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Vous avez sélectionné:
Students should love it.
Partitions à imprimer
58 partitions trouvées
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26
51
You Got The Love
You Got The Love
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Florence + the Machine
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Joséphine Maillefer
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You Got The Love
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Joséphine Maillefer
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.925419 By Florence + the Machine. By Anthony Stephens, Arnecia Harris, John Bellamy, and John Truelove. Arranged...
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Choral Choir (SATB) - Level 3 - SKU: A0.925419 By Florence + the Machine. By Anthony Stephens, Arnecia Harris, John Bellamy, and John Truelove. Arranged by Joséphine Maillefer. Contemporary. Octavo. 7 pages. Joséphine Maillefer #4848633. Published by Joséphine Maillefer (A0.925419). - a groovy and high quality arrangement- based on the Florence and The Machine pop interpretation- tenor and soprano solo ad lib- level intermediate: each voice has it's own melody, accompagnement rythme should be sung precisely- 3min50s, 7 pages, 76 measuresStudents and party people will just love it!
$20.00 ≈
18.61€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Piano Facile
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DÉBUTANT
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Classique
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmüller
Ballade, Op. 100, No. 15 Friedrich Burgmüller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vélocité, Op. 109, No. 10 Friedrich Burgmüller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.71€
The Wild Horseman for mix ensemble
The Wild Horseman for mix ensemble
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Classique
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Robert Schumann
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Ho Pak Kei
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Students should love it.
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The Wild Horseman for mix ense
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Ho Pak Kei
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.961154 Composed by Robert Schumann. Arranged by Ho Pak Kei. Romantic Period. 19 pages. Ho Pak Kei #5745005. Publis...
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Woodwind Ensemble - Level 2 - SKU: A0.961154 Composed by Robert Schumann. Arranged by Ho Pak Kei. Romantic Period. 19 pages. Ho Pak Kei #5745005. Published by Ho Pak Kei (A0.961154). It is an easy arrangement for any combination of woodwind and string instruments. Students should love it.
$4.99 ≈
4.64€
Be Our Guest
Be Our Guest
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Piano Facile
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DÉBUTANT
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Alan Menken and Howard Ashman
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Rebecca Bijkerk
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Be Our Guest
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Rebecca Bijkerk
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1413531 Composed by Alan Menken and Howard Ashman. Arranged by Rebecca Bijkerk. Broadway,Children,Film/TV,Musical/Show,Po...
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Easy Piano - Level 1 - SKU: A0.1413531 Composed by Alan Menken and Howard Ashman. Arranged by Rebecca Bijkerk. Broadway,Children,Film/TV,Musical/Show,Pop,Traditional. Score. 2 pages. Rebecca Bijkerk #995349. Published by Rebecca Bijkerk (A0.1413531). This is an easy arrangment of Be Our Guest from Beauty and the Beast. I've simplified it enough that is should be playable by anyone who is just starting to read the staff and has a basic understand of rhytymn and keyboard geography. All the notes and finger numbers are writtin in. There are some complex rhytymns like dotted quarter notes. However, that shouldn't be an issue, even if the student haven't learned these yet because they will mostly be playing from memory. This song should be taught by a teacher or someone else who knows piano as there are some hand movements that need to be explained. Besides that, this song is fairly easy and I am sure your students will love it!
$4.99 ≈
4.64€
A Thousand Years
A Thousand Years
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Pop musique
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Christina Perri
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Valdir Maia
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A Thousand Years
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Valdir Maia
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SheetMusicPlus
String Trio Cello - Level 3 - SKU: A0.1074852 By Christina Perri. By Christina Perri and David Hodges. Arranged by Valdir Maia. Film/TV,Pop,Singer/Songw...
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String Trio Cello - Level 3 - SKU: A0.1074852 By Christina Perri. By Christina Perri and David Hodges. Arranged by Valdir Maia. Film/TV,Pop,Singer/Songwriter,Wedding. 12 pages. Valdir Maia #679105. Published by Valdir Maia (A0.1074852). Arrangement of the song A Thousand Years, from the movie Twilight, for cello trio or cello ensemble. I am sure your students will love it. It can be also played in weddings. Cello 1 should be able to reach 6th position. Scores and parts available.
$12.99 ≈
12.08€
Woody Woodpecker
Woody Woodpecker
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Piano Facile
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FACILE
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Kay Kyser & His Orchestra
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Glauco Fernandes
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Woody Woodpecker
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Glauco Fernandes
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1452767 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructi...
