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This Is Us End Title Theme
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Vous avez sélectionné:
This Is Us End Title Theme
Partitions à imprimer
41 partitions trouvées
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26
This Is Us End Title Theme
This Is Us End Title Theme
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Siddhartha Khosla
#
Brett L Allen
#
This Is Us End Title Theme
#
brettallenmusic.com
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1046599 Composed by Siddhartha Khosla. Arranged by Brett L Allen. Contemporary,Film/TV,Pop,Wedding. Score and Parts...
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String Orchestra - Level 3 - SKU: A0.1046599 Composed by Siddhartha Khosla. Arranged by Brett L Allen. Contemporary,Film/TV,Pop,Wedding. Score and Parts. 22 pages. Brettallenmusic.com #651110. Published by brettallenmusic.com (A0.1046599). The soaring and emotional End Title Theme to NBC's hit drama series, This Is Us. Perfect for weddings, anniversaries and other life celebrations. Arranged for String Orchestra in two versions. One has the melody in the 1st Violins, the other has the melody in the Cellos. Play one version or the other, or string them together for more playtime and interest. Both versions included in a single pdf download. MP3 Sample begins with Violin Soli version, transitions to Cello Soli version at 0:15.
$50.00 ≈
46.78€
This Is Us End Title Theme
This Is Us End Title Theme
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Siddhartha Khosla
#
Brett L Allen
#
This Is Us End Title Theme
#
brettallenmusic.com
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1046961 Composed by Siddhartha Khosla. Arranged by Brett L Allen. Contemporary,Film...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1046961 Composed by Siddhartha Khosla. Arranged by Brett L Allen. Contemporary,Film/TV,Pop,Wedding. 16 pages. Brettallenmusic.com #651107. Published by brettallenmusic.com (A0.1046961). The soaring and emotional End Title Theme to NBC's hit drama series, This Is Us. Perfect for weddings, anniversaries and other life celebrations. Arranged for String Quartet in two versions. One has the melody in the 1st Violin, the other has the melody in the Cello. Play one version or the other, or string them together for more playtime and interest. Both versions included in a single pdf download. MP3 Sample begins with Violin Soli version, transitions to Cello Soli version at 0:15.
$15.00 ≈
14.03€
This Is Us End Title Theme
This Is Us End Title Theme
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Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Siddhartha Khosla
#
SAMUEL DE SOUZA MALAQUIAS
#
This Is Us End Title Theme
#
SAMUEL DE SOUZA MALAQUIAS
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1291039 Composed by Siddhartha Khosla. Arranged by SAMUEL DE SOUZA MALA...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1291039 Composed by Siddhartha Khosla. Arranged by SAMUEL DE SOUZA MALAQUIAS. Film/TV,Pop,Wedding. 8 pages. SAMUEL DE SOUZA MALAQUIAS #881730. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1291039). This is a beautiful and simple arrangement, faithful to the characteristics of the original piece. The piano accompaniment captures the rhythmic essence of the acoustic guitar, infusing an African music feel. The violin and violoncello play the melody with an octave apart, accentuating the strength of these straightforward yet effective lines. You're certain to enjoy playing it. Place your order today.
$8.99 ≈
8.41€
Nightmare Before Christmas (end Titles)
Nightmare Before Christmas (end Titles)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Danny Elfman
#
Eve C
#
Nightmare Before Christmas
#
Zene Strings
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1118386 Composed by Danny Elfman. Arranged by Eve C. Mailly. Children,Christmas,Fil...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1118386 Composed by Danny Elfman. Arranged by Eve C. Mailly. Children,Christmas,Film/TV,Holiday,Pop. Score and parts. 28 pages. Zene Strings #719907. Published by Zene Strings (A0.1118386). The Nightmare Before Christmas - End Title - by Danny Elfman has many of the themes popular in the movie. This arrangement is for string quartet, from your friends at Zene Strings - enjoy! To see our other great arrangements visit: Zene Strings. Questions or comments? Email us at Music@ZeneSheetMusic.com. We're here to help!
