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Vous avez sélectionné:
Something Was Missing
Partitions à imprimer
28 partitions trouvées
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1
26
Something Was Missing
Something Was Missing
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Harry Connick Jr
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Amanda Howe
#
Something Was Missing
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Amanda Mae Howe
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1443938 By Harry Connick Jr. By Charles Strouse and Martin Charnin. Arranged by Amanda Howe. Broadway,Children,Musical/Sh...
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Piano Solo - Level 4 - SKU: A0.1443938 By Harry Connick Jr. By Charles Strouse and Martin Charnin. Arranged by Amanda Howe. Broadway,Children,Musical/Show. Score. 7 pages. Amanda Mae Howe #1023896. Published by Amanda Mae Howe (A0.1443938). This charming arrangement of Something Was Missing from the musical Annie was written as a Father's Day gift. The beautiful melody and message behind original song has been reenvisioned as a piano solo.
$6.99 ≈
6.24€
Charles Strouse : Annie - Something Was Missing
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Piano seul
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FACILE
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Film/TV
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Charles Strouse
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Annie
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Tomplay
Telechargez la partition Piano Annie - Something Was Missing de Strouse Charles. Partition pour Piano seul -- Musique de film...
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Telechargez la partition Piano Annie - Something Was Missing de Strouse Charles. Partition pour Piano seul -- Musique de film
4.99€
Something Was Missing
Something Was Missing
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Voix seule
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Comédie Musicale
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Something Was Missing
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.397090 Broadway,Musical/Show. Pro Vocal. 4 pages. Published by Hal Leonard - Digital (HX.397090). ...
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SKU: HX.397090 Broadway,Musical/Show. Pro Vocal. 4 pages. Published by Hal Leonard - Digital (HX.397090).
$4.99 ≈
4.46€
Something Was Missing (from Annie)
Something Was Missing (from Annie)
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Piano grosses notes
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DÉBUTANT
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Charles Strouse
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Something Was Missing
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Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1301597 Composed by Charles Strouse. This edition: scorch. E-Z Play Today. Broadway,Children,Film...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1301597 Composed by Charles Strouse. This edition: scorch. E-Z Play Today. Broadway,Children,Film/TV,Musical/Show. Score. 2 pages. Hal Leonard - Digital #760810. Published by Hal Leonard - Digital (HX.1301597). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.67€
Something Was Missing
Something Was Missing
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Piano, Voix et Guitare
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Comédie Musicale
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Charles Strouse
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Something Was Missing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Charles Strouse. Broadway. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Charles Strouse. Broadway. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.46€
ALES STENAR, suite for violin and chamber orchestra - Score Only
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99 ≈
17.86€
Something Was Missing from Annie - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Comédie Musicale
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Something Was Missing from Ann
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Musicnotes
Charles Strouse - Something Was Missing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this...
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Charles Strouse - Something Was Missing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 6 pages -- Show/Broadway~~Musical
$5.50 ≈
4.91€
Annie Overture
Annie Overture
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Ensemble de cuivres
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FACILE
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Charles Strouse and Martin Cha
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James Moule
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Annie Overture
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James Moule
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.489928 Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,Broadway,Musical/Show. S...
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Brass Ensemble - Level 2 - SKU: A0.489928 Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,Broadway,Musical/Show. Score and parts. 24 pages. James Moule #106032. Published by James Moule (A0.489928). This is the second quintet for brass, based on four songs from the Broadway Musical, Annie: You're Never Fully Dressed Without a Smile, We'd Like to Thank you, Herbert Hoover, Something Was Missing and Annie. Parts are comfortably pitched for intermediate players. While designed for the traditional English brass band quintet (two cornets, tenor horn, baritone and Eb tuba), Parts 4 & 5 are also given at concert pitch and a Part 3 french horn part is provided. The set is excellent for both concerts and junior contests. The set comes with a full conductor's score. Total playing time is about 4'50.
