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The harmony is wonderful
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The harmony is wonderful
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March of the Kings
March of the Kings
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Chorale 3 parties
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INTERMÉDIAIRE
#
Musique Sacrée
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious...
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Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99 ≈
1.86€
We Gather Together
We Gather Together
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Eduard Kremser
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F
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We Gather Together
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Sweetwater Brass Press
#
SheetMusicPlus
Level 3 - SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #49681...
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Level 3 - SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.  This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.   This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99 ≈
6.54€
The Lord Bless You and Keep You - with Sevenfold Amen
The Lord Bless You and Keep You - with Sevenfold Amen
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Chorale TTBB
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FACILE
#
Musique Sacrée
#
Traditional, Music by Peter C
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Paul A
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The harmony is wonderful
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The Lord Bless You and Keep Yo
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Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522297 Composed by Traditional, Music by Peter C. Llutkin. Arranged by Paul A. Jorg. A Cappella,Christian,Praise...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522297 Composed by Traditional, Music by Peter C. Llutkin. Arranged by Paul A. Jorg. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 2 pages. Paul A. Jorg #5743597. Published by Paul A. Jorg (A0.522297). This is a four-part male acapella arrangement which makes a reverent, beautiful closing to a worship service. The harmony is wonderful; can be sung by a quartet or a male choir.
$4.59 ≈
4.29€
The Steadfast Heart Psalm 5-8
The Steadfast Heart Psalm 5-8
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Piano, Voix
#
FACILE
#
Musique Sacrée
#
Nicole Doran
#
The Steadfast Heart Psalm 5-8
#
Nicole E Doran
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.968672 Composed by Nicole Doran. 20th Century,Christian,Concert,Jewish,Sacred. Score. 8 pages. Nicole E Doran #636...
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Piano,Vocal,Voice - Level 2 - SKU: A0.968672 Composed by Nicole Doran. 20th Century,Christian,Concert,Jewish,Sacred. Score. 8 pages. Nicole E Doran #6360913. Published by Nicole E Doran (A0.968672). The Steadfast Heart, a psalm cycle for advancing musicians is a pedagogical work of art and a journey of faith. It sets into sound the faith of a Messianic Jewish classical musician who wants to pass along all that she has learned of faith and music to her children and the next generation of God-fearing musicians.Mastering the keyboard step by step helps you understand the miracle of harmony. Melodies refresh the soul and many tones blending together show the wonder of unity in diversity; this is true of all music. However, meditating on the psalms as you play helps you understand the way Christ and all the faithful have looked to the Father in Heaven as their guide and protector as you delight in the musical sounds you can produce.Dr. Doran includes accessible verses from the NIV and some lines of the poetry that challenge modern ears and sensibilities. Sweet melodies, imitative counterpoint, modal and tonal harmonization and register shifts prove that an intermediate pianist can savor the artistry for the level they have achieved and still thirst for more musical and spiritual goodness to come just like David longed for the Lord’s presence and fullness.As the deer pants for streams of water, so my soul longs after You, O God. Thousands of people are trying to hear or memorize ALL the Psalms in these confusing and uncertain times. What safer way to explore than in the shelter of your practice time until you are ready to share your favorites with others. Here is a method to use the instrument we have in our homes and be a participant in this wonderful musical journey from Psalm 1-150. Each new set should be released in January, April, August, and December.
$8.28 ≈
7.75€
The Steadfast Heart: Psalms 1-4
The Steadfast Heart: Psalms 1-4
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Piano Facile
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Nicole Doran
#
The Steadfast Heart: Psalms 1-
#
Nicole E Doran
#
SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.968673 Composed by Nicole Doran. 20th Century,Christian,Jewish,Sacred. Score. 6 pages. Nicole E Doran #6304191. Published...