$16.99 ≈
15.90€
Go Where I Send Thee
Go Where I Send Thee
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Musique Sacrée
#
Tom Colao
#
Personage Press, LLC
#
Go Where I Send Thee
#
Personage Press, LLC
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.882295 Composed by Tom Colao. Arranged by Personage Press, LLC. Christian,Christmas,Praise & Worship,Sacred. Oct...
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Choral Choir (SATB) - Level 3 - SKU: A0.882295 Composed by Tom Colao. Arranged by Personage Press, LLC. Christian,Christmas,Praise & Worship,Sacred. Octavo. 16 pages. Personage Press, LLC #6051703. Published by Personage Press, LLC (A0.882295). Thank you for your interest in this title! You can purchase individual copies for a lower price at PersonagePress.com.Tom Colao's arrangement of the African-American Spiritual Go Where I Send Thee presents a rich, hearty sound tapestry worthy of the litany it contains. Built as a wonderful choral theme and variations, Colao allows us to hear this tune through different lenses in subsequent verses. The result is a piece that flies its listeners all the way across the American south from the feeling of barbershop harmonies to the open twang of the Appalachian trail. We think this is the best SATB arrangement of this important artifact, and we know you'll think so too when you hear it!
$63.00 ≈
58.94€
Endless Delight
Endless Delight
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Cloches
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INTERMÉDIAIRE
#
Noël
#
Linda R
#
II
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Endless Delight
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Chorister's Guild - Digital
#
SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3 - SKU: C7.CGB487 Composed by Linda R. Lamb. Christmas. With 3, 4 or 5 octaves handchimes. Score. 12 pages. Choris...
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3, 4, or 5 octaves handbells - Level 3 - SKU: C7.CGB487 Composed by Linda R. Lamb. Christmas. With 3, 4 or 5 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB487. Published by Chorister's Guild - Digital (C7.CGB487). UPC: 749193012079.A vision quest is a period of spiritual seeking among certain Native American peoples. It is a religious custom in which people climb to remote sites to fast, pray and commune with nature. Individuals may pray to each of the four directions, seeking certain benefits from each. This four-movement original work illustrates a prayer by David Dillon, which he used on his own vision quest. The movements use recurring but evolving themes, reflecting each petition of the prayer. A myriad of percussion instruments enhance the mystical quality of the music. The movements are entitled: I. I pray to the West which gives us rest and reflection; II. I pray to the North which gives us patience and purity; III. I pray to the East which gives us energy and emotions; IV. I pray to the South which gives us discipline and direction. Percussion parts include: Shaker (Maraca or Rattle), 2 Small Stones, Ankle Bells, Chime Tree/Mark Tree, Finger Cymbals, Whip Crack (without spring mechanism).
$4.95 ≈
4.63€
Greensleeves 2012
Greensleeves 2012
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Piano seul
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AVANCÉ
#
Classique
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Public Domain, as performed
#
Isadar
#
Greensleeves 2012
#
Mainya Music Publishing
#
SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: ?Greensleeves 2012? is a revisited and evolved arrangement which like my earlier version, was inspired by ? and also pays ?homage? to ? Liz Story?s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled ?O Christmas.? Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, ?good things come to those who wait.?
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or ?off the beaten path? as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album ?In Search For The Meaning Of Christmas,? yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called ?Good Christian Men.? Steeped in history, the song dates back to 14th century Germany and its Latin title was originally ?In Dulci Jubilo? before it was translated into English in the 1800?s. Isadar?s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, ?Teddy Bears Picnic,? which although not technically a Christmas song, has been interwoven by Isadar with ?March Of The Toys? to tie it in with the holidays ? a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is ?O Christmas Tree? and is sure to have listeners humming along with it?s familiar refrain.
A track entitled ?Still? is an innovative rendition of the classic ?Still, Still, Still? which Isadar has put his own spin on, or as he jokingly puts it ?jazzed up shamelessly.? No such liberties were taken on the classic ?O Come, O Come, Emmanuel,? however. This song provides a showcase for Isadar?s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon ? a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled ?Song Of The Wise Men.? It has been said that: ?Christmas is, above all, a children?s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.? This theme is well reflected in Isadar?s choice of ?O Come Little Children,? based on a carol from the 1800?s.
