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Vous avez sélectionné:
Start Point
Partitions à imprimer
488 partitions trouvées
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Start Point
Start Point
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Sir Peter Maxwell Davies
#
Start Point
#
Schott Music - Digital
#
SheetMusicPlus
Viola - easy - SKU: S9.Q564361 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, Individual part...
(+)
Viola - easy - SKU: S9.Q564361 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, Individual part. Schott Music - Digital #Q564361. Published by Schott Music - Digital (S9.Q564361). Start Point is a collection of four tunes written for the Sanday Fiddle Club. First performed in their entirety in 2006 at the St Magnus Festival, the names of the tunes are names of places on the Orkney Islands. Evocative and unassuming, the appealing character and flexibility of these works reflects their genesis. They are suited to a variety of purposes and could be played by both string quartet and string ensemble. Accessible by standard and style, to the extent that they are rooted in the community they form an illustration of Maxwell Davies’ engagement with his locality, where he has lived since the 1970s.
$2.99 ≈
2.75€
Start Point
Start Point
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Sir Peter Maxwell Davies
#
Start Point
#
Schott Music - Digital
#
SheetMusicPlus
Cello (double bass) - easy - SKU: S9.Q564362 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, I...
(+)
Cello (double bass) - easy - SKU: S9.Q564362 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, Individual part. Schott Music - Digital #Q564362. Published by Schott Music - Digital (S9.Q564362). Start Point is a collection of four tunes written for the Sanday Fiddle Club. First performed in their entirety in 2006 at the St Magnus Festival, the names of the tunes are names of places on the Orkney Islands. Evocative and unassuming, the appealing character and flexibility of these works reflects their genesis. They are suited to a variety of purposes and could be played by both string quartet and string ensemble. Accessible by standard and style, to the extent that they are rooted in the community they form an illustration of Maxwell Davies’ engagement with his locality, where he has lived since the 1970s.
$2.99 ≈
2.75€
Start Point
Start Point
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Sir Peter Maxwell Davies
#
Start Point
#
Schott Music - Digital
#
SheetMusicPlus
Violin II - easy - SKU: S9.Q564360 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, Individual ...
(+)
Violin II - easy - SKU: S9.Q564360 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, Individual part. Schott Music - Digital #Q564360. Published by Schott Music - Digital (S9.Q564360). Start Point is a collection of four tunes written for the Sanday Fiddle Club. First performed in their entirety in 2006 at the St Magnus Festival, the names of the tunes are names of places on the Orkney Islands. Evocative and unassuming, the appealing character and flexibility of these works reflects their genesis. They are suited to a variety of purposes and could be played by both string quartet and string ensemble. Accessible by standard and style, to the extent that they are rooted in the community they form an illustration of Maxwell Davies’ engagement with his locality, where he has lived since the 1970s.
$2.99 ≈
2.75€
Start Point
Start Point
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Sir Peter Maxwell Davies
#
Start Point
#
Schott Music - Digital
#
SheetMusicPlus
Violin I - easy - SKU: S9.Q564359 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, Individual p...
(+)
Violin I - easy - SKU: S9.Q564359 Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies. Downloadable, Individual part. Schott Music - Digital #Q564359. Published by Schott Music - Digital (S9.Q564359). Start Point is a collection of four tunes written for the Sanday Fiddle Club. First performed in their entirety in 2006 at the St Magnus Festival, the names of the tunes are names of places on the Orkney Islands. Evocative and unassuming, the appealing character and flexibility of these works reflects their genesis. They are suited to a variety of purposes and could be played by both string quartet and string ensemble. Accessible by standard and style, to the extent that they are rooted in the community they form an illustration of Maxwell Davies’ engagement with his locality, where he has lived since the 1970s.
$2.99 ≈
2.75€
Point of No Return Piano Solo
Point of No Return Piano Solo
#
Piano seul
#
INTERMÉDIAIRE
#
Contemporain
#
Deborah Johnson
#
Point of No Return Piano Solo
#
Deborah Johnson
#
SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.877816 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. Score and part. 5 pages. Deborah Johnson #331...