(+)
Easy Piano - Level 3 - SKU: A0.968673 Composed by Nicole Doran. 20th Century,Christian,Jewish,Sacred. Score. 6 pages. Nicole E Doran #6304191. Published by Nicole E Doran (A0.968673). The Steadfast Heart, a psalm cycle for advancing musicians is a pedagogical work of art and a journey of faith. It sets into sound the faith of a Messianic Jewish classical musician who wants to pass along all that she has learned of faith and music to her children and the next generation of God-fearing musicians. Mastering the keyboard step by step helps you understand the miracle of harmony. Melodies refresh the soul and many tones blending together show the wonder of unity in diversity; this is true of all music. However, meditating on the psalms as you play helps you understand the way Christ and all the faithful have looked to the Father in Heaven as their guide and protector as you delight in the musical sounds you can produce.Dr. Doran includes accessible verses from the NIV and some lines of the poetry that challenge modern ears and sensibilities. Sweet melodies, imitative counterpoint, modal and tonal harmonization and register shifts prove that an intermediate pianist can savor the artistry for the level they have achieved and still thirst for more musical and spiritual goodness to come just like David longed for the Lord’s presence and fullness.As the deer pants for streams of water, so my soul longs after You, O God. Thousands of people are trying to hear or memorize ALL the Psalms in these confusing and uncertain times. What safer way to explore than in the shelter of your practice time until you are ready to share your favorites with others. Here is a method to use the instrument we have in our homes and be a participant in this wonderful musical journey from Psalm 1-150. Each new set should be released in January, April, August, and December.
$8.28 ≈
7.75€
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99 ≈
9.35€
Harmony Music No.1
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99 ≈
5.60€
Story Of Manetheren
Story Of Manetheren
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Chorale TTBB
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Lorne Balfe
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Mark R
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Story Of Manetheren
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.1001562 Composed by Lorne Balfe. Arranged by Mark R. Lewis. A Cappella. Octavo. 8 pages. Mark R Lewis #6885085. Published ...
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Choral Choir (TTBB) - SKU: A0.1001562 Composed by Lorne Balfe. Arranged by Mark R. Lewis. A Cappella. Octavo. 8 pages. Mark R Lewis #6885085. Published by Mark R Lewis (A0.1001562). In the fall of 2021, Amazon Prime introduced the first season of the television adaptation of Robert Jordan's iconic Wheel of Time book series. The series included a lot of wonderful music composed by Lorne Balfe, including The Song of Manetheren in episode 2. It is presented as a folk song performed by the character Mat and joined by the other main characters as they travel on horseback through the countryside.This arrangement of the piece is arranged by Mark R Lewis for a cappella TTBB ensemble with additional lyrics added by Mark R Lewis. The baritones have the melody the whole time with the basses providing a lower, drone-like harmony and the tenors providing upper harmonies. The arrangement also includes body percussion in the form of foot stomps and hand claps. The piece is not particularly difficult but does have some rather quick, atypical rhythms and may test the ranges of younger singers. You can find other arrangements by Mark R Lewis at http://www.makingjoyfulmusic.com/storefront.html.
$1.99 ≈
1.86€
"What a Wonderful Savior" for 8-note C major diatonic scale Tongue Drum
"What a Wonderful Savior" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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Sharon Wilson
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"What a Wonderful Savior&
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569909 By Sharon Wilson. By Elisha Albright Hoffman. Arranged by Sharon Wilson. Easter...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569909 By Sharon Wilson. By Elisha Albright Hoffman. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Romantic Period,Sacred. Individual part. 10 pages. Sharon Wilson #6685595. Published by Sharon Wilson (A0.569909). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
3.73€
THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

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Trio à cordes: 3 violins
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Carol
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HELEN MARPLE-HORVAT
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THE ANGEL GABRIEL FOR THREE VI
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Helen Marple-Horvat
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SheetMusicPlus
Small Ensemble Cello,Violin - Level 3 - SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Wors...