Among my favorite tracks on the album are the wistful strains of ?Greensleeves 2012,? which Isadar interprets with elegance and grandeur and also pays ?homage? to Liz Story?s brilliant take on this enduring composition. This is followed by a rendition of ?Masters In This Hall,? which can best be described as, well? ?masterful.? The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on ?We Wish You A Merry Christmas,? Isadar characterizes it as ?an uninhibited melancholy arrangement.? While I don?t know if ?melancholy? is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar?s creativity and distinctive rendering of the song.
?O Christmas? is an exceptional holiday collection, not only for Isadar?s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar?s distinctive piano style, I?m sure that fans will want to include ?O Christmas? in their collection and make it a part of their holiday tradition.
$5.99 ≈
5.60€
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
8.41€
Sonata in a Simple Scale for Viola and Piano
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00 ≈
7.49€
Lara's Theme from Dr. Zhivago (Somewhere My Love) - String Trio
Lara's Theme from Dr. Zhivago (Somewhere My Love) - String Trio
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Film/TV
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Maurice Jarre
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Eve C
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Lara's Theme from Dr. Zhivago
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Zene Strings
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SheetMusicPlus
String Trio - Easy/Beginner - By Maurice Jarre. Arranged by Eve C. Mailly - Zene Strings. Score, Set of Parts. 8 pages. Published by Zene Strings...
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String Trio - Easy/Beginner - By Maurice Jarre. Arranged by Eve C. Mailly - Zene Strings. Score, Set of Parts. 8 pages. Published by Zene Strings
"Lara's Theme" is the theme written for the film Doctor Zhivago (1965) by composer Maurice Jarre, which is better known as the song "Somewhere My Love".
This arrangement is for string trio, and can be played by either two violins and a cello, or a violin, viola and cello. The middle part is included in both treble clef (when played by violin 2) and alto clef (when played by viola).
From your friends at Zene Strings - enjoy!
To see our other great arrangements visit: www.ZeneSheetMusic.com.
Questions or comments? Email us at Music@ZeneSheetMusic.com. We're here to help!
$12.99 ≈
12.15€
Somewhere, My Love (Lara's Theme from Dr. Zhivago)
Somewhere, My Love (Lara's Theme from Dr. Zhivago)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Maurice Jarre
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Douglas R
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Somewhere, My Love
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Douglas R. Morrison
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SheetMusicPlus
String Quartet - Intermediate - By Maurice Jarre. Arranged by Douglas R. Morrison. 14 pages. Published by Douglas R. Morrison...
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String Quartet - Intermediate - By Maurice Jarre. Arranged by Douglas R. Morrison. 14 pages. Published by Douglas R. Morrison
A Rivendell String Quartet Arrangement. The haunting ?Lara?s Theme? was composed for David Lean?s epic romantic drama Doctor Zhivago (1965), and netted film composer Maurice Jarre his second Academy Award for Best Original Score (he had won previously for Lawrence of Arabia in 1962, and would win again in 1984 for A Passage to India).
This beautiful instrumental melody took on a life of its own when Paul Webster added lyrics to make it ?Somewhere, My Love? in 1966. Ray Coniff and the Ray Coniff Singers had a US Top 10 hit with the same year, and it has remained a popular ballad ever since. This well-known piece is wonderful for preludes and receptions.
Also available for string orchestra: H0.710615-SC001289282
$12.99 ≈
12.15€
CONJUNCTION: The Christmas Star of 2020
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00 ≈
88.88€
The Greatest Love Of All
The Greatest Love Of All
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Piano seul
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FACILE
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Rock
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Whitney Houston
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The Greatest Love Of All
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Unimusic Academy
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1138089 By Whitney Houston. By Linda Creed and Michael Masser. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock. Sc...
