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Vous avez sélectionné:
The Space Between
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388 partitions trouvées
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376
Harmonic Spaces (four-hands piano)
Harmonic Spaces (four-hands piano)
#
2 Pianos, 4 mains
#
AVANCÉ
#
Contemporain
#
Paul SanGregory
#
Harmonic Spaces
#
Distant Engraver Music
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00 ≈
9.25€
Just Another Birthday Song
Just Another Birthday Song
#
Piano, Voix
#
INTERMÉDIAIRE
#
Pop musique
#
Phil Thrift
#
Just Another Birthday Song
#
Phil Thrift
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.955730 Composed by Phil Thrift. Pop. Score. 8 pages. Phil Thrift #5805767. Published by Phil Thrift (A0.955730).
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Piano,Vocal,Voice - Level 3 - SKU: A0.955730 Composed by Phil Thrift. Pop. Score. 8 pages. Phil Thrift #5805767. Published by Phil Thrift (A0.955730). Are you looking for a new song to celebrate someone’s birthday? If so, then Just Another Birthday Song might well be what you’re looking for. Simple melody, simple harmonies, simple ideas, not too long and at times a mildly reflective take on the birthday theme. However, the text is never too serious – it’s someone’s birthday, after all! The spaces between the lines of text in the Bridge and the Outro leave you scope for adding a solo instrument or perhaps speaking a few congratulatory words while others continue the song in the background. Indeed, measures 49-60 could even be repeated quietly to accompany a solo instrument or someone speaking. The possibilities for making this song more individual are endless! Optional harmony notes are also included for use with more than one singer. The well-known tunes will continue to feature at many birthday events, but Just Another Birthday Song gives you the chance to present a refreshing, different and flexible musical number when honoring someone’s birthday.Chord symbols are included for use with a guitar instead of or in addition to piano.Also available separately:Singalong MP3 piano accompanimentVersion for SATB choir and pianoSolo voice swing version for those who prefer a slightly jazzier birthday!
$2.99 ≈
2.76€
Just Another Birthday Song - Swing Edition - Playalong
Just Another Birthday Song - Swing Edition - Playalong
#
Jazz
#
Phil Thrift
#
Just Another Birthday Song - S
#
Phil Thrift
#
SheetMusicPlus
Piano,Voice - Level 3 - SKU: A0.1072043 Composed by Phil Thrift. Jazz. Accompaniment. Duration 154. Phil Thrift #5805787. Published by Phil Thrift (A0.1...
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Piano,Voice - Level 3 - SKU: A0.1072043 Composed by Phil Thrift. Jazz. Accompaniment. Duration 154. Phil Thrift #5805787. Published by Phil Thrift (A0.1072043). Are you looking for a new song to celebrate someone’s birthday? If so, then Just Another Birthday Song – Swing Edition might well be what you’re looking for. Simple melody, simple harmonies, simple ideas, not too long and at times a mildly reflective take on the birthday theme. However, the text is never too serious – it’s someone’s birthday, after all! The spaces between the lines of text in the Bridge and the Outro leave you scope for adding a solo instrument or perhaps speaking a few congratulatory words while others continue the song in the background. Indeed, measures 49-60 could even be repeated quietly to accompany a solo instrument or someone speaking. The possibilities for making this song more individual are endless! The well-known tunes will continue to feature at many birthday events, but Just Another Birthday Song – Swing Edition gives you the chance to present a refreshing, different and flexible musical number when honoring someone’s birthday.Available separately:Sheet music for solo voice and piano (swing version)
$2.99 ≈
2.76€
Just Another Birthday Song - Swing Edition
Just Another Birthday Song - Swing Edition
#
Piano, Voix
#
INTERMÉDIAIRE
#
Jazz
#
Phil Thrift
#
Just Another Birthday Song - S
#
Phil Thrift
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.955733 Composed by Phil Thrift. Jazz. Score. 8 pages. Phil Thrift #5805773. Published by Phil Thrift (A0.955733). ...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.955733 Composed by Phil Thrift. Jazz. Score. 8 pages. Phil Thrift #5805773. Published by Phil Thrift (A0.955733). Are you looking for a new song to celebrate someone’s birthday? If so, then Just Another Birthday Song – Swing Edition might well be what you’re looking for. Simple melody, simple harmonies, simple ideas, not too long and at times a mildly reflective take on the birthday theme. However, the text is never too serious – it’s someone’s birthday, after all! The spaces between the lines of text in the Bridge and the Outro leave you scope for adding a solo instrument or perhaps speaking a few congratulatory words while others continue the song in the background. Indeed, measures 49-60 could even be repeated quietly to accompany a solo instrument or someone speaking. The possibilities for making this song more individual are endless! The well-known tunes will continue to feature at many birthday events, but Just Another Birthday Song – Swing Edition gives you the chance to present a refreshing, different and flexible musical number when honoring someone’s birthday.Chord symbols are included for use with a guitar instead of or in addition to piano.Also available separately:Singalong MP3 piano accompaniment (swing)Solo voice straight 8ths version (with optional 2-part harmony) for those who prefer a less jazzy birthday!Version (straight 8ths) for SATB choir and piano
$2.99 ≈
2.76€
Just Another Birthday Song - Playalong
Just Another Birthday Song - Playalong
#
Pop musique
#
Phil Thrift
#
Just Another Birthday Song - P
#
Phil Thrift
#
SheetMusicPlus
Piano,Voice - Level 3 - SKU: A0.1072042 Composed by Phil Thrift. Pop. Accompaniment. Duration 154. Phil Thrift #5805785. Published by Phil Thrift (A0.10...
