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The Light Princess Suite
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Vous avez sélectionné:
The Light Princess Suite
Partitions à imprimer
18 partitions trouvées
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1
The Light Princess Suite
The Light Princess Suite
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ayumi Okada
July 14th 2014
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Ayumi Okada
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The Light Princess Suite
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Abundant Silence
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1262277 Composed by Ayumi Okada. 21st Century,Chamber,Classical,Contemporary. Score. 22 pages. Abundant Silence #85...
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Cello Duet Cello - Level 4 - SKU: A0.1262277 Composed by Ayumi Okada. 21st Century,Chamber,Classical,Contemporary. Score. 22 pages. Abundant Silence #855313. Published by Abundant Silence (A0.1262277). THE LIGHT PRINCESS SUITE, BY AYUMI OKADAFOR CELLO AND PIANO, EARLY ADVANCED, 13 PAGES................................Our First Commission: The Light Princess Suite (2014) By Ayumi OkadaJuly 14th 2014Hello music lovers, it is our great pleasure to share with you this wonderful new piece of music by our dear friend Ayumi Okada. We asked Ayumi to write a suite of pieces following a favorite fairy tale called The Light Princess by 19th Century author George MacDonald (mentor and role model to such greats as C.S. Lewis and J.R.R. Tolkien). One of our goals as a duo is to begin playing more children's concerts, and we thought this piece would be a great addition to a program for the childlike. (George MacDonald did not write for children, but for the child-like, whether five, fifty, or seventy-five. ) It has been received wonderfully since its premiere in March, and we look forward to many more performances of the piece!An audio recording of our live performance on March 30, 2014 at Church of the Good Shepherd in Columbia SC, courtesy of SCETV Radio, can be found Here.The text of the story upon which the piece is based can be found Here.-A.W.Duo
$26.00 ≈
23.89€
Script for "The Kingdom of Light" Fairy Tale Suite
Script for "The Kingdom of Light" Fairy Tale Suite
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Kim S
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Script for "The Kingdom o
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Kim S. Bean
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SheetMusicPlus
Small Ensemble - SKU: A0.961683 Composed by Kim S. Bean. Children,Contemporary,Sacred. Score and parts. 3 pages. Kim S. Bean #6038099. Published by Kim ...
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Small Ensemble - SKU: A0.961683 Composed by Kim S. Bean. Children,Contemporary,Sacred. Score and parts. 3 pages. Kim S. Bean #6038099. Published by Kim S. Bean (A0.961683). Script for the Kingdom of Light This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashore, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. Churches can use this for religious purposes as this can be allegorical in nature.Using both this script and the 8 individual pieces listed below, a music teacher or theater director or church can put on a wonderful production for all. Both fun, full of important values and can possibly be used as an allegorical expression of faith.The scores available in this suite are: The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.59€
The Kingdom of Light
The Kingdom of Light
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Piano seul
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INTERMÉDIAIRE
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Kim S
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The Kingdom of Light
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961674 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038053. Published b...
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Piano Solo - Level 3 - SKU: A0.961674 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038053. Published by Kim S. Bean (A0.961674). The Kingdom of Light, 3 pages, is an intermediate piece in the key of G, is the first piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, The Kingdom of Light, is in 12/8 time, has rolled chords, octave playing, legato fingering outside of a 5 finger position, wide dynamic changes, octave position changes, staccatos and accents. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.59€
The Dark Knight
The Dark Knight
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Piano seul
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INTERMÉDIAIRE
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Kim S
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The Dark Knight
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961678 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038063. Published b...
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Piano Solo - Level 3 - SKU: A0.961678 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038063. Published by Kim S. Bean (A0.961678). The Dark Knight, 2 pages, is an intermediate piece in the key of G minor, is the fourth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, The Dark Knight, is in 4/4 time, with broken diminished chords. Students will develop the skill to play chords with a clean sound, curved fingers as well as creating a mood of suspense. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.59€
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99 ≈
10.10€
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.67€
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99 ≈
3.67€
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.67€
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99 ≈
3.67€
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.67€
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.67€
Waiting
Waiting
#
Piano seul
#
INTERMÉDIAIRE
#
Kim S
#
Waiting
#
Kim S. Bean
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published b...
