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The One On The Right Is On The Left
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Vous avez sélectionné:
The One On The Right Is On The Left
Partitions à imprimer
517 partitions trouvées
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The One On The Right Is On The Left
The One On The Right Is On The Left
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Piano grosses notes
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DÉBUTANT
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Country
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Johnny Cash
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The One On The Right Is On The
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.460607 By Johnny Cash. Country. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.460607). About Hal Leo...
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SKU: HX.460607 By Johnny Cash. Country. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.460607). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.80€
The One On The Right Is On The Left
The One On The Right Is On The Left
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Chorale TTBB
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INTERMÉDIAIRE
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Johnny Cash
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Kay Bromert
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The One On The Right Is On The
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Kay Bromert
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.726976 By Johnny Cash. By Jack Clement. Arranged by Kay Bromert. A Cappella,Country. Octavo. 7 pages. Kay Bromer...
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Choral Choir (TTBB) - Level 3 - SKU: A0.726976 By Johnny Cash. By Jack Clement. Arranged by Kay Bromert. A Cappella,Country. Octavo. 7 pages. Kay Bromert #3883789. Published by Kay Bromert (A0.726976). Fun Johnny Cash song from the 1960's, TTBB, A Cappella, barbershop style arrangemend, voiced for men, arranged in D Major with key change to Eb major, 7 pages.
$12.99 ≈
12.16€
The One On The Right Is On The Left
The One On The Right Is On The Left
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Country
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Johnny Cash
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Kay Bromert
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The One On The Right Is On The
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Kay Bromert
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SheetMusicPlus
Small Ensemble - SKU: A0.727007 By Johnny Cash. By Jack Clement. Arranged by Kay Bromert. Country. Score and parts. 7 pages. Kay Bromert #4298501. Publi...
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Small Ensemble - SKU: A0.727007 By Johnny Cash. By Jack Clement. Arranged by Kay Bromert. Country. Score and parts. 7 pages. Kay Bromert #4298501. Published by Kay Bromert (A0.727007).
$1.99 ≈
1.86€
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99 ≈
5.61€
WAYFARING STRANGER (Poor Wayfaring Stranger)
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59 ≈
4.30€
String Quintet based on Beethoven's sketches, op. 79
String Quintet based on Beethoven's sketches, op. 79
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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String Quintet based on Beetho
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 4 - SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Conte...
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String Quartet String Quartet,Viola - Level 4 - SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
$49.95 ≈
46.74€
20 Really Easy Christmas Carols for Alto Saxophone
20 Really Easy Christmas Carols for Alto Saxophone
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Saxophone Alto
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.587799 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individu...
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Alto Saxophone Solo - Level 1 - SKU: A0.587799 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978267. Published by David McKeown (A0.587799). 20 Really Easy Christmas Carols for Alto Saxophone is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner saxophonists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than DThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} a:link, span.MsoHyperlink {mso-style-noshow:yes; mso-style-priority:99; color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; mso-style-priority:99; color:#954F72; mso-themecolor:followedhyperlink; text-decoration:underline; text-underline:single;} p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph {mso-style-priority:34; mso-style-unhide:no; mso-style-qformat:yes; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst {mso-style-priority:34; mso-style-unhide:no; mso-style-qformat:yes; mso-style-type:export-only; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination.
$7.99 ≈
7.48€
The One on the Right Is on the Left by Johnny Cash - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Johnny Cash
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The One on the Right Is on the
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Musicnotes
Performed by: Johnny Cash: The One on the Right Is on the Left Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital...
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Performed by: Johnny Cash: The One on the Right Is on the Left Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Country~~Country-Pop~~Progressive Country~~Traditional Country~~Folk~~Humor
$5.50 ≈
5.15€
Back to the Heart
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95 ≈
4.63€
Eye Of The Tiger
Eye Of The Tiger
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Piano Facile
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DÉBUTANT
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Pop musique
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Survivor
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Susan Staples Bell
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Eye Of The Tiger
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Susan Staples Mast Bell
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1041970 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Susan Staples Bell. Contest,Festival,Film/TV,Instruct...
