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Study: Dynamics
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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EUPHONIUM
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FORMATION MUSI…
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MANDOLINE
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Vous avez sélectionné:
Study: Dynamics
Partitions à imprimer
219 partitions trouvées
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201
Study: Dynamics
Study: Dynamics
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Guitare notes et tablatures
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FACILE
#
Brian Streckfus
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Study: Dynamics
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages. Brian Streckfus #764039. Published by Brian Streckfus (A0.1163698). It is rare to find something that tests someones dynamics knowledge while relating to guitar, so I composed such a piece. Its genre is modern, classical and romantic. It personally reminds me of Chopin in harmonic language. Tips:1. I believe the volume indicated reflects the chord quality quite well. For example, a Gmaj7 or augmented chord sounds bad loud because they are sleepy and dreamy chords.2. The Ab/C chord in measure 15 is a Neopolitan chord in the key of G major. 3. This piece takes advantage of a key well suited for guitar: E minor. 4. This piece is a good example of a composing technique where you keep notes the same between chords, having little concern for how complex of a chord name that results.5. Rolling the chords is okay and often sounds quite good.
$1.99 ≈
1.79€
Study for M
Study for M
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Guitare
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FACILE
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Nick Clow
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Study for M
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Nick Clow
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.940528 Composed by Nick Clow. Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379963...
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Solo Guitar - Level 2 - SKU: A0.940528 Composed by Nick Clow. Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379963. Published by Nick Clow (A0.940528). This is an intermediate level solo guitar study that might be a worthwhile addition to a student's or intermediate guitarist's study materials or repertoire. It's not too hard - maybe Trinity Grade 3/4. You will be able to find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings are not only crude, but imply there is only one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this to the interpretation of the player.Notwithstanding the above, the fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99 ≈
2.69€
Study in Fifths
Study in Fifths
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Piano seul
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INTERMÉDIAIRE
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Mark S
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Study in Fifths
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Mark S. Repasky
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.982149 Composed by Mark S. Repasky. Concert,Contemporary,Instructional,Standards. Score. 2 pages. Mark S. Repasky #605559...
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Piano Solo - Level 3 - SKU: A0.982149 Composed by Mark S. Repasky. Concert,Contemporary,Instructional,Standards. Score. 2 pages. Mark S. Repasky #6055595. Published by Mark S. Repasky (A0.982149). Piano solo for Intermediate studentsComposed by piano teacher with two music degrees and over twenty years teaching experienceSuitable for study and recitalDevelops pedaling skills, reading of accidentals, 8va, changing tempos and changing dynamicsDuration: .
$2.25 ≈
2.02€
18 Progressive Exercises
18 Progressive Exercises
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Violoncelle
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FACILE
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Methodes Etudes
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Justus Johann Friedrich Dotz
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18 Progressive Exercises
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Schott Music - Digital
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SheetMusicPlus
Urtext. Composed by Justus Johann Friedrich Dotzauer. This edition: Sheet music. Etudes, studies, exercises, practice pieces, study works. Essential E...
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Urtext. Composed by Justus Johann Friedrich Dotzauer. This edition: Sheet music. Etudes, studies, exercises, practice pieces, study works. Essential Exercises. Downloadable. Op. 120. Schott Music - Digital #Q54548. Published by Schott Music - Digital
Dotzauer etudes have been part of the standard repertoire in cello lessons for generations. Johann Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good etude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. Our new edition of the 18 progressive etudes Op. 120 follows the original sources and contains the original text. While the Dotzauer etudes are usually only available in selected editions today, opus 120 is edited here in its entirety, as conceived by the composer himself. Notes on studying and on the performance practice (dynamics, vibrato, change of position, ornamentation, bowings) make the new edition an ideal reference edition for music lessons.
$11.99 ≈
10.78€
Lux Aeterna
Lux Aeterna
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Piano Facile
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DÉBUTANT
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Contemporain
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Clint Mansell and Clinton Mans
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Fernando Pereira
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Lux Aeterna
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Nando Geraldes
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.910849 Composed by Clint Mansell and Clinton Mansell. Arranged by Fernando Pereira. Contemporary. Score. 1 pages. Nando G...
