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That's Not Very Nice!
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Vous avez sélectionné:
That's Not Very Nice!
Partitions à imprimer
90 partitions trouvées
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That's Not Very Nice!
That's Not Very Nice!
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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That's Not Very Nice!
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1419921 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop. Score. 6 pages....
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1419921 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #1001344. Published by Andrew Mc Donald (Macka Records) (A0.1419921). That's Not Very Nice is a song about something we can say to someone when they are rude or swear.If respect is something we wish for when talking to someone then a rebuke is a good strategy for such behaviour. A good way to reprimand is to say That is not very nice or maybe you could have said that a better way! What we allow shows the person that we are. This is the piano and vocals score.
$4.99 ≈
4.67€
Kimberly's Song for solo classical fingerstyle guitar (+ TAB)
Kimberly's Song for solo classical fingerstyle guitar (+ TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Keith W
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Kimberly's Song for solo class
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Keith Gehle
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1268986 Composed by Keith W. Gehle. Classical,New Age,Wedding. Guitar Tab. 6 pages. Keith Gehle #861520. Published by Keith G...
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Guitar - Level 3 - SKU: A0.1268986 Composed by Keith W. Gehle. Classical,New Age,Wedding. Guitar Tab. 6 pages. Keith Gehle #861520. Published by Keith Gehle (A0.1268986). “Kimberly’s Song†was written for my wife while we were dating and recorded shortly thereafter as part of my Wintersong album of 20 original pieces for solo guitar. Although initially recorded on the classical guitar, it also sounds very nice on the steel string acoustic and is not too challenging for an intermediate player. This PDF includes standard notation with tablature for ease of learning as well as a two page “notes only†version. “Kimberly’s Song†is a charming and sentimental ballad that will surely touch the hearts of listeners at concerts, weddings and gigs.
$2.99 ≈
2.80€
"Kimberly's Song" for solo classical fingerstyle guitar
"Kimberly's Song" for solo classical fingerstyle guitar
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Keith Gehle
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"Kimberly's Song" fo
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1413633 By Keith Gehle. By Keith W. Gehle. Classical,New Age,Wedding. Individual part. 2 pages. Keith Gehle #995418. Pub...
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Solo Guitar - Level 3 - SKU: A0.1413633 By Keith Gehle. By Keith W. Gehle. Classical,New Age,Wedding. Individual part. 2 pages. Keith Gehle #995418. Published by Keith Gehle (A0.1413633). “Kimberly’s Song†was written for Keith’s wife while they were dating and recorded shortly thereafter as part of his Wintersong album of 20 original pieces for solo guitar. Although initially recorded on the classical guitar, it also sounds very nice on the steel string acoustic and is not too challenging for an intermediate player. There’s also a version with TAB available on this site. “Kimberly’s Song†is a charming and sentimental ballad that will surely touch the hearts of listeners at concerts, weddings and gigs.
$2.99 ≈
2.80€
She's Leaving Home
She's Leaving Home
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Chorale 3 parties
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FACILE
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Pop musique
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The Beatles
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Jon Arterton
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She's Leaving Home
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Jon Arterton
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1372216 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jon Arterton. Pop. 6 pages. Jon Art...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1372216 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jon Arterton. Pop. 6 pages. Jon Arterton #956478. Published by Jon Arterton (A0.1372216). This poignant song was released as part of the Beatles 1967 album Sgt. Pepper’s Lonely Hearts Club Band. It tells the story of a young woman who has decided to leave her parents’ home. The SAB arrangement features a very nice solo. “Wednesday morning at five o'clock as the day begins, silently closing her bedroom door, leaving the note that she hoped would say more, she goes down the stairs to the kitchen clutching her handkerchief, quietly turning the backdoor key, stepping outside, she is free.â€.
$2.25 ≈
2.11€
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Chorale TTBB
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INTERMÉDIAIRE
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 2...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99 ≈
1.86€
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Ken Litton
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Ken Litton
#
Angel, Blow that Trumpet
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Artist of Note, Inc.
#
SheetMusicPlus
Double Bass,Piano - Level 3 - SKU: A0.1446334 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. Accompaniment. ...
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Double Bass,Piano - Level 3 - SKU: A0.1446334 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. Accompaniment. Duration 213. Artist of Note, Inc. #1026140. Published by Artist of Note, Inc. (A0.1446334). MP3 Accompaniment [~3:30]Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB or TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99 ≈
4.67€
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Chorale SATB
#
Ken Litton
#
Ken Litton
#
Angel, Blow that Trumpet
#
Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. A...
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Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. Artist of Note, Inc. #1016714. Published by Artist of Note, Inc. (A0.1436603). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTNN and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts a lot of fun and the trumpet part features an easily playable/adaptable ending that really nails the piece (actually the lower version is really nice). It turns out that they are really best for good, legit players just as written in a swing style.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99 ≈
1.86€
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #368...
