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The Sun's Out There Somewhere
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Vous avez sélectionné:
The Sun's Out There Somewhere
Partitions à imprimer
14 partitions trouvées
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1
The Sun's Out There Somewhere
The Sun's Out There Somewhere
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Piano Facile
#
INTERMÉDIAIRE
#
Pétur Söebech Quinn
#
The Sun's Out There Somewhere
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Petur Soebech Quinn
#
SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.996970 Composed by Pétur Söebech Quinn. Jazz,World. Score. 3 pages. Petur Soebech Quinn #5802111. Published by Petu...
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Easy Piano - Level 3 - SKU: A0.996970 Composed by Pétur Söebech Quinn. Jazz,World. Score. 3 pages. Petur Soebech Quinn #5802111. Published by Petur Soebech Quinn (A0.996970). Piano Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 4:08 - Performing Rights Organization, STEF Iceland.
$2.99
Beyond The Sea
Beyond The Sea
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
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Tobi Crawford
#
Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Holy Holy Holy (To Thee We Sing)
Holy Holy Holy (To Thee We Sing)
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Piano seul
#
Musique Sacrée
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John Bacchus Dykes
#
April Rundquist
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Holy Holy Holy
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April Ann Rundquist
#
SheetMusicPlus
Piano Solo - SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633....
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Piano Solo - SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
Somewhere Out There
Somewhere Out There
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Chorale SATB
#
INTERMÉDIAIRE
#
Film/TV
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Linda Ronstadt & James Ingram
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Theodore Hicks
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Somewhere Out There
#
Theo Hicks Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.512648 By Linda Ronstadt & James Ingram. By Barry Mann and James Horner. Arranged by Theodore Hicks. Film/TV. Oc...
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Choral Choir (SATB) - Level 3 - SKU: A0.512648 By Linda Ronstadt & James Ingram. By Barry Mann and James Horner. Arranged by Theodore Hicks. Film/TV. Octavo. 9 pages. Theo Hicks Music #4628389. Published by Theo Hicks Music (A0.512648). This beautiful duet feature is from the popular movie An American Tale. A soft and touching ballad with beautiful, soaring harmonies, this piece will surely be an audience favorite. This piece can be sung by as few as 8 voices.This song is not contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at www.facebook.com/theohicksmusic. Learning Tracks for this arrangement can be purchased through Drew Wheaton at www.drewwheaton.com.
$4.50
Somewhere Over The Rainbow
Somewhere Over The Rainbow
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Saxophone (partie séparée)
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DÉBUTANT
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Comédie Musicale
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Film/TV
#
Penny Rimbaud & Youth
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Josiel Oliveira
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Somewhere Over The Rainbow
#
M das Melodias
#
SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.1325621 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Centu...
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Soprano Saxophone Solo - Level 1 - SKU: A0.1325621 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century,Classical,Pop. Individual part. 1 pages. M das Melodias #913820. Published by M das Melodias (A0.1325621). Sheet music for Soprano Saxophone.Over the Rainbow is a 1939 song written by Harold Arlen and Yip Harburg for the MGM musical film The Wizard of Oz. The song was sung by actress Judy Garland in the role of Dorothy Gale.The song is a ballad that talks about a place of hope and optimism. Dorothy sings about a place where the sky is blue and the clouds are white. She also sings about a place where people are kind and love is true.The song is considered one of the most beautiful and meaningful songs ever written. It was awarded the Oscar for Best Original Song in 1940. It was also named one of the best songs of the 20th century by Time magazine.Over the Rainbow has been covered by many artists over the years, including Frank Sinatra, Barbra Streisand and Elton John. It has also been used in many films and television shows, including Sunrise (1967), Forrest Gump (1994), and Glee (2009).The song is a message of hope and optimism that resonates with people of all ages. She is a reminder that even in the most difficult times, there is always hope for a better future.
$4.99
Somewhere Over The Rainbow
Somewhere Over The Rainbow
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Saxophone (partie séparée)
#
DÉBUTANT
#
Comédie Musicale
#
Film/TV
#
Penny Rimbaud & Youth
#
Josiel Oliveira
#
Somewhere Over The Rainbow
#
M das Melodias
#
SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.1325632 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century...
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Tenor Saxophone Solo - Level 1 - SKU: A0.1325632 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century,Classical,Pop. Individual part. 1 pages. M das Melodias #913829. Published by M das Melodias (A0.1325632). Sheet music for Tenor Saxophone.Over the Rainbow is a 1939 song written by Harold Arlen and Yip Harburg for the MGM musical film The Wizard of Oz. The song was sung by actress Judy Garland in the role of Dorothy Gale.The song is a ballad that talks about a place of hope and optimism. Dorothy sings about a place where the sky is blue and the clouds are white. She also sings about a place where people are kind and love is true.The song is considered one of the most beautiful and meaningful songs ever written. It was awarded the Oscar for Best Original Song in 1940. It was also named one of the best songs of the 20th century by Time magazine.Over the Rainbow has been covered by many artists over the years, including Frank Sinatra, Barbra Streisand and Elton John. It has also been used in many films and television shows, including Sunrise (1967), Forrest Gump (1994), and Glee (2009).The song is a message of hope and optimism that resonates with people of all ages. She is a reminder that even in the most difficult times, there is always hope for a better future.
$4.99
Somewhere Over The Rainbow
Somewhere Over The Rainbow
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Violoncelle (partie séparée)
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DÉBUTANT
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Comédie Musicale
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Film/TV
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Penny Rimbaud & Youth
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Josiel Oliveira
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Somewhere Over The Rainbow
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M das Melodias
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1325650 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century,Classical...
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Cello Solo - Level 1 - SKU: A0.1325650 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century,Classical,Pop. Individual part. 1 pages. M das Melodias #913848. Published by M das Melodias (A0.1325650). Sheet music for Violoncello.Over the Rainbow is a 1939 song written by Harold Arlen and Yip Harburg for the MGM musical film The Wizard of Oz. The song was sung by actress Judy Garland in the role of Dorothy Gale.The song is a ballad that talks about a place of hope and optimism. Dorothy sings about a place where the sky is blue and the clouds are white. She also sings about a place where people are kind and love is true.The song is considered one of the most beautiful and meaningful songs ever written. It was awarded the Oscar for Best Original Song in 1940. It was also named one of the best songs of the 20th century by Time magazine.Over the Rainbow has been covered by many artists over the years, including Frank Sinatra, Barbra Streisand and Elton John. It has also been used in many films and television shows, including Sunrise (1967), Forrest Gump (1994), and Glee (2009).The song is a message of hope and optimism that resonates with people of all ages. She is a reminder that even in the most difficult times, there is always hope for a better future.
$4.99
A Whitman Triptych: II. What Is the Grass? (Downloadable)
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
In Your Slumber
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Let It Be
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
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The Sun's Out There Somewhere