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Piano - Level 2 - SKU: A0.1138089 By Whitney Houston. By Linda Creed and Michael Masser. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock. Score (Chords/Lyrics). 4 pages. Unimusic Academy (Academia Unimusica) #738341. Published by Unimusic Academy (Academia Unimusica) (A0.1138089). The Greatest Love of All is a song written by Michael Masser, who composed the music, and Linda Creed, who wrote the lyrics. It was originally recorded in 1977 by George Benson, who made the song a substantial hit, peaking at number two on the US Hot Soul Singles chart that year, the first R&B chart top-ten hit for Arista Records. The song was written and recorded to be the main theme of the 1977 film The Greatest, a biopic of the boxer Muhammad Ali, and is performed during the opening credits.[1] Benson's original recording was released in 1977 in the United States, Japan, France, Germany, New Zealand, Australia, Italy, Brazil, Netherlands, the United Kingdom and Thailand, on an extended play (EP).[2] He officially recorded the song four times; in addition to the studio single, Benson also recorded three live versions,[3][4] the last time in a duet with Luciano Pavarotti in 2001.[5] Since 1977, a great number of artists have recorded this song, including Shirley Bassey, Oleta Adams, Alexandra Burke, Deborah Cox, Ferrante & Teicher and Kevin Rowland. Eight years after Benson's original recording, the song became even more well known for a version by Whitney Houston, whose 1985 cover (with the slightly amended title Greatest Love of All) eventually topped the charts, peaking at number one in the United States, Australia, Canada and on the US R&B chart in early 1986.
$8.00 ≈
7.49€
Ave Eva
Ave Eva
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Orgue
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INTERMÉDIAIRE
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Lewis A
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Ave Eva
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Lewis A. Kocher
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SheetMusicPlus
Organ - Level 3 - SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703....
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Organ - Level 3 - SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703. Published by Lewis A. Kocher (A0.943029). Services: Christmas, Annunciation, Marian; Prelude, Processional, Special MusicTime 2:39The title of this piece, which is a palindrome, has an interesting history. In medieval times much was made of things like numerology and words, and one day it was discovered that Ave (Hail) spelled backwards was Eva (an archaic spelling of Eve). Thus Ave Eva was Hail, Eve! and Mary was seen as a type of Eve. In other words, Ave Eva read the same forwards and backwards, giving us Hail Mary in both directions. This was seen as a miraculous sign and songs and poems were written about it. The piece given here is my original work for pipe organ, and following the lead of the title and history, it gives the descending figure F-E-D to provide the thematic material, developing into a canon-like style, then reverses the figure later to an ascending D-E-F, eventually playfully mixing both versions of the theme before exploding into an exciting end. The work itself is relatively easy to perform, with perhaps the exception of the duple-over-triplets passage near the end which may require a little more attention than the rest of the piece. For clarity of the lines I have suggested a Principal Chorus, with some contrast provided by passages using Flutes and soft Strings. Thank you for performing this work, and God bless!
$5.95 ≈
5.57€
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
18.67€
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
9.68€
Sinfonietta
Sinfonietta
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Orgue
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Jean Guillou
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Sinfonietta
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Schott Music - Digital
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SheetMusicPlus
Organ - SKU: S9.Q6211 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 4. Duration 18 minutes. Schott Music - Digital #Q6211. Publ...
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Organ - SKU: S9.Q6211 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 4. Duration 18 minutes. Schott Music - Digital #Q6211. Published by Schott Music - Digital (S9.Q6211). As its title indcates, this is a miniature symphony, its structure compacted as much as possible. The classical form is respected, dwon to the smallest details, so that the various development sections lead to a recapitulation of the two themes and to a more asservative conclusion. Throughout the work the style is extremely sparse and straightforward. The nostalgia expressed by the theme of the second movement leads us towards effects of perspective that modify the light thrown on the melody, at first distand and soon more insistent, more dominant, before dying away in the gentle mist. The third movement is somewhat facetious and sly. Despite its brilliantly luminous progress, the ending is nostalgic, whimsical and, once more, humorous.
$17.99 ≈
16.83€
Mwiche Khumufumie
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Pub...
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Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99 ≈
11.22€
Faith, Hope, and Love
Faith, Hope, and Love
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Mark Hayes
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Faith, Hope, and Love
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Roger Dean Publishing
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SheetMusicPlus
SSA, SATB choir, Piano (With Optional Orchestra) - SKU: LX.45-1632R A Choral Triptych. Composed by Mark Hayes. Concert, General. 52 pages. Roger ...
