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The Passionate Shepherd
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Vous avez sélectionné:
The Passionate Shepherd
Partitions à imprimer
28 partitions trouvées
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1
26
The Nymph's Reply to the Shepherd (Downloadable)
The Nymph's Reply to the Shepherd (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Carol Nicholeris
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The Nymph's Reply to the Sheph
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and flute - Medium - SKU: MQ.5115-E Composed by Carol Nicholeris. Instrument part. 12 pages. Duration 3 minutes, 12 seconds. E. C. Schirmer M...
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SATB choir and flute - Medium - SKU: MQ.5115-E Composed by Carol Nicholeris. Instrument part. 12 pages. Duration 3 minutes, 12 seconds. E. C. Schirmer Music Company - Digital #5115-E. Published by E. C. Schirmer Music Company - Digital (MQ.5115-E). English.The text is Sir Walter Raleigh's response to The Passionate Shepherd by Christopher Marlowe. The two poems are worlds apart in philosophical viewpoints. The Passionate Shepherd is all about promises, promises, and more promises of constant daily joys in the sharing of love, almost to the point of frenzy. In contrast, The Nymph’s Reply to the Shepherd is serene and philosophically realistic, yet it seems to yearn for the idealism of the shepherd’s promises. The music is written in both a lighthearted and frenzied manner so as to deliver on the moods of the text. Duration: 3:12Flute part included.
$2.65 ≈
2.44€
The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar)
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Chorale 2 parties
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pag...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945433. Published by Vocal Works (A0.1360949). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
2.29€
The Passionate Shepherd & The Nymph's Reply for SAB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SAB Choir & Piano (optional Renaissance Guitar)
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Chorale 3 parties
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages....
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945428. Published by Vocal Works (A0.1360944). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
2.29€
The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar)
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Chorale 2 parties
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pag...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945424. Published by Vocal Works (A0.1360939). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
2.29€
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
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Chorale SATB
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945275. Published by Vocal Works (A0.1360780). Visit http://choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at http://choirworks.com ...Recording by Rocky Mountain Chamber Singers.
$2.49 ≈
2.29€
The Passionate Shepherd & The Nymph's Reply duet with Renaissance Guitar or Ukulele
The Passionate Shepherd & The Nymph's Reply duet with Renaissance Guitar or Ukulele
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Voice Duet Medium Voice - Level 2 - SKU: A0.1360953 Composed by M. Ryan Taylor. 21st Century,Contemporary,Instructional,Jazz,Renaissance. 8 pages. Vocal...
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Voice Duet Medium Voice - Level 2 - SKU: A0.1360953 Composed by M. Ryan Taylor. 21st Century,Contemporary,Instructional,Jazz,Renaissance. 8 pages. Vocal Works #945438. Published by Vocal Works (A0.1360953). This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...
$5.99 ≈
5.50€
As I Out Rode This Enderes Night (The Coventry Shepherds Carol)
As I Out Rode This Enderes Night (The Coventry Shepherds Carol)
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Sandra Milliken
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As I Out Rode This Enderes Nig
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.774721 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christmas,Renaissance,Sacred. Octavo. 17...
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Choral Choir (SATB) - Level 3 - SKU: A0.774721 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christmas,Renaissance,Sacred. Octavo. 17 pages. Sandra Milliken #3691909. Published by Sandra Milliken (A0.774721). As I Out Rode This Enderes Night is a companion carol to the well-known and very popular Lully, Lullay, also known as the Coventry Carol. Both carols were part of the Pageant of the Shearmen and Tailors. The pageant was a mystery play regularly performed in the English city of Coventry from the early 15th Century until around the middle of the 16th Century. The Pageant also included a third carol beginning with the line Down from Heaven, from Heaven so High.The mystery plays of medieval Europe were traditionally created and performed by craft guilds based in the larger cities. These mystery plays focused on the representation of stories from the Bible, told in the local vernacular rather than in Latin. They told of subjects such as the Creation, the Nativity, the Passion and the Last Judgment.The Pageant of the Shearmen and Tailors depicted the Christmas story, covering events from the Annunciation through to the Massacre of the Innocents. Lully, Lullay refers to the latter event in which Herod ordered all male infants under the age of two, in Bethlehem, to be killed. As I Out Rode and Down from Heaven referred to the angel’s announcement, to shepherds in the fields near Bethlehem, concerning the birth of the Christ child and the subsequent visit by the shepherds to the manger, where they found the baby with Mary and Joseph.Today, the two shepherds’ songs are often combined into a single carol with the title As I Out Rode This Enderes Night or The Coventry Shepherds Carol.This new SATB-with-descant arrangement (the original was scored for treble, tenor and bass) incorporates an additional three verses, the lyrics of which are an adaptation of the dialogue from the pageant that came between the two songs of the shepherds.