(+)
Piano,Voice - Level 3 - SKU: A0.1072042 Composed by Phil Thrift. Pop. Accompaniment. Duration 154. Phil Thrift #5805785. Published by Phil Thrift (A0.1072042). Are you looking for a new song to celebrate someone’s birthday? If so, then Just Another Birthday Song might well be what you’re looking for. Simple melody, simple harmonies, simple ideas, not too long and at times a mildly reflective take on the birthday theme. However, the text is never too serious – it’s someone’s birthday, after all! The spaces between the lines of text in the Bridge and the Outro leave you scope for adding a solo instrument or perhaps speaking a few congratulatory words while others continue the song in the background. Indeed, measures 49-60 could even be repeated quietly to accompany a solo instrument or someone speaking. The possibilities for making this song more individual are endless! Optional harmony notes are also included for use with more than one singer. The well-known tunes will continue to feature at many birthday events, but Just Another Birthday Song gives you the chance to present a refreshing, different and flexible musical number when honoring someone’s birthday.Available separately:Sheet music for solo voice and piano (with optional 2-part harmony) (A0.955730 or 1051903)
$2.99 ≈
2.76€
Naturszenen Op. 3, No. 14 "Die Waldkathedrale"
Naturszenen Op. 3, No. 14 "Die Waldkathedrale"
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Piano seul
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AVANCÉ
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Contemporain
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Michael Swedberg
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Naturszenen Op. 3, No. 14 &quo
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1073968 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishi...
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Piano Solo - Level 5 - SKU: A0.1073968 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #678234. Published by Niska Music Publishing (A0.1073968). The most Impressionistic of Opus 3, the cathedral in this instance is the forest rather than the sunken one from Debussy’s prelude. The canopy of the trees is the vaulted ceiling and the trunks serve as the columns. As one walks down the colonnade, the spaces between the trees serve as windows onto the magnificence of nature. From a musical standpoint, the thick, rich chords of the right hand create a feeling of majesty and awe broken by the melismatic figures of the wind through the boughs. Once again, it is of great importance to balance the chords to bring forth the melody.
$3.99 ≈
3.69€
Just Another Birthday Song - SATB Edition
Just Another Birthday Song - SATB Edition
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Phil Thrift
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Just Another Birthday Song - S
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Phil Thrift
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955732 Composed by Phil Thrift. Pop. Octavo. 19 pages. Phil Thrift #5805777. Published by Phil Thrift (A0.955732...
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Choral Choir (SATB) - Level 3 - SKU: A0.955732 Composed by Phil Thrift. Pop. Octavo. 19 pages. Phil Thrift #5805777. Published by Phil Thrift (A0.955732). Are you looking for a new song to celebrate someone’s birthday? If so, then Just Another Birthday Song – SATB Edition might well be what you’re looking for. Simple melody, simple harmonies, simple ideas, not too long and at times a mildly reflective take on the birthday theme. However, the text is never too serious – it’s someone’s birthday, after all! Plenty of unison singing and straightforward 4-part writing mean that this piece will not be difficult for any choir, can be easily slipped into any program. The spaces between the lines of text in the Bridge and the Outro leave you scope for adding a solo instrument or perhaps for someone to speak a few congratulatory words while the other choir members continue the song in the background. Indeed, measures 49-60 could even be repeated quietly to accompany a solo instrument or someone speaking. The possibilities for making this song more individual are endless! The well-known tunes will continue to feature at many birthday events, but Just Another Birthday Song – SATB Edition gives you the chance to present a refreshing, different and flexible musical number when honoring someone’s birthday.Chord symbols are included for use with a guitar instead of or in addition to piano.Choir parts without piano part are included.Also available separately:Solo voice version (with optional 2-part harmony) (A0.955730 or 1051903)Solo voice swing version for those who prefer a slightly jazzier birthday! (A0.955733 or 1051906)
$3.49 ≈
3.23€
The Space Between
The Space Between
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Piano, Voix et Guitare
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Rock
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Dave Matthews Band
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Rock
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The Space Between
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Dave Matthews Band. Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Dave Matthews Band. Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.61€
The Space Between
The Space Between
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Ligne De Mélodie, (Paroles) et Accords
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Rock
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.319061 By Dave Matthews Band. Pop,Rock. Guitar Lead Sheet. 2 pages. Published by Hal Leonard - Digital (HX.319061). ...
