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Three Carols Piano Reduction
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Vous avez sélectionné:
Three Carols Piano Reduction
Partitions à imprimer
6 partitions trouvées
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1
Christmas Adventures for Flute and Piano
Christmas Adventures for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Noël
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Traditional
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Colin Kirkpatrick
#
Christmas Adventures for Flute
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SheetMusicPlus
Flute - Intermediate - Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas, Recital. Piano Reduction, Set of Parts. 21 pages. Publishe...
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Flute - Intermediate - Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas, Recital. Piano Reduction, Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Here are three refreshing new modernarrangements of three popular traditional carols ?like you ain?t never heardthem before?. Intended for the intermediate flute player (or players) and areasonably competent pianist, they are sure to brighten up your Christmasevents whether at home, school, church or recital hall. You can of course use the music with any number of flute players. The pieces could be usedduring a Christmas service or as stand-alone pieces at an end-of-termpresentation. The audio sample includes recordings of all three pieces.
The King Rides Out(based on ?Good King Wenceslas?) starts conventionally enough but turns into acountry-style song and then there?s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly ? or Possibly Ivy (based of course on ?The Hollyand the Ivy?) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the flute player?s tone quality. The Merry Gentleman goLatin is a lively rumba version of ?God Rest You Merry, Gentlemen?.
ColinKirkpatrick studied composition, cello and piano at London?s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.
Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.
$7.95 ≈
¥57.59
Three Carols Piano Reduction
Three Carols Piano Reduction
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Chorale 2 parties
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AVANCÉ
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Noël
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David Garner
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Three Carols Piano Reduction
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David Garner Music
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SheetMusicPlus
Choral Choir (SA) - Level 5 - Composed by David Garner. Christmas, Contemporary, Sacred. Octavo. 106 pages. David Garner Music #3385093. Published b...
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Choral Choir (SA) - Level 5 - Composed by David Garner. Christmas, Contemporary, Sacred. Octavo. 106 pages. David Garner Music #3385093. Published by David Garner Music
$24.99 ≈
¥181.02
Come to the Child - Choral Score
Come to the Child - Choral Score
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Chorale SATB
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Traditional Christmas Carols
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Edward David Zeliff
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Come to the Child - Choral Sco
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Edward David Zeliff
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.888260 Composed by Traditional Christmas Carols. Arranged by Edward David Zeliff. Christmas,Sacred. Octavo. 16 pages. Edwa...
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Choral Choir (SATB) - SKU: A0.888260 Composed by Traditional Christmas Carols. Arranged by Edward David Zeliff. Christmas,Sacred. Octavo. 16 pages. Edward David Zeliff #4766983. Published by Edward David Zeliff (A0.888260). This Choral Score contains the SATB parts plus a piano reduction of the full score for strings and piano in this medley of three traditional Christmas carols, Bring a Torch, Jeannette, Isabella – What Child Is This? – Wexford Carol, and is necessary to be purchased in quantity for the choir. The piano part is different from the one used for contrasting color in the full score and is designed for rehearsal purposes, but, in the absence of strings when budgetary considerations prevent the hiring of instrumentalists, this medley could be performed quite effectively with just the choral score and the piano accompaniment contained therein.
$2.00 ≈
¥14.49
Come to the Child - Score and Parts
Come to the Child - Score and Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Traditional Christmas Carols
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Edward David Zeliff
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Come to the Child - Score and
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Edward David Zeliff
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.888259 Composed by Traditional Christmas Carols. Arranged by Edward David Zeliff. Christmas,Sacred. Score and part...
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Chamber Orchestra - Level 4 - SKU: A0.888259 Composed by Traditional Christmas Carols. Arranged by Edward David Zeliff. Christmas,Sacred. Score and parts. 91 pages. Edward David Zeliff #4766979. Published by Edward David Zeliff (A0.888259). This unique arrangement of three traditional Christmas carols, Bring a Torch, Jeannette, Isabella – What Child Is This? – Wexford Carol, is scored for SATB choir, string orchestra, and piano. The strings add a touch of liveliness and also solemnity, with the piano an added color in a part that is different from the piano reduction found in the choral score which is sold separately. There is variety in the voicing and rich textures in the strings.
$35.00 ≈
¥253.53
Tristan und Isolde
Tristan und Isolde
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Classique
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99 ≈
¥347.63
The Shepherds' Cradle Song (SABar)
The Shepherds' Cradle Song (SABar)
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Chorale 3 parties
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INTERMÉDIAIRE
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Karl Leuner, Charles Macpherso
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Philip Le Bas
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The Shepherds' Cradle Song
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.818183 Composed by Karl Leuner, Charles Macpherson. Arranged by Philip Le Bas. A Cappella,Christmas,Sacred. Octav...
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Choral Choir (SAB) - Level 3 - SKU: A0.818183 Composed by Karl Leuner, Charles Macpherson. Arranged by Philip Le Bas. A Cappella,Christmas,Sacred. Octavo. 7 pages. Philip Le Bas #6233097. Published by Philip Le Bas (A0.818183). A popular version of this carol by Karl Leuner (originally called Wiegenlied, written in 1813) and arranged by Charles Macpherson (1870-1927) is published in Carols for Choirs 1 for SATB choir. However, with the lack of tenors and basses in many parish churches, the carol can often lie beyond the ability of many. Hence this arrangement for three-part choir: the range of the baritone part is from low A to high E flat, which should be achievable by most men (or women singing lower parts) in amateur choirs. Being such a beautiful, gentle and touching carol, this arrangement retains its original, simple a cappella nature, although a piano reduction is provided for practice purposes.
$1.99 ≈
¥14.42
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Three Carols Piano Reduction
