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Vous avez sélectionné:
The Table and the Chair
Partitions à imprimer
70 partitions trouvées
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The Troubles of an Automaton, or The Table and the Chair
The Troubles of an Automaton, or The Table and the Chair
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Contemporain
#
Paul Burnell
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The Troubles of an Automaton,
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Paul Burnell
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SheetMusicPlus
Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul B...
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Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair. Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration) For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator Text: Clementina Maria Black (1853-1922) / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments. Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum. The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note. From bar 62 to the end the cimbalom may be played an octave higher than written. The cimbalom and gongs are played laissez vibrer throughout. The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique. The narrator may choose one of two texts: A: The Troubles of an Automaton (Excerpt) by Clementina Maria Black B: The Table and the Chair by Edward Lear. The start of each section of Narrator text is indicated in the score with boxed text. Where necessary the end of a text section is shown as unboxed text. The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'. 'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876. The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton. 'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870. In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
$3.95 ≈
3.70€
The Table and the Chair (for SATB with optional childrens' choir)
The Table and the Chair (for SATB with optional childrens' choir)
#
Chorale SATB
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INTERMÉDIAIRE
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Alan Bullard
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The Table and the Chair
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1178799 Composed by Alan Bullard. Children,Comedy. Octavo. 8 pages. Colne Edition / BullardMusic #778764. Publis...
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Choral Choir (SATB) - Level 3 - SKU: A0.1178799 Composed by Alan Bullard. Children,Comedy. Octavo. 8 pages. Colne Edition / BullardMusic #778764. Published by Colne Edition / BullardMusic (A0.1178799). Rediscover the magical world of Edward Lear through a conversation between a table and a chair as they learn to walk, wander through the town, get a little lost, and finally dine together on beans and bacon! The Table and the Chair (Colne Edition) is a movement from Mr Lear, an entertainment for SATB choir with optional childrens’ choir and narrator, with piano or brass quintet. Three of the songs (including this one) are also available together as Three Nonsense Songs, all from this site.Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk
$1.99 ≈
1.86€
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.49€
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.49€
Dona Nobis Pacem for 3 octave bells, handchimes and a solo flute. (TL)
Dona Nobis Pacem for 3 octave bells, handchimes and a solo flute. (TL)
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Robert C
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Dona Nobis Pacem for 3 octave
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Robert C Walshe
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.924634 Composed by Traditional. Arranged by Robert C. Walshe (rcwalshe@gmail.com). Sacred. Score. 2 pages. Robert C Walshe ...
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Handbell - Level 3 - SKU: A0.924634 Composed by Traditional. Arranged by Robert C. Walshe (rcwalshe@gmail.com). Sacred. Score. 2 pages. Robert C Walshe #5865241. Published by Robert C Walshe (A0.924634). A straight forward arrangement of the Dona Nobis Pacem round. Hand Chimes are used for tonal variety the first time the round is played completely. The second time through more harmony notes and bass notes are added. Then, Flute adds an obligato part for the third time. And the entire piece can be played tableless standing using music stands, individual chairs to hold bells and chimes, and wearing macks and separated to safety. Safe even for this Virus Time!
$2.00 ≈
1.87€
Mr Lear - an entertainment for Choir and Brass Quintet or Piano
Mr Lear - an entertainment for Choir and Brass Quintet or Piano
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Chorale SATB
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INTERMÉDIAIRE
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Alan Bullard
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Mr Lear - an entertainment for
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1181610 Composed by Alan Bullard. Children,Comedy. Octavo. 60 pages. Colne Edition / BullardMusic #781399. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.1181610 Composed by Alan Bullard. Children,Comedy. Octavo. 60 pages. Colne Edition / BullardMusic #781399. Published by Colne Edition / BullardMusic (A0.1181610). Mr Lear: Re-discover the magical world of Edward Lear: the table and chair who learned to walk, the melancholy reminiscences of Uncle Arly, the Sunday outing of the Broom, Shovel, Poker and Tongs, the tale of the broken-hearted Yonghy-Bonghy-Bò, and the courtship of the Owl and the Pussycat, all linked together by narrations and limericks and presented in an accesible style.Scoring: SATB choir, optional narrator, optional children’s choir, with either piano (as in this score) or brass quintet accompaniment (brass quintet material on hire from Colne Edition)Duration 30-35 minutes.  A selection from this piece, Three Nonsense Songs, is also available, and these three songs are also published separately, all from this siteAlan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk Â
$5.99 ≈
5.60€
