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Stro's Place: Piano Accompaniment
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Vous avez sélectionné:
Stro's Place: Piano Accompaniment
Partitions à imprimer
114 partitions trouvées
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Stro's Place: Piano Accompaniment
Stro's Place: Piano Accompaniment
#
Piano (partie séparée)
#
Jazz
#
Carl Strommen
#
Swing
#
Stro's Place: Piano Accompanim
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017133_K Piano Accompaniment. Composed by Carl Strommen. Jazz; Swing. Part. 3 pages. Alfred Music - Digital Sheet ...
(+)
Jazz Ensemble - SKU: AX.00-PC-0017133_K Piano Accompaniment. Composed by Carl Strommen. Jazz; Swing. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017133_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017133_K). UPC: 038081321738.A feature for the sax section, Stro's Place is a medium swinger with written-out solos for tenor and/or trumpet. A nice stop-time ensemble, so everyone gets to shine. An effective chart composed and arranged by Carl Strommen. (3:56) This title is available in SmartMusic.Section Feature.
$3.00 ≈
£2.37
Sonny's Place: Piano Accompaniment
Sonny's Place: Piano Accompaniment
#
Piano (partie séparée)
#
Methodes
#
Carl Strommen
#
Sonny's Place: Piano Accompani
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014715_K Piano Accompaniment. Composed by Carl Strommen. Instructional. Part. 4 pages. Alfred Music - Digital Shee...
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Jazz Ensemble - SKU: AX.00-PC-0014715_K Piano Accompaniment. Composed by Carl Strommen. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014715_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014715_K). UPC: 654979012153.Here's a swinging original composition featuring the saxophone section. No doubt about it, the saxes will crave this one, but not to worry, the brass and rhythm sections will love it too. First, your saxes will spend some quality time together on these solos in unison, harmony and a cappella, but always swinging. Then, a powerhouse stop-time ensemble section for the brass and fun chord changes and nice kicks over this blues progression for the rhythm section will keep up the energy. This chart is titled in honor of the defunct premier jazz club on Long Island. Commissioned by the Nassau-Suffolk Jazz Band, composer Carl Strommen went all out with this swinger. Great chart!
$3.00 ≈
£2.37
Tango Pour Claude for Cello and Piano
Tango Pour Claude for Cello and Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Tango
#
Richard Galliano
#
Tango Pour Claude for Cello an
#
Diego Maran
#
SheetMusicPlus
Piano Accompaniment, Cello - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Pu...
(+)
Piano Accompaniment, Cello - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Maran
Item Number: H0.1019155-SC000027723
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for Cello with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Horn and Piano
Tango Pour Claude for Horn and Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Tango
#
Richard Galliano
#
Tango Pour Claude for Horn and
#
Diego Marani
#
SheetMusicPlus
Piano Accompaniment, Horn in F - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 14 ...
(+)
Piano Accompaniment, Horn in F - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 14 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for F or Eb Horn with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Alto Saxophone and Piano
Tango Pour Claude for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Tango
#
Richard Galliano
#
Tango Pour Claude for Alto Sax
#
Diego Marani
#
SheetMusicPlus
Piano Accompaniment, Alto Sax, Baritone Sax - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, ...
(+)
Piano Accompaniment, Alto Sax, Baritone Sax - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for alto sax with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Bassoon and Piano
Tango Pour Claude for Bassoon and Piano
#
Basson, Piano (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
Richard Galliano
#
Tango Pour Claude for Bassoon
#
Diego Marani
#
SheetMusicPlus
Piano Accompaniment, Bassoon - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 p...
(+)
Piano Accompaniment, Bassoon - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for oboe with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Oboe and Piano
Tango Pour Claude for Oboe and Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
Richard Galliano
#
Tango Pour Claude for Oboe and
#
Diego Marani
#
SheetMusicPlus
Piano Accompaniment, Oboe - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 page...
(+)
Piano Accompaniment, Oboe - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for oboe with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Viola and Piano
Tango Pour Claude for Viola and Piano
#
Alto, Piano
#
INTERMÉDIAIRE
#
Tango
#
Richard Galliano
#
Tango Pour Claude for Viola an
#
Diego Marani
#
SheetMusicPlus
Piano Accompaniment, Viola - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pag...
(+)
Piano Accompaniment, Viola - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for Viola with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Clarinet and Piano
Tango Pour Claude for Clarinet and Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Rock
#
Richard Galliano
#
Tango Pour Claude for Clarinet
#
Diego Marani
#
SheetMusicPlus
Piano Accompaniment, Clarinet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 ...