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Easy Piano - Level 1 - SKU: A0.910849 Composed by Clint Mansell and Clinton Mansell. Arranged by Fernando Pereira. Contemporary. Score. 1 pages. Nando Geraldes #6349055. Published by Nando Geraldes (A0.910849). This arrangement was written for beginner piano students. This is awesome to people who are studying dynamics.
$4.99 ≈
4.49€
Sonata No. 1
Sonata No. 1
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Clarinette et Piano
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FACILE
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Jean-Xavier Lefevre
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Sonata No. 1
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb and Piano - easy - SKU: S9.Q48866 From: Méthode de Clarinette. Composed by Jean-Xavier Lefevre. This edition: Sheet music. Scho...
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Clarinet in Bb and Piano - easy - SKU: S9.Q48866 From: Méthode de Clarinette. Composed by Jean-Xavier Lefevre. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q48866. Published by Schott Music - Digital (S9.Q48866). Key: B flat major. German • English • French.Born in Switzerland, Jean Xavier Lefèvre (1763-1829) was a sought-after clarinetist and one of the first clarinet professors at the Paris Conservatory. He is still known today for his Clarinet School (1802), which became a standard work in France and beyond. From this textbook comes the popular Sonata no. 1 with its catchy melody that encourages light playfulness. The piece is graded here as level 2. Also available: Sonata No. 2 g minor (SE 1039). Lefèvre wrote the piece originally for the then common C-Clarinet. For use in the classroom, this edition omits the transposition of the clarinet part into the B tuning. The accompanying bass voice of the original was transferred to the piano and supplemented with some suggestions on dynamics and articulation. Hints and tips from publisher Rudolf Mauz (Die fröhliche Klarinette) offer students assistance in the preparation of the work. This edition is part of the Schott Student Edition series, which offers a diverse repertoire of lessons, concerts and exams of varying degrees of difficulty (from easy to difficult). To this end Schott continues to publish popular standard works from music history in a modern and clear edition. For many pieces an audio file of the piano accompaniment is available for download. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$10.99 ≈
9.88€
Symphony No. 5 (HARD PIANO) C minor, Op. 67 [Ludwig van Beethoven]
Symphony No. 5 (HARD PIANO) C minor, Op. 67 [Ludwig van Beethoven]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Darek
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Symphony No. 5
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1259539 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 6 pages. Dare...
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Piano Solo - Level 4 - SKU: A0.1259539 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 6 pages. Darek #852843. Published by Darek (A0.1259539). Symphony No. 5 (HARD PIANO) C minor, Op. 67 [Ludwig van Beethoven] Advanced arrangement for pianists of Symphony No. 5 C minor, Op. 67 / Symphony No. 5 in C Minor by Ludwig van Beethoven. Advanced version for pianists / Difficult piano arrangement. Included: Fingering, Dynamics, Articulation and video Youtube tutorial. Immerse yourself in the masterful world of Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67, with my advanced arrangement for pianists. This meticulously crafted sheet music unlocks the full potential of one of Beethoven's most iconic compositions, tailored specifically for advanced pianists seeking a thrilling and challenging musical endeavor. Designed with the utmost care and attention to detail, this arrangement delves deep into the complexity and brilliance of Symphony No. 5. The advanced difficulty level ensures a captivating journey that pushes the boundaries of your pianistic abilities, while rewarding your dedication and passion for music. Navigate the intricacies of this monumental piece with confidence, thanks to the inclusion of fingering suggestions. These markings guide your hands through the demanding passages, providing clarity and facilitating fluidity, enabling you to conquer the most challenging sections with precision and grace. Experience the full expressive range of Symphony No. 5 through the detailed dynamics and articulation markings in the sheet music. These musical nuances allow you to capture the profound emotions and intensity of Beethoven's vision, bringing the composition to life in your performances. To support your musical journey, this product also includes a comprehensive video YouTube tutorial. Benefit from the expertise and insights of a seasoned pianist as they guide you through interpretive approaches, technical strategies, and practice techniques, elevating your understanding and execution of this monumental work. Beyond its inherent artistic value, this advanced arrangement is perfect for performances, practice sessions, or teaching purposes. Its suitability for recitals, competitions, and advanced piano study makes it a prized addition to the repertoire of accomplished pianists. Embark on a transformative musical experience as you explore the timeless genius of Beethoven. This advanced arrangement of Symphony No. 5 equips you with the tools to captivate audiences, impress fellow musicians, and elevate your pianistic skills to new heights. Unleash your virtuosity and embrace the challenge of Beethoven's Symphony No. 5 with confidence and artistry. With the support of the included fingering, dynamics, articulation, and the comprehensive video tutorial, you'll unlock the full potential of this monumental composition, leaving a lasting impact on both yourself and your listeners.