(+)
Guitar,Piano - Level 3 - SKU: A0.877816 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. Score and part. 5 pages. Deborah Johnson #33167. Published by Deborah Johnson (A0.877816). Point of No Return piano solo presents a captivating and melodious piano solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album, this composition introduces new classically-inspired piano and instrumental solos by Deborah Johnson. Tailored for special occasions such as weddings and events, Point of No Return encompasses 5 pages, including the piano solo, guitar chords, and a cover. The term Point of No Return holds dual meanings. It refers to a critical moment in the flight of an aircraft beyond which there's inadequate fuel for a return to the starting point, necessitating the craft to proceed forward. Metaphorically, it signifies a decision-making juncture where one commits oneself irrevocably to a course of action or policy, where turning back or reversal becomes impossible. Point of No Return evokes a sense of critical decision-making and determination, capturing the essence of commitment and irreversible choices. Its emotive qualities make it a powerful choice for special occasions, infusing a sense of significance and resolve into memorable events. Spotify link for MP3 download: https://open.spotify.com/track/1y9DVf5H2t3P0zIS6Sip82 Also available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarer’s Journey. Signed CD copies available at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah & David Johnson; Violin: Sandy Mackinga; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$4.99 ≈
4.59€
Point of No Return Inst. Solo Score
Point of No Return Inst. Solo Score
#
Contemporain
#
Deborah Johnson
#
Instrumental (violin) bkg
#
Point of No Return Inst. Solo
#
Deborah Johnson
#
SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.877814 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 14 pages. Deborah Johnson #33163. Publishe...
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String Ensemble - Level 3 - SKU: A0.877814 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 14 pages. Deborah Johnson #33163. Published by Deborah Johnson (A0.877814). Point of No Return Instrumental Solo Score is a beautiful, melodic instrumental solo, intermediate level, written for a C instrument, violin or other. Featured in the Wayfarer’s Journey album, this composition introduces new classically-inspired piano and instrumental solos by Deborah Johnson. Tailored for special occasions such as weddings and events, Point of No Return instrumental solo score includes a total of 14 pages, including score, separate parts and cover. Parts include: Instrumental (violin) solo; Instrumental (violin) bkg; Piano accompaniment. Piano accompaniment includes guitar chords. The term Point of No Return holds dual meanings. It refers to a critical moment in the flight of an aircraft beyond which there's inadequate fuel for a return to the starting point, necessitating the craft to proceed forward. Metaphorically, it signifies a decision-making juncture where one commits oneself irrevocably to a course of action or policy, where turning back or reversal becomes impossible. Point of No Return evokes a sense of critical decision-making and determination, capturing the essence of commitment and irreversible choices. Its emotive qualities make it a powerful choice for special occasions, infusing a sense of significance and resolve into memorable events. Spotify link for MP3 download: https://open.spotify.com/track/4BiRFUTCShDb5zCH87t14Q  Also available is the piano solo version, for intermediate players, the piano solo score with parts and full book of piano solos from Wayfarer’s Journey. Signed CD copies available at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah & David Johnson; Violin: Sandy Mackinga; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99 ≈
6.42€
Fanfare: Starter for Ten (Rob Bushnell) - Brass and Percussion
Fanfare: Starter for Ten (Rob Bushnell) - Brass and Percussion
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Contemporain
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Rob Bushnell
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Fanfare: Starter for Ten
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RBMusic
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Cornet,E-Flat Tuba TC,Euphonium,Trumpet - Level 3 - SKU: A0.752371 Composed by Rob Bushnell. Contemporary. 27 pages. RBMu...
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Baritone Horn TC,Bass Trombone,Cornet,E-Flat Tuba TC,Euphonium,Trumpet - Level 3 - SKU: A0.752371 Composed by Rob Bushnell. Contemporary. 27 pages. RBMusic #4888989. Published by RBMusic (A0.752371). This piece was written in March 2008 to open the Leeds University Union Music Society (LUUMS) Wind Band's concert that took place on 27th April 2008. It features the brass (3 trumpets and 3 trombones) and percussion (drum kit, timpani and vibraphone). The title comes from University Challenge, where the initial question per set of questions (or the starter question) is worth 10 points, hence the quizmaster saying Here's your starter for ten.The piece is a great piece to start a concert with, perfect for junior and senior/professional ensembles alike. It has alternative parts so that other members of the brass family (French horns, tenor horns and tubas, as well as parts in treble clef) can either be substituted for the originals or can also play to ensure no brass player misses out. It will work for larger ensembles such as orchestras, wind/concert bands, military bands and brass bands, as well as smaller ensembles from brass sextets to brass dectets (assuming a drummer can be found). And the beginning can also feature the non-brass/percussion players with jungle-like sounds (optional, of course).
