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Theme from First Symphony Cello
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Vous avez sélectionné:
Theme from First Symphony Cello
Partitions à imprimer
33 partitions trouvées
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Theme from Brahms First Symphony, 4th Movement for intermediate Cello Duo (two cellos)
Theme from Brahms First Symphony, 4th Movement for intermediate Cello Duo (two cellos)
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2 Violoncelles (duo)
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Classique
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Johannes Brahms
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Yellow Cello Music
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Theme from Brahms First Sympho
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Sheryl Smith
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SheetMusicPlus
Composed by Johannes Brahms (1833-1897). Arranged by Yellow Cello Music. Romantic Period. Score. 2 pages. Sheryl Smith #4638821. Published by Sheryl S...
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Composed by Johannes Brahms (1833-1897). Arranged by Yellow Cello Music. Romantic Period. Score. 2 pages. Sheryl Smith #4638821. Published by Sheryl Smith
$1.99 ≈
1.79€
Ensembles For Strings - Cello
Ensembles For Strings - Cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Cello
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473490 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473490 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473490). ISBN 9798350107128. UPC: 073999734904. 9.0x12.0x0.067 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$7.99 ≈
7.19€
Theme from First Symphony - Cello
Theme from First Symphony - Cello
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Violoncelle
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Classique
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Johannes Brahms
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Theme from First Symphony - Ce
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Johannes Brahms (1833-1897). Arranged by Harvey Whistler and Herman Hummel. Orchestra. For Cello. Classical. Orchestra. 1 pages. Duration 2:00. Published by ...
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By Johannes Brahms (1833-1897). Arranged by Harvey Whistler and Herman Hummel. Orchestra. For Cello. Classical. Orchestra. 1 pages. Duration 2:00. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.30€
Poème Op. 3 for Cello & Piano
Poème Op. 3 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Andrew Maurer
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Poème Op. 3 for Cello &
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Andrew Maurer
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1077132 Composed by Andrew Maurer. 20th Century,Romantic Period. Score. 17 pages. Andrew Maurer #681289. Published ...
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Cello Duet Cello - Level 4 - SKU: A0.1077132 Composed by Andrew Maurer. 20th Century,Romantic Period. Score. 17 pages. Andrew Maurer #681289. Published by Andrew Maurer (A0.1077132). Poème Op. 3 for Cello & Piano is a new composition premiered in June 2022. The composer’s creative process was to collect self-improvised fragments from several compositional periods and assemble these into a unified setting. The result relies less on traditional classical forms, with thematic elements repeating and transforming while exploring key relationships. The work relies on Romantic idioms with the style imitating Rachmaninoff’s chromaticism, with hints of Debussy and Tchaikovsky. It quotes the famous Dies irae, translated “Day of Wrath,†theme often used by the composers Rachmaninoff, Liszt, and Berlioz. You will also hear the beginning of the nursery rhyme Frère Jacques theme as well, similarly quoted in Mahler’s First Symphony, which creates an unusual juxtaposition. Visit https://andrewmaurer.wixsite.com/official for more!
$6.99 ≈
6.29€
Haydn Rocks! for Cello and Piano
Haydn Rocks! for Cello and Piano
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Violoncelle, Piano
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Classique
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Franz Joseph Haydn
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David Burndrett
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Haydn Rocks! for Cello and Pia
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David Burndrett
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SheetMusicPlus
Cello,Piano - SKU: A0.1164777 Composed by Franz Joseph Haydn. Arranged by David Burndrett. Classical,Rock. Score and part. 6 pages. David Burndrett #765...
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Cello,Piano - SKU: A0.1164777 Composed by Franz Joseph Haydn. Arranged by David Burndrett. Classical,Rock. Score and part. 6 pages. David Burndrett #765111. Published by David Burndrett (A0.1164777). This is taken from the popular theme from Haydn's Surprise Symphony!This mostly in first position but could be useful for practice moving down the string to higher positions.Download include the score and both of the parts.
$4.95 ≈
4.45€
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00 ≈
13.49€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Perio...
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String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00 ≈
13.49€
10 (Easy) Romantic Pieces for Cello Quartet
10 (Easy) Romantic Pieces for Cello Quartet
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4 Violoncelles
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DÉBUTANT
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Classique
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L
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Francesco Leone
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10
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SheetMusicPlus
Composed by L. van Beethoven,A. Dvorák,N.Paganini, A. Rubinstein,R. Schumann,M. Mussorgsky,J. Brahms,P.I.Tchaikovsky. Arranged by Francesco L...
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Composed by L. van Beethoven,A. Dvorák,N.Paganini, A. Rubinstein,R. Schumann,M. Mussorgsky,J. Brahms,P.I.Tchaikovsky. Arranged by Francesco Leone. Romantic Period, Repertoire, European, Recital. Score, Set of Parts. 74 pages. Published by Glissato Music Publishing
Collection of 10 easy pieces of the romantic period arranged for Cello quartet, very useful for recital and concerts of students of the first courses.