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SSA, SATB choir, Piano (With Optional Orchestra) - SKU: LX.45-1632R A Choral Triptych. Composed by Mark Hayes. Concert, General. 52 pages. Roger Dean Publishing #e45/1632R. Published by Roger Dean Publishing (LX.45-1632R). ISBN 9780787756291. Text: John Parker.Inspired by a familiar passage of scripture, this 15-minute work is written in three movements, one exploring each theme of the title. This Is Faith begins with a treble solo. After growing into soaring passages sung by both choirs, the movement ends with a reprise of the beginning solo and the statement “I believe dawn will rise again. This is faith.†While I Breathe, I Hope is an energetic and rhythmic contrast to the first piece, full of syncopation and joyous lyrics that communicate a message of hope. Love Conquers All celebrates the beauty of creation and that love is what binds us all together. Set in a dance-like 6/8 meter, it builds to a momentous climax and then concludes with a quiet, unaccompanied “Amen†set in a polyphonic style. Faith, Hope, and Love may be performed in its entirety or as individual pieces. Either way, this music is perfect for concerts, festivals, or worship services, whether performed with Mark Hayes’s own orchestration or piano alone. ty or as individual pieces. Either way, this music is perfect for concerts, festivals, or worship services, whether performed with Mark Hayes’s own orchestration or piano alone.
$8.95 ≈
8.37€
A Hymn A Day Volume 4
A Hymn A Day Volume 4
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 4
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pa...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns, 77 in all, is the fourth in a series of five! Volume four includes songs for Thanksgiving, Advent, Christmas, and Epiphany seasons as well as a few for the ordinary time between Epiphany and Lent. You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing.
Table of Contents:
Thanks to God for My Redeemer, Now Thank We All Our God, Come, Ye Thankful People, Come, Sing to the Lord of Harvest, We Plow the Fields, Immanuel, to Thee We Sing, Hark! A Thrilling Voice Is Sounding, Away in a Manger, Comfort, Comfort Now My People, Lo! How a Rose E'er Blooming, The People That in Darkness Sat, Lift Up Your Heads, Ye Mighty Gates, Watchman, Tell Us of the Night, Hail to the Lord's Anointed, Come, Thou Long-Expected Jesus, O Come, O Come, Emmanuel, All Praise to Thee, Eternal Lord, Good Christian Men, Rejoice, From Heaven Above to Earth I Come, Thou Didst Leave Thy Throne, Let All Mortal Flesh Keep Silence, In the Bleak Midwinter, Earth Has Many a Noble City, God Rest Ye, Merry Gentlemen, Once In Royal David's City, The Friendly Beasts, The First Noel, It Came Upon a Midnight Clear, Angels, from the Realms of Glory, While Shepherds Watched Their Flocks, O Come, All Ye Faithful, Angels We Have Heard On High, O Little Town of Bethlehem, Hark! The Herald Angels Sing, What Child Is This?, Silent Night, Holy Night, Joy to the World!, Who Is He in Yonder Stall?, All Glory Be to God on High, Go Tell It on the Mountain, For All the Blessings of the Year, For Thy Mercy and Thy Grace, Another Year Is Dawning, May the Mind of Christ, My Savior, Great God, We Sing That Mighty Hand, Lead, Kindly Light, The Lord's My Shepherd, I'll Not Want, As With Gladness, Men of Old, We Three Kings of Orient Are, Like a River Glorious, Jesus, Lead Thou On, It Is Good to Sing Your Praises, Fear Not, O Little Flock, Guide Me, O Thou Great Jehovah, I Need Thee Every Hour, Lead On, O King Eternal, All the Way, My Savior Leads Me, Begin, My Tongue, Some Heavenly Theme, Lamp of Our Feet, Come, Sound His Praise Abroad, He Leadeth Me, In Heavenly Love Abiding, God Moves in a Mysterious Way, Great God of Wonders, Jesus, I Am Resting, Resting, O God of Bethel, Be Not Dismayed, Abide With Me, If Thou But Suffer God to Guide Thee, O God, Our Help in Ages Past, Leaning on the Everlasting Arms, Let Us, with a Gladsome Mind, Children of the Heavenly Father, The God of Abraham Praise, Take My Life and Let It Be, It Is Well with My Soul, At Even, Ere the Sun Was Set
$25.00 ≈
23.39€
Watermelon Sugar
Watermelon Sugar
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Harry Styles
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Aaron Bennett
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Watermelon Sugar
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StringfulScores.com