$16.50 ≈
15.16€
Start with a Broom (The Sorcerer's Apprentice)
Start with a Broom (The Sorcerer's Apprentice)
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Chorale 2 parties
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INTERMÉDIAIRE
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Paul Dukas
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Stephen Lanigan-O'Keeffe
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Start with a Broom
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Stephen Lanigan-O'Keeffe
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SheetMusicPlus
Choral Choir (2-Part) - Level 3 - SKU: A0.1108739 Composed by Paul Dukas. Arranged by Stephen Lanigan-O'Keeffe. Classical,Comedy,Contest,Festival. Octav...
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Choral Choir (2-Part) - Level 3 - SKU: A0.1108739 Composed by Paul Dukas. Arranged by Stephen Lanigan-O'Keeffe. Classical,Comedy,Contest,Festival. Octavo. 15 pages. Stephen Lanigan-O'Keeffe #711388. Published by Stephen Lanigan-O'Keeffe (A0.1108739). Ideal for school choirs and adult choirs alike, this fun arrangement of The Sorcerer's Apprentice tells the story of the magical catastrophe (made famous in Disney's Fantasia) from the apprentice's point of view. Your choir will relish the patter, drama and expression in this arrangement and there's plenty of room for choreography as well! Perfect for concerts or competitions.
$2.99 ≈
2.75€
West Point Cadets Camp Polka
West Point Cadets Camp Polka
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Piano seul
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Emil Ganther
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West Point Cadets Camp Polka
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.17050 Composed by Emil Ganther. Soldiers, Couples, Dancing, Military camps, Bayonets, Tents. Lester S. Levy Collection. 4 pages. Publish...
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Piano - SKU: LV.17050 Composed by Emil Ganther. Soldiers, Couples, Dancing, Military camps, Bayonets, Tents. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17050). West Point Cadets Camp Polka. Composed by Emil Ganther, Professor of Piano, Baltimore. Published 1852 by [n.p.] in Baltimore. Composition of da capo with piano instrumentation. Subject headings for this piece include Soldiers, Couples, Dancing, Military camps, Bayonets, Tents. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
West Point March
West Point March
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Piano seul
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Julius Metz
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West Point March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.16246 Composed by Julius Metz. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16246). ...
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Piano - SKU: LV.16246 Composed by Julius Metz. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16246). West Point March. Composed by Julius Metz. Published [n.d.] by James L. Hewitt, No.137 Broadway in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
West Point Cadets Camp Polka
West Point Cadets Camp Polka
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Piano seul
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Emil Ganther
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West Point Cadets Camp Polka
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.16245 Composed by Emil Ganther. Couples, Military camps, Military uniforms, Bayonets. Lester S. Levy Collection. 4 pages. Published by J...
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Piano - SKU: LV.16245 Composed by Emil Ganther. Couples, Military camps, Military uniforms, Bayonets. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16245). West Point Cadets Camp Polka. Composed by Emil Ganther, Professor of Piano, Baltimore. Published 1852 by in n.p. Composition of sectional with piano instrumentation. Subject headings for this piece include Couples, Military camps, Military uniforms, Bayonets. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
The West Point March Two-Step
The West Point March Two-Step
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Piano seul
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Rudolph O
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Rudolph O
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The West Point March Two-Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.16431 Composed by Rudolph O. Goldsmith. Daggers & swords, Cannonballs, Bayonets. Lester S. Levy Collection. 5 pages. Published by Johns ...
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Piano - SKU: LV.16431 Composed by Rudolph O. Goldsmith. Daggers & swords, Cannonballs, Bayonets. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16431). The West Point March Two-Step. By Rudolph O. Goldsmith, 189. Published 1895 by The Goldsmith Publishing Co. in Bennington, Vermont. Composition of sectional with piano instrumentation. Subject headings for this piece include Daggers & swords, Cannonballs, Bayonets. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
West Point New Polka, Redowa, and Polka Mazurka
West Point New Polka, Redowa, and Polka Mazurka
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Piano seul
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Mr
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West Point New Polka, Redowa,
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.10059 Composed by Mr. F. Raggio. Portraits. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries...