$6.00 ≈
5.40€
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00 ≈
26.08€
Twinkle, Twinkle Little Star
Twinkle, Twinkle Little Star
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Anon
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Tom Toriello
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Twinkle, Twinkle Little Star
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Thomas C Toriello
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SheetMusicPlus
Orff instruments Orff instruments - Level 2 - SKU: A0.1503192 Composed by Anon. Arranged by Tom Toriello. Children,Early Music,Traditional. 6 pages. Tho...
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Orff instruments Orff instruments - Level 2 - SKU: A0.1503192 Composed by Anon. Arranged by Tom Toriello. Children,Early Music,Traditional. 6 pages. Thomas C Toriello #1078720. Published by Thomas C Toriello (A0.1503192). This is a nice Twinkle, Twinkle... arrangement as a waltz. It is a duet for the Orff instrument, alto xylophone, and tambourine. If you are a teacher using Orff instruments in your general music class this arrangement will work well for middle and high school students. It could be a culminating performance for a unit of study. It can be performed by two students on an instrument or one student per instrument in an ensemble setting. Your lessons could scaffold content on playing the song in 3/4 time, good tone and dynamics, syncopation, ties, and articulation. Some examples of academic language are dynamics, repeat signs, and ostinato. The parts are differentiated by level of musicianship and the arrangement is very adaptable.
$15.00 ≈
13.49€
Two-Part Inventions
Two-Part Inventions
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Piano seul
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INTERMÉDIAIRE
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Keaton Springfield
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Two-Part Inventions
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Songburd Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #99...
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Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #993724. Published by Songburd Music (A0.1411457). The Two-Part Inventions by Keaton Springfield take their inspiration from the Two-Part Inventions of J.S. Bach.  As students of music become familiar with the inventions of J.S. Bach in the course of their studies, it is unsurprising that they should come to admire and champion these works in music studios and performances. For composers, these works present an opportunity to learn from, model and at times emulate musical styles of the Baroque.  While these two-part inventions are Baroque in nature, musical elements are present that exceed their historical bounds such as the modulations found in No. 5 and No. 6.Performance considerations have been made for the sake of practical instruction, while still retaining a Baroque aesthetic.  For example, typical pieces of the Baroque era are without tempi or dynamic indications.  In keeping with this, the tempi provided in parenthesis should be viewed only as recommended approximations and not as fixed directives.  Liberty is also afforded to the performer and music teacher regarding dynamics, which are entirely absent in the score. Performers are encouraged to seek out their own inspiration on the matter of dynamics and tempi through experimentation and a judicious ear.  The provided ornamentation may be augmented or even done away with entirely depending on the needs and tastes of the performer. While the range of style and difficulty in this collection varies widely, it is suitable for use in music education, worship service, and public performance.  For piano instructors, the following order is recommended to fit a general progressive study: 8, 2, 4, 3, 1, 10, 9, 6, 5, 7, which may be adjusted to accommodate the skills and temperament of individual students.
$21.99 ≈
19.78€
Still Waters (Duet for Bb Clarinet and Bb Trumpet)
Still Waters (Duet for Bb Clarinet and Bb Trumpet)
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Clarinette, Trompette (duo)
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FACILE
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Adam Lenhart
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Still Waters
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,B-Flat Trumpet,Instrumental Duet - Level 2 - SKU: A0.949392 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Ada...
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B-Flat Clarinet,B-Flat Trumpet,Instrumental Duet - Level 2 - SKU: A0.949392 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704851. Published by Adam Lenhart (A0.949392). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.49€
Still Waters (Duet for Flute and Violin)
Still Waters (Duet for Flute and Violin)
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Flûte, Violon
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FACILE
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Adam Lenhart
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Still Waters
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Adam Lenhart
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SheetMusicPlus
Flute,Instrumental Duet,Violin - Level 2 - SKU: A0.949394 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704857...