(+)
Piano Accompaniment, Clarinet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for Bb Clarinet with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Flute and Piano
Tango Pour Claude for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Tango
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Richard Galliano
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Tango Pour Claude for Flute an
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Diego Marani
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SheetMusicPlus
Piano Accompaniment, Flute - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pag...
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Piano Accompaniment, Flute - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for flute with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Trombone and Piano
Tango Pour Claude for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Contemporain
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Richard Galliano
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Tango Pour Claude for Trombone
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Diego Marani
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SheetMusicPlus
Piano Accompaniment, Trombone, Euphonium - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Sol...
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Piano Accompaniment, Trombone, Euphonium - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 14 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for C or Bb Trombone (or Euphonium) with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Tango Pour Claude for Violin and Piano
Tango Pour Claude for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Tango
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Richard Galliano
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Tango Pour Claude for Violin a
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Diego Marani
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SheetMusicPlus
Piano Accompaniment, Violin - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pa...
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Piano Accompaniment, Violin - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for Violin with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99 ≈
£10.24
Summertime: Piano Accompaniment
Summertime: Piano Accompaniment
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Piano (partie séparée)
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Dorothy Heyward, Du Bose Heywa
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Dave Wolpe
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Jazz
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Summertime: Piano Accompanimen
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017275_K Piano Accompaniment. Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arr...
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Jazz Ensemble - SKU: AX.00-PC-0017275_K Piano Accompaniment. Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Dave Wolpe. Broadway; Jazz; Masterwork Arrangement; Standard. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017275_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017275_K). ISBN 9780757997655. UPC: 029156993844.The beautiful Gershwin ballad shines in this strong Dave Wolpe arrangement for jazz ensemble with solo vocalist. We were surprised that Dave had not scored this tune before, but it was worth the wait. It is really smooth. To make the chart more flexible, you can also feature a tenor sax solo in place of the vocalist. Jazz Ensemble with Solo Vocalist - Medium Easy (4:16).
$3.00 ≈
£2.37
You Can't Tell a Newfie - accompaniment in D
You Can't Tell a Newfie - accompaniment in D
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Piano, Voix et Guitare
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FACILE
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the Newfoundland dog, whoâ€
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David Kai
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You Can't Tell a Newfie - acco
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai (A0.893869). ACCOMPANIMENT IN DA fun song about a famous symbol of Newfoundland - the Newfoundland Dog!You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do, To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$4.00 ≈
£3.15
Symphony No. 5 (VERY EASY PIANO) C minor, Op. 67 [Ludwig van Beethoven]
Symphony No. 5 (VERY EASY PIANO) C minor, Op. 67 [Ludwig van Beethoven]
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Piano Facile
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Darek
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Symphony No. 5
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Darek
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1259534 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Dare...
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Easy Piano - Level 1 - SKU: A0.1259534 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #852839. Published by Darek (A0.1259534). Symphony No. 5 (VERY EASY PIANO) C minor, Op. 67 [Ludwig van Beethoven] Simplified arrangement for beginner pianists of Symphony No. 5 C minor, Op. 67 by Ludwig van Beethoven. Very easy version for beginner pianists / Very easy piano arrangement. Included: Letter notes, Fingering, very easy chords and video Youtube tutorial. Welcome to the world of classical music mastery with my exceptional creation, the simplified arrangement for beginner pianists of Beethoven's Symphony No. 5 in C minor, Op. 67. Immerse yourself in the majestic and iconic melodies of this legendary composition, tailored specifically for those taking their first steps in piano playing. This meticulously developed sheet music offers a simplified approach that allows beginner pianists to easily grasp and perform Beethoven's masterwork. The very easy difficulty level ensures a smooth learning experience, allowing you to build a strong foundation of musical skills. Within this comprehensive package, you will find Letter notes that serve as a visual guide, making it easier for beginners to understand and play the correct pitches. Additionally, detailed Fingering markings are provided, ensuring optimal hand placement and technique for effortless execution. To further enhance your learning journey, very easy chords have been incorporated, enabling you to explore the harmonic structure of the piece and develop your musical understanding. These chords provide a solid foundation for accompanying the iconic melodies and add depth to your interpretation. To guide you every step of the way, a video YouTube tutorial accompanies the sheet music. This tutorial serves as your personal mentor, offering valuable insights and guidance on technique, expression, and interpretation. This simplified arrangement is specifically designed for beginner pianists, providing an opportunity to experience the grandeur of Beethoven's Symphony No. 5 at an accessible level. It is a valuable resource for performances, practice sessions, or teaching purposes. Immerse yourself in the rich musical heritage of Beethoven, showcasing your progress as a pianist while experiencing the joy of playing this iconic symphony. Whether you aspire to perform on grand stages, build a repertoire, or simply enjoy the beauty of Beethoven's music, this product offers immeasurable value to musicians at the beginning of their musical journey. Unlock your potential and embark on a melodious adventure with the simplified arrangement for beginner pianists of Beethoven's Symphony No. 5. Let the timeless beauty of Beethoven's genius resonate through your fingertips, as you captivate hearts and create lasting musical memories.
