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Theme with Variations No. 6
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Vous avez sélectionné:
Theme with Variations No. 6
Partitions à imprimer
59 partitions trouvées
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Theme with Variations No. 6
Theme with Variations No. 6
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Clarinette
#
Charles Dancla
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Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Clarinet & Piano - Grade 4 - SKU: R0.24408 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Clarinet & Pia...
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Clarinet & Piano - Grade 4 - SKU: R0.24408 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Clarinet & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24408. Published by Editions Marc Reift - Digital (R0.24408).
$8.95 ≈
8.05€
Theme with Variations No. 6
Theme with Variations No. 6
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Flûte traversière et Piano
#
Charles Dancla
#
Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Flute & Piano - Grade 4 - SKU: R0.24406 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Flute & Piano. Sc...
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Flute & Piano - Grade 4 - SKU: R0.24406 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Flute & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24406. Published by Editions Marc Reift - Digital (R0.24406).
$8.95 ≈
8.05€
Theme with Variations No. 6
Theme with Variations No. 6
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Charles Dancla
#
Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.24411 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Tenor S...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.24411 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Tenor Saxophone & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24411. Published by Editions Marc Reift - Digital (R0.24411).
$8.95 ≈
8.05€
Theme with Variations No. 6
Theme with Variations No. 6
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Charles Dancla
#
Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Alto Sax...
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Alto Saxophone & Piano - Grade 4 - SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Alto Saxophone & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24410. Published by Editions Marc Reift - Digital (R0.24410).
$8.95 ≈
8.05€
Theme with Variations No. 6
Theme with Variations No. 6
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Violon et Piano
#
INTERMÉDIAIRE/AVANCÉ
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Classique
#
Charles Dancla
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Colette Mourey
#
Piano
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla (1817-1907). Arranged by Colette Mourey. Violin & Piano. Score and parts. 9 pages. Dura...
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Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla (1817-1907). Arranged by Colette Mourey. Violin & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24412. Published by Editions Marc Reift - Digital
$8.95 ≈
8.05€
Theme with Variations No. 6
Theme with Variations No. 6
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Charles Dancla
#
Colette Mourey
#
Piano
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla (1817-1907). Arranged by Colette Mourey. Soprano Saxophone & Piano. Score and parts. 9 ...
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Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla (1817-1907). Arranged by Colette Mourey. Soprano Saxophone & Piano. Score and parts. 9 pages. Duration 13\'30. Editions Marc Reift - Digital #24409. Published by Editions Marc Reift - Digital
$8.95 ≈
8.05€
Andante, Theme with Variations
Andante, Theme with Variations
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Gioachino Rossini
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Tony BC Huang
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Andante, Theme with Variations
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Tony BC Huang
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - SKU: A0.1267904 Composed by Gioachino Rossini. Arranged by Tony ...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - SKU: A0.1267904 Composed by Gioachino Rossini. Arranged by Tony BC Huang. 19th Century,Chamber. 27 pages. Tony BC Huang #860455. Published by Tony BC Huang (A0.1267904). This is a showpiece for Woodwind Quartet (Flute or Oboe, Clarinet, Horn, and Bassoon) by Rossini, often known as Quartet No.6. It is also good to show each memeber's virtuosity of the clarinet quartet, and is arranged for E-Flat Clarinet, B-Flat Clarinet, Basset Horn(or Alto Clarinet), and Bass Clarinet. Enjoy it.
$15.00 ≈
13.49€
Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Alto Sax - "And Can It Be
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Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
6.30€
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Cello - "And Can It Be?&q
#
Dan Cutchen Music
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
5.40€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.40€
Wieniawski - Variations on an Original Theme - Viola and Piano - Legendary Viola Collecton - No. 6
Wieniawski - Variations on an Original Theme - Viola and Piano - Legendary Viola Collecton - No. 6
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Alto seul
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AVANCÉ
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Classique
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Henri Wieniawski
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Amnael Orozco-Diaz
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Wieniawski - Variations on an
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Amnael Orozco-Diaz
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1047833 Composed by Henri Wieniawski. Arranged by Amnael Orozco-Diaz. Classical,Romantic Period. Individual part. 11 page...