Three Nonsense Songs (SATB and optional childrens' choir)
Three Nonsense Songs (SATB and optional childrens' choir)
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Chorale SATB
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INTERMÉDIAIRE
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Alan Bullard
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Three Nonsense Songs
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1179916 Composed by Alan Bullard. Children,Comedy. Octavo. 24 pages. Colne Edition / BullardMusic #779863. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.1179916 Composed by Alan Bullard. Children,Comedy. Octavo. 24 pages. Colne Edition / BullardMusic #779863. Published by Colne Edition / BullardMusic (A0.1179916). Three Nonsense Songs for SATB choir, optional unison childrens’ choir, and piano (or brass quintet) - words by Edward Lear 1. Broom, Shovel, Poker and Tongs 2. The Owl and the Pussycat 3. The Table and the Chair Rediscover the magical world of Edward Lear: the Table and Chair who learnt to walk, the eventful Sunday outing of the Broom, Shovel, Poker and Tongs, and of course the romantic courtship of the Owl and Pussycat!Three Nonsense Songs are selected from Mr Lear, an entertainment for SATB choir with optional childrens’ choir and narrator, with piano or brass quintet (Colne Edition CE49). The three songs are also available separately, all from this site.More details: https://www.alanbullard.co.uk/score/three-nonsense-songs/Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99 ≈
3.73€
Put Another Chair At The Table
Put Another Chair At The Table
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Chorale TTBB
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FACILE
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Pop musique
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The Mills Brothers
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Mark Goodney
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Put Another Chair At The Table
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.836377 By The Mills Brothers. By Cecil Gant and Richard A. Nelson. Arranged by Mark Goodney. Pop. Octavo. 4 page...
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Choral Choir (TTBB) - Level 2 - SKU: A0.836377 By The Mills Brothers. By Cecil Gant and Richard A. Nelson. Arranged by Mark Goodney. Pop. Octavo. 4 pages. Mark Goodney #6657899. Published by Mark Goodney (A0.836377). Barbershop Male - TTBB - Chorus - Quartet - end of the war ballad, sung by the Mills Brothers.
$4.51 ≈
4.22€
Forever the Day I Met You - Flute & Piano
Forever the Day I Met You - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Forever the Day I Met You - Fl
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.572739 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,Sacred,Wedding. S...
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Flute,Piano - Level 3 - SKU: A0.572739 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3926781. Published by James M Stevens Music ASCAP (A0.572739). This is an original composition for Flute & Piano in a romantic style in the key of D major and suitable for weddings, valentines, anniversaries and sacred solos. There is a separate flute part in the score and the track as heard is available under Forever the Day I Met You Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=2ZCGdySbO_0
$6.99 ≈
6.54€
Forever the Day I Met You - Violin & Piano
Forever the Day I Met You - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Forever the Day I Met You - Vi
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.572738 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,Sacred,Wedding. ...
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Piano,Violin - Level 3 - SKU: A0.572738 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #3926711. Published by James M Stevens Music ASCAP (A0.572738). This is an original composition for Violin & Piano in a romantic style in the key of D major and suitable for weddings, valentines, anniversaries and sacred solos. There is a separate violin part in the score and the track as heard is available under Forever the Day I Met You Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=Jdh3d3uNnEY
$6.99 ≈
6.54€
The Internationale - Communist Anthem (L’Internationale)
The Internationale - Communist Anthem (L’Internationale)
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Piano, Voix
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FACILE
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Eugène Pottier, Pierre Dege
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Cadenza Editions
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The Internationale - Communist
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Cadenza Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.570255 Composed by Eugène Pottier, Pierre Degeyter. Arranged by Cadenza Editions. 20th Century,Patriotic,World....
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Piano,Vocal,Voice - Level 2 - SKU: A0.570255 Composed by Eugène Pottier, Pierre Degeyter. Arranged by Cadenza Editions. 20th Century,Patriotic,World. Score. 2 pages. Cadenza Editions #4763997. Published by Cadenza Editions (A0.570255). The Communist Anthem (l’Internationale) For Solo PianoDebout! les damnés de la terre!Debout! les forçats de la faim!La raison tonne en son cratère,C'est l'éruption de la fin. Du passé faisons table rase,Foule esclave, debout! debout!Le monde va changer de base:Nous ne sommes rien, soyons tout! C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. Il n'est pas de sauveurs suprêmes,Ni Dieu, ni César, ni tribun,Producteurs sauvons-nous nous-mêmes!Décrétons le salut commun! Pour que le voleur rende gorge,Pour tirer l'esprit du cachot,Soufflons nous-mêmes notre forge,Battons le fer quand il est chaud!C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. Ouvriers, Paysans, nous sommes Le grand parti des travailleurs;La terre n'appartient qu'aux hommes,L'oisif ira loger ailleurs. Combien de nos chairs se repaissent!Mais si les corbeaux, les vautours,Un de ces matins disparaissent,Le soleil brillera toujours! C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain.
