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The Choir Of St
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Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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The Lowest Place
The Lowest Place
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Orem
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The Lowest Place
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Philip Orem
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Philip Orem. 21st Century, Christian, Sacred. 5 pages. Published by Philip Orem...
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Choir, SATB - Intermediate - Composed by Philip Orem. 21st Century, Christian, Sacred. 5 pages. Published by Philip Orem
An acapella setting of Christina Rossetti's The Lowest Place for SATB with divisi. Suitable for services where service is the theme or for Holy Week, especially Maunday Thursday. The recording here is the choir of St. Mary's Episcopal Church in Park Ridge, IL conducted by Kevin McKelvie.
We're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.
For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
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Remembrance Day Ode: We will remember them
Remembrance Day Ode: We will remember them
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Chorale SATB
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INTERMÉDIAIRE
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Godelieve Ghavalas
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Remembrance Day Ode: We will r
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Not Just Notes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.996574 Composed by Godelieve Ghavalas. A Cappella,Sacred. Octavo. 4 pages. Not Just Notes #4897473. Published by...
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Choral Choir (SATB) - Level 3 - SKU: A0.996574 Composed by Godelieve Ghavalas. A Cappella,Sacred. Octavo. 4 pages. Not Just Notes #4897473. Published by Not Just Notes (A0.996574). Written at first for Anzac Day 2015 as an a cappella version - as in the MP3 attached, performed by the Choir of St.Patrick's Cathedral Parramatta, Australia with Director of Music - Bernard Kirkpatrick. This version is somewhat easier and is arranged for SATB with organ. The arrangement can also be used as a solo with organ.
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Your Favourite Easter Hymns for Clarinet Choir
Your Favourite Easter Hymns for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Musique Sacrée
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Various
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Your Favourite Easter Hymns fo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Col...
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Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 101 pages. Published by Colin Kirkpatrick Publications
YourFavourite Easter Hymns for Clarinet Choir
Arranged by ColinKirkpatrick
Contents:Amazing Grace (trad); And Can it Be? (Sagina); At the Lamb?s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Wrtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love?s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? (trad);Ye Choirs of New Jerusalem (St. Fulbert).
Thisis an essential collection of twenty-two favourite Easter hymns arranged forclarinet choir or for virtually any combination or number of clarinets. The publicationconsists of full scores for each hymn plus parts for 1st clarinet inB flat, 2nd clarinet in B flat, 3rd clarinet in B flatand bass clarinet in B flat. The 1st clarinet and 3rdclarinets have duplicate parts for E flat clarinet and E flat alto clarinetrespectively. You could of course include alto and tenor saxophones if necessary. There?s a piano part too, so you can also use the arrangements assolos, duets or trios. All the parts are contained in a single 100-page PDFfile. They are intended either as stand-alone pieces that could be used asinterludes in an Easter service, or they could be used to accompany solo,choral or congregational singing. The music has been set in clarinet-friendlykeys and they are compatible with the brass collection of the same name. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy.
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March of the Kings
March of the Kings
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious...
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Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99 ≈
¥14.41
The Shinfield Service: Evening Canticles for Unison SATB Choir and Organ
The Shinfield Service: Evening Canticles for Unison SATB Choir and Organ
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Jamie Farrow
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Jamie Farrow
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The Shinfield Service: Evening
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Jamie Farrow
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.948669 Composed by Jamie Farrow. Arranged by Jamie Farrow. Contemporary,Holiday,Praise & Worship,Sacred. Octavo....
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Choral Choir (SATB) - Level 3 - SKU: A0.948669 Composed by Jamie Farrow. Arranged by Jamie Farrow. Contemporary,Holiday,Praise & Worship,Sacred. Octavo. 29 pages. Jamie Farrow #4626393. Published by Jamie Farrow (A0.948669). A set of Evening Canticles for unison SATB choir and Organ. It is rhythmically diverse and fun providing an enjoyable and unique setting of the Magnificat and Nunc Dimittis texts. Originally composed for the choir of St Mary's Shinfield to celebrate their 950th year.