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Easy Piano - Level 1 - SKU: A0.1041970 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Susan Staples Bell. Contest,Festival,Film/TV,Instructional,Rock,Video Game. Score. 3 pages. Susan Staples Mast Bell #646756. Published by Susan Staples Mast Bell (A0.1041970). Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP “Eye of the Tiger†is a song by the American Rock Band, Survivor, which rocketed to fame when it was released as the theme song for the 1982 movie, Rocky III. Now, it’s an all time favorite. Here’s a fresh new arrangement, that’s sure to please! Perfect for group lessons, recitals or just plain fun. Written in the Key of C minor, 4/4 time, BPM = Medium Rock, 102. Includes hand claps and some options to make younger parts easier. Piano Ensemble comes with Score and all Parts. This arrangement is for Easy Piano Solo. It is part of a Multi Level Piano Ensemble. Group Lessons and Piano Ensembles have been growing in popularity, and what a wonderful opportunity to bring everyone together. The beauty of this arrangement is how flexible it is: All the parts can be played together in 1 large group. Mix & match parts: Pianist 3 & 4 are a stand alone Duet. Pianist 5 is a stand alone Intermediate Solo. Pianist 1 is an Elementary Solo- and you can use the Secondo from the Duet or the included Teacher part for Accompaniment. Pianist 2 is an easier stand alone Late Elementary Solo. Don’t have an advanced student to play Intermediate Solo? Parts 1 - 4 cover all the parts on their own. FREE Backing Tacks included to aid in practicing for each part! Find them here: https://drive.google.com/drive/folders/1DMde4XYcP_xxLrIgEmTdEDcJxzTRcDsi?usp=sharing In this Multi Level Piano Ensemble, you’ll find: All parts get to enjoy the melody, some might need to learn it by rote, due to syncopation. Easy Piano: Simplified melody and minimal movement in Right hand. Left hand is optional, and when played, stays in Bass C position using whole notes. This part is written in C Major with accidentals. Late Elementary: Simplified melody, with some thirds, and minimal movement in Right hand. Left Hand accompanies with a drone bass in 5ths. This part is written in C Major with accidentals. Primo: Top half of the Duet. Straight up Melody the entire piece and is doubled in both hands. Secondo: Bottom half of the Duet. Low C position Power chords! (Open 5ths) really adds to the pounding Rock beat. Intermediate Solo/Teacher: This part gets all the fun! Is a stand alone Solo or the Leader of the group. Lots of Octaves in Left Hand and moving hand positions. But don’t worry, if you don’t have an Intermediate pianist, this part is covered in the Duet. Or use the Backing Track as a foundation for others to play with. This arrangement is available in 5 versions: Multi Level Piano Ensemble Easy Solo Late Elementary Solo Intermediate Duet Intermediate Solo Susan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight. This is a Single Use License. Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP Time length. (03.00). Perfect for Group Lessons. Recitals. Pop. Rock. Fun! There’s so much more to discover! For special SALE and FREE items check out: https://www.susanstaplesbellmusic.com/ Check out other compositions by Susan Staples Bell available on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/susan-staples-mast-bell-sheet-music/3014463?aff_id=563375.
$4.99 ≈
4.67€
With A Shout (1 Thessalonians 4.16-18 WEB)
With A Shout (1 Thessalonians 4.16-18 WEB)
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Musique Sacrée
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Chris Monteiro
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With A Shout
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Christopher M. Monteiro
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SheetMusicPlus
Small Ensemble Choir,High Voice,Trumpet - Level 2 - SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pag...
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Small Ensemble Choir,High Voice,Trumpet - Level 2 - SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99 ≈
2.80€
The Bare Necessities
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99 ≈
4.67€
The River
The River
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95 ≈
4.63€
Greek folk song: PEDIA SAN THELTE
Greek folk song: PEDIA SAN THELTE
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Chorale SATB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Greek folk song
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Marilena Zlatanou
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Greek folk song: PEDIA SAN THE
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343528 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 8 pages. Marilena Zlatan...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343528 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 8 pages. Marilena Zlatanou #929057. Published by Marilena Zlatanou (A0.1343528). GREEK FOLK SONG: YOU WHO WANT TO BE BRAVE (Pedia san thelte levendia) arranged for SATB choir and pianoOne of many folk songs called “kleftikaâ€, describing the life and deeds of the freedom fighters under the Greek War of Independence from the 400 years' (500 years for half of Greece) Ottoman rule. The kleftes(=thieves), were outlawed guerillas hiding in the mountains and fighting from there. They received hero status as they played a most decisive role in the eventually resulting free, independent Greek State in 1828. duration: 1'55''Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$15.00 ≈
14.04€
Secret Agent Sugar Plum: 2nd E-flat Alto Saxophone
Secret Agent Sugar Plum: 2nd E-flat Alto Saxophone
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Saxophone (partie séparée)
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Classique
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Peter Ilyich Tchaikovsky
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Scott Watson
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Novelty
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Secret Agent Sugar Plum: 2nd E
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017013_AX2 2nd E-flat Alto Saxophone. Composed by Peter Ilyich Tchaikovsky. Arranged by Scott Watson. Masterwork Ar...
