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Southern American Folk Song Hymn Tune
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Vous avez sélectionné:
Southern American Folk Song Hymn Tune
Partitions à imprimer
11 partitions trouvées
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1
Parting Song (SA or SB, Higher Key of G)
Parting Song (SA or SB, Higher Key of G)
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Chorale 2 parties
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Southern American Folk Song/Hy
#
Christopher Durigg
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Parting Song
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Christopher Durigg
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SheetMusicPlus
Choral Choir,Choral (SA) - SKU: A0.934823 Composed by Southern American Folk Song/Hymn Tune. Arranged by Christopher Durigg. Contemporary,Folk. 11 pages...
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Choral Choir,Choral (SA) - SKU: A0.934823 Composed by Southern American Folk Song/Hymn Tune. Arranged by Christopher Durigg. Contemporary,Folk. 11 pages. Christopher Durigg #6333281. Published by Christopher Durigg (A0.934823). PUBLISHER: C. DURIGG MUSIC PUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING: http://www.cdurigg.com/cdca001g.html C. DURIGG MUSIC ID FOR THIS PIECE: CDCA-001GVOICING: TWO-PART/SA or SBLEVEL: EARLY INTERMEDIATE (Grade 2.5/5)CHORAL SERIES: CHORAL ARTISTRYALSO AVAILABLE (updated JAN 2024):CDCA-001GC — SATB — not yet releasedCDCA-001GB — SAB (Key of G)CDCA-001G — TWO-PART SA or SB (Key of G)CDCA-001 — TWO-PART SA (Key of F) PRODUCT DESCRIPTION: In the last few years leading up to 2020, social division and dissent has risen across the world. This social division has been compounded by extreme social and physical isolation during the COVID-19 crisis. In light of these developments, I felt that this piece’s message was needed now in 2020 more than ever. The tune Prospect is by far one of the most beautiful American melodies from the 1800s. The text was inspired by the beauty of human connection and the feelings we experience when parting ways: sadness and happy remembrance. The text attempts to invoke healing as we keep everyone we hold dear etched on our hearts. This arrangement is an accessible, early intermediate arrangement for 2-Part chorus.     - Christopher Durigg Â
$2.25 ≈
2.07€
Parting Song (SAB)
Parting Song (SAB)
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Chorale 3 parties
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INTERMÉDIAIRE
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Southern American Folk Song/Hy
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Christopher Durigg
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Parting Song
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Christopher Durigg
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1361068 Composed by Southern American Folk Song/Hymn Tune. Arranged by Christopher Durigg. 20th Century,Cl...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1361068 Composed by Southern American Folk Song/Hymn Tune. Arranged by Christopher Durigg. 20th Century,Classical,Contemporary,Folk. 13 pages. Christopher Durigg #945559. Published by Christopher Durigg (A0.1361068). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING: http://www.cdurigg.com/cdca001g.htmlC. DURIGG MUSIC ID FOR THIS PIECE: CDCA-001GBVOICING: SABLEVEL: INTERMEDIATE (Level 3/5)CHORAL SERIES: CHORAL ARTISTRYALSO AVAILABLE (updated JAN 2024):CDCA-001GC — SATB — not yet releasedCDCA-001GB — SAB (Key of G)CDCA-001G — TWO-PART SA or SB (Key of G)CDCA-001 — TWO-PART SA (Key of F)PRODUCT DESCRIPTION:In the last few years leading up to 2020, social division and dissent has risen across the world. This social division has been compounded by extreme social and physical isolation during the COVID-19 crisis. In light of these developments, I felt that this piece’s message was needed now in 2020 more than ever.The tune Prospect is by far one of the most beautiful American melodies from the 1800s. The text was inspired by the beauty of human connection and the feelings we experience when parting ways: sadness and happy remembrance. The text attempts to invoke healing as we keep everyone we hold dear etched on our hearts. This arrangement is an accessible, early intermediate arrangement for SAB chorus.    - Christopher Durigg.
$2.50 ≈
2.30€
Parting Song (SA, Original Key of F) - Second Edition
Parting Song (SA, Original Key of F) - Second Edition
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Chorale 2 parties
#
Southern American Folk Song/Hy
#
Christopher Durigg
#
#
Parting Song
#
Christopher Durigg
#
SheetMusicPlus
Choral Choir (SA) - SKU: A0.934818 Composed by Southern American Folk Song/Hymn Tune. Arranged by Christopher Durigg. Contemporary,Folk,Graduation. Octa...