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Easy Piano - Level 2 - SKU: A0.1452767 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructional. Score. 2 pages. Glauco Fernandes #1032048. Published by Glauco Fernandes (A0.1452767). Sale of Easy Piano Arrangement Sheet Music for the Woody Woodpecker Cartoon ThemeAre you passionate about music and looking for a fun and nostalgic piece to play on the piano? Then the easy piano arrangement sheet music for the Woody Woodpecker cartoon theme is perfect for you!Why choose our sheet music?Easy Arrangement: We have developed an arrangement accessible to all skill levels, from beginners to more experienced pianists looking for a light and enjoyable piece.Fidelity to the Original: We captured the essence and energy of the classic Woody Woodpecker melody, maintaining the fidelity to the original theme that everyone knows and loves.Guaranteed Fun: Ideal for practice sessions, performances, or simply playing for pleasure. Bring the joy and fun of the famous cartoon into your home.Quality Material: Our sheet music is clear and well-formatted, making it easy to read and interpret. Printed in high quality, it will withstand continuous use.Additional Benefits:- Musical Development: Playing recognizable tunes like the Woody Woodpecker theme can help develop sight-reading skills, rhythm, and musical expression.- Culture and Nostalgia: Relive childhood memories and share the fun with friends and family.Who should buy it?- Piano students looking for well-known pieces to expand their repertoire.- Music teachers who want to introduce a touch of fun and nostalgia into their lessons.- Lovers of classic cartoons who want to bring a piece of their history to the piano.Don't miss the chance to add this charming piece to your repertoire. Let the Woody Woodpecker melody enliven your piano sessions and enchant everyone around you!Happy practicing and have lots of musical fun!
$5.99 ≈
5.57€
Woody Woodpecker
Woody Woodpecker
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Piano seul
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FACILE
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Kay Kyser & His Orchestra
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Glauco Fernandes
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Woody Woodpecker
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Glauco Fernandes
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1452763 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructi...
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Piano Solo - Level 2 - SKU: A0.1452763 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructional. Score. 2 pages. Glauco Fernandes #1032044. Published by Glauco Fernandes (A0.1452763). Sale of Easy Piano Arrangement Sheet Music for the Woody Woodpecker Cartoon ThemeAre you passionate about music and looking for a fun and nostalgic piece to play on the piano? Then the easy piano arrangement sheet music for the Woody Woodpecker cartoon theme is perfect for you!Why choose our sheet music?Easy Arrangement: We have developed an arrangement accessible to all skill levels, from beginners to more experienced pianists looking for a light and enjoyable piece.Fidelity to the Original: We captured the essence and energy of the classic Woody Woodpecker melody, maintaining the fidelity to the original theme that everyone knows and loves.Guaranteed Fun: Ideal for practice sessions, performances, or simply playing for pleasure. Bring the joy and fun of the famous cartoon into your home.Quality Material: Our sheet music is clear and well-formatted, making it easy to read and interpret. Printed in high quality, it will withstand continuous use.Additional Benefits:- Musical Development: Playing recognizable tunes like the Woody Woodpecker theme can help develop sight-reading skills, rhythm, and musical expression.- Culture and Nostalgia: Relive childhood memories and share the fun with friends and family.Who should buy it?- Piano students looking for well-known pieces to expand their repertoire.- Music teachers who want to introduce a touch of fun and nostalgia into their lessons.- Lovers of classic cartoons who want to bring a piece of their history to the piano.Don't miss the chance to add this charming piece to your repertoire. Let the Woody Woodpecker melody enliven your piano sessions and enchant everyone around you!Happy practicing and have lots of musical fun!
$5.99 ≈
5.57€
The CelloWay 1
The CelloWay 1
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Violoncelle (partie séparée)
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DÉBUTANT
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Julie Munkholm Bruun
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The CelloWay 1
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Julie Munkholm Bruun
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. ...
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Cello Solo - Level 1 - SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
$12.00 ≈
11.16€
When I'm Sixty-Four
When I'm Sixty-Four
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Orchestre d'harmonie
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INTERMÉDIAIRE
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The Beatles
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Jeremy Corcoran
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When I'm Sixty-Four
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LPC Publishers
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1430408 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Corcoran. Film/TV,Pop,Rock. 45 pages. LPC...
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Concert Band - Level 3 - SKU: A0.1430408 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Corcoran. Film/TV,Pop,Rock. 45 pages. LPC Publishers #1011015. Published by LPC Publishers (A0.1430408). Everyone loves and recognizes this Beatles tune. Here it is arranged for Concert Band. Parents will love hearing this and students will love playing it. Everyone should be introduced to the Beatles. Great for Community Bands too.
$52.00 ≈
48.38€
Circles - Concerto for Cello & (H.S.) String Orchestra
Circles - Concerto for Cello & (H.S.) String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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the end, everyone is bowing an
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919...
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String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00 ≈
18.61€
Souvenirs des Huguenots - Score Only
Souvenirs des Huguenots - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Louise Farrenc
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Robert Debbaut
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Souvenirs des Huguenots - Scor
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ROBERT DEBBAUT
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT ...