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Piano Solo - Level 3 - SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published by Kim S. Bean (A0.961679). Waiting, 2 pages, is an intermediate piece in the key of D minor, is the fifth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Waiting, is in 6/8 time, opens with the tolling of a bell in a clock tower. Students will learn to make an audience wait , creating suspense. The music begins a frantic staccato motif that requires the student to cross their hands quickly. The piece ends in the key of F major as a hope filled surprise. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.59€
Everlasting Promise
Everlasting Promise
#
Piano seul
#
INTERMÉDIAIRE
#
Kim S
#
Everlasting Promise
#
Kim S. Bean
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961681 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038071. Published b...
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Piano Solo - Level 3 - SKU: A0.961681 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038071. Published by Kim S. Bean (A0.961681). Everlasting Promise, 3 pages, is an intermediate piece in the key of C, is the seventh piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Everlasting Promise, is in 4/4 time, opens with a wedding processional using common tone chords. The second and third sections depict the saying of wedding vows followed by great joy as the Prince and Princess are wed. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return and Glorious Celebration.
$4.99 ≈
4.59€
His Journey and Return
His Journey and Return
#
Piano seul
#
INTERMÉDIAIRE
#
Kim S
#
His Journey and Return
#
Kim S. Bean
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961680 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 4 pages. Kim S. Bean #6038069. Published b...
(+)
Piano Solo - Level 3 - SKU: A0.961680 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 4 pages. Kim S. Bean #6038069. Published by Kim S. Bean (A0.961680). His Journey and Return, 4 pages, is an intermediate piece in the key of F, is the sixth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, His Journey and Return, is in 4/4 time, gallops triumphantly into this suite to dispel evil once and for all. Staccatos, tenutos and accents abound. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.59€
Glorious Celebration
Glorious Celebration
#
Piano seul
#
INTERMÉDIAIRE
#
Kim S
#
Glorious Celebration
#
Kim S. Bean
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961682 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038075. Published b...
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Piano Solo - Level 3 - SKU: A0.961682 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038075. Published by Kim S. Bean (A0.961682). Glorious Celebration, 3 pages, is an intermediate piece in the key of D, is the eighth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Glorious Celebration, is in 4/4 time, is an exultant reprisal with some changes, of the village dance from Joyful News! Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light, The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return and Everlasting Promise.
$4.99 ≈
4.59€
Leaving
Leaving
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Piano seul
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INTERMÉDIAIRE
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Kim S
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Leaving
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961677 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 1 pages. Kim S. Bean #6038061. Published b...
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Piano Solo - Level 3 - SKU: A0.961677 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 1 pages. Kim S. Bean #6038061. Published by Kim S. Bean (A0.961677). Leaving, 1 page, is an intermediate piece in the key of D minor, is the third piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Leaving, is in 4/4 time,is filled with dramatically rolled chords.this is a sorrowful piece that gives students a chance to explore more expressive interpretation. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.59€
Joyful News!
Joyful News!
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Piano seul
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INTERMÉDIAIRE
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Kim S
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Joyful News!
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961676 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038059. Published b...
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Piano Solo - Level 3 - SKU: A0.961676 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038059. Published by Kim S. Bean (A0.961676). Joyful News! 2 pages, is an intermediate piece in the key of D, is the second piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.This solo, Joyful News!, is in 4/4 time, an interesting bass line with staccato touch, dotted rhythms, 16th notes and a catchy melody. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Leaving, The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.59€
MacDowell: Sea Pieces Op.55 “From a Wandering Iceberg” - symphonic wind dectet
MacDowell: Sea Pieces Op.55 “From a Wandering Iceberg” - symphonic wind dectet
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Classique
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Edward MacDowell
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Ray Thompson
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MacDowell: Sea Pieces Op.55 &l
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1233116 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 18 pag...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1233116 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 18 pages. RayThompsonMusic #828733. Published by RayThompsonMusic (A0.1233116). Edward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces, and New England Idylls.Woodland Sketches includes his most popular short piece, To a Wild Rose. A master at composing miniatures, his suite of 8 Sea Pieces Op.55 are colourful late-intermediate and early-advanced piano works. The eight pieces with descriptive titles explore a wide dynamic range and span the entire range of the keyboard.This is my arrangement of No.2 From a Wandering IcebergIt is quite short at 1 min 25 sec.An errant princess of the north, A virgin, snowy white Sails adown the summer sea, To realms of burning light Arranged double wind quintet/bass.
$9.95 ≈
9.14€
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The Light Princess Suite