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Small Ensemble Cello,Violin - Level 3 - SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 15 pages. Helen Marple-Horvat #3557715. Published by Helen Marple-Horvat (A0.749209). https://www.youtube.com/watch?v=BCM1oh2jWA0 I have always loved the gorgeous false relations in the harmony of this carol and enjoyed singing it in choirs down the years, as well as organising choral groups to sing it. I have included various harmonisations of the wonderful tune and a short contrapuntal development section in the middle to add some interest. The clip is from the development section. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, The Angel Gabriel. In this version there is a viola playing theViolin 3 part but the differences are very small. Mostly I had to put the Violin part up an octave when it went below the lowest string but otherwise the harmony is much the same. The quartet play with few open strings, lots of vibrato and slurred bows. That would be fine for Grade 5 players and above. However, open strings and one note per bow could still sound good, and the violin in the high positions could easily be played down an octave. All the double stopping includes an open string but could be divided between parts in a string orchestra. If teachers want to buy this for a young string orchestra or quartet, drop me a line on Facebook and I will upload an easier version to the site for you, with some small changes. The key is easy for strings and with a bit of rehearsal, the counting can be mastered. Have fun, and let me know if you have performed it!
$20.00 ≈
18.71€
Call from Beyond the Waves | Low Clarinet Quartet
Call from Beyond the Waves | Low Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Michael Barrera
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Call from Beyond the Waves | L
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Michael Barrera
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1048322 Composed by Michael Barrera. Celtic,Cl...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1048322 Composed by Michael Barrera. Celtic,Classical,Contemporary,Folk,Irish. 17 pages. Michael Barrera #652749. Published by Michael Barrera (A0.1048322). Https://www.michaelbarreraflute.com/shop/p/call-from-beyond-the-waves Program Notes Call from Beyond the Waves is a piece in the style of an old sea shanty. It invokes feelings of being lost at sea and drifting along the waves in the ocean far from shore. The melody lines are somewhat uneven but feel natural as if they are being sung in the late hours of the night. Rising and falling passages in the background reflect the waves on these moonlit nights. This piece was commissioned by a wonderful colleague of mine Tim Chernobrov. He wanted something that would capture the unique sound of the low harmony clarinets and make them shine in their own light. In doing so, he hopes to spark more interest in these less common clarinets. Instrumentation Low clarinet quartet consisting of - Alto Clarinet Bass Clarinet Contra Alto Clarinet Contrabass Clarinet.
$19.99 ≈
18.70€
Downton Abbey (theme)
Downton Abbey (theme)
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Film/TV
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John Lunn
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HELEN MARPLE-HORVAT
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Downton Abbey
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Helen Marple-Horvat
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.749212 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Ho...
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Bassoon,Piano - Level 3 - SKU: A0.749212 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horvat #3558529. Published by Helen Marple-Horvat (A0.749212). Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for other solo players and piano, as well as for string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, Downton Abbey, you can see and hear the live version. The harmony and structure is exactly the same. I have chosen a key for bassoon that would be suitable for ABRSM Grade 2 and above. At bar 16 however, the the pianist picks up the end of the phrase from the bassoon, so you could miss out the last beat entirely if it is too difficult. Make sure that you grow through the phrases with your pianist. It is a piece that requires a great deal of ebb and flow with lots of crescendo and diminuendo throughout for you to feel together! Please do send me a recording of your playing it, even if it is done on a phone. Send me a message on Facebook. I hope you enjoy playing this piece!
$12.99 ≈
12.15€
Downton Abbey (theme)
Downton Abbey (theme)
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Trombone et Piano
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INTERMÉDIAIRE
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Film/TV
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John Lunn
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HELEN MARPLE-HORVAT
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Downton Abbey
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Helen Marple-Horvat
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.749214 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-H...