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Concert Band - Level 5 - SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT #781763. Published by ROBERT DEBBAUT (A0.1182001). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century.  They would only allow her to teach piano, not composition, because she was undeniably a virtuoso pianist.  During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. She wrote no works for wind band of any kind, yet she lived in a golden age of especially French band music. As such, I felt a new generation of music students should hear the music of this incredibly talented composer who had the misfortunate of being born female in the 19th Century. This work is certainly characteristic of the Romantic Era and would make a lovely concert overture. the main sub ject of her variations is Martin Luther's A Mighty Fortress is Our God. If you purchase this score (and like it), please write to me at debbaut@gmail.com, subject Farrenc and I will send you a copy of the wav file as well as a link to her original piano work (I;'ve not taken too many liberties). If you still like it, parts may be had for $100 via Venmo or personal check. Write to debbaut@gmail.com, subject Farrenc..
$9.99 ≈
9.29€
Mozart Violin Duets
Mozart Violin Duets
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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Mozart Violin Duets
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56 ≈
16.34€
Viva La Vida
Viva La Vida
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Violoncelle
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FACILE
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Pop musique
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Soul/R&B
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Coldplay
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AZSAP MUSiC
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Viva La Vida
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AZSAP MUSiC
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SheetMusicPlus
Cello - Level 2 - SKU: A0.1302124 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by AZSAP MUSiC. Pop,R & B. 26 pa...
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Cello - Level 2 - SKU: A0.1302124 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by AZSAP MUSiC. Pop,R & B. 26 pages. AZSAP MUSiC #891724. Published by AZSAP MUSiC (A0.1302124). Introducing our Viva la Vida cello ensemble arrangement, thoughtfully designed to inspire and engage students at various levels of proficiency. This arrangement is perfect for studio concerts, music festivals, and, of course, for the sheer joy of making music together. Key Features:1. **Student-Focused Design:** Our arrangement is tailored to accommodate a wide range of skill levels, making it an ideal choice for students. With parts ranging from easy to high intermediate level, it offers a gradual progression for players to build confidence and skills.2. **Engaging and Fun:** Learning music should be enjoyable, and Viva la Vida brings an energetic and uplifting experience to the ensemble. Students will be excited to practice and perform this beloved Coldplay hit.3. **Adaptable Ensemble Size:** Whether you have a small cello ensemble or a larger group, this arrangement suits your needs. The flexible instrumentation allows for a variety of ensemble sizes, ensuring a memorable experience for everyone involved.4. **Perfect for Studio Concerts:** Showcase the progress and talent of your students in studio concerts. Viva la Vida will captivate the audience and make for a memorable performance that highlights the development of your students' musical abilities.5. **Ideal for Music Festivals:** Compete and stand out at music festivals with this arrangement that's both accessible and engaging. Judges and audiences will be impressed by the enthusiasm and skill of your ensemble.6. **Great Concert Finisher or Encore:** Viva la Vida is a showstopper, making it a fantastic choice to close your concert on a high note or to bring the audience to their feet for an encore performance.7. **Instantly Downloadable:** The digital format ensures instant access to the sheet music, enabling students to start practicing right away. No need to wait for shipping or worry about missing deadlines.Enrich your cello ensemble repertoire and foster a love for music with our Viva la Vida arrangement. Tailored for students, it provides an enjoyable and rewarding experience while developing their musical abilities. Whether you're preparing for a studio concert, a music festival, or simply enjoying music as a group, this arrangement will bring your ensemble to new heights and leave your audience with a lasting impression. Order today and embark on a harmonious journey filled with enthusiasm and musical growth.
$12.99 ≈
12.08€
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
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Violon
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99 ≈
2.78€
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99 ≈
41.86€
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99 ≈
2.78€
Lesson ONE S-Cubed Sight Singing Program for Beginners
Lesson ONE S-Cubed Sight Singing Program for Beginners
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Chorale Unison
#
DÉBUTANT
#
Music in the Middle with Mr D
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Lesson ONE S-Cubed Sight Singi
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Music in the Middle with Mr. D
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. ...
