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Vous avez sélectionné:
The Logical Song
Partitions à imprimer
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251
I Sit Here On The Barren Hill
I Sit Here On The Barren Hill
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Piano, Voix
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FACILE
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by...
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Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
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Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95 ≈
£19.39
The Logical Song
The Logical Song
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Piano grosses notes
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DÉBUTANT
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Supertramp
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The Logical Song
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1266232 By Supertramp. This edition: scorch. E-Z Play Today. Jazz,Pop,Rock. Score. 4 pages. Hal L...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1266232 By Supertramp. This edition: scorch. E-Z Play Today. Jazz,Pop,Rock. Score. 4 pages. Hal Leonard - Digital #31358. Published by Hal Leonard - Digital (HX.1266232). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
£2.23
The Logical Song
The Logical Song
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Piano seul
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INTERMÉDIAIRE
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Rock
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Supertramp
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Matthew Hinkle
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The Logical Song
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Matthew Hinkle
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1017954 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Matthew Hinkle. Pop,Rock. Score. 2 pages. Matthew Hi...
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Piano Solo - Level 3 - SKU: A0.1017954 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Matthew Hinkle. Pop,Rock. Score. 2 pages. Matthew Hinkle #6334367. Published by Matthew Hinkle (A0.1017954).
$4.99 ≈
£3.73
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99 ≈
£2.98
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99 ≈
£2.23
A Childes Garden of Ecologickally Correct SONGES
A Childes Garden of Ecologickally Correct SONGES
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Tim Fatchen, Flying Tadpole
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A Childes Garden of Ecologicka
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Flying Tadpole Productions
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SheetMusicPlus
Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk. Score and part...
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Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk. Score and parts. 44 pages. Flying Tadpole Productions #3467356. Published by Flying Tadpole Productions (A0.992357). TEN CHILDREN'S SONGS for adults and smarter kids: it's satire but ecologically, it's CORRECT! The Songes are a satirical counterpoint to the fluffy guff that's so often passed off as kids' songs. They're fun to sing, easy to play, sufficiently gross to satisfy the bloodthirsty urges of older children, entertaining and, seriously, quite scientifically correct. Honesty in children's songs, a new thing in the world! All the Songes have been tested on line and at public performance. ECOLOGICAL REALITY BYTES! It's not all sweetness and light and tree-hugs out there in the Wonderful Ecological World, oh no! So here's the start of a re-education in ecological reality for you! Explore the murderous wooden hearts of trees! Learn the real reason for the decline of Fairy Penguins! Find your place on the Food Chain! There's an architecturally-acclaimed how-to blend your house with nature! And there's more!LEAD SHEETS, LYRIC SHEETS WITH CHORDS, LINER NOTESEach of the Songes can be printed separately as a 4-page booklet, with the lead sheets on the central two pages, the title and liner notes on the front page, and the lyrics only + chords on the back page.PARENTAL ADVISORY! While there's no profanity or overt/covert sexual innuendo anywhere, some adults find the content challenging, because it's not the view of Nature they'd like to have. Kids find these Songes great, especially the grosser ones, and may be able to help such adults cope. There should be parental or other adult guidance in anything like this because it is satire and may need explaining, and it's not for young children. FLYING TADPOLE AND TIM FATCHENThe virtual band Flying Tadpole started as a boat and turned into a state of mind. Mainly the cutting satire, cruel humor, blue angst and general mayhem of the scurrilous and dark alter ego of Tim Fatchen, Flying Tadpole is occasionally joined by others unwise enough to cross to the Dark Side, but wise enough to remain on another Continent. Both lurk in the depths of Mr Dunn's 1844 Mill, in Mount Barker in the beautiful Adelaide Hills, South Australia, and try not to be a blight on the landscape. Their website is at www.flyingtadpole.com
$14.95 ≈
£11.17
The Logical Song
The Logical Song
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Supertramp
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Kate Agioritis
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The Logical Song
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Musika Publishing Australia
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.567230 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kate Agioritis. Pop,Rock. Score and part. 1...
