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The Night We Called It A Day
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Vous avez sélectionné:
The Night We Called It A Day
Partitions à imprimer
58 partitions trouvées
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The Night We Called It A Day
The Night We Called It A Day
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Piano grosses notes
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DÉBUTANT
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Jazz
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Frank Sinatra
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The Night We Called It A Day
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.447866 By Frank Sinatra. Jazz,Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.447866). Abou...
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SKU: HX.447866 By Frank Sinatra. Jazz,Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.447866). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.69€
The Night We Called It A Day
The Night We Called It A Day
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Frank Sinatra
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John Fries
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The Night We Called It A Day
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499606 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet ...
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C Instrument - Level 4 - SKU: A0.499606 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112898. Published by John Fries (A0.499606). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The Night We Called It a Day is a popular song and jazz standard. One early recording of the song was notable in that it was Frank Sinatra's first solo recording (Bluebird 11463 in 1942). A review in Billboard called the recording a sparkling example of song with Sinatra's singing and Axel Stordahl's musical direction. Sinatra also made studio recordings of the song for Columbia records in 1947 and Capitol Records in 1957. On May 19, 2015, Bob Dylan sang it on the second-to-last episode of The Late Show with David Letterman.
$3.99 ≈
3.58€
The Night We Called It A Day
The Night We Called It A Day
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
#
Frank Sinatra
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John Fries
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The Night We Called It A Day
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John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198455 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Film/TV,Jazz,S...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198455 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 1 pages. John Fries #797597. Published by John Fries (A0.1198455). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The Night We Called It a Day is a popular song and jazz standard. One early recording of the song was notable in that it was Frank Sinatra's first solo recording (Bluebird 11463 in 1942). A review in Billboard called the recording a sparkling example of song with Sinatra's singing and Axel Stordahl's musical direction. Sinatra also made studio recordings of the song for Columbia records in 1947 and Capitol Records in 1957. On May 19, 2015, Bob Dylan sang it on the second-to-last episode of The Late Show with David Letterman.
$4.99 ≈
4.48€
The Night We Called It A Day
The Night We Called It A Day
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Piano Facile
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FACILE
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Jazz
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Frank Sinatra
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Mark Phillips
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The Night We Called It A Day
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A. J. Cornell Publications
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.692075 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Mark Phillips. Jazz,Standards. Score. 2 pages. A. J. C...
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Easy Piano - Level 2 - SKU: A0.692075 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Mark Phillips. Jazz,Standards. Score. 2 pages. A. J. Cornell Publications #6099649. Published by A. J. Cornell Publications (A0.692075). The Night We Called It a Day for Easy Piano.
$4.99 ≈
4.48€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.58€
The Night We Called It A Day
The Night We Called It A Day
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Frank Sinatra
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Tim Brent
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The Night We Called It A Day
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Tim Brent Music
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.877211 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Tim Brent. A Cappella,Jazz. Octavo. 7 pages...
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Choral Choir (4-Part) - Level 4 - SKU: A0.877211 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Tim Brent. A Cappella,Jazz. Octavo. 7 pages. Tim Brent Music #6575199. Published by Tim Brent Music (A0.877211). It is illegal to photocopy music. You must purchase enough copies for each member of your ensembleThis beautiful a cappella ballad set for TTTBBB voices (but work just as well for SATB voices) made famous by Frank Sinatra, will dazzle your audiences with lush, interesting harmony, interesting texture, and a poignant lyric. Similar to the style of the Hi-Lo's and the Singers Unlimited, the ensemble will find plenty of opportunities for expression and emotion in this piece.Ranges:Tenor 1 D5Bass 3 D2
$2.65 ≈
2.38€
The Night We Called It A Day
The Night We Called It A Day
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Frank Sinatra
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Ruby Rhea, Ken Potter
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The Night We Called It A Day
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Ken Potter
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.888079 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Ruby Rhea, Ken Potter. Jazz. Octavo. 3 pages....
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Choral Choir (SSAA) - Level 4 - SKU: A0.888079 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Ruby Rhea, Ken Potter. Jazz. Octavo. 3 pages. Ken Potter #4794319. Published by Ken Potter (A0.888079). This arrangement for female quartet (SAI) was originally written by Ruby Rhea. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285). .
$5.00 ≈
4.49€
Bethlehem Angel and The First Noel
Bethlehem Angel and The First Noel
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Noël
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Ginny Saltzman
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Bethlehem Angel and The First
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Ginny's House of Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Sc...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99 ≈
4.48€
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
8.08€
Day Time Impressions
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99 ≈
8.97€
The Night We Called It a Day
The Night We Called It a Day
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Piano seul
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Jazz
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Tunescribers
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The Night We Called It a Day
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ArrangeMe
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SheetMusicPlus
Piano Solo - SKU: A0.1326383 Arranged by Tunescribers. Jazz. Score. ArrangeMe #72023. Published by ArrangeMe (A0.1326383). ...
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Piano Solo - SKU: A0.1326383 Arranged by Tunescribers. Jazz. Score. ArrangeMe #72023. Published by ArrangeMe (A0.1326383).
$9.95 ≈
8.94€
The Night We Called It A Day (High Voice)
The Night We Called It A Day (High Voice)
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Voix haute
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Jazz
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Frank Sinatra
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The Night We Called It A Day
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470459 By Frank Sinatra. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470459...
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(High Voice) - SKU: HX.470459 By Frank Sinatra. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470459).
$1.99 ≈
1.79€
The Night We Called It A Day (Low Voice)
The Night We Called It A Day (Low Voice)
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Ligne De Mélodie, (Paroles) et Accords
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Frank Sinatra
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The Night We Called It A Day
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Hal Leonard - Digital
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SheetMusicPlus
Voice - SKU: HX.1303668 By Frank Sinatra. This edition: scorch. Country,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #588700. ...