$1.99 ≈
¥14.41
Stephansdom for Solo Bass Trombone & Trombone Choir
Stephansdom for Solo Bass Trombone & Trombone Choir
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Contemporain
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trom
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score...
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Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50 ≈
¥199.14
Only Remembered Re-scored for SATB Choir and Piano, Two Tenor Soloists and Unison Second Choir (or A
Only Remembered Re-scored for SATB Choir and Piano, Two Tenor Soloists and Unison Second Choir (or A
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Chorale SATB
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Ira D Sankey
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J Farrow
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Only Remembered Re-scored for
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Jamie Farrow
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.948667 Composed by Ira D Sankey. Arranged by J Farrow. 20th Century,Contemporary,Praise & Worship. Octavo. 14 pages. Jamie...
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Choral Choir (SATB) - SKU: A0.948667 Composed by Ira D Sankey. Arranged by J Farrow. 20th Century,Contemporary,Praise & Worship. Octavo. 14 pages. Jamie Farrow #3683071. Published by Jamie Farrow (A0.948667). A reworking of the best selling Only Remembered, from the hit musical War Horse, arranged for the Choir of St Mary's Shinfield, Reading. The piece is arranged for SATB Choir, Two Tenor Soloists, piano and a unison second choir that was the audience for the first performance of this piece. This piece is perfect for the commemorations of the end of the First World War.
$1.99 ≈
¥14.41
There Came a Wind like a Bugle
There Came a Wind like a Bugle
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Chorale 2 parties
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FACILE
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Gerda Blok-Wilson
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There Came a Wind like a Bugle
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CanSing
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instr...
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Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instructional. 16 pages. CanSing #979129. Published by CanSing (A0.1395757). Gerda Blok-Wilson’s new composition of Emily Dickinson’s “There Came a Wind Like a Bugle†is a lively setting for SA voices with piano accompaniment. It portrays the arrival of a powerful wind and tells of its effects on the surroundings and impending disaster it brings. The piece has an ominous, almost supernatural sense that is driving to the end.Although the choral or duet piece would work at any time of year, it could set the tone for a Halloween concert, adding an eerie atmosphere and sense of mystery.Beautiful demo recording by ROCKY MOUNTAIN CHAMBER CHOIR - https://www.rockymountainchamberchoir.com/ Visit: www.gerdablokwilson.ca for a comprehensive selection of UPPER, LOWER and MIXED VOICE RepertoirGreat festival selection!YouTube: https://youtu.be/7elBk2jDogkSuggested themes: Nature’s powerFear of the unknownImpermanence and changeResilienceThe Inevitability of Fate. #ChoralMusic #EmilyDickinson #ChoralComposer #ChoirLife #PoetryInMusic #ChoralMagic #ChoralCanada #UpperVoices #Piano #FestivalSelection #GerdaBlok #rmccvc Social Media informationYoutube: Cansing ChoralInstagram: gerdachoralcomposerFaceBook: Gerda Blok-WilsonTwitter: @BlokWilsonThreads: gerdachoralcomposer Email: gerda.blokwilson@gmail.com for information about individual practice files. Also, I’d love to hear a video performance of your choir. Please send. Gerda Blok-Wilson, a Canadian composer, conductor, and educator, is a fervent advocate for the transformative power of choral singing and its remarkable ability to inspire people with diverse abilities. Her motto reflects that belief: If you can talk, you can sing! Since 2018, Gerda has dedicated herself to compiling and editing her compositions for publication. Her portfolio ranges from musicals and choral works tailored to nurture budding choirs to advanced choral repertoire that has garnered acclaim through live performances and recordings. Gerda is artist in residence at St. Patrick’s Regional High School in Vancouver and serves as the artistic director for the Vancouver Cansing Community Choir, which she founded in 2010. She is a frequent guest rehearsal conductor, helping local choirs polish their performances. Gerda's educational background includes a Bachelor of Music, a Kodály Teaching certificate, and a Master of Education with a focus on Kodály pedagogy.
$2.25 ≈
¥16.29
Song of the Mountains
Song of the Mountains
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Chorale SATB
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INTERMÉDIAIRE
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Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Ba...