$1.99 ≈
1.86€
Argentinian Tango and Folk Tunes for Violin
Argentinian Tango and Folk Tunes for Violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Argentinian Tango and Folk Tun
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Schott Music - Digital
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SheetMusicPlus
Violin - intermediate to advanced - 41 pieces including tangos, milongas, chamames, zambas and chacareras. This edition: Sheet music. Schott World M...
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Violin - intermediate to advanced - 41 pieces including tangos, milongas, chamames, zambas and chacareras. This edition: Sheet music. Schott World Music. Downloadable. Schott Music - Digital #Q54877. Published by Schott Music - Digital
English - German - French.
A beautiful and wide-ranging collection of 41 great tunes from all over Argentina. This collection features tangos, milongas, chamames, chacareras, zambas and gatos as well as earlier styles and new compositions. Many pieces are presented as duets and there is the opportunity for the solo violinist to play along with the guitar or bandoneon and second violin accompaniment on the MP3 backing tracks. Summaries of the individual tunes and detailed notes on the music of Argentina enable you to get the best out of this exciting and colourful music. All pieces were recorded by Ros Stephen and are available as MP3 files for free download. The edition is suitable for players of level 3 and above.
"I would recommend this volume to anyone interested in exploring traditional music." (Sarah Kekus (Chair National Association of Music Educators [NAME] 2010-11)
"This is a really appealing book, and great value for money." (The Strad)
"Additionally, all pieces are expertly played by violinist Stephen. Her extensive notes on the different styles and tunes enable one to get the best out of this colourful and exciting music." (Australian Strings Association Journal, Stringendo)
$17.99 ≈
16.83€
Drums Across the River (SA/2-Part)
Drums Across the River (SA/2-Part)
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Chorale 2 parties
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FACILE
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Carol Troutman Wiggins
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Drums Across the River
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.727538 Composed by Carol Troutman Wiggins. Children,Contemporary,Contest,Festival,Instructional,Multicultural,Worl...
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Choral Choir (SA) - Level 2 - SKU: A0.727538 Composed by Carol Troutman Wiggins. Children,Contemporary,Contest,Festival,Instructional,Multicultural,World. Octavo. 11 pages. Carol Troutman Wiggins #4782769. Published by Carol Troutman Wiggins (A0.727538). DRUMS ACROSS THE RIVER SA/2-Part Mixed Voices This song represents someone who hears the familiar sound of home when they hear the sound of the drums across the river, and the yearning to be back there. A 2-part canon style song, it has easy harmonies and easy rhythm patterns for the drums. Any type of drum may be used – whatever you have on hand – or they can beat the table tops or backs of the chairs! Excellent for upper middle school, middle school and younger high school students Comfortable singing range Drum chorus cues included in score Canon style 2nd part Chords included for additional instruments Piano Accompaniment Track on this site.
$2.50 ≈
2.34€
Drums Across the River (SA/2-Part) Piano Accompaniment Track
Drums Across the River (SA/2-Part) Piano Accompaniment Track
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Accompagnement Piano
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Contemporain
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Carol Troutman Wiggins
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Drums Across the River
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Drums,Piano - SKU: A0.1065727 Composed by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 132. Carol Troutman Wiggins #4782777. Publ...
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Choir,Drums,Piano - SKU: A0.1065727 Composed by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 132. Carol Troutman Wiggins #4782777. Published by Carol Troutman Wiggins (A0.1065727). DRUMS ACROSS THE RIVER Piano Track SA/2-Part Mixed Voices This song represents someone who hears the familiar sound of home when they hear the sound of the drums across the river, and the yearning to be back there. A 2-part canon style song, it has easy harmonies and easy rhythm patterns for the drums. Any type of drum may be used – whatever you have on hand – or they can beat the table tops or backs of the chairs! Excellent for upper middle school, middle school and younger high school students Comfortable singing range Drum chorus cues included in score Canon style 2nd part Chords included for additional instruments .
$3.99 ≈
3.73€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.71€
Grand Overture No. 1 - Violin & Organ
Grand Overture No. 1 - Violin & Organ
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James Michael Stevens
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James Michael Stevens
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Grand Overture No. 1 - Violin
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James M Stevens Music ASCAP
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Violin - Level 4 - SKU: A0.572557 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th C...