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Piano,Trombone - Level 3 - SKU: A0.749214 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horvat #3560439. Published by Helen Marple-Horvat (A0.749214). Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for other solo players and piano, as well as for string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, Downton Abbey, you can see and hear the live version. The harmony and structure is exactly the same. Though I am a pianist and string player, a trombonist assure me that this is a great key for a trombonist! Make sure that you grow through the phrases with your pianist. It is a piece that requires a great deal of ebb and flow with lots of crescendo and diminuendo throughout for you to feel together! Please do send me a recording of your playing it, even if it is done on a phone. Send me a message on Facebook. I hope you enjoy playing this piece!
$12.99 ≈
12.15€
Rudolph The Red-nosed Reindeer
Rudolph The Red-nosed Reindeer
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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John Denver
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Sandra Lynch
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Rudolph The Red-nosed Reindeer
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Sandra Lynch
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1316190 By John Denver. By Johnny Marks. Arranged by Sandra Lynch. Children,Christmas,Holiday. Score. 8 pag...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1316190 By John Denver. By Johnny Marks. Arranged by Sandra Lynch. Children,Christmas,Holiday. Score. 8 pages. Sandra Lynch #904927. Published by Sandra Lynch (A0.1316190). A fun, light Christmas classic that everybody loves. Arranged for piano and voice, (either tenor or mezzo-soprano) this arrangement starts in the key of Bb major and transposes to C major. There is an opportunity for a 4-bar duet part with the harmony a 3rd down from the melody. This could be applied to other areas of the song too. Enjoy this wonderful Christmas classic by JOHNNY MARKS!
$6.99 ≈
6.54€
Jesus Christ Is Risen Today
Jesus Christ Is Risen Today
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Becki Slagle Mayo and Robert W
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Becki Slagle Mayo
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Jesus Christ Is Risen Today
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Growing In Grace - Digital
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SheetMusicPlus
2-Part Chorus, opt. Handbells - SKU: C6.623018022 Composed by Becki Slagle Mayo and Robert Williams. Arranged by Becki Slagle Mayo. Growing in Grace. Ea...
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2-Part Chorus, opt. Handbells - SKU: C6.623018022 Composed by Becki Slagle Mayo and Robert Williams. Arranged by Becki Slagle Mayo. Growing in Grace. Eastertide. Octavo. 11 pages. Growing In Grace - Digital #623018022. Published by Growing In Grace - Digital (C6.623018022). 6.75 x 10.5 inches.Becki Slagle Mayo has arranged a wonderful Easter hymn and created a new melody to partner with it. This joyful gem, arranged in a classical style, will highlight Easter celebrations. The hymn is introduced first, followed by the new melody. The two songs then partner together in creative and lovely moments of harmony. The piece concludes with an extended Alleluia with up to four-part harmony options on the last chord. A simple 2-octave Handbell (or Handchime) part using only six bells is included.
$2.40 ≈
2.25€
Jesus Christ Is Risen Today (Accompaniment MP3)
Jesus Christ Is Risen Today (Accompaniment MP3)
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Becki Slagle Mayo and Robert W
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Becki Slagle Mayo
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Jesus Christ Is Risen Today
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Growing In Grace - Digital
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SheetMusicPlus
2-Part Chorus, opt. Handbells - SKU: C6.646018022 Composed by Becki Slagle Mayo and Robert Williams. Arranged by Becki Slagle Mayo. Growing in Grace. Ea...
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2-Part Chorus, opt. Handbells - SKU: C6.646018022 Composed by Becki Slagle Mayo and Robert Williams. Arranged by Becki Slagle Mayo. Growing in Grace. Eastertide. Accompaniment MP3. Growing In Grace - Digital #646018022. Published by Growing In Grace - Digital (C6.646018022). Becki Slagle Mayo has arranged a wonderful Easter hymn and created a new melody to partner with it. This joyful gem, arranged in a classical style, will highlight Easter celebrations. The hymn is introduced first, followed by the new melody. The two songs then partner together in creative and lovely moments of harmony. The piece concludes with an extended Alleluia with up to four-part harmony options on the last chord. A simple 2-octave Handbell (or Handchime) part using only six bells is included.