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Concert Band - SKU: AX.00-PC-0017013_AX2 2nd E-flat Alto Saxophone. Composed by Peter Ilyich Tchaikovsky. Arranged by Scott Watson. Masterwork Arrangement; Novelty; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017013_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017013_AX2). UPC: 038081505640.Did the cookies that were left out on Christmas Eve mysteriously vanish? Does it seem like the nutcracker and toy soldier figurines have moved to different locations by themselves overnight? There's only one operative with the right skill set for holiday capers like these: Secret Agent Sugar Plum of the Holiday Sweets Division of WinterPol! This clever arrangement fuses themes from Tchaikovsky's Dance of the Sugar Plum Fairy with classic spy music idioms. Set to a driving rock beat, this is sure to be a player and audience favorite in your holiday concert! (2:20).
$3.00 ≈
2.81€
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
9.36€
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
28.07€
The Last Time I Saw Paris
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$7.99 ≈
7.48€
Ding Dong! Merrily on High
Ding Dong! Merrily on High
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Piano seul
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INTERMÉDIAIRE
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Sharon Wilson
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Ding Dong! Merrily on High
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1314461 By Sharon Wilson. By French carol and Traditional. Arranged by Sharon Wilson and Sharon Wilson Music. Christian,C...
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Piano Solo - Level 3 - SKU: A0.1314461 By Sharon Wilson. By French carol and Traditional. Arranged by Sharon Wilson and Sharon Wilson Music. Christian,Christmas,Multicultural,Sacred,Traditional,World. Score. 5 pages. Sharon Wilson #903215. Published by Sharon Wilson (A0.1314461). Here is a bright and festive piano solo arrangement of the beloved French Christmas carol Ding Dong! Merrily on High. The first verse features a steady bell-like accompaniment played by the right hand while the left hand plays the melody. For the second verse, the melody is played by the right hand with more movement and a fuller sound.  The bell-like introductory theme is reminiscent of the tune associated with the Big Ben clock tower. The famous church bell tune is known as Westminster Quarters or Cambridge Quarters.With its delicate, bell-like introduction and interludes, interspersed with stately verses, this arrangement's contrasting sounds will add distinction to a holiday music performance. Duration 2:05  This arrangement is one of the 20 songs in the collection Christmas Favorites, Book 2. Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com.
$4.99 ≈
4.67€
My Favorite Songs on the Black Keys - Part A
My Favorite Songs on the Black Keys - Part A
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Piano Facile
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DÉBUTANT
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Traditional
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Elizabeth Essex
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My Favorite Songs on the Black
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Elizabeth Essex
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1309996 Composed by Traditional. Arranged by Elizabeth Essex. Children,Folk,Instructional,Standards,Traditional. Score. 2...
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Easy Piano - Level 1 - SKU: A0.1309996 Composed by Traditional. Arranged by Elizabeth Essex. Children,Folk,Instructional,Standards,Traditional. Score. 26 pages. Elizabeth Essex #899121. Published by Elizabeth Essex (A0.1309996). Students of any age will recognize the melodies in My Favorite Songs on the Black Keys and will want to sing along!Ideal for young beginners who can differentiate fingers and know their numbers, this first book in the series, Part A, contains only songs playable with one hand on one set three black keys. Each song is arranged in finger number notation for right and for left hand. The left-hand notes are colored red as well as turned stem down to assist in differentiating right and left-hand notes. When printed double-sided, the left hand page is on the left side and the right hand page is on the right side. I recommend learning these songs in the order given, singing the songs first, then sight reading. Try memorizing each song and try playing them hands together too!As an added bonus, some helpful worksheets are in the back of the book.Table of Contents:Hot Cross Buns – LH Hot Cross Buns – RHRain is Falling Down – LH Rain is Falling Down – RHThe Closet Key – LH The Closet Key – RHMary had a Little Lamb – LH Mary had a Little Lamb – RHPease Porridge – LH Pease Porridge – RHDown by the Station – LH Down by the Station – RHGently Sleep – LH Gently Sleep – RHThe Long-legged Sailor – LH The Long-legged Sailor – RHPiano Finger Numbers 1Piano Finger Numbers 2Draw Quarter NotesDraw Half NotesSong-writing Exercise: Opus 1 See my other arrangements:Sheet Music Press (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth%20EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.comm.