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Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99 ≈
14.03€
All Of Me
All Of Me
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Guitare notes et tablatures
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Contemporain
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Gerald Marks and Seymour Simon
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Mark Hanson
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All Of Me
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Accent On Music, LLC / Mark Hanson
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SheetMusicPlus
Guitar - Advanced Intermediate - SKU: A0.499455 Composed by Gerald Marks and Seymour Simons. Arranged by Mark Hanson. Contemporary. Guitar Tab. 6 pages....
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Guitar - Advanced Intermediate - SKU: A0.499455 Composed by Gerald Marks and Seymour Simons. Arranged by Mark Hanson. Contemporary. Guitar Tab. 6 pages. Published by Accent On Music, LLC / Mark Hanson (A0.499455). Very nice jazzy fingerstyle solo arrangement of the jazz standard All of Me -- in the key for G, standard tuning. This includes Mark Hanson's trademark playability, cool voicings of chords, inner voice movement and a bassline supportive of the melody. Alternating-bass largely. A very cool arrangement that was meant for Mark's Great American Songbook for Fingerstyle Guitar book/recording, but due to © issues, ended up here instead of in the book! Performance audio is on his CD: https://markhansonguitar.com/product/great-american-songbook-for-guitar-cd/.
$6.99 ≈
6.54€
There Will Never Be Another You
There Will Never Be Another You
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Harry Warren
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Michael New
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There Will Never Be Another Yo
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Winterbee Music Company
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.985000 Composed by Harry Warren. Arranged by Michael New. Contemporary. Individual part. 2 pages. Winterbee Music Compan...
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Solo Guitar - Level 3 - SKU: A0.985000 Composed by Harry Warren. Arranged by Michael New. Contemporary. Individual part. 2 pages. Winterbee Music Company #4810051. Published by Winterbee Music Company (A0.985000). Here's a nice arrangement of Warren & Gordon's There Will Never Be Another You. Its short (1 page) and sweet and the kind of piece that you'll want to play every day. Its written for finger style guitar and is a great technical warmup for both hands.
$4.99 ≈
4.67€
In My Place
In My Place
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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Coldplay
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Dan Sanchez
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In My Place
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Dan Sanchez
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.799114 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.799114 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dan Sanchez. Rock. Score and parts. 15 pages. Dan Sanchez #4775803. Published by Dan Sanchez (A0.799114). One of Coldplay's Greatest Hits, this arrangement of In My Place can be performed with a String Quartet or Trio (the 2nd Violin Part is optional). This includes the score and all parts.This is one of my favorite Coldplay songs, and it comes in handy for wedding preludes and processionals now and again, due to its nice walking tempo and well-balanced harmonies. It’s just a great, great song. 1st Violin and Viola trade off the melody, but that’s not to say the 2nd violin and cello have boring parts. Everyone has something to work with here!One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99 ≈
12.15€
Summertime - Waltz for Easy String Orchestra
Summertime - Waltz for Easy String Orchestra
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Orchestre à Cordes
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FACILE
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Claudio Porstmann
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Summertime - Waltz for Easy St
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Claudio Porstmann
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.835237 Composed by Claudio Porstmann. 20th Century,Classical,Concert,Instructional,Standards. Score and parts. 6 pa...
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String Orchestra - Level 2 - SKU: A0.835237 Composed by Claudio Porstmann. 20th Century,Classical,Concert,Instructional,Standards. Score and parts. 6 pages. Claudio Porstmann #4628049. Published by Claudio Porstmann (A0.835237). This is a sweet little waltz in viennese style for string orchestra. It's only a page long, and ideally suited for string players in Grades 3 or 4.This waltz is a really fun play, quick, lively with nice melodies that everyone will enjoy. It's not very difficult, which makes it popular with string instrument students, since the piece sounds very good without ages of practice. Give this waltz a try if you're looking for a quick little piece to break the practice routine in the string orchestra.
$4.99 ≈
4.67€
Christmas Time Is Here
Christmas Time Is Here
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Lee Mendelson and Vince Guaral
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Iguana
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Christmas Time Is Here
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Iguana
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1316546 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Iguana. 20th Century,A Cappella,Christm...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1316546 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Iguana. 20th Century,A Cappella,Christmas,Film/TV,Jazz. 2 pages. Iguana #905283. Published by Iguana (A0.1316546). This is a 4 part (SATB) arrangement for choirs, with chords notation.Although the original song is in F, this arrangement is in G with the intention of adapting it better to smaller choirs, since the low F doesn't sound as nice when it's not very robust. The arrangement is simple and respects the original harmony proposed by Vince Guaraldi, with a few minor changes. If you wish, you can create a connecting line for the basses from bar 4 to 5, as it's an interval that can easily go out of tune.This is a simple arrangement, ideal for Snoopy and Charlie Brown fans who have or are part of a small choir that wants to rehearse and sing songs for the Christmas season. May the Peanuts gang always live on in us and our music-making!
