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Vous avez sélectionné:
The Northern Folk Harp
Partitions à imprimer
6 partitions trouvées
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1
The Northern Folk Harp
The Northern Folk Harp
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Harpe
#
INTERMÉDIAIRE
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Folklorique/Traditionel
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Beth Kolle
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The Northern Folk Harp
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SheetMusicPlus
Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, Celtic, St. Patrick's Day, Recital. 93 pages. Published by Afghan Press Music...
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Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, Celtic, St. Patrick's Day, Recital. 93 pages. Published by Afghan Press Music for the Harp
This excellent book by Beth Kolle will add some interesting "northern land" tunes to your repertoire! This 117-page book contains music from Ireland, Scotland, Sweden, Norway, Cape Breton, France, Manx, and Finland, 25 tunes in all. Each piece has an introductory page of background information. The following tunes have flute parts in addition to the harp part: Carrickfurgus, Innisheer, Brae Lochiel, Schottis 1, and The Shepherd's Daughter. The following tunes have a Harp 2 duo part: Innisheer, Reinlendar 1, and Mazurka Michel. Chords are included and measure numbers are marked at the beginning of each system.
Table of Contents:
The Bold Princess Royal, Carrickfergus, Fair-Haired Child, Inis Siar, Kitty Magennis, Morgan Meaghan, The Raven, Brae Lochiel, Harris Air, JB Reel, Long-Dance, Polska, Schottis I, Slangpolska, Huldrevals, Reinlander I, Sirivisa, Brenda Stubbert's Reel, John McColl's Favorite, Lily's Waltz, Reinlandar II, Mazurka Michel, The Shepherd's Daughter, Ti-ti-ti.
$25.00 ≈
22.44€
Selkie - Call of the Sea
Selkie - Call of the Sea
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Harpe
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INTERMÉDIAIRE
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Elizabeth Sutherland
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Selkie - Call of the Sea
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Elizabeth Sutherland
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SheetMusicPlus
Celtic Harp,Folk Harp,Instrumental Solo - Level 3 - SKU: A0.902282 Composed by Elizabeth Sutherland. Celtic,Children,Folk,Irish,Multicultural,New Age,Wo...
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Celtic Harp,Folk Harp,Instrumental Solo - Level 3 - SKU: A0.902282 Composed by Elizabeth Sutherland. Celtic,Children,Folk,Irish,Multicultural,New Age,World. Individual part. 3 pages. Elizabeth Sutherland #6073251. Published by Elizabeth Sutherland (A0.902282). Selkie - Call of the Sea. Original composition by Elizabeth Sutherland. The Selkie is a mythological creature who lives as a seal in the wild northern parts of Scotland. They can shed their skin and become human on shore, often taking the form of a beautiful woman. Sometimes they fall in love in human form, but the call of the sea is always too strong.This piece is suitable for Piano or Lever Harp solo.
$4.99 ≈
4.48€
Dance to Your Daddy (When the Boat Comes In) SSAA
Dance to Your Daddy (When the Boat Comes In) SSAA
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Chorale SSAA
#
Traditional
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Debbie Warren
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Dance to Your Daddy
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Keep Calm and Keep Singing
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #...
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Choral Choir (SSAA) - SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
$1.99 ≈
1.79€
Blow The Wind Southerly - Flexible Brass Quartet (with Descant) Score and Parts PDF
Blow The Wind Southerly - Flexible Brass Quartet (with Descant) Score and Parts PDF
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Folklorique/Traditionel
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English Folk Song
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Brendan Elliget MAGA 537
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Blow The Wind Southerly - Flex
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BJE Music
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.751062 Composed by English Folk Song. Arranged by Brendan Elliget MAGA 537. Folk...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.751062 Composed by English Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 14 pages. BJE Music #6526703. Published by BJE Music (A0.751062). Blow the Wind Southerly is a traditional English folk song from Northumberland. It tells of a woman desperately hoping for a southerly wind to blow her lover back home over the sea to her. This folk song has origins in Tyneside. The chorus of Blow the Wind Southerly first appeared in print in the 1834 publication The Bishoprick Garland by Cuthbert Sharp. The 1882 book Northumbrian Minstrelsy published an arrangement by John Collingwood Bruce and John Stokoe of the chorus in D major and a 6/8 time signature. In the 1892 book Songs and Ballads of Northern England, Stokoe added to Blow the Wind Southerly three new verses written by John Stobbs on a broadside. [Wikipedia]This is an arrangement for a Flexible Brass Quartet with an added descant part in the 2nd and 4th verses (Eb Major).Part (Descant) – Trumpet in Eb, Trumpet in BbPart 1 (Melody) - Trumpet in BbPart 2 – Trumpet in Bb, Horn in F or EbPart 3 – Trombone in TC or BCPart 4 - Euphonium in TC or BC, Tuba in CGrade = 3 Duration = 3:50 mins. (4 verses) The MP3 was recorded with NotePerformer 3.
$7.50 ≈
6.73€
Six Violin Duets, Op. 1
Six Violin Duets, Op. 1
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
#
William Shield
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Robert Hoskins
#
Six Violin Duets, Op. 1
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Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00 ≈
64.64€
Six Violin Duets, Op. 2
Six Violin Duets, Op. 2
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2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00 ≈
64.64€
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1
The Northern Folk Harp