$12.99 ≈
11.60€
Crossed Out of Christmas
Crossed Out of Christmas
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Alan Wagstaff
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Alan Wagstaff
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Crossed Out of Christmas
#
Alan Wagstaff
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.507484 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Christmas,Country,Praise & Worship. ...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.507484 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Christmas,Country,Praise & Worship. 26 pages. Alan Wagstaff #118734. Published by Alan Wagstaff (A0.507484). This is a country-style waltz, arranged for choir (SAB) and fiddle, harp and piano, which searches for the true meaning of Christmas. here is the lyric: Crossed Out of ChristmasA Good Man was framed, on a bare, rocky hill; it happened somewhere in the distance. Though He paid a high cost, He was not double-crossed, till the day He was crossed out of Christmas. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas. The shops and the super-stores tell us the news; the signs. say that X-mas is here. And the message is hurled, right around the whole world –but something seems missing this year. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas. I want to re-write, on this parcel tonight, a word that somehow came adrift. Christmas! Christmas! Christmas! Lord God! ‘cos that is the true Christmas gift. Christmas and X-mas ain’t one and the same, and I guess there is only one reason. So let’s do it right, and by starlight tonight, we’ll unwrap the power of the season. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas.
$45.00 ≈
40.20€
I'll Never Fall In Love Again
I'll Never Fall In Love Again
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Dionne Warwick
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John Fries
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I'll Never Fall In Love Again
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sh...
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C Instrument - Level 4 - SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #987069. Published by John Fries (A0.1403900). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. In the fall of 1968, Bacharach and David were in Boston for previews of Promises, Promises, the new musical for which producer David Merrick had asked if they would write the score, and Merrick realized, We're missing a song in the middle of the second act, and what we need is something the audience can whistle on their way out of the theater. But around this time, Bacharach was hospitalized with pneumonia and wasn't able to sit at a piano to write the music until after he was released. By that time Hal had already come up with the lyrics to 'I'll Never Fall in Love Again,' and my hospital stay had inspired him to write, 'What do you get when you kiss a girl? You get enough germs to catch pneumonia. After you do, she'll never phone you.' When he finally sat with the lyrics in front of him, he recalls, I wrote the melody for 'I'll Never Fall in Love Again' faster than I had ever written any song in my life..
$3.99 ≈
3.56€
EP!C!!!
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00 ≈
35.73€
Something Was Missing
Something Was Missing
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Piano, Voix
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Comédie Musicale
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Charles Strouse
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Something Was Missing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Charles Strouse. For piano, voice, and guitar (chords only). Musical/Show. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Charles Strouse. For piano, voice, and guitar (chords only). Musical/Show. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.46€
Something Was Missing
Something Was Missing
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Piano, Voix et Guitare
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Comédie Musicale
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Charles Strouse
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Something Was Missing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Charles Strouse. Broadway. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Charles Strouse. Broadway. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.46€
Something Was Missing [Excerpt] from Annie - Piano/Vocal/Chords
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Piano, Voix
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Film/TV
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Comédie Musicale
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Something Was Missing [Excerpt
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Musicnotes
Charles Strouse - False Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano...
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Charles Strouse - False Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 1 pages -- Movie/TV~~Show/Broadway~~Soundtrack~~Musical
$3.95 ≈
3.53€
Something Was Missing from Annie - Piano/Vocal/Chords
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Piano, Voix
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Comédie Musicale
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Something Was Missing from Ann
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Musicnotes
Charles Strouse - False Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement con...
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Charles Strouse - False Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 5 pages -- Show/Broadway~~Musical
$5.50 ≈
4.91€
Charles Strouse: Something Was Missing - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Comédie Musicale
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Charles Strouse
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Virtualsheetmusic
Instantly printable sheet music by Charles Strouse for voice, piano or guitar of MEDIUM skill level. / broadway
Instantly printable sheet music by Charles Strouse for voice, piano or guitar of MEDIUM skill level. / broadway
$6.97 ≈
6.23€
Charles Strouse: Something Was Missing - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Comédie Musicale
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Charles Strouse
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Virtualsheetmusic
Instantly printable sheet music by Charles Strouse for voice, piano or guitar of MEDIUM skill level. / broadway
Instantly printable sheet music by Charles Strouse for voice, piano or guitar of MEDIUM skill level. / broadway
$5.97 ≈
5.33€
Martin Charnin: Something Was Missing for voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Martin Charnin
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Virtualsheetmusic
Instantly printable sheet music by Charles Strouse for voice & piano of MEDIUM skill level. / musical/show
Instantly printable sheet music by Charles Strouse for voice & piano of MEDIUM skill level. / musical/show
$5.97 ≈
5.33€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
26.80€
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.00€
Away in a Manger - Silent Night
Away in a Manger - Silent Night
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Musique Sacrée
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Polished Brass
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Robert Coil
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Away in a Manger - Silent Nigh
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Polished Brass
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SheetMusicPlus
Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1116038 By Polished Brass. By anonymous - Gruber. Arranged by Robert Coil. Chamber,Christmas,Holiday...