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Viola Solo - Level 5 - SKU: A0.1047833 Composed by Henri Wieniawski. Arranged by Amnael Orozco-Diaz. Classical,Romantic Period. Individual part. 11 pages. Amnael Orozco-Diaz #652273. Published by Amnael Orozco-Diaz (A0.1047833). Far too long have the clutches of the treble cleff hoarded the best writing of composers who have stolen our hearts. We gazed upon a world where viola arrangements of these greatest of pieces were not, and said: no, this will not do... The Legendary Viola Collection brings to you the best quality, most sensibly ranged, original key arrangements of popular masterpieces. All arrangements on this collection are COMPLETELY compatible with any standard piano accompaniment, and have been carefully settled within the original orchestration following our secret melodic analysis method. The skill level for this arrangement would be similar to Paganini's Sonata per la Grand Viola.Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$15.64 ≈
14.07€
Liszt Grandes études de Paganini S.141 No.6 in A Minor Theme and Variations Original With Fingered
Liszt Grandes études de Paganini S.141 No.6 in A Minor Theme and Variations Original With Fingered
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Piano seul
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AVANCÉ
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Classique
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Franz Liszt
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poon
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Liszt Grandes études de
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poon
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1304447 Composed by Franz Liszt. Arranged by poon. Classical. Score. 13 pages. Poon #893939. Published by poon (A0.130444...
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Piano Solo - Level 5 - SKU: A0.1304447 Composed by Franz Liszt. Arranged by poon. Classical. Score. 13 pages. Poon #893939. Published by poon (A0.1304447). Liszt - Grandes études de Paganini - S.141 No.6 in A Minor Theme and Variations - For Piano Solo Original With Fingered.
$1.99 ≈
1.79€
Stantz Waltz, With Variations for the Harp or Piano Forte
Stantz Waltz, With Variations for the Harp or Piano Forte
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Piano seul
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P
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P
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Stantz Waltz, With Variations
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.1582 Composed by P.K. Moran. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1582). ...
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Piano - SKU: LV.1582 Composed by P.K. Moran. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1582). Stantz Waltz, With Variations for the Harp or Piano Forte. By P.K. Moran. Published [n.d.] by E. Riley, No. 29 Chatham Street in New York. Composition of theme and variation, with coda with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
Haydn's Variations on Austrian National Hymn
Haydn's Variations on Austrian National Hymn
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Piano seul
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Karl Klauser
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Haydn's Variations on Austrian
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.9737 Arranged by Karl Klauser. Hotels & taverns, Carriages & coaches, Crowds, Flags. Lester S. Levy Collection. 6 pages. Published by Jo...
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Piano - SKU: LV.9737 Arranged by Karl Klauser. Hotels & taverns, Carriages & coaches, Crowds, Flags. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9737). Recollection of Central Park Garden. No. 6. Haydn's Variations on Austrian National Hymn. Arranged and fingered for the Pianoforte by Karl Klauser. [inside Uebertragen v. L. Schuberth]. Published 1869 by J. Schuberth & Co., 2 Felix St. in Leipzig. Composition of theme and variation with piano instrumentation. Subject headings for this piece include Hotels & taverns, Carriages & coaches, Crowds, Flags. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
Paddy O'Carrot With Variations for the Piano Forte
Paddy O'Carrot With Variations for the Piano Forte
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Piano seul
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P
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Paddy O'Carrot With Variations
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.1472 Composed by P.K. Moran. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1472). ...
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Piano - SKU: LV.1472 Composed by P.K. Moran. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1472). Paddy O'Carrot With Variations for the Piano Forte. Composed by P.K. Moran (Professor of Music New York). Published [n.d.] by W. Dubois, No. 126 Broadway in New York. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
A Favorite Air With Six Variations for the Piano Forte
A Favorite Air With Six Variations for the Piano Forte
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Piano seul
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T
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A Favorite Air With Six Variat
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.1133 Composed by T. Latour. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1133).
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Piano - SKU: LV.1133 Composed by T. Latour. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1133). A Favorite Air With Six Variations for the Piano Forte. Composed by T. Latour. Published [n.d.] by G. Graupner, No. 6 Franklin Street in Boston. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
O! Dear What Can the Matter be. An Air, With Variations for the Piano Forte
O! Dear What Can the Matter be. An Air, With Variations for the Piano Forte
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Piano seul
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William Martin
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O! Dear What Can the Matter be
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.1432 Arranged by William Martin. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1432)....