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Piano - SKU: LV.10059 Composed by Mr. F. Raggio. Portraits. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10059). Fashionable Dances Taught by Saracco, Professor, Inventor and the first Introducer of all the new and modern dances in the United States. West Point New Polka, Redowa, and Polka Mazurka. Composed by Mr. F. Raggio. Published 1847 by William Hall & Son, 239 Broadway, cor. of Park Place in New York. Composition of three sectional dances with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
Point Breeze Park, Schottisch
Point Breeze Park, Schottisch
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Piano seul
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George J
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Point Breeze Park, Schottisch
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.15493 Composed by George J. Corrie. Carts & wagons, Racetracks, Commercial buildings, Horses. Lester S. Levy Collection. 4 pages. Publis...
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Piano - SKU: LV.15493 Composed by George J. Corrie. Carts & wagons, Racetracks, Commercial buildings, Horses. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15493). Point Breeze Park, Schottisch. Composed for the Piano by Geo. J. Corrie. Published 1857 by Duffy & Lawton, No. 15 South 8th St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Carts & wagons, Racetracks, Commercial buildings, Horses. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
West Point Dream Waltz
West Point Dream Waltz
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Piano seul
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Cadet Thomas Wilson, of the Un
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Cadet Thomas Wilson
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West Point Dream Waltz
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.16429 Composed by Cadet Thomas Wilson. Bodies of water, Mountains, Schools, Couples, Military uniforms. Lester S. Levy Collection. 4 pag...
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Piano - SKU: LV.16429 Composed by Cadet Thomas Wilson. Bodies of water, Mountains, Schools, Couples, Military uniforms. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16429). West Point Dream Waltz. By Cadet Thomas Wilson, of the United States Military Academ. Published 1853 by Miller l& Beacham, Successors to F.D. Benteen in Baltimore. Composition of sectional with piano instrumentation. Subject headings for this piece include Bodies of water, Mountains, Schools, Couples, Military uniforms. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
The West Point Cadets Quick March, A Spanish Dance
The West Point Cadets Quick March, A Spanish Dance
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Piano seul
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M
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The West Point Cadets Quick Ma
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.16430 Composed by M. E. Metz. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16430).
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Piano - SKU: LV.16430 Composed by M. E. Metz. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16430). The West Point Cadets Quick March, A Spanish Dance. Composed by M.E. Metz. Published [n.d.] by James L. Hewitt & Co., No.36 Market Street in Boston. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
L'Heure De Pointe
L'Heure De Pointe
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gilles Arcens
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L'Heure De Pointe
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Concert Band Concert Band - Grade 4 - SKU: FX.FX070515-2 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Mus...
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Concert Band Concert Band - Grade 4 - SKU: FX.FX070515-2 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX070515-2. Published by FLEX Editions - Digital Sheet Music (FX.FX070515-2). Simple, those pieces are entertaining and humorous. Their title give easily an indication of the character to give while playing them. Except > that should be played at the start, and > at the end, I let the Conductor free to define the order in which to play the central Pieces:
$28.95 ≈
26.60€
Entrainment (2009)
Entrainment (2009)
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Contemporain
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Eni...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99 ≈
7.34€
Start Point
Start Point
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Sir Peter Maxwell Davies
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Start Point
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Schott Music - Digital
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SheetMusicPlus
Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies (1934-). Downloadable, Score and parts. Duration 5:00. Schott Musi...
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Four Tunes from the Scottish Island of Sanday. Composed by Sir Peter Maxwell Davies (1934-). Downloadable, Score and parts. Duration 5:00. Schott Music - Digital #Q564358. Published by Schott Music - Digital
$12.99 ≈
11.94€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.73€
Over The Rainbow
Over The Rainbow
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Piano Facile
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DÉBUTANT
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Judy Garland
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Glauco Fernandes
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Over The Rainbow
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Glauco Fernandes
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1411267 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Glauco Fernandes. Children,Film/TV,Instruction...