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Instrumental Duet Instrumental Duet,Organ,Violin - Level 4 - SKU: A0.572557 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Graduation,Sacred,Wedding. Score and parts. 8 pages. James M Stevens Music ASCAP #3590163. Published by James M Stevens Music ASCAP (A0.572557). This is an original composition for solo Violin & Organ in a festive style in the key of E flat and suitable as an introit, processional, recessional, and in other regal settings. There is a separate violin part in the score and the organ can serve as a stand alone solo. The organ MP3 is available under Grand Overture No. 1 - Organ and may be used as an accompaniment track for performance or rehearsal. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. 2018 Instrumental Arranging Contest Entry https://www.youtube.com/watch?v=nmsT4soUHbU
$7.99 ≈
7.48€
Grand Overture No. 1 - Flute & Organ
Grand Overture No. 1 - Flute & Organ
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Flûte traversière, Orgue (duo)
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Grand Overture No. 1 - Flute &
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James M Stevens Music ASCAP
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - SKU: A0.572558 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Ce...
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Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - SKU: A0.572558 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Graduation,Sacred,Wedding. Score and parts. 8 pages. James M Stevens Music ASCAP #3590275. Published by James M Stevens Music ASCAP (A0.572558). This is an original composition for solo Flute & Organ in a festive style in the key of E flat and suitable as an introit, processional, recessional, and in other regal settings. There is a separate Flute part in the score and the organ can serve as a stand alone solo. The organ MP3 is available under Grand Overture No. 1 - Organ and may be used as an accompaniment track for performance or rehearsal. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. 2018 Instrumental Arranging Contest Entry https://www.youtube.com/watch?v=b7aLP1QjdLQ
$7.99 ≈
7.48€
Every Time I Light a Candle
Every Time I Light a Candle
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Every Time I Light a Candle
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.571652 Composed by James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Sacred,Spiritual,Standards,Wedd...
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Piano Solo - Level 4 - SKU: A0.571652 Composed by James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Sacred,Spiritual,Standards,Wedding. Score. 4 pages. James M Stevens Music ASCAP #16377. Published by James M Stevens Music ASCAP (A0.571652). Every Time I Light a Candle (I Will Remember You in My Heart) is an original piano composition written in a very reflective, relaxing, and romantic style. Suitable music for weddings, quiet reflection, and romance as well as a great piece for the advanced intermediate student to develop a sensitive touch in a lyrical style. James Michael Stevens is prolific composer residing in Nashville, TN and the Music Department Chairman at Welch College.
$3.99 ≈
3.73€
Grand Overture No. 1 - Organ
Grand Overture No. 1 - Organ
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Orgue
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Grand Overture No. 1 - Organ
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James M Stevens Music ASCAP
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SheetMusicPlus
Organ - Level 3 - SKU: A0.572555 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Graduation,Sacred,Wedding. Sc...
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Organ - Level 3 - SKU: A0.572555 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Graduation,Sacred,Wedding. Score. 5 pages. James M Stevens Music ASCAP #3588953. Published by James M Stevens Music ASCAP (A0.572555). This is an original composition for organ in a festive style in the key of E flat and suitable as an introit, processional, recessional, and in other regal settings. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College.The MP3 is a demo version of the composition while the video is of Carson Cooman of Harvard University performing it. https://www.youtube.com/watch?v=c9nsSjzGhQs
$5.99 ≈
5.60€
Beat the Drum This Way!
Beat the Drum This Way!
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Chorale Unison
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DÉBUTANT
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Carol Troutman Wiggins
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Beat the Drum This Way!
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.727346 Composed by Carol Troutman Wiggins. Children,Instructional,Multicultural,World. Octavo. 4 pages. Carol ...
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Choral Choir (Unison) - Level 1 - SKU: A0.727346 Composed by Carol Troutman Wiggins. Children,Instructional,Multicultural,World. Octavo. 4 pages. Carol Troutman Wiggins #3462017. Published by Carol Troutman Wiggins (A0.727346). BEAT THE DRUM THIS WAY!Unison w/Hand Drums or Bucket DrumsNeed a quick & easy song for beginning drummers? any kind of drums may be used. NO DRUMS? Use table top or back of a chair!Excellent for any age elementary & younger middle school studentsRepetitive lyrics and drum beatsDrum beats written in score for rote teachingSpecial section for drums onlyChords included
$2.50 ≈
2.34€
Piano Divine - Inspiring Hymns and Sacred Songs
Piano Divine - Inspiring Hymns and Sacred Songs
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Various Composers and James
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James Michael Stevens
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Piano Divine - Inspiring Hymns
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by Various Composers and James Michael Stevens. Arranged by James Michael Stevens. Contemporary, Easter, Folk, Sacred, Wedding. Score. 63 pag...