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Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50 ≈
¥18.10
St Matthew Passion
St Matthew Passion
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Matthew Owens
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St Matthew Passion
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Oxford University Press Digital
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SheetMusicPlus
Solo voices, SATB chorus, and organ - SKU: OX.9780193703575 Composed by Matthew Owens. Octavo. 18 pages. Oxford University Press Digital #9780193703575....
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Solo voices, SATB chorus, and organ - SKU: OX.9780193703575 Composed by Matthew Owens. Octavo. 18 pages. Oxford University Press Digital #9780193703575. Published by Oxford University Press Digital (OX.9780193703575). ISBN 9780193703575.For soloists, SATB, and organ. Written for the Choir of Wells Cathedral, this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist, who narrates the story of Christ's trial and Crucifixion in unaccompanied chant.
$4.50 ≈
¥32.59
Rolling In The Deep
Rolling In The Deep
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Chorale SATB
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INTERMÉDIAIRE
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Adele
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Patrick Painter
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Rolling In The Deep
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Patrick Painter
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1188579 By Adele. By Adele Adkins and Paul Epworth. Arranged by Patrick Painter. A Cappella,Contemporary,...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1188579 By Adele. By Adele Adkins and Paul Epworth. Arranged by Patrick Painter. A Cappella,Contemporary,Pop. Octavo. 11 pages. Patrick Painter #788189. Published by Patrick Painter (A0.1188579). A 4-part, SATB arrangement of Adele's rolling in the deep. Workshopped with STACappella, the choir of St Anne's College, University of Oxford.
$2.00 ≈
¥14.48
St. Louis Blues
St. Louis Blues
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Chorale SATB
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INTERMÉDIAIRE
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W
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Scott S
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St. Louis Blues
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1098119 Composed by W.C. Handy. Arranged by Scott S. Stewart. 20th Century,Blues,Historic,Instructional,Standard...
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Choral Choir (SATB) - Level 3 - SKU: A0.1098119 Composed by W.C. Handy. Arranged by Scott S. Stewart. 20th Century,Blues,Historic,Instructional,Standards. Octavo. 24 pages. Scott S. Stewart #701988. Published by Scott S. Stewart (A0.1098119). William Christopher [W.C.] Handy, (who often referred to himself as the ‘Father of the Blues’), first published “St. Louis Blues,†(The jazzman’s Hamlet), his most famous composition, in 1914. It became one of the most popular and celebrated jazz standards in history. The musical style of a tango merged with the blues, and lyrics, a lament about a woman on the streets of St. Louis distraught over her husband’s absence – written in a southern dialect style – make this a fascinating introduction to the evolution of ‘the blues’ for student and audience member alike. Arranged for 4-part SATB ensemble with piano accompaniment, and notated for a classically trained group of musicians, this entry level primer serves not only to inform but present Handy’s creativity and genius. Performance time: 6:00+ An apt study for Black History month.
$2.99 ≈
¥21.65
Herzliebster Jesu from St. Matthew Passion - for Men's Choir (Am)
Herzliebster Jesu from St. Matthew Passion - for Men's Choir (Am)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu from St. Mat
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred....
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912464. Published by Müller Publishing company (A0.1324266). Herzliebster Jesu from St. Matthew Passion - for Men's Choir (A minor)Delve into the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Specially crafted for male choirs in A minor, this musical gem enables your ensemble to explore the emotional depths of this composition with ease.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourselves in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all male choir members.**Tailored for Lower Voices (TTBB):** This score is thoughtfully adapted for male choirs with lower voices (Tenor 1, Tenor 2, Baritone, Bass), providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your male choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among male choir members, promoting efficient and collaborative preparation.**Ideal for Male Choral Performance:** Tuned in A minor, the score creates an optimal sonic environment for male choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your male choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your male choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your male choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99 ≈
¥14.41
The Spirit of the Lord
The Spirit of the Lord
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Cathy Lundeen, Vocal / Dr
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Dr
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The Spirit of the Lord
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School Sisters of St. Francis
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SheetMusicPlus
Organ,Voice - Level 3 - SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masia...