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Easy Piano - Level 1 - SKU: A0.1411267 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Glauco Fernandes. Children,Film/TV,Instructional. Score. 1 pages. Glauco Fernandes #993597. Published by Glauco Fernandes (A0.1411267). Looking for a magical way to begin your piano journey? “Over The Rainbow†- the easy beginner piano sheet music is the perfect choice for you! With this simplified version, you can play one of the most beloved and iconic melodies of all time, even if you’re just starting your musical adventure.Our sheet music has been carefully arranged to ensure that even beginner pianists can find joy and success in playing. Each note has been selected with ease and accessibility in mind, allowing you to focus on the beauty of the music without getting lost in technical complexities.Moreover, this sheet music is an excellent learning tool. It comes with practical tips to help you improve your piano skills, from reading notes to developing a more refined touch. If you’ve always dreamed of playing the piano but didn’t know where to start, this sheet music is the perfect starting point.Don’t miss the chance to bring the magic of “Over The Rainbow†into your home. Purchase your copy today and start your musical journey above the clouds!Tags: easy piano sheet music, beginner piano, Over The Rainbow piano, learning piano, iconic music piano, easy piano arrangement, beginner sheet music, piano music, playing piano, musical learning.
$4.99 ≈
4.59€
Carson Cooman - Newton Antiphonies (2008) for two or more trumpets
Carson Cooman - Newton Antiphonies (2008) for two or more trumpets
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Trompette
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman - Newton Antipho
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034...
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Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034727. Published by Musik Fabrik Music Publishing (A0.775966). Newton Antiphonies (2008) for two or more trumpets was composed for the First Unitarian Society in Newton, Massachusetts on the occasion of its 160th anniversary in November 2008. The score of the work consists of seven cells, each with a different tempo. It is important that the distinct tempo and character of each cell be observed. Other than starting points (as described below), no rhythmic coordination between the performers should be attempted in any way. A performance should begin with the first trumpet playing cell #1. When he reaches the point in the cell marked with an asterisk (*), the second player begins playing cell #1. Once the first player has finished cell #1, after a brief pause, he may choose any one of the other six cells to play next. When the second player has reached the point in cell #1 marked by the asterisk, the third player begins cell #1, continuing after a pause to whichever cell he has chosen next. This thus continues in this same manner for each trumpet. Ideally, the piece will last between 2 and 5 minutes, although if there are an exceptionally large number of trumpets used, it may be longer. Each player thus always begins with cell #1 and after finishing it, plays the remaining cells in any order he chooses, not repeating any and pausing briefly between each one. Once finished with playing all seven, the player stops. When only one player (the last player) is left playing his final cell (and ideally at the point marked with the asterisk in whichever cell he is playing), the first trumpet should begin playing cell #7 again. Thus, the first player will always end the piece alone with cell #7, which is the only repetition of a cell that occurs in the context of performance. The composer recommends between 4 and 6 trumpets for an ideal performance, however any number (two or more) is acceptable. It is also strongly requested that the trumpets surround the audience antiphonally. The work may be performed on any matched trumpets (i.e., do not mix C and Bb instruments).
$12.95 ≈
11.90€
A Thousand Years
A Thousand Years
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Piano Facile
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DÉBUTANT
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Pop musique
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Christina Perri
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Christina Perri and David Hodg
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Alex E
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A Thousand Years
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Müller Publishing company
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1313028 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex E. 21st Century,Broadway,Film/TV,Multic...
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Easy Piano - Level 1 - SKU: A0.1313028 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex E. 21st Century,Broadway,Film/TV,Multicultural,Musical/Show,Wedding,World. Score. 9 pages. Müller Publishing company #901867. Published by Müller Publishing company (A0.1313028). A Thousand Years - Easy Piano Arrangement for Beginner PianistsEmbark on a musical journey with the timeless and romantic A Thousand Years, the iconic song that gained fame through the Twilight saga. Composed by Christina Perri and David Hodges, this melody quickly became a beloved ballad, evoking feelings of love and hope in listeners worldwide.This easy piano arrangement is tailored for beginner pianists, making it the perfect starting point for those who are just beginning their musical journey. The simplified notation and fingerings provide a smooth and enjoyable learning experience, allowing novice pianists to play this beautiful piece with confidence.Perfect for beginners: Whether you're a young aspiring pianist or an adult looking to explore the world of music, this arrangement is an excellent choice. It's a wonderful introduction to playing the piano and offers a sense of accomplishment with every practice session.Don't miss the opportunity to bring the magic of A Thousand Years to your piano repertoire. Purchase your sheet music now and start your musical journey with this enchanting and easy-to-play piece.
$4.99 ≈
4.59€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.83€
On That Cross
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00 ≈
2.76€
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