$2.20 ≈
2.02€
While Shepherds Watched Their Flocks - Traditional Christmas - Louis Landon - Solo Piano
While Shepherds Watched Their Flocks - Traditional Christmas - Louis Landon - Solo Piano
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Piano Facile
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FACILE
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Noël
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Public Domain
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Louis Landon
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While Shepherds Watched Their
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Landon Creative, Inc.
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.761967 Composed by Public Domain. Arranged by Louis Landon. Christian,Christmas,Instructional,New Age,Pop. Score. 3 pages...
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Easy Piano - Level 2 - SKU: A0.761967 Composed by Public Domain. Arranged by Louis Landon. Christian,Christmas,Instructional,New Age,Pop. Score. 3 pages. Landon Creative, Inc. #6573595. Published by Landon Creative, Inc. (A0.761967). While Shepherds Watched TheirFlocks is the sheet music from my upcoming album Calm and Peaceful Christmas Piano that will be released on November 26, 2021 Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with Pucho and his Latin Soul Brothers; pop music with Rupert Pina Colada Song Holmes; and rock & roll with John Hall, opening for Little Feat. Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music. For the past 32 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 41 Albums/CDs, on the LCI Record label. 34 of those albums/CDs are solo piano releases. His latest album, entitled It's a Good Life, was released on September 17, 2021. He has just finished up his third Christmas album which is due out in November, 2021. It is entitled Calm and Peaceful Christmas Piano. Louis Landon mission: To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude. Reviews: While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors. Michaeldiamondmusic.com He has a gift for composition that is second to none. Zone Music Reporter .
$4.99 ≈
4.59€
Hosanna to the King of Love
Hosanna to the King of Love
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Chorale Unison
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Musique Sacrée
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Dale Peterson
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Hosanna to the King of Love
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Triune Music Inc
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SheetMusicPlus
By Dale Peterson. For Unison/Two-part choir. Sacred Anthem. Young Shepherd Series. Palm/Palm-Passion Sunday. Published by Triune Music Inc ...
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By Dale Peterson. For Unison/Two-part choir. Sacred Anthem. Young Shepherd Series. Palm/Palm-Passion Sunday. Published by Triune Music Inc
$2.30 ≈
2.11€
Songs of the Shepherd
Songs of the Shepherd
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Cloches
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Margaret Tucker
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Songs of the Shepherd
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Hope Publishing - Digital
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SheetMusicPlus
Handbells handbell choir (4-5 octaves) & flute with optional 3-5 octave handchimes - level 2-3 - SKU: H1.2251DP Arranged by Margaret Tucker. General Wor...
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Handbells handbell choir (4-5 octaves) & flute with optional 3-5 octave handchimes - level 2-3 - SKU: H1.2251DP Arranged by Margaret Tucker. General Worship. Handbell score. 12 pages. Hope Publishing - Digital #2251DP. Published by Hope Publishing - Digital (H1.2251DP). Medley of hymn tunes A tender and passionate handbell piece with solo moments for flute. A tender and passionate handbell piece with solo moments for flute.
$6.50 ≈
5.97€
The Passionate Shepherd to His Love
The Passionate Shepherd to His Love
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Chorale SATB
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Jean Belmont
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The Passionate Shepherd to His
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Roger Dean Publishing
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SheetMusicPlus
By Jean Belmont. For SATB divisi choir, a cappella. Educational Octavo. Electa Series. Difficult. Published by Roger Dean Publishing ...
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By Jean Belmont. For SATB divisi choir, a cappella. Educational Octavo. Electa Series. Difficult. Published by Roger Dean Publishing
$2.40 ≈
2.21€
The Passionate Shepherd to His Love
The Passionate Shepherd to His Love
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Alan Shulman
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The Passionate Shepherd to His
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.249400 Composed by Alan Shulman. Concert,Festival. Choral. Duration 223. Published by Hal Leonard - Digital (HX.249400).
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(Full Performance) - SKU: HX.249400 Composed by Alan Shulman. Concert,Festival. Choral. Duration 223. Published by Hal Leonard - Digital (HX.249400).
$1.99 ≈
1.83€
The King of Love My Shepherd Is
The King of Love My Shepherd Is
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Cardiff Festival Choir
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Lyndell Leatherman
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some were not
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The King of Love My Shepherd I
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296242 By Cardiff Festival Choir. By Words: Henry W. Baker / Music: Trad. Irish melody. Arranged by Lyndel...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296242 By Cardiff Festival Choir. By Words: Henry W. Baker / Music: Trad. Irish melody. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #886487. Published by Leatherman Music Services (A0.1296242). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.75€
My Shepherd Will Supply My Need
My Shepherd Will Supply My Need
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The Tabernacle Choir at Temple
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Lyndell Leatherman
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some were not
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My Shepherd Will Supply My Nee
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1251623 By The Tabernacle Choir at Temple Square. By Words: Isaac Watts / Music: Anonymous. Arranged by Lyn...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1251623 By The Tabernacle Choir at Temple Square. By Words: Isaac Watts / Music: Anonymous. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #845641. Published by Leatherman Music Services (A0.1251623). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.75€
While Shepherds Watched Their Flocks
While Shepherds Watched Their Flocks
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Words: Nahum Tate / Music: G
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Lyndell Leatherman
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some were not
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While Shepherds Watched Their
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1291639 Composed by Words: Nahum Tate / Music: G. F. Handel. Arranged by Lyndell Leatherman. Christian,Chri...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1291639 Composed by Words: Nahum Tate / Music: G. F. Handel. Arranged by Lyndell Leatherman. Christian,Christmas,Religious,Sacred. Score. 2 pages. Leatherman Music Services #882263. Published by Leatherman Music Services (A0.1291639). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.75€
Must Jesus Bear the Cross Alone?