$9.99 ≈
9.35€
Jesus Christ Is Risen Today (Demonstration MP3)
Jesus Christ Is Risen Today (Demonstration MP3)
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Becki Slagle Mayo and Robert W
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Becki Slagle Mayo
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Jesus Christ Is Risen Today
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Growing In Grace - Digital
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SheetMusicPlus
2-Part Chorus, opt. Handbells - SKU: C6.636018022 Composed by Becki Slagle Mayo and Robert Williams. Arranged by Becki Slagle Mayo. Growing in Grace. Ea...
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2-Part Chorus, opt. Handbells - SKU: C6.636018022 Composed by Becki Slagle Mayo and Robert Williams. Arranged by Becki Slagle Mayo. Growing in Grace. Eastertide. Demo MP3. Growing In Grace - Digital #636018022. Published by Growing In Grace - Digital (C6.636018022). Becki Slagle Mayo has arranged a wonderful Easter hymn and created a new melody to partner with it. This joyful gem, arranged in a classical style, will highlight Easter celebrations. The hymn is introduced first, followed by the new melody. The two songs then partner together in creative and lovely moments of harmony. The piece concludes with an extended Alleluia with up to four-part harmony options on the last chord. A simple 2-octave Handbell (or Handchime) part using only six bells is included.
$1.99 ≈
1.86€
Hymns from Childhood - Set 10 (solo)
Hymns from Childhood - Set 10 (solo)
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curti...
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Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99 ≈
5.60€
What A Wonderful World
What A Wonderful World
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Violon, Violoncelle (duo)
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FACILE
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Jazz
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Louis Armstrong With Kenny G
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Chase Loeb
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What A Wonderful World
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Chase Loeb
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.908926 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arran...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.908926 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Chase Loeb. Jazz. Score and parts. 2 pages. Chase Loeb #6196601. Published by Chase Loeb (A0.908926). This simple duet is a staple at weddings and other family gatherings! The arrangement features standard instrumentation with the violin as the melody and the cello as the harmony. It is designed to be simple, elegant, and perfect for intermediate musicians learning to perform and gig as a duo. The key of the piece is D major and all instruments are in the first position. .
$6.99 ≈
6.54€
Corner Of The Sky
Corner Of The Sky
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Chorale 3 parties
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INTERMÉDIAIRE
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Stephen Schwartz
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D
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Corner Of The Sky
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HarmonyPlus Publications
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.909695 Composed by Stephen Schwartz. Arranged by D. Kim Clayton. A Cappella. Octavo. 7 pages. HarmonyPlus Publica...
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Choral Choir (SAB) - Level 3 - SKU: A0.909695 Composed by Stephen Schwartz. Arranged by D. Kim Clayton. A Cappella. Octavo. 7 pages. HarmonyPlus Publications #4364892. Published by HarmonyPlus Publications (A0.909695). SSA/SAB - A Cappella music at it's best! Stephen Sondheim's Corner of the Sky, from the hit Broadway play, Pippin. With a wonderful message and sound for young singers, this arrangement works wonders! This A Cappella arrangement creates a setting where young voices can begin the processes of how to sing A Cappella in a beautiful way. If your choir revels in the A Cappella music, this piece is perfect for you! This song and arrangement is for young voices. The available recording we have placed on this site does NOT come from a live performance or in the studio. This is a background track that teaches your choir their appropriate parts. It's not perfect...but we think you will feel the wonderful spirit this song brings. Also available is The HarmonyPlus Trax CD that is a teaching CD. The CD includes: Full version (all parts), Part I, Part II, Part III (SSA/SAB). Perfect for all members of the choir to learn his/her individual parts. Duration: 2:33
$1.99 ≈
1.86€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.45€
Downton Abbey (theme)
Downton Abbey (theme)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Film/TV
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John Lunn
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HELEN MARPLE-HORVAT
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Downton Abbey
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Helen Marple-Horvat
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.749210 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horv...