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Piano - SKU: LV.1432 Arranged by William Martin. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1432). O! Dear What Can the Matter be. An Air, With Variations for the Piano Forte. Arranged by William Martin. Published [n.d.] by Dubois & Stodart, No. 126 Broad Way in New York. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
Variationen über ein Thema von Georg Friedrich Händel für das Cembalo (Variations on a Theme by G
Variationen über ein Thema von Georg Friedrich Händel für das Cembalo (Variations on a Theme by G
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Clavecin
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Joseph Dillon Ford
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Variationen über ein Them
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David Warin Solomons2
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SheetMusicPlus
Harpsichord - Level 3 - SKU: A0.958456 Composed by George Frideric Handel. Arranged by Joseph Dillon Ford. 20th Century,Baroque,Classical. Score. 6 page...
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Harpsichord - Level 3 - SKU: A0.958456 Composed by George Frideric Handel. Arranged by Joseph Dillon Ford. 20th Century,Baroque,Classical. Score. 6 pages. David Warin Solomons2 #3690481. Published by David Warin Solomons2 (A0.958456). The Variations on a Theme by Handel are based on the Sarabande from Handel's Suite No. 11 in D Minor, a movement made famous by the 1975 motion picture Barry Lyndon by director Stanley Kubrick. Indeed, this superlative film, which brought to the screen a remarkably authentic interpretation of William Makepeace Thackeray's novel The Luck of Barry Lyndon (1844), won an Oscar for its imaginative musical adaption of Handel's theme. This cinematic gem stimulated Ford to create four new variations which he interpolated into Handel's original score, a short movement consisting only of the theme and variations two and three of the present work. Exactly why Handel provided this majestic Sarabande with only two variations may never be precisely known, but Ford's expansion of the movement by more than half its original length makes for a compelling and aesthetically satisfying concert solo.
$8.00 ≈
7.19€
Sonata in D major, Op. 6, No. 6 for cello and keyboard (harpsichord)
Sonata in D major, Op. 6, No. 6 for cello and keyboard (harpsichord)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Pietro Antonio Locatelli
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David Starkweather
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Sonata in D major, Op. 6, No.
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Artaria Editions
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artar...
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Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artaria Editions #1064740. Published by Artaria Editions (A0.1487802). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12 . Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.
$28.00 ≈
25.18€
Arirang Variations (Downloadable)
Arirang Variations (Downloadable)
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Stanley M
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Arirang Variations
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Galaxy Music Corporation - Digital
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SheetMusicPlus
2 flutes of the Same Kind - Medium - SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital #7.0663-E. Publ...
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2 flutes of the Same Kind - Medium - SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital #7.0663-E. Published by Galaxy Music Corporation - Digital (MQ.7.0663-E). This work, first scored for piano solo, was composed for the 2008 Sejong Music Composition Competition. Although it did not win a prize, having entered the competition left me with a neat little piano piece to show for it, as well as the present transcription which I created for flutist Peter Sheridan in 2015. The set of variations opens with the traditional Korean theme accompanied by arpeggios. This is followed by Variation 1, a sad waltz in the style of a Chopin waltz. Next comes Variation 2, a funeral march in the manner of Chopin’s Funeral March from the Piano Sonata in B-flat Minor, Op. 35. Variation 3 is a Tango written in tribute to one of my favorite composers, Astor Piazzolla. Variation 4 combined the Korean tune with motifs from the slow movement of Beethoven’s Symphony No. 6, The Pastoral. The set of variations closes with a repeat of the opening passage. -Stanley M. Hoffman.
$10.50 ≈
9.44€
Sonata in D minor, Op.6, No.12 for cello and keyboard (harpsichord)
Sonata in D minor, Op.6, No.12 for cello and keyboard (harpsichord)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Pietro Antonio Locatelli
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David Starkweather
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Sonata in D minor, Op.6, No.12
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Artaria Editions
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artar...
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Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artaria Editions #1064741. Published by Artaria Editions (A0.1487803). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12. Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.
$28.00 ≈
25.18€
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts....
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Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00 ≈
40.47€
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
71.95€
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
71.95€
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Theme with Variations No. 6
