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Vous avez sélectionné:
THE ARGUMENT
Partitions à imprimer
87 partitions trouvées
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Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
#
F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95 ≈
7.12€
God Bless' The Child
God Bless' The Child
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Piano seul
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INTERMÉDIAIRE
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Billie Holiday
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John Fries
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God Bless' The Child
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John Fries
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1399510 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by John Fries. 20th Century,Blues,Christian,...
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Piano Solo - Level 3 - SKU: A0.1399510 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by John Fries. 20th Century,Blues,Christian,Jazz,Standards. Score. 2 pages. John Fries #982799. Published by John Fries (A0.1399510). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. God Bless the Child is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. In her autobiography Lady Sings the Blues, Holiday indicated that an argument with her mother over money led to the song. She stated that during the argument she said God bless the child that's got his own. Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.
$5.99 ≈
5.36€
God Bless' The Child
God Bless' The Child
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Billie Holiday
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John Fries
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God Bless' The Child
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John Fries
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.499549 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by John Fries. 20th Century,Jazz,Standards....
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C Instrument - Level 3 - SKU: A0.499549 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112864. Published by John Fries (A0.499549). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  God Bless the Child is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. In her autobiography Lady Sings the Blues, Holiday indicated that an argument with her mother over money led to the song. She stated that during the argument she said God bless the child that's got his own..
$3.99 ≈
3.57€
God Bless' The Child
God Bless' The Child
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Billie Holiday
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John Fries
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God Bless' The Child
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196644 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by John Fries. 20th Century,Bl...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196644 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #795807. Published by John Fries (A0.1196644). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  God Bless the Child is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. In her autobiography Lady Sings the Blues, Holiday indicated that an argument with her mother over money led to the song. She stated that during the argument she said God bless the child that's got his own..
$4.99 ≈
4.47€
Ice! from Songs from the High Sierra
Ice! from Songs from the High Sierra
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Voix haute
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8...
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High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25 ≈
6.49€
God Bless' The Child
God Bless' The Child
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Jazz
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Billie Holiday
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Peet du Toit
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God Bless' The Child
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802507 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Peet du Toi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802507 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Peet du Toit. Jazz. Score and parts. 9 pages. Peet du Toit #5754757. Published by Peet du Toit (A0.802507). Billie Holiday wrote this song in 1939, after a brawl with her mother. The latter used these words during the argument which led to Billie using it in the jazz song. It was first recorded in 1941 and was released only in 1942. It received a Grammy Hall of Fame award in 1976. It also appears on the list of Songs of the Century. It is presented here as a brass quintet.
$13.00 ≈
11.64€
The Argument- Piano 2
The Argument- Piano 2
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Piano seul
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Joy DeCoursey-Porter
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The Argument- Piano 2
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Joy DeCoursey-Porter
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SheetMusicPlus
Piano - SKU: A0.1071203 Composed by Joy DeCoursey-Porter. Contemporary,Holiday,Standards. Accompaniment. Duration 66. Joy DeCoursey-Porter #5999067. Pub...
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Piano - SKU: A0.1071203 Composed by Joy DeCoursey-Porter. Contemporary,Holiday,Standards. Accompaniment. Duration 66. Joy DeCoursey-Porter #5999067. Published by Joy DeCoursey-Porter (A0.1071203). The Argument Piano 2 is the recording of the piano 2 part. If you are playing Piano 1, this is the recording for you.
$2.00 ≈
1.79€
Built on the Rock the Church Doth Stand - brass quintet
Built on the Rock the Church Doth Stand - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ludvig M
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Todd Marchand
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Built on the Rock the Church D
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00 ≈
13.43€
The Argument - Piano 1
The Argument - Piano 1
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Piano seul
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Joy DeCoursey-Porter
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The Argument - Piano 1
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Joy DeCoursey-Porter
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SheetMusicPlus
Piano - SKU: A0.1071205 Composed by Joy DeCoursey-Porter. Contemporary,Holiday,Standards. Accompaniment. Duration 66. Joy DeCoursey-Porter #5999071. Pub...
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Piano - SKU: A0.1071205 Composed by Joy DeCoursey-Porter. Contemporary,Holiday,Standards. Accompaniment. Duration 66. Joy DeCoursey-Porter #5999071. Published by Joy DeCoursey-Porter (A0.1071205). This is a play-along for those playing The Argument Piano 2 part.
$1.99 ≈
1.78€
String Quartet No. 3: Among Friends
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 ≈
32.24€
The Chromatic Argument
The Chromatic Argument
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Piano seul
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Contemporain
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Michael Staff
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The Chromatic Argument
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Michael Staff
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SheetMusicPlus
Piano Solo - SKU: A0.1012131 Composed by Michael Staff. Contemporary. Score. 8 pages. Michael Staff #3587493. Published by Michael Staff (A0.1012131).
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Piano Solo - SKU: A0.1012131 Composed by Michael Staff. Contemporary. Score. 8 pages. Michael Staff #3587493. Published by Michael Staff (A0.1012131). Originally intended as the second movement of a sonata (following Dreams of a Somnambulist as the first movement), this work is highly chromatic, as the title indicates. It explores contrapuntal techniques in an intentionally-disorderly manner, as a chaotic counterpart to the often-used description of counterpoint as a conversation. Rather than a conversation, this 'argument' continuously weaves in and out of thematic ideas.