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SKU: HX.319061 By Dave Matthews Band. Pop,Rock. Guitar Lead Sheet. 2 pages. Published by Hal Leonard - Digital (HX.319061).
$2.99 ≈
2.76€
The Space Between
The Space Between
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Batterie
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Rock
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.345223 By Dave Matthews Band. Pop,Rock. Drum Transcription. 5 pages. Published by Hal Leonard - Digital (HX.345223). ...
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SKU: HX.345223 By Dave Matthews Band. Pop,Rock. Drum Transcription. 5 pages. Published by Hal Leonard - Digital (HX.345223).
$2.99 ≈
2.76€
The Space Between
The Space Between
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Instruments en Do
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Rock
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument - SKU: HX.396911 By Dave Matthews Band. This edition: scorch. Pop,Rock. Lead Sheet / Fake Book. 4 pages. Hal Leonard - Digital #31643. Publ...
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C Instrument - SKU: HX.396911 By Dave Matthews Band. This edition: scorch. Pop,Rock. Lead Sheet / Fake Book. 4 pages. Hal Leonard - Digital #31643. Published by Hal Leonard - Digital (HX.396911).
$3.99 ≈
3.69€
The Space Between
The Space Between
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Ligne De Mélodie, (Paroles) et Accords
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Rock
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.1147716 By Dave Matthews Band. This edition: Interactive Download,scorch. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Hal Leo...
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Interactive Download SKU: HX.1147716 By Dave Matthews Band. This edition: Interactive Download,scorch. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #31643. Published by Hal Leonard - Digital (HX.1147716).
$3.99 ≈
3.69€
The Space Between
The Space Between
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Paroles et Accords
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Rock
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Dave Matthews Band
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Rock
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The Space Between
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Dave Matthews Band. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Dave Matthews Band. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99 ≈
1.84€
'The Seventh Seal'
'The Seventh Seal'
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Piano seul
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INTERMÉDIAIRE
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. A...
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Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95 ≈
7.35€
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Fernando Ortega
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Kenneth Martin
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Worship Series - "Nothing
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Martin Music Editions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise &...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.
$7.99 ≈
7.39€
The Spaces Between Us (Score and Parts)
The Spaces Between Us (Score and Parts)
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Orchestre à Cordes
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AVANCÉ
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Amy Dunker
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The Spaces Between Us
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Amy Dunker
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.969861 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 60 pages. Amy Dunker #5902575. Published by A...
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String Orchestra - Level 5 - SKU: A0.969861 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 60 pages. Amy Dunker #5902575. Published by Amy Dunker (A0.969861). The Spaces Between Us was written during the early stages of the 2020 COVID-19 pandemic. Fear and angst compounded by social distancing created a dark cloud over the lives of people clamoring to make a life during this complicated time. Duration: 14:00
$40.00 ≈
36.99€
Oh, How Lovely was the Morning
Oh, How Lovely was the Morning
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Kurt Bestor
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Kurt Bestor
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Oh, How Lovely was the Morning
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Black Diamond Performance
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1352649 By Kurt Bestor. By A.C. Smyth. Arranged by Kurt Bestor. Classical,Contemporary,New Age. Score. 4 pages. Black Dia...
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Piano Solo - Level 4 - SKU: A0.1352649 By Kurt Bestor. By A.C. Smyth. Arranged by Kurt Bestor. Classical,Contemporary,New Age. Score. 4 pages. Black Diamond Performance #937444. Published by Black Diamond Performance (A0.1352649). The VERY FIRST song on Kurt Bestor's VERY FIRST album, Joyspring was this arrangement of the hymn Oh, How Lovely was the Morning. It's quite a musical deconstruction and re-imagining of the song to capture a more watercolor and transparent sound. Bestor says, It was all about the space between the notes. The original had light strings, woodwinds and a little percussion in addition to the piano. This version is for solo piano.
$4.99 ≈
4.61€
The Old Painter and the Water
The Old Painter and the Water
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Piano seul
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INTERMÉDIAIRE
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Fernando Diaz
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Fernando Diaz
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The Old Painter and the Water
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Fernando DÃaz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1164875 By Fernando Diaz. By Fernando Diaz. Arranged by Fernando Diaz. 19th Century,20th Century,Classical,Film/TV,New Ag...
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Piano Solo - Level 3 - SKU: A0.1164875 By Fernando Diaz. By Fernando Diaz. Arranged by Fernando Diaz. 19th Century,20th Century,Classical,Film/TV,New Age. Score. 3 pages. Fernando DÃaz #765209. Published by Fernando DÃaz (A0.1164875). Simple and short piece for piano solo describing the peace and the space between a painter and a calm river.