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Composed by Various Composers and James Michael Stevens. Arranged by James Michael Stevens. Contemporary, Easter, Folk, Sacred, Wedding. Score. 63 pages. James M Stevens Music ASCAP #5288931. Published by James M Stevens Music ASCAP
Compiled in February 2020, this is a collection of inspiring hymns and original sacred songs arranged for piano by Dr. Stevens and suitable for service music in sacred and recital settings.
Titles include: Amazing Grace, Walk with God, Brethren We Have Met to Worship, Light a Single Candle, I Am Thine O Lord, When I'm Down I Will Lift Up My Eyes, Flee as a Bird to Your Mountain, The Water Is Wide, Lord, I'm Coming Home, Wayfaring Stranger, Day by Day, In the Holy Place, Dreams of Reflection, No. 3 - A Prayer, Somewhere in the Night Burns a Candle, Day by Day, In the Holy Place, Come Ye Sinners Poor and Needy, Lost in a Sacred Prayer, There is a Balm in Gilead, For the Night is Coming, We Will Understand It Better By and By, and On that Day When I Cross the Mighty Sea. Every title is also available separately.
James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$18.99 ≈
17.77€
A Birthday Lear
A Birthday Lear
Voice and Flute
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Contemporain
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Geoffrey Boyd
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A Birthday Lear
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ArrangmentsByArrangement.com
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - SKU: A0.1031022 Composed by Geoffrey Boyd. 20th Century,Contemporary. Score and parts. 15 pa...
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Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - SKU: A0.1031022 Composed by Geoffrey Boyd. 20th Century,Contemporary. Score and parts. 15 pages. ArrangmentsByArrangement.com #2807481. Published by ArrangmentsByArrangement.com (A0.1031022). Setting of 3 poems by Edward Lear for Narrator and Flute - 'The Jumblies' 'Calico Pie' and 'The Table and the Chair'.The music is atmospheric and challenging for the flute player, who also has to play piano in the second piece (very simple-two chords, right hand only, while the notes on the flute are all playable with the left hand). The Narrator's part is notated in standard musical rhythm, as in Walton's Façade. Perfect for an intimate recital, or a final college or university recital.
$19.00 ≈
17.78€
Empty Chairs At Empty Tables (from Les Miserables)
Empty Chairs At Empty Tables (from Les Miserables)
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Orgue
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Comédie Musicale
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Alain Boublil, Arnold Schön
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Empty Chairs At Empty Tables
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.492853 Composed by Alain Boublil, Arnold Schönberg, and Claude-Michel Schonberg. This edition:...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.492853 Composed by Alain Boublil, Arnold Schönberg, and Claude-Michel Schonberg. This edition: scorch. E-Z Play Today. Broadway,Musical/Show. Score. 4 pages. Published by Hal Leonard - Digital (HX.492853). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.80€
Then Sings My Soul - Piano Solo
Then Sings My Soul - Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Traditional Swedish Folk Melod
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James Michael Stevens
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Then Sings My Soul - Piano Sol
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.573306 Composed by Traditional Swedish Folk Melody. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,S...
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Piano Solo - Level 4 - SKU: A0.573306 Composed by Traditional Swedish Folk Melody. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Wedding. Score. 5 pages. James M Stevens Music ASCAP #5298293. Published by James M Stevens Music ASCAP (A0.573306). This is a grand piano arrangement of the well beloved hymn, Then Sings My Soul, based on a traditional Swedish folk song and loved around the world. Suitable for offertories, preludes, weddings, funerals, and graduations as well as a great recital number. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99 ≈
4.67€
Grand Overture No. 2 - Organ in G Major
Grand Overture No. 2 - Organ in G Major
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Orgue
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AVANCÉ
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James Michael Stevens
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James Michael Stevens
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https://www
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Grand Overture No. 2 - Organ i
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James M Stevens Music ASCAP
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SheetMusicPlus
Organ - Level 5 - SKU: A0.572589 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Standards,Wedding....
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Organ - Level 5 - SKU: A0.572589 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Standards,Wedding. Score. 5 pages. James M Stevens Music ASCAP #3627351. Published by James M Stevens Music ASCAP (A0.572589). This is an original composition for organ in a grand and regal style suitable for festive occasions. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. The mp3 recording is Stevens' organ demo version while the YouTube video is played by Carson Cooman, Composer in Residence, Harvard University. https://www.youtube.com/watch?v=zJitxU2vWrs
$4.99 ≈
4.67€
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The Table and the Chair