$4.99 ≈
4.47€
A Friendly Argument
A Friendly Argument
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Mason Lamb
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A Friendly Argument
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Utopian Dreascape Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.925301 Composed by Mason Lamb. Contemporary,Jazz. 47 pages. Utopian Dreascape Music (ASCAP) #4629...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.925301 Composed by Mason Lamb. Contemporary,Jazz. 47 pages. Utopian Dreascape Music (ASCAP) #4629459. Published by Utopian Dreascape Music (ASCAP) (A0.925301). Written with a foot in both the Contemporary Classical and Jazz worlds, A Friendly Argument is a richly-textured saxophone quartet spanning from up-tempo, energetic grooves to intricate, legato counterpoint. Accessible to the casual listener while still being a rewarding challenge for the experienced ensemble, it strikes the perfect balance of musical sophistication and crowd-pleasing appeal. The interplay of the instruments, the layers of multimeter, and the satirical theatricality make for a rousing opener or solid closer. Full score and parts included in duplex-ready formatting. Approx. 7 minutes in length. Music © 2018 Utopian Dreamscape Music (ASCAP)
$19.99 ≈
17.90€
The Lover's Argument, Nog Vet Jag Havd Jag Ville Vara. A Ballad
The Lover's Argument, Nog Vet Jag Havd Jag Ville Vara. A Ballad
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Piano, Voix
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Lindblad
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The Lover's Argument, Nog Vet
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.192 Composed by Lindblad. Clothing & dress, Portraits, Courtship, Love. Lester S. Levy Collection. 5 pages. Published by Johns...
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Piano and voice - SKU: LV.192 Composed by Lindblad. Clothing & dress, Portraits, Courtship, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.192). The Lover's Argument, Nog Vet Jag Havd Jag Ville Vara. A Ballad. Composed by Lindblad. Published 1850 by Firth, Pond & Co., 1 Franklin Sq. in New York. Composition of through-composed with piano and voice instrumentation. Subject headings for this piece include Clothing & dress, Portraits, Courtship, Love. First line reads I know I know what I would wish to be a blue eyed sweet forget-me-not.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.36€
Toxic Argument
Toxic Argument
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Piano Facile
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DÉBUTANT
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Contemporain
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Paul Taylor
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Toxic Argument
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.803173 Composed by Paul Taylor. Contemporary. Score. 2 pages. Paul Taylor #2930031. Published by Paul Taylor (A0.803173)....
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Piano Solo - Level 1 - SKU: A0.803173 Composed by Paul Taylor. Contemporary. Score. 2 pages. Paul Taylor #2930031. Published by Paul Taylor (A0.803173). An intense argument is depicted by an imitative theme that is tossed between the two hands in the lower range of the piano. Can be played in one five-finger position.
$1.99 ≈
1.78€
Cat Argument
Cat Argument
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Violon, Violoncelle (duo)
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FACILE
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Contemporain
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Masha Aleskovski
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Cat Argument
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Masha Aleskovski at MashaMuse
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1003491 Composed by Masha Aleskovski. Contemporary. Score and parts. 2 pages. Masha...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1003491 Composed by Masha Aleskovski. Contemporary. Score and parts. 2 pages. Masha Aleskovski at MashaMuse #3376955. Published by Masha Aleskovski at MashaMuse (A0.1003491). In this piece the violin is one cat and the cello is the other cat, and they are in a disagreement and arguing.
$2.99 ≈
2.68€
The Ecstasy Of Gold
The Ecstasy Of Gold
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Metal/Hard Rock
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Rock
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Metallica
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Stephen Bulat
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The Ecstasy Of Gold
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor ...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858465 By Metallica. By Ennio Morricone. Arranged by Stephen Bulat. Metal,Rock. Score and parts. 5 pages. Stephen Bulat Publishing #5206587. Published by Stephen Bulat Publishing (A0.858465). Without argument, Serge Leone's The Good, The Bad and The Ugly is the most famous spaghetti western of all time and Ennio Morricone's film score was a major contributor in helping this film gain it's monumental status. The main theme is instantly recognizable from moment the opening flute motif is heard to it's wah, wah, wah response. This is a very detailed lead sheet of the iconic main theme with percussion cues, all the prominent instrumental cues, the choral cues and even the unique vocalizations heard throughout the piece (Yo, yo, yo echo, etc...) It also includes the duelling trumpet/piccolo segment which is omitted from most transcriptions. Despite all this detail the lead sheet is a condensed 4 pages (only one page turn with two sets of open pages) Please click on publisher to purchase other songs from the film, other arrangements of this song (SATB choir, string quartet), to view this song in other keys or to purchase other gig-tested easy-to-follow arrangements to add to your modern day gig book.