$1.99 ≈
1.86€
Breaking Up Is Hard To Do
Breaking Up Is Hard To Do
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Chorale SSAA
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INTERMÉDIAIRE
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Neil Sedaka
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Larry Wright
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Breaking Up Is Hard To Do
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.853700 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Larry Wright. A Cappella,Barbers...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.853700 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4412137. Published by Larry Wright (A0.853700). A WOMEN'S 4-part, barbershop arrangement of this classic, medium tempo'd ballad song; it can be sung a cappella or performed using either the available piano/bass parts or the pre-recorded, fully orchestrated accompaniment track. The arrangement for both the accompanied and a cappella versions is EXACTLY THE SAME. Sung a cappella, it's a very nice piece. Sung using the accompaniment, it's a show stopper... and, with that in mind, I recommend it being performed as the last song in your program. IMPORTANT NOTE: by FIRST purchasing the $100 COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the current much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher who controls the song licensing of the second song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00 ≈
14.03€
Prelude from BWV1007 by Bach (Sheet Music and TAB)
Prelude from BWV1007 by Bach (Sheet Music and TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Werner Guitar Editions
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Prelude from BWV1007 by Bach
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This is Classical Guitar
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.866923 Composed by Johann Sebastian Bach. Arranged by Werner Guitar Editions. Baroque. Guitar Tab. 7 pages. This is Classical...
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Guitar - Level 3 - SKU: A0.866923 Composed by Johann Sebastian Bach. Arranged by Werner Guitar Editions. Baroque. Guitar Tab. 7 pages. This is Classical Guitar #4776809. Published by This is Classical Guitar (A0.866923). Prelude from Cello Suite No. 1, BWV 1007 by Johann Sebastian Bach (1685-1750) - Arranged for Classical Guitar, PDF Download. Includes both notation-only edition and notation+TAB edition. Level: Late-Intermediate (Grade 7). This iconic Prelude is part of a larger suite of dances that make up BWV 1007. The prelude works very well on the guitar and is an audience favourite, in particular, a great piece for the signing portion of a wedding. An excellent prelude in it's own right the piece is a nice selection for students and professionals alike.
$4.99 ≈
4.67€
Christmas Time Is Here
Christmas Time Is Here
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Lee Mendelson and Vince Guaral
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Iguana
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Christmas Time Is Here
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Iguana
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1316535 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Iguana. 20th Century,A Cappella,Christm...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1316535 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Iguana. 20th Century,A Cappella,Christmas,Film/TV,Jazz. 2 pages. Iguana #905268. Published by Iguana (A0.1316535). This is a 4 part (SATB) arrangement for choirs. Although the original song is in F, this arrangement is in G with the intention of adapting it better to smaller choirs, since the low F doesn't sound as nice when it's not very robust. The arrangement is simple and respects the original harmony (transposed) proposed by Vince Guaraldi, with a few minor changes. If you wish, you can create a connecting line for the basses from bar 4 to 5, as it's an interval that can easily go out of tune.This simple arrangement is ideal for Snoopy and Charlie Brown fans who have or are part of a choir that wants to rehearse and sing songs for the Christmas season. May the Peanuts gang always live on in us and our music-making!
$1.99 ≈
1.86€
Fantaisie by Hue for Flute Choir
Fantaisie by Hue for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georges Hue
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Hannah Haefele
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Fantaisie by Hue for Flute Cho
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Hannah Haefele
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.981961 Composed by Georges Hue. Arranged by Hannah Haefele. Romantic Period. 34 pages. Hannah Haefele #66628...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.981961 Composed by Georges Hue. Arranged by Hannah Haefele. Romantic Period. 34 pages. Hannah Haefele #6662891. Published by Hannah Haefele (A0.981961). Fantaisie by Hue is an amazing French work for the flute. Playing it with a full orchestra can be great, but that's not accessible to everyone. The piano reduction is nice, but what if you want to play it as a soloist with more players?This flute choir arrangement of the Hue Fantaisie is an excellent option. You can use the authentic flute part or the edited version from the arrangement, and both will work with the flute choir parts.You'll get a score as well as a set of parts to print and use with your ensemble. Give this piece a go on your next ensemble concert, and have a member play the solo or a guest artist!It's a fun piece for intermediate to advanced groups to tackle. And it's a great way to share some French music with audiences.