1. Largo from ?New World Symphony? ? A. Dvork
2. Theme from "Le Streghe" - N.Paganini
3. Melody ? A. Rubinstein
4. Soldier March ? R. Schumann
5. The Great Gate of Kiev - M. Mussorgsky
6. Theme from "New World Symphony" (IV mov.) - A. Dvork
7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms
8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
10. Theme from "Swane lake" - P.I.Tchaikovsky
$26.90 ≈
24.19€
Going Home (Largo – Theme from New World Symphony) for four part cello ensemble or mixed level cel
Going Home (Largo – Theme from New World Symphony) for four part cello ensemble or mixed level cel
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Classique
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Antonin Dvorak
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Yellow Cello Music
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Going Home
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Sheryl Smith
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SheetMusicPlus
String Ensemble Cello - Level 3 - SKU: A0.812917 Composed by Antonin Dvorak. Arranged by Yellow Cello Music. Contemporary,Romantic Period,Sacred. Score ...
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String Ensemble Cello - Level 3 - SKU: A0.812917 Composed by Antonin Dvorak. Arranged by Yellow Cello Music. Contemporary,Romantic Period,Sacred. Score and parts. 6 pages. Sheryl Smith #6599853. Published by Sheryl Smith (A0.812917). Largo from the New World Symphony by Dvorak. For quartet or ensemble of mixed level players. Transcribed to C major.Part 1 - all positions, mostly in treble clefPart 2 - bass clef only, some shifting up to fourth position. Tricky harmonies.Part 3 - bass clef, can be played in first position (better shifted up). Tricky harmonies, one tricky triplet passage.Part 4 - bass clef, first position only with extensions. Simple rhythms, simple bowings.
$3.99 ≈
3.59€
Theme from the "Surprise Symphony" for Beginning String Orchestra and optional piano
Theme from the "Surprise Symphony" for Beginning String Orchestra and optional piano
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Orchestre à Cordes
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DÉBUTANT
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Classique
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Franz Joseph Haydn
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Judith L
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Theme from the "Surprise
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Maggs
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.821376 Composed by Franz Joseph Haydn. Arranged by Judith L. Maggs. Children,Classical,Instructional. Score and par...
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String Orchestra - Level 1 - SKU: A0.821376 Composed by Franz Joseph Haydn. Arranged by Judith L. Maggs. Children,Classical,Instructional. Score and parts. 12 pages. Maggs #6301779. Published by Maggs (A0.821376). This arrangement of the famous Surprise Symphony theme is set for an elementary string orchestra. All parts are in first position, and use half, quarter, and eighth notes. The melody moves around among the parts. The piano part supports the orchestra, but is optional. Parts are included for conductor, first and second violin, viola, cello, bass, and piano. Permission is granted to make as many copies of the individual parts as you need for your orchestra.
$20.99 ≈
18.88€
Crossing Jordan: Three Spirituals for violin, piano and cello
Crossing Jordan: Three Spirituals for violin, piano and cello
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Piano Quatuor: piano, 2 violons, violoncelle
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AVANCÉ
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomp...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.
$30.00 ≈
26.98€
GORDON DALE HYMN SYMPHONY CELLO PART
GORDON DALE HYMN SYMPHONY CELLO PART
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Orchestre à Cordes
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GORDON DALE 1935 - 2001
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GORDON DALE HYMN SYMPHONY CELL
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Piper Publications
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SheetMusicPlus
String Orchestra - SKU: A0.811671 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436789. Publ...
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String Orchestra - SKU: A0.811671 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436789. Published by Piper Publications (A0.811671). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00 ≈
4.50€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95 ≈
23.34€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
58.41€
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00 ≈
13.49€
"Deep River" from Crossing Jordan, arranged for B flat instrument, piano and cello
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00 ≈
13.49€
Crossing Jordan: Three Spirituals for flute, piano and cello
Crossing Jordan: Three Spirituals for flute, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
26.98€
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
#
SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Ma...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
26.98€
Ensembles For Strings - String Bass
Ensembles For Strings - String Bass
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - String
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473500). UPC: 073999735000. 9.0x12.0x0.06 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99 ≈
6.29€
Ensembles For Strings - Third Violin
Ensembles For Strings - Third Violin
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Third
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473460). UPC: 073999440409. 9.0x12.0x0.067 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99 ≈
6.29€
Ensembles For Strings - Viola
Ensembles For Strings - Viola
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Viola
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Rubank Publications
#
SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473480 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473480 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473480). UPC: 073999734805. 9.0x12.0x0.057 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San Jose State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99 ≈
6.29€
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