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Flute,Piano - Level 3 - SKU: A0.749210 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horvat #3557755. Published by Helen Marple-Horvat (A0.749210). Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for violin and piano, as well as for cello and piano, and string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, Downton Abbey, you can see and hear the live version. The harmony and structure is exactly the same. I have chosen a key that would be suitable for ABRSM Grade 3 and above. At bar 16 however, the pianist will need to pick up the end of the phrase from the flute without breaking the melodic line. Make sure that you grow through the phrases with your pianist. It is a piece that requires a great deal of ebb and flow with lots of crescendo and diminuendo throughout for you to feel together! Please do send me a recording of your playing it, even if it is done on a phone. Send me a message on Facebook. I hope you enjoy playing this piece!
$12.99 ≈
12.15€
Call from Beyond the Waves (Low Flutes)
Call from Beyond the Waves (Low Flutes)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Michael Barrera
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Call from Beyond the Waves
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Michael Barrera
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1436947 Composed by Michael Barrera. Chamber,Classical. 17 pages. Michael Barr...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1436947 Composed by Michael Barrera. Chamber,Classical. 17 pages. Michael Barrera #1017013. Published by Michael Barrera (A0.1436947). Https://www.michaelbarreraflute.com/shop/p/call-from-beyond-the-waves-fluteProgram NotesCall from Beyond the Waves is a piece in the style of an old sea shanty. It invokes feelings of being lost at sea and drifting along the waves in the ocean far from shore. The melody lines are somewhat uneven but feel natural as if they are being sung in the late hours of the night. Rising and falling passages in the background reflect the waves on these moonlit nights. This piece was originally commissioned by a wonderful colleague of mine Tim Chernobrov. He wanted something that would capture the unique sound of the low harmony clarinets. This version is arranged for low flutes.InstrumentationLow flute quartet consisting of - Alto FluteBass FluteContra Alto FluteContrabass Flute.
$19.99 ≈
18.70€
The Lord's Prayer (Our Father) vocal duet and piano
The Lord's Prayer (Our Father) vocal duet and piano
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Voix duo, Piano
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FACILE
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Connie Boss
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Connie Boss
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The Lord's Prayer
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Connie Boss
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.801770 Composed by Connie Boss. Arranged by Connie Boss. Children,Easter,Sacred. 5 pages. Connie Boss #...
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Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.801770 Composed by Connie Boss. Arranged by Connie Boss. Children,Easter,Sacred. 5 pages. Connie Boss #6713919. Published by Connie Boss (A0.801770). Here is an original arrangement of this wonderful prayer. It has the original words from the prayer. It is for duet and piano. The melody is more for an alto singer and doesn't get above a B. The harmony is for soprano. The mp3 has a flute part included. If you want the sheet music with that, please look for it on smp as this one doesn't have it included. cdboss@cvalley.net.
$5.50 ≈
5.15€
The Lord's Prayer (Our Father) vocal duet violin and piano
The Lord's Prayer (Our Father) vocal duet violin and piano
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Voix duo, Piano
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FACILE
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Connie Boss
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Connie Boss
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The Lord's Prayer
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Connie Boss
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.801772 Composed by Connie Boss. Arranged by Connie Boss. Children,Easter,Sacred. 5 pages. Connie Boss #...
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Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.801772 Composed by Connie Boss. Arranged by Connie Boss. Children,Easter,Sacred. 5 pages. Connie Boss #6713933. Published by Connie Boss (A0.801772). Here is an original arrangement of this wonderful prayer. It has the original words from the prayer. It is for duet, cello and piano. The melody is more for an alto singer and doesn't get above a B. The Harmony is for soprano. cdboss@cvalley.net.
$5.50 ≈
5.15€
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The harmony is wonderful