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Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1116038 By Polished Brass. By anonymous - Gruber. Arranged by Robert Coil. Chamber,Christmas,Holiday,Praise & Worship,Sacred. 12 pages. Polished Brass #717736. Published by Polished Brass (A0.1116038). This arrangement for brass quintet employs contemporary harmonies with the traditional melodies to provide a sound that is pleasing to the ear while making the pieces sound fresh. The top four voices take turns with the melody while the tuba sets a foundation with chromatic passing tones that should be given a little emphasis as they occur. Away in a Manger The first two verses are sometimes attributed to Martin Luther as “Cradle Hymnâ€, but definitive proof of Luther's authorship is missing. The most common version is based on words found in a Philadelphia Sunday School book by James Murray in 1885 titled “Luther's Cradle Songâ€. Silent Night Franz Gruber was an Austrian church organist at St Nicholas parish in Obernhof, a small town north of Salzburg. The priest at the church, Joseph Mohr wrote the poem Stille Nacht in 1816 and Gruber composed the music for guitar accompaniment for a Christmas eve service in 1818 because something, possibly a flood, had damaged the organ. So, rather than a keyboard composition, this was originally composed for guitar and voice. The composition was preserved by the man who fixed the organ and shared it with other churches as he traveled. Luckily a copy survived so that Mohr and Gruber could both be acknowledged for their creation.
$12.99 ≈
11.60€
The Green-Roofed Barn
The Green-Roofed Barn
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Celtique/Irlandais
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Roger Aldridge
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The Green-Roofed Barn
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Roger Aldridge
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SheetMusicPlus
Small Ensemble Bagpipe,Banjo,Double Bass,Guitar,Violin - SKU: A0.979654 Composed by Roger Aldridge. Celtic,Contemporary. Score and parts. 2 pages. Roger...
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Small Ensemble Bagpipe,Banjo,Double Bass,Guitar,Violin - SKU: A0.979654 Composed by Roger Aldridge. Celtic,Contemporary. Score and parts. 2 pages. Roger Aldridge #441423. Published by Roger Aldridge (A0.979654). The Green-Roofed Barn draws upon Scottish fiddle music. However, it has a quirky spirit in how there are measures with missing beats. This tune came about when I was hiking in the hills of York County, PA near the Susquehanna River. I saw a barn with a green roof in the valley below. The barn had a sense of joyful grace about it and I began to hear this Strathspey in my mind. The tune was originally written in a traditional style. However, as the music evolved I decided to remove several notes as being too repetitive (notated as measures of 3/4). This gave the tune a quirkiness that appealed to me. As I figured, many hundreds of traditional Strathspeys have already been written. This tune is meant to be something different. Note: the demo recording is a Sibelius midi of only the melody. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1991 PERFORMANCE: Ideally, violin is featured with piano and/or guitar and string bass. The tune can also be played on bagpipes or banjo.
$3.00 ≈
2.68€
Seven Days Without Prayer
Seven Days Without Prayer
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,C...
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99 ≈
1.78€
Learning to Dance (Duet for Eb Alto Saxophone and F Horn)
Learning to Dance (Duet for Eb Alto Saxophone and F Horn)
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Adam Lenhart
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Learning to Dance
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Adam Lenhart
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SheetMusicPlus
Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pag...
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Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pages. Adam Lenhart #910858. Published by Adam Lenhart (A0.1322562). Learning to Dance is a playful and beginner-friendly duet exploring a fun blend of playing in both 3 and 2. You can almost close your eyes and imagine yourself learning to waltz, every once in a while missing a step or adding an extra one, embodying all of the excitement, frustration and surprises of learning something new.Purchase includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.46€
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Something Was Missing