$4.99 ≈
4.47€
The Ecstasy Of Gold
The Ecstasy Of Gold
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Metal/Hard Rock
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Rock
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Metallica
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Stephen Bulat
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The Ecstasy Of Gold
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor ...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858466 By Metallica. By Ennio Morricone. Arranged by Stephen Bulat. Metal,Rock. Score and parts. 5 pages. Stephen Bulat Publishing #5206595. Published by Stephen Bulat Publishing (A0.858466). Without argument, Serge Leone's The Good, The Bad and The Ugly is the most famous spaghetti western of all time and Ennio Morricone's film score was a major contributor in helping this film gain it's monumental status. The main theme is instantly recognizable from moment the opening flute motif is heard to it's wah, wah, wah response. This is a very detailed lead sheet of the iconic main theme with percussion cues, all the prominent instrumental cues, the choral cues and even the unique vocalizations heard throughout the piece (Yo, yo, yo echo, etc...) It also includes the duelling trumpet/piccolo segment which is omitted from most transcriptions. Despite all this detail the lead sheet is a condensed 4 pages (only one page turn with two sets of open pages) Please click on publisher to purchase other songs from the film, other arrangements of this song (SATB choir, string quartet), to view this song in other keys or to purchase other gig-tested easy-to-follow arrangements to add to your modern day gig book.
$4.99 ≈
4.47€
My Brother Upton (For Female Voice)
My Brother Upton (For Female Voice)
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Chorale 2 parties
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INTERMÉDIAIRE/AVANCÉ
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James F
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My Brother Upton
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Jhcompositions
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SheetMusicPlus
Choral Choir (SA) - Level 4 - SKU: A0.1004069 Composed by James F. Hodgdon III. Concert,Contemporary,Standards. Octavo. 5 pages. Jhcompositions #3447235...
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Choral Choir (SA) - Level 4 - SKU: A0.1004069 Composed by James F. Hodgdon III. Concert,Contemporary,Standards. Octavo. 5 pages. Jhcompositions #3447235. Published by Jhcompositions (A0.1004069). My Brother Upton is a humorous solo Bass/ singer performance piece. It enjoyed some attention at The Hartt School of Music with world famous bassist Robert Black helping to solidify its premier performance. The inspiration for it's virtuosity comes from a similar place as the famous work, Failing by Tom Johnson. The piece is a back in fourth argument of an upright bass and it's player, pretending that the two are fighting siblings. The bass becomes the annoying younger sibling that fights with the performer the whole time. It was performed many times since its debut and would make any recital or concert a hit! A male version is available as well, with alternate lyrics and range. Duration: Apx. 2'45.
$6.99 ≈
6.26€
My Brother Upton (For Male Voice)
My Brother Upton (For Male Voice)
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James F
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My Brother Upton
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Jhcompositions
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SheetMusicPlus
Small Ensemble Double Bass,High Voice,Low Voice,Medium Voice - Level 4 - SKU: A0.1004087 Composed by James F. Hodgdon III. Contemporary,Standards. Score...
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Small Ensemble Double Bass,High Voice,Low Voice,Medium Voice - Level 4 - SKU: A0.1004087 Composed by James F. Hodgdon III. Contemporary,Standards. Score and parts. 5 pages. Jhcompositions #3455313. Published by Jhcompositions (A0.1004087). My Brother Upton is a humorous solo Bass/ singer performance piece. It enjoyed some fame at The Hartt School of Music with world famous bassist Robert Black helping to solidify its performance. It's virtuosity comes from a similar place as the famous, Failing- Tom Johnson The piece is a back in fourth argument of an upright bass and it's player, pretending that the two are fighting siblings. It was performed many times since its debut and would make any recital or concert a hit! But wait, you're a lady! That's alright, a female version was the original, with alternate lyrics and range. Duration: Apx. 2'45.
$2.99 ≈
2.68€
Etruscan Argument
Etruscan Argument
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Hawley, William
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Etruscan Argument
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William Hawley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1417921 Composed by Hawley, William. Classical,Contemporary. Score. 4 pages. William Hawley #999465. Published by ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1417921 Composed by Hawley, William. Classical,Contemporary. Score. 4 pages. William Hawley #999465. Published by William Hawley (A0.1417921). This is the score of William Hawley's Etruscan Argument, for Voice and Piano, setting poems by Emily Dickinson. The Audio Sample is the complete Composer's Demo. Performance duration: 2 minutes. ASCAP https://williamhawley.net.
$1.99 ≈
1.78€
I Wished On The Moon
I Wished On The Moon
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1487192 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead...
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C Instrument - Level 4 - SKU: A0.1487192 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #1064163. Published by John Fries (A0.1487192). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936.Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
$3.99 ≈
3.57€
I Wished On The Moon
I Wished On The Moon
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1487194 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Sta...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1487194 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #1064165. Published by John Fries (A0.1487194). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936. Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
$5.99 ≈
5.36€
I Wished On The Moon
I Wished On The Moon
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Instruments en Do
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INTERMÉDIAIRE
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.499581 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead ...
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C Instrument - Level 3 - SKU: A0.499581 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112878. Published by John Fries (A0.499581). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed.
$3.99 ≈
3.57€
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THE ARGUMENT