$7.99 ≈
7.48€
The Dream Of Olwen
The Dream Of Olwen
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2 Guitares (duo)
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INTERMÉDIAIRE
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Pamela Page
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Derek Hasted
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The Dream Of Olwen
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. ...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5790447. Published by Derek Hasted (A0.797782). THE DREAM OF OLWEN - One of two GUITAR DUETSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I have made two arrangements of this lovely piece. This edition contains the more accessible arrangement - ideal for an intermediate duo or a student/teacher duo. Visit my website (below) to easily find the other version.This fantastic piece was written as an integral part of the film 'While I Live', and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.My arrangement for two guitars captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a wonderful concert piece lasting almost 4 minutes.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment is less rhythmically busy than the original, yet the chords are retained.There are two arrangements in this one edition...Version 1 allocates the music to the players as if they were the left and right hands of the piano piece - ideal for a duo in which one player is technically stronger than the other (for example a student/teacher duet).Version 2 swaps the roles around at the phrase boundaries and suits a well-matched duo.The choice of which you play is yours...The arpeggios are fingered because they generally only work well in one position. The melody, by contrast, is unfingered; it is chromatic and so there is no place on the neck where all the notes are accessible. It’s really a matter of personal choice where you change position and whether you prefer to stay high up the neck or venture down to get a brighter tone.Dedicated to the memory of my maternal grandmother Olwen
$4.99 ≈
4.67€
All Things Bright and Beautiful Intermediate Piano Solo
All Things Bright and Beautiful Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Louis Spohr
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Amanda Tero
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All Things Bright and Beautifu
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1417986 Composed by Louis Spohr. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #999537...
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Piano Solo - Level 3 - SKU: A0.1417986 Composed by Louis Spohr. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #999537. Published by Amanda Tero (A0.1417986). Experience a new take on the classic All Things Bright and Beautiful with this intermediate piano solo sheet music. Great for church performances or recitals, this piece includes vibrant chords and a touch of Impressionistic flair.The intermediate piano solo of All Things Bright and Beautiful starts with a gentle and reflective first verse, transitions into a fuller second verse, and then moves to a rich third verse that echoes the style of Impressionist music.I arranged All Things Bright and Beautiful intermediate piano solo in a modern style with a lot of seventh chords and hints of dissonance to add depth instead of being simplistic. It progresses from a rhythmically simple first verse into a more developed second verse then builds with a modulation and sixteenth notes for the third verse before returning to a serene setting similar to the introduction.For church services, recitals, and spring/summer music events, All Things Bright and Beautiful intermediate piano solo will capture the listeners and give them a new experience with a beloved favorite.Similar in level to most Level 3-4 piano curricula and ABRSM Level 4.The basic format of All Things Bright and Beautiful intermediate piano solo is: introduction, verse, interlude, verse, modulation, verse ending.5 pages. Keys of F major and G major.Approx. 3:45 performance time. Musical Elements In All Things Bright and Beautiful intermediate piano solo Sheet Music Keys of F major, G major Time signature: 6/8 Tempo: slow, reflective Tempo change midway Note values: dotted half notes, dotted quarter notes, dotted eighth notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef D2 to F5, treble clef B3 to B4 Ledger lines (up to 3 lines) Left hand in treble clef (4 measures) Fermatas Ties Practice Tips for All Things Bright and Beautiful intermediate piano solo Sheet Music Remember that 6/8 has 2 beats (6 pulses). This will help the music from sounding plodding and flow smoother. This arrangement calls for a lot of expression and fluctuation in tempo and dynamics. Add a lot of feeling as you play.The tempo change at m46 needs to be prepared in mm 44-45. While there is a crescendo, I like to think of it more as adding depth and broadness than volume alone in preparation for the left hand jumping to sixteenth notes. While I like the sixteenth notes to sound rushing, don’t “rush†them. Play them at a tempo that is comfortable under your fingers.
$4.99 ≈
4.67€
Variations on Happy Birthday for Solo Saxophone
Variations on Happy Birthday for Solo Saxophone
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Alessandro Palazzani
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Variations on Happy Birthday f
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A work by Alessandro Palazzani
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.1407497 Composed by Alessandro Palazzani. 19th Century,Classical,Romantic Period,Standards,Traditional. Individu...
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Alto Saxophone Solo - Level 4 - SKU: A0.1407497 Composed by Alessandro Palazzani. 19th Century,Classical,Romantic Period,Standards,Traditional. Individual part. 6 pages. A work by Alessandro Palazzani #989726. Published by A work by Alessandro Palazzani (A0.1407497). Written in 2007 on the occasion of a friend's birthday, these variations are inspired by the music of the classical and romantic period. The theme is followed by four variations and a coda, bright and virtuosic.The choice of dynamics and articulation is left to the discretion of the performer, who will have regard to the execution practice typical of the classical era.The piece can be played on a saxophone of any size (soprano, alto, tenor, baritone).
$9.00 ≈
8.42€
Sonata "Funtasies" for Tenor Saxophone and Piano
Sonata "Funtasies" for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Sonata "Funtasies" f
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Publi...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99 ≈
14.03€
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The One On The Right Is On The Left