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Voice - SKU: HX.1303668 By Frank Sinatra. This edition: scorch. Country,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #588700. Published by Hal Leonard - Digital (HX.1303668).
$1.99 ≈
1.79€
Frank Sinatra: The Night We Called It A Day (Low Voice) - voice & other instruments (low voice)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Country
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Frank Sinatra
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Virtualsheetmusic
Instantly printable sheet music by Frank Sinatra for voice & other instruments (low voice) of MEDIUM skill level. / country,jazz
Instantly printable sheet music by Frank Sinatra for voice & other instruments (low voice) of MEDIUM skill level. / country,jazz
$1.97 ≈
1.77€
Frank Sinatra: The Night We Called It A Day (High Voice) - voice & other instruments (high voice)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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Frank Sinatra
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Virtualsheetmusic
Instantly printable sheet music by Frank Sinatra for voice & other instruments (high voice) of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Frank Sinatra for voice & other instruments (high voice) of MEDIUM skill level. / jazz,standards
$2.97 ≈
2.67€
Diana Krall: The Night We Called It A Day - voice & other instruments (fake book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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Diana Krall
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Virtualsheetmusic
Instantly printable sheet music by Diana Krall for voice & other instruments (fake book) of MEDIUM skill level. / jazz
Instantly printable sheet music by Diana Krall for voice & other instruments (fake book) of MEDIUM skill level. / jazz
$4.97 ≈
4.46€
Tom Adair: The Night We Called It A Day for voice & other instruments (C Instruments)
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Instruments en Do
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INTERMÉDIAIRE
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Jazz
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Tom Adair
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Virtualsheetmusic
Instantly printable sheet music by Frank Sinatra for voice & other instruments (in C) of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Frank Sinatra for voice & other instruments (in C) of MEDIUM skill level. / jazz,standards
$2.97 ≈
2.67€
The Night We Called It a Day by Frank Sinatra - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock
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Frank Sinatra
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The Night We Called It a Day
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Musicnotes
Performed by: Frank Sinatra: The Night We Called It a Day Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital shee...
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Performed by: Frank Sinatra: The Night We Called It a Day Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Standards~~Traditional Pop~~Vocal Pop
$5.50 ≈
4.94€
The Night We Called It a Day by Diana Krall - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Diana Krall
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The Night We Called It a Day
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Musicnotes
Performed by: Diana Krall: The Night We Called It a Day Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet ...
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Performed by: Diana Krall: The Night We Called It a Day Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Guitar, instruments: Voice;C Instrument;Guitar; 3 pages -- Contemporary Jazz~~Jazz Standards~~Standards~~Vocal Jazz~~American Popular Song
$3.25 ≈
2.92€
The Night We Called It A Day by Matt Dennis - Piano Solo
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Piano seul
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Rock
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Matt Dennis
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The Night We Called It A Day
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Musicnotes
The Night We Called It A Day Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangemen...
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The Night We Called It A Day Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Piano; 6 pages -- Standards~~Traditional Pop~~Vocal Pop
$5.50 ≈
4.94€
King Of The Road
King Of The Road
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Contemporain
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Randy Travis
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Keith Terrett
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terret...
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Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99 ≈
15.26€
How Can You Mend A Broken Heart
How Can You Mend A Broken Heart
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Bee Gees
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Peet du Toit
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How Can You Mend A Broken Hear
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802643 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance...
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802643 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 19 pages. Peet du Toit #6169575. Published by Peet du Toit (A0.802643). How Can You Mend a Broken Heart is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.Barry and Robin Gibb wrote the song in August 1970 with Lonely Days when the Gibb brothers had reconvened following a period of break-up and alienation. Robin came to my place, says Barry, and that afternoon we wrote 'How Can You Mend a Broken Heart' and that obviously was a link to us coming back together. We called Maurice, finished the song, went to the studio and once again, with only 'Broken Heart' as a basic structure, we went in to the studio with that and an idea for 'Lonely Days', and those two songs were recorded that night.Here is a brass quintet version for you - a flügelhorn solo, with percussion. Enjoy this golden oldie!
$21.00 ≈
18.86€
It's Just Another New Year's Eve
It's Just Another New Year's Eve
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Barry Manilow
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Marco Polo C
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It's Just Another New Year's E
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880849 By Barry Manilow. By Barry Manilow. Arranged by Marco Polo C. Ignacio. Contemporary,Rock...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880849 By Barry Manilow. By Barry Manilow. Arranged by Marco Polo C. Ignacio. Contemporary,Rock. Lead Sheet / Fake Book. 1 pages. MARCO POLO IGNACIO #6104741. Published by MARCO POLO IGNACIO (A0.880849). It's Just Another New Year's Eve is a song recorded by Barry Manilow and written by Manilow with Marty Panzer. It was followed by the single Can't Smile Without You.The song appears on Manilow's 1977 album Barry Manilow Live. The single reached number 33 on the Billboard Adult Contemporary chart that year.Panzer recalled that Manilow wanted to write this song specifically for his Uris Theatre run, during which his live album was being recorded: We wrote the song on Monday… it was orchestrated on Tuesday… and recorded on Wednesday.Manilow performed It's Just Another New Year's Eve live at midnight on Dick Clark's New Year's Rockin' Eve numerous times.
$4.99 ≈
4.48€
O Come All Ye Faithful for Trumpet & Piano
O Come All Ye Faithful for Trumpet & Piano
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Trompette
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Tru
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.41€
O Come All Ye Faithful for Trombone & Piano
O Come All Ye Faithful for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3...
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Piano,Trombone - Level 1 - SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388129. Published by jmsgu3 (A0.548514). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.41€
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The Night We Called It A Day
