Sauer
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Trois Sarabandes for 5 Trombon
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792439 Composed by Erik Satie. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts....
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Brass Ensemble Trombone - Level 5 - SKU: A0.792439 Composed by Erik Satie. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts. 27 pages. Gordon Cherry #4821673. Published by Gordon Cherry (A0.792439). Erik Saties Trois Sarabandes were composed in September 1887 and based on the poetry of J.P. Contamine de Latour (1867-1926). The second Sarabande is dedicated to Maurice Ravel. The Sarabande is a Renaissance dance in 3/4 time. Originally for the Piano, these three works are very slow, rich in harmony and dreamy in mood, making them excellent vehicles to show off the rich texture of the five-part Trombone ensemble. The three movements are about 12 minutes in length and can be performed by moderate to advanced performers (the 1st part is in alto clef and reaches a high E-flat, but the other parts are more moderate in difficulty.
$20.00 ≈
18.64€
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Guitare
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INTERMÉDIAIRE
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Classique
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Gordon Mizzi
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Saints and Fireworks: The Musi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music ...
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Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99 ≈
16.77€
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Three Renaissance Dance Movements