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1173964 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged ...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1173964 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. Funk,Pop. 9 pages. StringfulScores.com #774122. Published by StringfulScores.com (A0.1173964). 'Watermelon Sugar' from Harry Styles’ popular 2019 album 'Fine Line' arranged for String Duo (Violin & Cello Duet) by Aaron Bennett.The smash hit that became Styles’ first number-one single on the Billboard Hot 100 and later won him a Grammy and Brit Award in 2021. This arrangement stays close to the original with plenty of funky rhythmic energy and melodic interest for both players. A popular crowd-pleaser that’s guaranteed to get your listeners grooving!This song is also available for String Quartet and String Trio (opt. Vln.2/Vla). Other Harry Styles arrangements include Sign of the Times, As It Was and Adore You. View all Harry Styles arrangements on the Stringful Scores YouTube playlist!Popular arrangements by Aaron Bennett:• If I Ain't Got You (Alicia Keys)       • Sign of the Times (Harry Styles)• Wrecking Ball (Miley Cyrus)         • Flowers (Miley Cyrus)• What About Us (Pink)              • Dancing On My Own (Robyn) • Wildest Dreams (Taylor Swift)       • Bridgerton Title Theme (Kris Bowers)• Here Comes The Sun (The Beatles)  • Marry You (Bruno Mars)   • As It Was (Harry Styles)             • Watermelon Sugar (Harry Styles)• Anyone (Justin Bieber)             • Blinding Lights (The Weeknd)    • Simply The Best (Tina Turner)       • Conversations in the Dark (John Legend)For more arrangements by Aaron Bennett, visit: StringfulScores.com
$10.99 ≈
10.28€
As It Was
As It Was
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Harry Styles
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Aaron Bennett
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As It Was
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StringfulScores.com
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1175481 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. ...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1175481 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. Pop. 15 pages. StringfulScores.com #775622. Published by StringfulScores.com (A0.1175481). 'As It Was' from Harry Styles' recent GRAMMY award-winning album 'Harry's House' arranged for String Trio (optional Violin2/Viola parts) by Aaron Bennett.This arrangement retains the original key and offers melodic and rhythmic interest for all instruments. A chart topping Styles hit with strong 80's dance vibes that'll be sure to get your listeners' feet tapping!This song is also available for String Quartet, String Duo (Violin & Cello), Violin Duet and Cello Duet. Other Harry Styles arrangements include Sign of the Times, Watermelon Sugar and Adore You. View all Harry Styles arrangements on the Stringful Scores YouTube playlist!Popular arrangements by Aaron Bennett:• If I Ain't Got You (Alicia Keys)       • Sign of the Times (Harry Styles)• Wrecking Ball (Miley Cyrus)         • Flowers (Miley Cyrus)• What About Us (Pink)              • Dancing On My Own (Robyn) • Wildest Dreams (Taylor Swift)       • Bridgerton Title Theme (Kris Bowers)• Here Comes The Sun (The Beatles)  • Marry You (Bruno Mars)   • As It Was (Harry Styles)             • Watermelon Sugar (Harry Styles)• Anyone (Justin Bieber)             • Blinding Lights (The Weeknd)    • Simply The Best (Tina Turner)       • Conversations in the Dark (John Legend)For more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99 ≈
14.96€
Watermelon Sugar
Watermelon Sugar
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Harry Styles
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Aaron Bennett
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Watermelon Sugar
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StringfulScores.com
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1239610 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged ...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1239610 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. Funk,Pop,Wedding. 