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Flute,Instrumental Duet,Violin - Level 2 - SKU: A0.949394 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704857. Published by Adam Lenhart (A0.949394). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.49€
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
43.12€
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.12€
Still Waters (Duet for Bb Clarinet and F Horn)
Still Waters (Duet for Bb Clarinet and F Horn)
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Clarinette, Cor (duo)
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FACILE
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Adam Lenhart
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https://youtu
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Still Waters
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Adam Lenhart
#
SheetMusicPlus
B-Flat Clarinet,Horn,Instrumental Duet - Level 2 - SKU: A0.949393 Composed by Adam Lenhart. Arranged by https://youtu.be/189oa493Ee4. Contemporary,Instr...
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B-Flat Clarinet,Horn,Instrumental Duet - Level 2 - SKU: A0.949393 Composed by Adam Lenhart. Arranged by https://youtu.be/189oa493Ee4. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704853. Published by Adam Lenhart (A0.949393). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associationâ??s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Menâ??s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.49€
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble - Level 3 - SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.12€
Still Waters (Duet for Eb Alto Saxophone and F Horn)
Still Waters (Duet for Eb Alto Saxophone and F Horn)
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Adam Lenhart
#
Still Waters
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Adam Lenhart
#
SheetMusicPlus
Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.949368 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #...
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Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.949368 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #5196769. Published by Adam Lenhart (A0.949368). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.49€
Still Waters (Duet for Bb Clarinet and Eb Alto Saxophone)
Still Waters (Duet for Bb Clarinet and Eb Alto Saxophone)
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Adam Lenhart
#
Still Waters
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Adam Lenhart
#
SheetMusicPlus
Alto Saxophone,Clarinet,Instrumental Duet - Level 2 - SKU: A0.949391 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenha...
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Alto Saxophone,Clarinet,Instrumental Duet - Level 2 - SKU: A0.949391 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704855. Published by Adam Lenhart (A0.949391). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.49€
Still Waters (Duet for Oboe and Violin)
Still Waters (Duet for Oboe and Violin)
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Adam Lenhart
#
Still Waters
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Adam Lenhart
#
SheetMusicPlus
Instrumental Duet - Level 2 - SKU: A0.949395 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704861. Published b...
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Instrumental Duet - Level 2 - SKU: A0.949395 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704861. Published by Adam Lenhart (A0.949395). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.49€
Still Waters (Duet for Violin and Viola)
Still Waters (Duet for Violin and Viola)
#
Violon, Alto (duo)
#
FACILE
#
Adam Lenhart
#
Still Waters
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Adam Lenhart
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - SKU: A0.949398 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704865...
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Instrumental Duet,Viola,Violin - Level 2 - SKU: A0.949398 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704865. Published by Adam Lenhart (A0.949398). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.49€
Virus for String Orchestra - Opus 23
Virus for String Orchestra - Opus 23
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Orchestre à Cordes
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INTERMÉDIAIRE
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Daniel Carr
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Virus for String Orchestra - O
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Daniel Carr
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.989195 By Daniel Carr. By Daniel Carr. Classical,Contemporary,Film/TV,Sacred,Video Game. Score and parts. 588 pages...
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String Orchestra - Level 3 - SKU: A0.989195 By Daniel Carr. By Daniel Carr. Classical,Contemporary,Film/TV,Sacred,Video Game. Score and parts. 588 pages. Daniel Carr #594865. Published by Daniel Carr (A0.989195). Virus was composed during and about the 2020-2021 COVID epidemic. The main details of this piece are: 1. Each instrumentalist plays one and only one note throughout the entire piece. There are no expression markings – only dynamics. There are no special techniques. Each performer is “self-isolatingâ€. 2. 48 instrumentalists – 24 violins, 10 violas, 8 cellos, 6 double basses. The entire ensemble covers four chromatic octaves. 3. Vibrato consistent across all instrumentalists. 4. No liberty with rhythm. Follow exactly as written. 5. This may be considered an etude – a study of volume. All instrumentalists should be consistent in their interpretation of each dynamic. pppp should be extremely quiet but still audible. 6. The change in volume for crescendos and decrescendos should be gradual – reaching end dynamic in a legato, smooth manner. 7. The visual of the dynamics in the full score – often depicts the program – like hieroglyphics. Or, in some cases, like the image of an organism viewed through a microscope. 8. Optional – performers may wear masks during performance. And, if space permits, have 6 feet social distancing between performers.