$24.95 ≈
23.34€
La Serenissima (2013) for ten wind instruments
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99 ≈
9.35€
La Serenissima (2013) for ten wind instruments
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99 ≈
9.35€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.73€
America's Favorite Hymns arranged for Brass
America's Favorite Hymns - Brass
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Musique Sacrée
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Various
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Worship, Sacred
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America's Favorite Hymns - Bra
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, Sacred. Score and parts. 179 pages. Colin Kirkpatrick Publication...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, Sacred. Score and parts. 179 pages. Colin Kirkpatrick Publications #6326509. Published by Colin Kirkpatrick Publications
Here?s a new collection of thirty-two of America?s best-loved hymn tunes for brass, at a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.
The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. All the arrangements are in four parts, reflecting the traditional SATB voicing. The parts include 1st trumpet in B flat; 2nd trumpet in B flat; horn in F; horn in E flat; trombone and optional tuba; bass in B flat and bass in E flat. There are also two optional baritone parts in B flat (T.C.) and C (B.C.) in case you need them. They are the same as the tenor part. In some hymns, you might prefer to assign any baritones to doubling the bass or doubling the melody an octave lower. The baritone part in C is also playable by trombone. The trombone and tuba parts appear on a single staff. Of course, you can use any number of instruments to a particular part. The scores and all the parts are contained in a single 178-page PDF file.
The optional keyboard part has been simplified and whenever possible limited to single notes in the left hand part and no more than two-note chords in the right. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in brass-friendly keys, the arrangements are not compatible with the string collection of the same title.
The collection includes the following titles: A Mighty Fortress Is Our God (Ein? Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Ngeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Toplady); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be The Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).
The audio demo contains the following titles (1) Love Divine, all Loves Excelling; (2) Abide with Me; (3) That a Friend we have in Jesus; (4) Nearer my God to Thee; (5) Shall we gather at the River?
$16.99 ≈
15.90€
Debussy: Danse bohémienne - wind quintet
Debussy: Danse bohémienne - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Danse bohémien
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19th Century,Romantic Period. 11 pages. RayThompsonMusic #956846. Published by RayThompsonMusic (A0.1372535). Debussy: Danse bohémienne La Danse bohémienne (Bohemian Dance) is a piano piece composed in the late summer of 1880. This is the composer's first published piano work. It was judged by Tchaikovsky as follows...It's really a very nice thing, though really too short; not one thought is expressed through to the end and the form is extremely messy and devoid of wholeness ...  It was written when he was eighteen years old for Nadejda von Meck, Tchaikovsky's rich and generous patroness. Frank Dawes writes of the Danse bohémienne, there is perhaps a mild gipsiness that may have been picked up from the gipsy singers at the Moscow cabarets that Debussy is reputed to have frequented. In texture the piece has something of the salon style of Tchaikovsky, though very much simplified. This straightforward piece, in B minor and 2/4 time, isn't altogether without a few dashes of polka rhythm, but its only notable point of originality comes in the coda, where a tonic chord over a submediant pedal point highlights the interval of a major seventh, possible slightly Russian in character.The score was first published in 1932 by Schott (Maintence), then by Henle (1991, ed. Ernst-Günter Heinemann) and Durand (2000, ed. Roy Howat)It is arranged for standard wind quintet.
$14.95 ≈
13.99€
Growing Into Me
Growing Into Me
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Chorale 2 parties
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FACILE
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Contemporain
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Sally Whitwell
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Growing Into Me
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whi...
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Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composer’s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell
$1.99 ≈
1.86€
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
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Chorale SATB
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INTERMÉDIAIRE
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D
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Caffeinated Dreams
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Published by D. M. Gardner Music (A0.799640). Caffeinated Dreams is a humorous piece that pokes fun at high-dollar coffee by depicting a figurative monkey that is constantly trying to steal your latte. Anyone who has had the need for a nice warm caramel latte on a cold day (or any day) will enjoy this composition. Caffeine addicted people everywhere understand how difficult it is to get that monkey off your back... The one that's always telling you to cut back on your coffee habit. Watch out, or he'll steal your latte too! Caffeinated Dreams was inspired by the large number of coffee shops in Omaha, Nebraska, specifically one called Caffeine Dreams. If you are ever in the area, you should check it out. Also of note, there are small humorous illustrations throughout the score and parts to help inspire the performers. Perhaps you could attempt to get a local establishment to let you sing this piece for acup of java. I would.Humorous - You and your audience will love this piece!SATB/Solo Monkey with Conga, Bass Drum, Claves, Sand Block**Please note the MIDI audio sample does not reproduce any of the choir's non-singing vocalizations, of which there are many. Additionally, no monkey could be reached in time to make this recording, so that too is omitted. That being said, I think you will still very much enjoy this piece!Premiere: University of Nebraska at Omaha - University ChorusDifficulty: Moderate - A great piece for just about any choir...but especially for those old enough to drink a lot of coffee.Approx. 2 minutes and 30 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$1.99 ≈
1.86€
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
30.83€
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That's Not Very Nice!