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Choral Choir (SA) - SKU: A0.934818 Composed by Southern American Folk Song/Hymn Tune. Arranged by Christopher Durigg. Contemporary,Folk,Graduation. Octavo. 11 pages. Christopher Durigg #6070271. Published by Christopher Durigg (A0.934818). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING: http://www.cdurigg.com/cdca001.htmlC. DURIGG MUSIC ID FOR THIS PIECE: CDCA-001 -- Second EditionVOICING: TWO-PART/SALEVEL: EARLY INTERMEDIATECHORAL SERIES: CHORAL ARTISTRYALSO AVAILABLE: Edition in the higher Key of G, suitable for SA or SB (CDCA-001G)PRODUCT DESCRIPTION: In the last few years leading up to 2020, social division and dissent has risen across the world. This social division has been compounded by extreme social and physical isolation during the COVID-19 crisis. In light of these developments, I felt that this piece’s message was needed now in 2020 more than ever. The tune Prospect is by far one of the most beautiful American melodies from the 1800s. The text was inspired by the beauty of human connection and the feelings we experience when parting ways: sadness and happy remembrance. The text attempts to invoke healing as we keep everyone we hold dear etched on our hearts. This arrangement is an accessible, early intermediate arrangement for 2-Part chorus. - Christopher Durigg
$2.25 ≈
2.07€
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
9.20€
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
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Trombone et Piano
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INTERMÉDIAIRE
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American folk hymn tune
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Todd Marchand
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Saw Ye My Savior? — trom
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Con Spirito Music
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional....
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Piano,Tenor Trombone - Level 3 - SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.
$6.00 ≈
5.52€
Promised Land Early American Hymns from the Shape-Note Tradition
Promised Land Early American Hymns from the Shape-Note Tradition
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Promised Land Early American H
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Vocal - Beginning - SKU: M0.30856EB Christian. Woodwinds. E-book. 37 pages. Mel Bay Publications - Digital Sheet Music #30856EB. Published by Mel Bay Pu...
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Vocal - Beginning - SKU: M0.30856EB Christian. Woodwinds. E-book. 37 pages. Mel Bay Publications - Digital Sheet Music #30856EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30856EB). ISBN 9781513470801. 8.75x11.75 inches.With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or “singings†are not easily accessible. The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.
Song List
: All Is Well Bozrah Consolation (Morning Song) David's Lamentation Dundee (Norwich Tune) Evening Shade Fairfield GREENLAND Holy Manna Idumea Jesus Wept (When) Kedron Lone Pilgrim Middlebury Nativity New Britain (Amazing Grace) O Come, Come Away Promised Land Quapah Restoration Star In The East Tender Thought Union Vernon Wayfaring Stranger Wondrous Love
$9.99 ≈
9.19€
'Til the Vaults of Heaven Ring: Variations on "Saints Bound for Heaven"
'Til the Vaults of Heaven Ring: Variations on "Saints Bound for Heaven"
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Orchestre d'harmonie
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FACILE
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Nathaniel Hontz and William Wa
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Nathaniel Hontz
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'Til the Vaults of Heaven Ring
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TigerSong LLC
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1119849 Composed by Nathaniel Hontz and William Walker. Arranged by Nathaniel Hontz. Christian,Folk,Historic,Sacred,Tra...
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Concert Band - Level 2 - SKU: A0.1119849 Composed by Nathaniel Hontz and William Walker. Arranged by Nathaniel Hontz. Christian,Folk,Historic,Sacred,Traditional. Score and Parts. 49 pages. TigerSong LLC #721194. Published by TigerSong LLC (A0.1119849). Classic, pentatonic old American hymn tune Saints Bound for Heaven from the hymnal The Southern Harmony and Musical Companion arranged for concert band. An accessible and upbeat arrangement, good for bands of varying size and instrumentation.
$24.99 ≈
23.00€
On Jordan's Stormy Banks - Flex Orchestra
On Jordan's Stormy Banks - Flex Orchestra
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Orchestre à Cordes
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DÉBUTANT
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having one or more instruments
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From Southern Harmony
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Kristin Campbell
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On Jordan's Stormy Banks - Fle
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Horsehair Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Hor...
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String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99 ≈
9.19€
Star in the East - SATB Ensemble
Star in the East - SATB Ensemble
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Chorale SATB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Star in the East - SATB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1045083 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Oct...
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Choral Choir (SATB) - Level 3 - SKU: A0.1045083 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649647. Published by Mark R Lewis (A0.1045083). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, SATB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone Solo w/ TTB ensemble, which is showcased in the sound samples included here. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Soprano -
$1.99 ≈
1.83€
Star in the East - TTBB Ensemble
Star in the East - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Oct...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99 ≈
1.83€
All the Pretty Little Horses
All the Pretty Little Horses
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Chorale SATB
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Douglas E
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All the Pretty Little Horses
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir - SKU: H1.SP751DP Composed by Douglas E. Wagner. Piano Accompaniment. Secular, Hymn Arrangements, Folk Song, General Worship. Octavo. ...
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Choral SATB choir - SKU: H1.SP751DP Composed by Douglas E. Wagner. Piano Accompaniment. Secular, Hymn Arrangements, Folk Song, General Worship. Octavo. 8 pages. Hope Publishing - Digital #SP751DP. Published by Hope Publishing - Digital (H1.SP751DP). Southern American Folk Tune Choral Piece by Douglas E. Wagner.
$2.95 ≈
2.72€
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Southern American Folk Song Hymn Tune