$10.00 ≈
8.99€
Anthology of Music Reading I
Anthology of Music Reading I
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Chorale Unison
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FACILE
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Onder Ozkoc
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Onder Ozkoc
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Anthology of Music Reading I
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Onder Ozkoc
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.1003151 Composed by Onder Ozkoc. Arranged by Onder Ozkoc. 20th Century,Instructional,Standards. Octavo. 89 pag...
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Choral Choir (Unison) - Level 2 - SKU: A0.1003151 Composed by Onder Ozkoc. Arranged by Onder Ozkoc. 20th Century,Instructional,Standards. Octavo. 89 pages. Onder Ozkoc #6733919. Published by Onder Ozkoc (A0.1003151). This study includes 60 pieces selected from different periods which are used with their original accompaniments, was prepared in order to read music (solfeggio), one of the most important elements in music education, using examples selected from music literature in an enjoyable way. Care has been taken to ensure that the selected music displays color and diversity in terms of technique, style, and geography, and it aims to be an eye-opener. The pieces are arranged according to the level, and when new topics and elements are used, they are indicated on each piece. Dynamics were not used in the first 10 pieces while trying to preserve to the original dynamics used in the music, minor changes were made where necessary. When possible, the original tempos of the music have been kept, but the tempo of some instrumental music has been reconsidered for this anthology and given as an approximation (circa: ca.). The musical slurs used in the pieces show the musical sentences and the breathing places. Parts of the anthology pieces might be played or studied in different ways.
$10.00 ≈
8.99€
Valsa Nº 14 para Violão em Am. Vals Nº 14 for Guitar in Am.
Valsa Nº 14 para Violão em Am. Vals Nº 14 for Guitar in Am.
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Guitare
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INTERMÉDIAIRE
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Latin/Musique du monde
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Jazz
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Carlos Gonçalves da Silva
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Valsa Nº 14 para Violão em A
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Carlos Goncalves da Silva
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1002718 Composed by Carlos Gonçalves da Silva. Contemporary,Jazz,Latin,Standards. Individual part. 4 pages. Carlos Go...
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Solo Guitar - Level 3 - SKU: A0.1002718 Composed by Carlos Gonçalves da Silva. Contemporary,Jazz,Latin,Standards. Individual part. 4 pages. Carlos Goncalves da Silva #6473197. Published by Carlos Goncalves da Silva (A0.1002718). Valsa apropriada como peça de apresentação e de estudo. Pode ser usada por escolas. Peça de média dificuldade para estudo e prática. Trabalha pestana, ligadura arraste e dinâmica. Duração aproximada de 3 minutos. Waltz suitable as a presentation piece and study. It can be used by schools. Ask for medium difficulty for study and practice. Works bridge, ligature and dynamics. Approximate duration of 3 minutes.
$1.99 ≈
1.79€
Valsa Nº 7 para Violão em A. Waltz Nº 7 for Guitar in A.
Valsa Nº 7 para Violão em A. Waltz Nº 7 for Guitar in A.
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Guitare
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INTERMÉDIAIRE
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Latin/Musique du monde
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Jazz
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Carlos Gonçalves da Silva
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e
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Valsa Nº 7 para Viol&atil
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Carlos Goncalves da Silva
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1002726 Composed by Carlos Gonçalves da Silva. Contemporary,Jazz,Latin,Standards. Individual part. 4 pages. Carlos Go...
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Solo Guitar - Level 3 - SKU: A0.1002726 Composed by Carlos Gonçalves da Silva. Contemporary,Jazz,Latin,Standards. Individual part. 4 pages. Carlos Goncalves da Silva #6448513. Published by Carlos Goncalves da Silva (A0.1002726). Valsa apropriada como peça de apresentação e de estudo. Pode ser usada por escolas. Peça de média dificuldade para estudo e prática. Trabalha pestana, ligadura e dinâmica. Duração aproximada de 3 minutos. Waltz suitable as a presentation piece and study. It can be used by schools. Ask for medium difficulty for study and practice. Works bridge, ligature and dynamics. Approximate duration of 3 minutes.
$1.99 ≈
1.79€
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Study: Dynamics