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Organ,Voice - Level 3 - SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751). “The Spirit of the Lord† Sr. Theophane Hytrek OSFCathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.Cathy credits her vocal “training†and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99 ≈
¥14.41
Walking In The Air
Walking In The Air
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Orchestre
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INTERMÉDIAIRE
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Howard Blake
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Kevin Riley
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Walking In The Air
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages....
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Full Orchestra - Level 3 - SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.
$70.00 ≈
¥506.89
Herzliebster Jesu From the St. Matthew Passion (Bm)
Herzliebster Jesu From the St. Matthew Passion (Bm)
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu From t
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1324265 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred....
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1324265 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912463. Published by Müller Publishing company (A0.1324265). Herzliebster Jesu  From the St. Matthew Passion (Bm)Explore the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Carefully arranged for choirs, this musical treasure in B minor enables your ensemble to delve into the emotional depths of the composition effortlessly.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourself in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all choir members.**Tailored for Lower Voices:** This score is thoughtfully adapted for choirs with lower voices, providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among choir members, promoting efficient and collaborative preparation.**Ideal for Choral Performance:** Tuned in B minor, the score creates an optimal sonic environment for choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99 ≈
¥14.41
Bach: Wachet auf for Flute Choir
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95 ≈
¥289.29
Bach: Jesu, Joy of Man's Desiring for Flute Choir
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95 ≈
¥361.70
Prelude No. 8 in F major “O God my Father”, Op. 20 by Juozas Naujalis (1869–1934)
Prelude No. 8 in F major “O God my Father”, Op. 20 by Juozas Naujalis (1869–1934)
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Orgue
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FACILE
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Audra TelksnytÄ—
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Balys Vaitkus
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Prelude No. 8 in F major &ldqu
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Nacionaline vargonininku asociacija
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251258 By Audra TelksnytÄ—. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Roma...
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251258 By Audra Telksnytė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845535. Published by Nacionaline vargonininku asociacija (A0.1251258). 14 Preludes, Op. 20. Fourteen pieces for organ, dedicated to a “beloved friend, Fr. Teodoras Brazys,†presents the largest collection of works for this instrument in Naujalis’ oeuvre. Like Naujalis, Brazys was the graduate of the Church Music School in Regensburg. These fourteen preludes for organ appear to be written in expression of deep affinity and gratitude to a like-minded friend who shared similar values. Some of Naujalis’ organ preludes have been included in music collections abroad – by Mieczysław Surzyński in Warsaw and Joseph Joubert in Paris. Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
$4.99 ≈
¥36.13
Prayer of St. Anselm (from Requiem)
Prayer of St. Anselm (from Requiem)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David W
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Prayer of St. Anselm
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1368090 Composed by David W. Barber. A Cappella,Christian,Sacred. 4 pages. David W. Barber #952445...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1368090 Composed by David W. Barber. A Cappella,Christian,Sacred. 4 pages. David W. Barber #952445. Published by David W. Barber (A0.1368090). This little choral prayer has a text from St. Anselm of Canterbury (ca. 1330), slightly revised by me to make it more inclusive. “Illuminate and inspire, we beseech thee, all thinkers, writers, artists and crafters.†And I love that it allows us “to rejoice in beauty.†I found this text on the wall of a side chapel in Canterbury Cathedral in 1983 and set it originally in 1984 as a memorial to one of my uncles, my father’s brother, who was a skilled landscape artist. I later revised it as one of the movements of my Requiem, composed in 1994 (revised ’95). This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe.Find my music books and my new mystery novel, Hedshot, at IndentPublishing.comRead my author/composer blog at DavidWBarber.comContact me at dbarber@indentpublishing.com.