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Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. Octavo. 33 pages. Music in the Middle with Mr. D #457905. Published by Music in the Middle with Mr. D (A0.851245). SCHOOL DISTRICTS! If you are interested in purchasing more than license, you are eligible for excellent discounts. The first S-Cubed license is regular price, but all subsequent licenses are sold at a significant discount. Or reach out directly to me at inthemiddlewithmrd@gmail.com. Please write Multiple License Purchase in the subject line. This discount is also available for schools with more than one music teacher. Recognize what the children don't know. Don't fault them for not knowing it... Then, teach it to them in a fun way they will remember forever. ...That's the philosophy of S-Cubed. Motivate your beginners! That is the goal of S-Cubed Middle School Sight Singing Program! You should purchase this Kodaly Hand/Ladder Chart from Dancing Crayon to help your students on this journey! This lesson is the first in a series of lessons called S-Cubed that Music in the Middle with Mr D is offering for your upper elementary and middle school music students that will help you teach your children how to sight sing 2 part music with syncopated rhythms and skips as wide as an octave in 27 weeks if you see your students daily. It is the perfect game for the first weeks of school! It will help you establish a positive relationship with your students. It will help their focus, and it will teach them valuable skills for sight singing that are critical to the S-Cubed method of Sight Singing! In this lesson, you will learn about the FUN part of the method! You will learn the rules and philosophies associated with the game Forbidden Pattern that will reflect your approach throughout your teaching of the entire method. It is presented in a Power Point that includes YouTube links to Mr D actually teaching the method to real students. It also includes YouTube links of Mr D explaining the rules of the game. This game is the hook for your young singers. They love playing this game because they want to beat the teacher! For the best value, purchase the MEGA Bundle It includes Levels ONE and TWO combine. It is essentially a two to three year commitment depending on how often you see your students and other factors.
$20.00 ≈
18.61€
Lost Desire (from Arcaea)
Lost Desire (from Arcaea)
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Piano seul
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INTERMÉDIAIRE
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Powerless
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Fernando Ramos
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Lost Desire
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Fernando Ramos
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1355304 Composed by Powerless. Arranged by Fernando Ramos. 21st Century,Classical,Video Game. Score. 5 pages. Fernando Ra...
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Piano Solo - Level 3 - SKU: A0.1355304 Composed by Powerless. Arranged by Fernando Ramos. 21st Century,Classical,Video Game. Score. 5 pages. Fernando Ramos #940008. Published by Fernando Ramos (A0.1355304). Other Arrangements Available: https://www.sheetmusicplus.com/en/category/arrangeme/426/fernando-ramos/?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece.This arrangement was made for a late intermediate student currently working on Federation class Moderately Difficult 1. It has a lot of tricky moments, but one of the most important challenges is the pedaling, which should be kept minimal. The tempo can be flexible, but a good rule of thumb is that the faster it is played, the less pedal should be used. Voicing should also be stressed when the texture is thicker. My student had a blast playing this piece.Pedaling and fingering suggestions are included.
$5.99 ≈
5.57€
BACH'S MINUETS IN E MINOR AND G MAJOR (intermediate med. difficult)
BACH'S MINUETS IN E MINOR AND G MAJOR (intermediate med. difficult)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Vincent Vitale
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BACH'S MINUETS IN E MINOR AND
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.835571 Composed by Johann Sebastian Bach. Arranged by Vincent Vitale. Baroque. Score and parts. 12 pages. Vincent V...
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String Orchestra - Level 3 - SKU: A0.835571 Composed by Johann Sebastian Bach. Arranged by Vincent Vitale. Baroque. Score and parts. 12 pages. Vincent Vitale #5361507. Published by Vincent Vitale (A0.835571). BACH’S MINUETS IN E MINOR AND G MAJOR is arranged for Intermediate students on a medium difficulty level due to the tempo and rhythms. The Minuet In G Major became a well known piece of music literature in 1965 when The Toys performed it as A Lover’s Concerto selling millions of copies. It should also be noted that Christian Petzold is said to be the composer for Minuet In G Major. If this composition appeals to you please consider the many others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece. As always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$18.00 ≈
16.75€
Building Block Classics: Murmuring Brook by Gurlitt
Building Block Classics: Murmuring Brook by Gurlitt
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Piano seul
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FACILE
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giving the piece to your stude
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Cornelius Gurlitt
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Karen Simmons
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Building Block Classics: Murmu
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For Hands Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.961330 Composed by Cornelius Gurlitt. Arranged by Karen Simmons. Romantic Period,Standards. Score. 7 pages. For Hands Mus...
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Piano Solo - Level 2 - SKU: A0.961330 Composed by Cornelius Gurlitt. Arranged by Karen Simmons. Romantic Period,Standards. Score. 7 pages. For Hands Music #6120569. Published by For Hands Music (A0.961330). This set helps your students learn this beautiful piece in building blocks so that they are able to present their very best performance! By giving the piece to your students in stages, you can help them to see the harmonic structure and overall form of the piece easily. A piece that may have looked overwhelming as written will seem a lot less intimidating when it is broken down into its component parts first. The first Building Block strips the music down to just the melody and countermelody so students can focus on the dynamic variations. In the second Building Block, students play the melody along with the repeated-note accompaniment to achieve an excellent balance between the two. The final Building Block is the piece as Gurlitt wrote it. After students have mastered Blocks 1 and 2, playing the complete work should be an easy step to a polished performance of this lovely piece.
$4.49 ≈
4.18€
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.88€
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great B
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.88€
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Bass Re
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.88€
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorde
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.88€
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