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Vous avez sélectionné:
The Way We Were Bb Bass Clarinet
Partitions à imprimer
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1
The Way We Were - Bb Bass Clarinet
The Way We Were - Bb Bass Clarinet
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Clarinette Basse
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Jazz
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James Kazik
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The Way We Were - Bb Bass Clar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Arranged by James Kazik. Standards. Concert Band. 1 pages. Duration 2:40. Published by Hal Leonard - Digital Sheet Music ...
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Arranged by James Kazik. Standards. Concert Band. 1 pages. Duration 2:40. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
¥43.54
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50 ≈
¥126.98
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
(+)
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
¥36.28
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flûte, Hautbois, Clarinette, Basson
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00 ≈
¥108.84
Marais: Marche pour les Matelots (Masters in this Hall) et Airs de Matelots I-II-III -clarinet trio
Marais: Marche pour les Matelots (Masters in this Hall) et Airs de Matelots I-II-III -clarinet trio
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3 Clarinettes (trio)
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INTERMÉDIAIRE
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Noël
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Marin Marais
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Ray Thompson
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Marais: Marche pour les Matelo
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RayThompsonMusic
#
SheetMusicPlus
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1211277 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 6 pages...
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Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1211277 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 6 pages. RayThompsonMusic #808919. Published by RayThompsonMusic (A0.1211277). Arranged clarinet trio 2 Bb and one bassThe French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredanse along with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.I have arranged the March and 3 of the Sailor's Airs from the opera for clarinet trio, The march is then reprised to complete the arrangement.
$9.95 ≈
¥72.20
Pachelbel: Canon for Clarinet & Piano
Pachelbel: Canon for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386285. Published by jmsgu3 (A0.548466). The famous Pachelbel Canon arranged for clarinet in Bb and piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. .
$32.95 ≈
¥239.09
The Loneliest
The Loneliest
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Maneskin
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Rami Yacoub, Jason Evigan, Dam
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Lorenzo Bocci
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The Loneliest
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1314267 By Maneskin. By Damiano David, Ethan Torchio, James John Abrahart Jr., Jason Evigan, and Rami Yacoub. Arranged ...
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Concert Band - Level 3 - SKU: A0.1314267 By Maneskin. By Damiano David, Ethan Torchio, James John Abrahart Jr., Jason Evigan, and Rami Yacoub. Arranged by Lorenzo Bocci. Lent,Rock. 62 pages. Lorenzo Bocci #903009. Published by Lorenzo Bocci (A0.1314267). For Concert Band - Grade 3 - Â Composed by Rami Yacoub, Jason Evigan, Damiano David, Ethan Torchio, James John Abrahart Jr. Arranged by Lorenzo Bocci. Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'03''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Clarinet in Eb, 1st Clarinet in Bb, 2nd & 3rd Clarinet in Bb, Bass Clarinet in Bb, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb, 1st Trumpet in Bb, 2nd & 3rd Trumpet in Bb, 1st & 3rd Horn in F, 2nd & 4th Horn in F, 1st & 2nd Trombone in C, Bass Trombone in C, Euphonium in C, Bass in C, Electric Bass, Drum Set, Electric Guitar, Piano.Additional Parts:Soprano Saxophone in Bb, 1st & 3rd Horn in Eb, 2nd & 4th Horn in Eb, 1st & 2nd Trombone in Bb T.C., B.C., Bass Trombone in Bb T.C., B.C., Euphonium in Bb T.C., B.C., Bass in Bb T.C., B.C., Bass in Eb T.C., B.C.The Loneliest is a song by Italian rock band MÃ¥neskin, released on 7 October 2022 as the third single from their third studio album Rush! (2023). The song was written by the band members with James Abrahart, Jason Evigan, Rami Yacoub and Sarah Hudson, with production by Fabrizio Ferraguzzo, during a recording session in Los Angeles, California. The Loneliest was performed live for the first time during the group's performance at Underworld in London on 6 October 2022.The frontman Damiano David talked about the meaning of the song:Â Â The song is somewhere between a love letter and a will. I wrote it at a very difficult time in my life, when I was away from home and the people I love. The idea is: what would I want to say to these people if I were to die? It talks about feelings that everyone can relate to, and we would love to understand how different people understand the lyrics. We are happy that we were able to take some time to write a lot of new music. We chose to come out with this single because it shows a side of us that people haven't seen yet and we wanted to start our new journey from here..
$108.00 ≈
¥783.67
Day Tripper
Day Tripper
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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Day Tripper
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RayThompsonMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.769482 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson....
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.769482 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. 8 pages. RayThompsonMusic #377113. Published by RayThompsonMusic (A0.769482). Arranged clarinet quarte: 3 Bb/bass Video is my brass quartet arrangement Day Tripper is a song by the English rock band the Beatles that was released as a double A-side single with We Can Work It Out on December 3, 1965. Written primarily by John Lennon, it was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band's Rubber Soul album. The single topped charts in Britain, Ireland, the Netherlands and Norway. In the United States, Day Tripper peaked at number five on the Billboard Hot 100 chart and We Can Work It Out held the top position. Day Tripper is a rock song based around an electric guitar riff and drawing on the influence of American soul music. The Beatles included it in their concert set-list until their retirement from live performances in late August 1966. The single was the first example of a double A-side in Britain Its success popularised the format and, in giving equal treatment to two songs, allowed recording artists to show their versatility. The band's use of promotional films to market the single anticipated the modern music video. In the UK, Day Tripper / We Can Work It Out was the seventh highest selling single of the 1960s. As of December 2018, it was the 54th best-selling single of all time in the UK – one of six Beatles singles included in the top sales rankings published by the Official Charts Company.
$14.95 ≈
¥108.48
Christmas Concerto, Allegro, by Corelli; for Clarinet Quartet or Choir
Christmas Concerto, Allegro, by Corelli; for Clarinet Quartet or Choir
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Noël
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Arcangelo Corelli
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David McKeown
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Christmas Concerto, Allegro, b
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David McKeown
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SheetMusicPlus
Composed by Arcangelo Corelli (1653-1713). Arranged by David McKeown. Baroque Period, Sacred, Praise and Worship, Repertoire, Christmas. Score, Set of Parts. 9 ...
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Composed by Arcangelo Corelli (1653-1713). Arranged by David McKeown. Baroque Period, Sacred, Praise and Worship, Repertoire, Christmas. Score, Set of Parts. 9 pages. Published by David McKeown (S0.275677). - Score,Set of Parts - Baroque Period,Sacred,Praise and Worship,Repertoire,Christmas - David McKeown
The Christmas Concerto is the popular title of one ofthe 12 Concerto Grossi written by ArcangeloCorelli. This Concerto inG minor bears the inscription, "Made for the Night of Christmas". Sincethe Concerti were first published after Corelli?s death in 1711 we have no wayof knowing when it was first performed. This arrangement is of the Allegro second movement and isscored for Clarinet Quartet, three Bb Clarinets and one Bass Clarinet. Thescore and all parts are combined in one pdf file. Musicians at an advanced intermediate level andabove will find this ideal for formal and informal performances. The rhythmsare straightforward, and sound best played fast. The constant movement of thebass part is challenging. All players will enjoy experiencing the rich textureof Corelli?s counterpoint. Theoverall performance time is around three minutes if played at full tempo.
$8.99 ≈
¥65.23
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The Way We Were Bb Bass Clarinet