$2.99 ≈
¥21.65
Byzantine hymn: APOLYTIKION of St. DIMITRIOS
Byzantine hymn: APOLYTIKION of St. DIMITRIOS
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Byzantine hymn
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Marilena Zlatanou
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Byzantine hymn: APOLYTIKION of
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343531 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 4 pages. Marilena Zlatanou ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343531 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 4 pages. Marilena Zlatanou #929061. Published by Marilena Zlatanou (A0.1343531). BYZANTINE HYMN (Apolytikion) for St. DIMITRIOS arrangement for SATB choirSt. Dimitrios was born around 280-284 in Thessaloniki (N. Greece), and martyred under Roman Emperor Diocletian in ca 306. He had become a Roman army officer but was incarcerated after converting to Christianity. In prison he met with Nestor, a gladiator set out to fight the famous and feared Lyeos. Dimitrios gave Nestor his blessing who then won the fight, something that enraged Maximilian (then governor of the city and later emperor), and who then ordered the execution of both Nestor and Dimitrios. St. Dimitrios is the patron saint of Thessaloniki, the second largest city in Greece, which has, since its establishment in 315 BC, been the administrative center of the whole area. duration: 3'25' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00 ≈
¥144.83
The Temptation of St. Anthony (female choir)
The Temptation of St. Anthony (female choir)
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Chorale 2 parties
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INTERMÉDIAIRE
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Dave Kenney
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The Temptation of St. Anthony
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davekenneymusic
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.966496 Composed by Dave Kenney (davekenneymusic@gmail.com). 20th Century,Contemporary,World. Octavo. 6 pages. Dave...
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Choral Choir (SA) - Level 3 - SKU: A0.966496 Composed by Dave Kenney (davekenneymusic@gmail.com). 20th Century,Contemporary,World. Octavo. 6 pages. Davekenneymusic #3619265. Published by davekenneymusic (A0.966496). This unusual choral work is scored for two sopranos and alto voices. It is very ethereal and soft, inspired by the story of St. Anthony crossing the desert and the painting by Salvador Dahli. Length is 3 minutes and 50 seconds.
$6.99 ≈
¥50.62
Amida Hymns: 13 Short Worshipful Buddhist Anthems for Chorus SATB a Capella
Amida Hymns: 13 Short Worshipful Buddhist Anthems for Chorus SATB a Capella
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Richard St
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Amida Hymns: 13 Short Worshipf
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.939716 Composed by Richard St. Clair. 20th Century,A Cappella,Contemporary,Praise & Worship,Sacred. Octavo. 26 p...
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Choral Choir (SATB) - Level 3 - SKU: A0.939716 Composed by Richard St. Clair. 20th Century,A Cappella,Contemporary,Praise & Worship,Sacred. Octavo. 26 pages. Richard St. Clair #3002307. Published by Richard St. Clair (A0.939716). These short Buddhist anthems (ranging from about 45 seconds to 1 1/2 minutes duration) are choral settings of poems (wasan) by the great Jodo Shinshu Buddhist luminary, Shinran Shonin (Japan, 1173-1262). Each one celebrates the aspects of the miraculous saving Light of the Buddhist Savior, Amida Buddha. The MP3 Audio Clip is a computer-generated soundfile of the concluding anthem (no. 13). Total duration of the series, about 14 minutes. The style of the music is completely tonal with conventional rhythms, suitable for performance by amateur groups or professional choirs alike.
$4.50 ≈
¥32.59
Carol for St. Steven
Carol for St. Steven
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Chorale SATB
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Alexander Goehr
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Carol for St. Steven
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - SKU: S9.Q6579 For SATB choir. Composed by Alexander Goehr. This edition: choral score. Choral Music of Our Time. Downloadable, chor...
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Mixed choir - SKU: S9.Q6579 For SATB choir. Composed by Alexander Goehr. This edition: choral score. Choral Music of Our Time. Downloadable, choral score. Duration 4 minutes. Schott Music - Digital #Q6579. Published by Schott Music - Digital (S9.Q6579). English.Written in memory of Erich Fried (1921-1988), a writer who wrote the libretto for Goehr's opera Arden Must Die and whose poems were set in Warngedichte (op. 22), Carol for St Steven is a short and playful carol about St Steven as a servant boy in King Herod’s Hall. Seeing the Star and realising that Jesus has been born, the boy tells King Herod whose overreaction results in Steven being stoned to death (explaining why the Vigil of St Stephen takes place on Christmas Night). With a treble soloist singing the lines of Steven and a bass singing the parts of Herod, Goehr’s carol for St Steven is an alternative carol in many senses, but one that would be ideal for both amateur and professional choirs looking for new repertoire.
$4.99 ≈
¥36.13
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The Choir Of St