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Alto Saxophone,Piano - Level 4 - SKU: A0.567230 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kate Agioritis. Pop,Rock. Score and part. 14 pages. Musika Publishing Australia #6220097. Published by Musika Publishing Australia (A0.567230). The Logical Song by Supertramp - Saxophone and Piano included full transcription of the (extended) saxophone solo. Arranged in the same key and form as the original song so you can play along with the recording, or with a karaoke backing track if you wish! Enjoy!
$6.99 ≈
£5.22
Supertramp : The Logical Song (niveau intermédiaire, sax alto)
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Saxophone
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INTERMÉDIAIRE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau intermediaire, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone The Logical Song (niveau intermediaire, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau intermédiaire, sax ténor)
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Saxophone
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INTERMÉDIAIRE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau intermediaire, sax tenor) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone The Logical Song (niveau intermediaire, sax tenor) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau difficile, sax alto)
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Saxophone
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AVANCÉ
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau difficile, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone The Logical Song (niveau difficile, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau facile/intermédiaire, sax alto)
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Saxophone
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FACILE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau facile/intermediaire, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Po...
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Telechargez la partition Saxophone The Logical Song (niveau facile/intermediaire, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau difficile, sax ténor)
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Saxophone
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AVANCÉ
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau difficile, sax tenor) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone The Logical Song (niveau difficile, sax tenor) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau facile, sax alto)
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Saxophone
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FACILE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau facile, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone The Logical Song (niveau facile, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau facile/intermédiaire, sax ténor)
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Saxophone
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FACILE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau facile/intermediaire, sax tenor) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- P...
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Telechargez la partition Saxophone The Logical Song (niveau facile/intermediaire, sax tenor) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Batterie The Logical Song (niveau intermediaire) de Supertramp. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie The Logical Song (niveau intermediaire) de Supertramp. Partition avec audio Play Along. Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Batterie The Logical Song (niveau difficile) de Supertramp. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie The Logical Song (niveau difficile) de Supertramp. Partition avec audio Play Along. Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau intermédiaire, piano solo)
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Piano seul
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INTERMÉDIAIRE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Piano The Logical Song (niveau intermediaire, piano solo) de Supertramp. Partition pour Piano seul -- Pop/rock...
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Telechargez la partition Piano The Logical Song (niveau intermediaire, piano solo) de Supertramp. Partition pour Piano seul -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau facile)
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Batterie
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FACILE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Batterie The Logical Song (niveau facile) de Supertramp. Partition avec audio Play Along. Pop/rock...
(+)
Telechargez la partition Batterie The Logical Song (niveau facile) de Supertramp. Partition avec audio Play Along. Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau intermédiaire, avec orchestre)
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Piano seul
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INTERMÉDIAIRE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Piano The Logical Song (niveau intermediaire, avec orchestre) de Supertramp. Partition pour Piano avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Piano The Logical Song (niveau intermediaire, avec orchestre) de Supertramp. Partition pour Piano avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
Supertramp : The Logical Song (niveau intermédiaire/difficile)
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez les tablatures et la partition Basse The Logical Song (niveau intermediaire/difficile) de Supertramp. Tablatures et partition pour Avec accompagneme...
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Telechargez les tablatures et la partition Basse The Logical Song (niveau intermediaire/difficile) de Supertramp. Tablatures et partition pour Avec accompagnement orchestre -- Pop/rock
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£5.01
Supertramp : The Logical Song (niveau débutant, sax alto)
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Saxophone
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DÉBUTANT
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Saxophone The Logical Song (niveau debutant, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone The Logical Song (niveau debutant, sax alto) de Supertramp. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
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£5.01
Supertramp : The Logical Song
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Voix seule
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FACILE
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Chant The Logical Song de Supertramp. Partition pour Avec accompagnement orchestre -- Pop/rock...
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Telechargez la partition Chant The Logical Song de Supertramp. Partition pour Avec accompagnement orchestre -- Pop/rock
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£5.01
Supertramp : The Logical Song (niveau difficile, avec orchestre)
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Piano seul
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AVANCÉ
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Rock
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Supertramp
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The Logical Song
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Tomplay
Telechargez la partition Piano The Logical Song (niveau difficile, avec orchestre) de Supertramp. Partition pour Piano avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Piano The Logical Song (niveau difficile, avec orchestre) de Supertramp. Partition pour Piano avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.01
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