$15.00 ≈
13.87€
How Beautiful on the Mountain
How Beautiful on the Mountain
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Chorale SATB
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Robert M
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How Beautiful on the Mountain
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus, Piano, Flute, Oboe - SKU: IZ.VMW221V Composed by Robert M. Shearn. Octavo. 15 pages. Imagine Music - Digital #VMW221V. Published by Imagine...
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SATB Chorus, Piano, Flute, Oboe - SKU: IZ.VMW221V Composed by Robert M. Shearn. Octavo. 15 pages. Imagine Music - Digital #VMW221V. Published by Imagine Music - Digital (IZ.VMW221V). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25 ≈
2.08€
America, the Land of Liberty
America, the Land of Liberty
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Chorale SATB
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Michael Francis Smith
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America, the Land of Liberty
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW2211 Composed by Michael Francis Smith. Octavo. 14 pages. Imagine Music - Digital #VMW2211. Published by Imagine Music ...
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SATB Chorus & Piano - SKU: IZ.VMW2211 Composed by Michael Francis Smith. Octavo. 14 pages. Imagine Music - Digital #VMW2211. Published by Imagine Music - Digital (IZ.VMW2211). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25 ≈
2.08€
Beyond the Sky
Beyond the Sky
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Hoover
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Beyond the Sky
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Musicart Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 4 - SKU: A0.971663 Composed by Jeffrey Hoover. 20th Century,Contemporary. 49 pages. Musicart Publications ...
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Woodwind Ensemble,Woodwind Trio Flute - Level 4 - SKU: A0.971663 Composed by Jeffrey Hoover. 20th Century,Contemporary. 49 pages. Musicart Publications #5992083. Published by Musicart Publications (A0.971663). Beyond the Sky. Flute trio (1st doubling piccolo and 3rd doubling alto flute). Duration, 13 minutes.1. Black Hole (3 min. 45 sec.)2. A Crescent Moon, 1969 (3 min. 45 sec.)3. SETI Ratio (Search for Extraterrestrial Intelligence) (2 min.)4. Quantum Waltz (3 min. 30 sec.)The score and parts in this edition are arranged to be printed double-sided, with correct page turns.Beyond the Sky is a celebration of space exploration and imagination. It is in many respects a symphonic work for flute trio, with the characteristics and order of the four movements resembling the structure of a classical symphony. As a child during the Space Race, I was immensely interested in both terrestrial- and extraterrestrial-exploration, and as I composed this music a half-century later it made the most sense to set the musical ideas in this manner. In the first movement, Black Hole, two contrasting themes are presented and immediately developed: a theme of polyphonic gestures, with a contrasting second theme of chordal-textured music. The characteristic and somewhat liquid sound of the flute trio in the second theme is especially evident. The static and evolving blocks of music represent the gravitational collection of matter by a black hole. The second movement, A Crescent Moon, 1969, celebrates astronaut Neil Armstrong's moonwalk in July 1969. This slow, lyrical movement possesses a nocturnal quality while features the alto flute as a solo instrument. The third movement, SETI Radio (Search for Extraterrestrial Intelligence), is a slow through-composed scherzo. With piccolo, a high tessitura of the flute trio range is heard. The fourth movement is a dynamic Rondo Variations form. Quantum Waltz is just that, a small waltz where the music is developed with a recurring first section, alternating between new material.– Jeffrey HooverJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$21.95 ≈
20.30€
Variations on a Theme: Wayfinder
Variations on a Theme: Wayfinder
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Garrett Melick
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Variations on a Theme: Wayfind
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Moof Miser
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1024919 Composed by Garrett Melick. Contemporary. Score and parts. 82 pages. Moof Miser #4355557. Published by Moof M...
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Full Orchestra - Level 3 - SKU: A0.1024919 Composed by Garrett Melick. Contemporary. Score and parts. 82 pages. Moof Miser #4355557. Published by Moof Miser (A0.1024919). The Wayfinder, a small ship floating aimlessly through space. This song is the story of their adventures as they explore the galaxy. Variations on a Theme: Wayfinder was written in response to what felt like a general lack of more showy, almost cinematic tunes available publicly for full orchestra, at least ones that weren't arrangements of other movie songs. Wayfinder provides a song that's both fun to play and listen to, while also offering a fair challenge to younger high school orchestra groups to make sure they are listening to other members of the orchestra and keeping their parts balanced between them. It is suggested that, when rehearsing this piece, one emphasize a focus on listening carefully, as well a careful balance between parts played staccato and legato, as well as to bring attention to the multiple tempo changes that occur throughout the piece. .
$30.00 ≈
27.74€
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. P...
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Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.34€
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
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