Must Jesus Bear the Cross Alone?
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Fountainview Academy
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Lyndell Leatherman
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some were not
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Must Jesus Bear the Cross Alon
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1251323 By Fountainview Academy. By Words: Shepherd, Allen, Beecher/ Music: George N. Allen. Arranged by Ly...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1251323 By Fountainview Academy. By Words: Shepherd, Allen, Beecher/ Music: George N. Allen. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #845589. Published by Leatherman Music Services (A0.1251323). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.75€
Four Elizabethan Songs About Love (2016-2018)
Four Elizabethan Songs About Love (2016-2018)
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Chorale SATB
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AVANCÉ
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Colin Eatock
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Four Elizabethan Songs About L
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Colin Eatock Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Octavo. 58 pages. C...
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Choral Choir (SATB) - Level 5 - SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Octavo. 58 pages. Colin Eatock Music #793552. Published by Colin Eatock Music (A0.1194118). Four movements; a cappella SATB choir or quartet; ca. 9 min.The composer writes: I almost titled this work “Four Elizabethan Love Songs.†However, while such a title might be appropriate for a group of songs about the joys of loving relationships, the texts I have chosen do not all fit that mould. Of the four, only Christopher Marlowe’s seductive “The Passionate Shepherd to His Love†and Shakespeare’s wise and insightful Sonnet 116 address requited love. On the other hand, John Donne’s “The Message†is a “hate-songâ€, an angry poem about love gone wrong, bursting with bitter recriminations. And Elizabeth I’s “When I Was Fair and Young,†is wistful and full of regret: the Queen realizes that her own youthful pride has obstructed her opportunities for happiness. Together, these poems offer four dramatically contrasting views about love.
$4.99 ≈
4.59€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
80.86€
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
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Orchestre
#
AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
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Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
147.03€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
79.02€
Bach: Sheep May Safely Graze for Baritone Sax & Piano
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
30.28€
Bach: Sheep May Safely Graze for Alto Sax & Piano
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
30.28€
Hallelujah Chorus from Handel's Messiah
Hallelujah Chorus from Handel's Messiah
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Classique
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel'
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C Blankenship
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SheetMusicPlus
Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Bla...
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Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00 ≈
45.95€
10 Transcriptions & Arrangements for Organ, Volume 2
10 Transcriptions & Arrangements for Organ, Volume 2
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10 Transcriptions & Arrang
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SheetMusicPlus
Volume 2 of a collection of useful transcriptions. The collection includes several hymn settings such as the Lemmens Creator of the Stars of Night, the Rheinber...
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Volume 2 of a collection of useful transcriptions. The collection includes several hymn settings such as the Lemmens Creator of the Stars of Night, the Rheinberger O Sacred Head, Now Wounded, and Jakob Quadflieg’s Savior, Like a Shepherd Lead Us. The collection also includes classic pieces that can be used in recital or in worship, and also includes the wonderful Fanfare by Gerald Near. Contents: Adagio - Josef Hector Fiocco Alla Marcia - Charles-Marie Widor Allegretto in C - César Franck Creator of the Stars of Night - Jacques-Nicolas Lemmens Fanfare - Gerald Near O Sacred Head, Now Wounded - Josef Rheinberger Savior, Like a Shepherd Lead Us - Jakob Quadflieg Siciliano - J. S. Bach Voluntary in D Minor - William Herschel We Thank Thee, Lord - J. S. Bach
Song List
: Conditor Alme Siderum (Creator Alme Siderum) Herzlich tut mich verlangen (Passion Chorale) Sicilian Mariners (O Du Frohliche/O Sanctissima)
$24.75 ≈
22.74€
Messiah's Allelujah
Messiah's Allelujah
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Classique
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George Frideric Handel
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Javier MartÃnez Maya
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Messiah's Allelujah
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Arte Nova Music Lab
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SheetMusicPlus
Brass Ensemble Piano - Level 4 - SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert,Standards. Scor...
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Brass Ensemble Piano - Level 4 - SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert,Standards. Score and parts. 29 pages. Arte Nova Music Lab #2119829. Published by Arte Nova Music Lab (A0.742366). Messiah (HWV 56)[1] is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.[n 1] Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Taken from https://en.wikipedia.org/wiki/Messiah_(Handel).
$20.00 ≈
18.38€
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The Passionate Shepherd 