18 pages. StringfulScores.com #834989. Published by StringfulScores.com (A0.1239610). Watermelon Sugar from Harry Styles’ popular 2019 album Fine Line arranged for String Trio (optional separate Violin 2 and Viola parts) by Aaron Bennett. The smash hit that became Styles’ first number-one single on the Billboard Hot 100 and later won him a Grammy and Brit Award in 2021. This arrangement stays close to the original with plenty of funky rhythmic energy and melodic interest for all players. A contemporary summer number that’s guaranteed to get your listeners grooving! This song is also available for String Quartet and String Duo (Violin & Cello). Other Harry Styles arrangements include Sign of the Times, As It Was and Adore You. View all Harry Styles arrangements on the Stringful Scores YouTube playlist!Popular arrangements by Aaron Bennett:• If I Ain't Got You (Alicia Keys)       • Sign of the Times (Harry Styles)• Wrecking Ball (Miley Cyrus)         • Flowers (Miley Cyrus)• What About Us (Pink)              • Dancing On My Own (Robyn) • Wildest Dreams (Taylor Swift)       • Bridgerton Title Theme (Kris Bowers)• Here Comes The Sun (The Beatles)  • Marry You (Bruno Mars)   • As It Was (Harry Styles)             • Watermelon Sugar (Harry Styles)• Anyone (Justin Bieber)             • Blinding Lights (The Weeknd)    • Simply The Best (Tina Turner)       • Conversations in the Dark (John Legend) For more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99 ≈
14.96€
Calibrating the Moon - Tuba and Piano
Calibrating the Moon - Tuba and Piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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Calibrating the Moon - Tuba an
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NoteForge
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (...
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Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
$14.99 ≈
14.03€
Miscellany, 7 Short Movements For Piano Solo
Miscellany, 7 Short Movements For Piano Solo
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Piano seul
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AVANCÉ
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PIano - Sebastian Kurz
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Miscellany, 7 Short Movements
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Geraldine
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Perio...
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Piano Solo - Level 5 - SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score. 27 pages. Geraldine (Denny) Green at Oakmountmusic #903031. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314290). Written in 2008, Miscellany, 7 short movements for solo piano, was Commissioned by conductor/pianist Anthony Davie.Duration: approx 15 minutes in total.Inspired by friends, family and general life experiences, this set of short pieces encompasses a range of moods; from Romantic and melodic to comical and dissonant.Movement 1. Didi – Didi was a very unique and special friend for many years. She gave out great spiritual strength and insight into this very confusing world in which we all live. She was a real tower of quiet, gentle strength.Movement 2. Brew! – This movement was inspired directly by the Brewing Industry. It strives to depict the hustle and bustle of a busy, working brewery and the the many hilarious, fabulous people I met during my three years in the beer-making industry.Movement 3 – Convent Cherub – This little piece began life as the opening title music of a film score I worked on while at college. The film itself, entitled My Brother Rob, was made by Alison Hilder, a student director at the Harrow School of Film. The story told of a young boy traumatised by a convent boarding school up-bringing. I have felt for many years that this little main theme has needed an alternative home, as much film music is never played again.Movement 4 – Megan – This movement comes directly from my wonderful and beautiful daughter, who was 5 years old at the time of the writing of this piece. It seeks to express her wild vibrance, eternal cheekiness, infinite energy, sparkle and the utter fearlessness of youth.Movement 5 – Edward – This music is for my gorgeous little son, who has Down’s Syndrome, and was only 3 at the time of the writing of this piece. The opening came to me moments after the doctor had confirmed Edward had Down’s, when he was only 6 hours old. The music tries to convey the fear of the unknown, huge unconditional love and moments of uncertainty alternated by washes of strength. And yet, all through the fear the resolve to forever love and stay strong always wins.Movement 6 – Indifference – The opening 4 notes are the core of this movement, and the piece is built around and from them. This music is an observation of deep, rumbling frustration at the indifference growing in our fast moving, modern society.Movement 7 – “Wee Us†– This movement expresses family triumph, the gifts of life and love, and the glory of boundless, wild, youthful energy. This tune has not yet run its course. It will be back!
$12.00 ≈
11.23€
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This Is Us End Title Theme