$2.00 ≈
£1.58
Auld Lang Syne (Brass Quartet and Piano - Alternate Version)
Auld Lang Syne (Brass Quartet and Piano - Alternate Version)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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FACILE
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Traditional
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Stephen DeCesare
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Auld Lang Syne
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Exultet Music
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SheetMusicPlus
Brass Quartet Trombone,Trumpet - Level 2 - SKU: A0.628409 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Contemporary,Film/TV,Holiday....
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Brass Quartet Trombone,Trumpet - Level 2 - SKU: A0.628409 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Contemporary,Film/TV,Holiday. 23 pages. Exultet Music #6133707. Published by Exultet Music (A0.628409). (This version contains two Trombones in place of a French Horn and Trombone) The traditional song that is used to bid farewell to the old year at the stroke of midnight on New Year's Eve as well as sung at funerals, graduations, and a farewell or ending to other occasions has been freshly adapted as a tender, sentimental arrangement and scored for a Brass Quartet (Bb-Trumpet (2), Trombone (2) ) with Piano accompaniment. Accessible and appropriate for any venue or forum. An accompaniment track is also available. .
$12.99 ≈
£10.24
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 12: La nuit apr&egr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
£2.37
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 4: Mon âme es
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
£2.37
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 9: Beaux yeux aim&e
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
£2.37
Land of Hope, SA with Woodwind Accompaniment
Land of Hope, SA with Woodwind Accompaniment
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Nancy J
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Land of Hope, SA with Woodwind
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SheetMusicPlus
Piano/Vocal/Chords, Flute, Clarinet, English Horn, Alto Sax, Woodwind Trio, Bass Guitar, Choir, SA - Advanced Intermediate - Digital Download Compose...
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Piano/Vocal/Chords, Flute, Clarinet, English Horn, Alto Sax, Woodwind Trio, Bass Guitar, Choir, SA - Advanced Intermediate - Digital Download Composed by Nancy J. Brammer. Christian, Praise & Worship, General Worship. Score, Set of Parts. 14 pages. Published by Nancy J. Brammer
Church anthem, SA Choral with instrumental. Flute, English Horn and Clarinet, Piano and Bass. Horn in F and Alto Sax are included as extra parts to replace English Horn. Score and all parts are included. Church service almost anytime of the year. Praise song. Great for a choir with a strong women's section.
$2.85 ≈
£2.25
This is Our Prayer
This is Our Prayer
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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This is Our Prayer
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Sp...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Servant Song Music and Ministry #571431. Published by Servant Song Music and Ministry (A0.965763). I wrote this contemporary hymn as a musical prayer response to the invasion of Ukraine in 2022. In liturgical churches, it functions beautifully as a congregational sung response following the Prayers of the People (or even replacing the Prayers of the People). In evangelical settings, it can be sung as a stand-alone worship hymn right after the sermon, or as part of a set of worship songs at the beginning or conclusion of the service. I am a prolific songwriter, and I've been writing music for 35+ years now. Through all of those years, there have only been a handful of occasions where I have felt more like a conduit of the Holy Spirit than the composer of the hymn; this was definitely one of those times. This is Our Prayer is written in the key of F Major, making it highly accessible for beginning church accompanists. It has a moderate tempo, set in a 3/4 time signature with a lilting rhythm. The vocal range is designed for robust congregational singing. The melody line is just one octave, ranging from Middle C to the C above it; the Alto line is just a six note range, from Middle C to the A above. This score includes the piano accompaniment in a strophic, hymn style format, two-part vocal harmony, and guitar chords (which can also assist pianists who play by chord + melody line, instead of by reading the score). The simplicity of this hymn does not detract from its' beauty, however. This is a highly singable, memorable tune with some interesting rhythmic patterns. The lyrics of this hymn are loosely based on Romans 12:12-21 (As far as it depends upon you, live at peace with all people). The words of the hymn are truly a prayer, asking God for peace, but they also remind us that as people of faith, we are invited to participate WITH God in the process of making peace on earth, by how we pray, live, give, and place our trust in God. One lyric reads that we dare to pray for peace; this is an intentional choice on my part, flagging the potential costliness of becoming people who prioritize peace. The week this hymn was released to Spotify, iTunes, Amazon Music Unlimited, Reverbnation, and Deezer, it debuted at #30 on the Top 100 Contemporary Christian Music Charts on Spotify. The YouTube video version of the hymn (link attached below) was viewed over 7,000 times in the first ten days, by people in over 40 countries. You are welcome to stream it for worship services, on church websites, and on social media. The more people view it, the more ad revenue it will generate, and all profits from the sale of this hymn in any form (video ad revenue, digital MP3 sales on the sites listed above, and the sale of this musical score) will be donated to the Red Cross and the United Church of Canada's Mission & Service Fund; both of these registered charities have targeted programs running to assist Ukrainians who've been displaced by the war. Once the Ukrainian war ends, I will continue to send all profits from the hymn to those same charities to help refugees in other conflict zones. May this hymn comfort and discomfort you. My prayer is that it will prompt all of us to live more faithfully as people of peace - in our individual lives, but also in our families, in our communities, our nations, and our world. To God be the glory!
$3.99 ≈
£3.15
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Joseph Alessi, Christian Lindb
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Aaron Hettinga
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Blue Bells of Scotland - Tromb
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arranged by Aaron H...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arranged by Aaron Hettinga. 20th Century,Classical,Contest,Festival,Patriotic,Traditional. Score and parts. 24 pages. Aaron Hettinga #698344. Published by Aaron Hettinga (A0.1094241). Arthur Pryor’s famous theme and variations on “The Blue Bells of Scotland†has been a showcase for trombonists with strong technique and agility for well over a century. While this work is most commonly performed as accompanied by a wind band or with piano, in this arrangement the soloist is supported by a standard brass quintet. The solo part is unchanged from Pryor’s original, though there are some minor tweaks to suggested slide positions and other notations throughout. While each of the accompanying quintet parts do feature some small technical requirements, they remain at an intermediate level where even less-experienced players should be able to pull them off. Performance suggestion: as an option, it’s recommended to utilize Cornets and Euphonium in place of the Trumpet and Trombone parts in the accompanying quintet to more faithfully emulate the sounds of the conical-bore instruments of the period and to better separate the tonality of the accompaniment from the soloist. This arrangement is a great vehicle to showcase a talented trombonist on this classic piece of standard trombone literature!
$29.99 ≈
£23.65
Romancendres
Romancendres
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Violoncelle, Piano
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AVANCÉ
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Heinz Holliger
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Romancendres
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - difficult - SKU: S9.Q16462 Composed by Heinz Holliger. This edition: Sheet music. Cello Library. Downloadable. Duration 22 minutes. Sc...
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Cello and piano - difficult - SKU: S9.Q16462 Composed by Heinz Holliger. This edition: Sheet music. Cello Library. Downloadable. Duration 22 minutes. Schott Music - Digital #Q16462. Published by Schott Music - Digital (S9.Q16462). In 1853 Robert Schumann composed five piano-accompanied cello romances. The works were never published though as Clara Schumann destroyed the unpublished manuscript in 1893, 40 years after they were written. In his six duo pieces for violoncello and piano, Heinz Holliger refers to these compositions which turned to ash: the title is a combination of the French words ‘romances’ and ‘cendres’. Many allusions are hidden in the music itself. In the opening procession part, for example, one can hear Clara Schumann’s initials C and eS [E flat], a letter of Brahms to Clara is recited by the piano, and the last figure of the final part is formed from the tones of his place of death, EnDEniCH. But both amateur and experienced listeners will at once be gripped by Holliger’s music. This work is affecting – not only by its complex conception but mainly by its intense sonority.
$35.99 ≈
£28.38
I Heard It Through The Grapevine
I Heard It Through The Grapevine
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Piano seul
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AVANCÉ
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Marvin Gaye
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G
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I Heard It Through The Grapevi
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Elton's Notes
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1149621 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by G.White. Blues,Jazz,Pop,Rock. Score. 25 pages...
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Piano Solo - Level 5 - SKU: A0.1149621 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by G.White. Blues,Jazz,Pop,Rock. Score. 25 pages. Elton's Notes #749768. Published by Elton's Notes (A0.1149621). This performance of the classic Motown Song took place in May of 1979 in Moscow, Russia by Elton John. The song features 3 piano solos and is a fully accurate note-for-note transcription for piano accompaniment for what was played in the performance. The total song length is just under 12 minutes.
$9.99 ≈
£7.88
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Stro's Place: Piano Accompaniment
