Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Solemn Mass
Non classifié
16
Piano & claviers
Orgue
4
Piano seul
3
Piano, Voix
1
Piano Facile
1
Guitares
Voix
Chorale SATB
14
Vents
Flûte traversière et Piano
2
Saxophone Alto et Piano
2
Saxophone Tenor et Piano
2
Hautbois, Piano (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette Basse, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone et Harpe
1
Clarinette et Piano
1
Hautbois, Harpe
1
Quatuor de Flûtes : 4 flûtes
1
+ 7 instrumentations
Retracter
Cuivres
Trombone et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
1
Cor et Harpe
1
Trompette
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 1 instrumentations
Retracter
Cordes
Harpe
7
2 Harpes (duo)
6
Harpe, Trombone (duo)
1
Violoncelle, Piano
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Harpe, Violon (duo)
1
Alto, Piano
1
Harpe, Violoncelle (duo)
1
+ 3 instrumentations
Retracter
Percussions & orchestre
Orchestre
2
Orchestre à Cordes
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Solemn Mass
Partitions à imprimer
85 partitions trouvées
<
1
26
51
76
Missa Solemnis for mixed choir, soloist voices and organ - Full
Missa Solemnis for mixed choir, soloist voices and organ - Full
#
Chorale SATB
#
AVANCÉ
#
Musique Sacrée
#
Santino Cara
#
Missa Solemnis for mixed choir
#
Santino Cara
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara...
(+)
Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.
$20.20 ≈
18.90€
Small solemn mass for choir brass quartet and organ
Small solemn mass for choir brass quartet and organ
#
Chorale SATB
#
Claude Rippas
#
Small solemn mass for choir br
#
Topp Barss
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.931797 Composed by Claude Rippas. Contemporary. Octavo. 32 pages. Topp Barss #3621709. Published by Topp Barss (A0.931797)...
(+)
Choral Choir (SATB) - SKU: A0.931797 Composed by Claude Rippas. Contemporary. Octavo. 32 pages. Topp Barss #3621709. Published by Topp Barss (A0.931797). Small solemn mass for choir brass quartet and organ Score
$11.00 ≈
10.29€
Small solemn mass for choir brass quartet and organ
Small solemn mass for choir brass quartet and organ
#
Chorale SATB
#
FACILE
#
Claude Rippas
#
Small solemn mass for choir br
#
Topp Barss
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.931796 Composed by Claude Rippas. Contemporary. Octavo. 30 pages. Topp Barss #3621705. Published by Topp Barss (...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.931796 Composed by Claude Rippas. Contemporary. Octavo. 30 pages. Topp Barss #3621705. Published by Topp Barss (A0.931796). Small solemn mass for choir brass quartet and organ
$7.00 ≈
6.55€
Solemn Mass (2014) RTHILL
Solemn Mass (2014) RTHILL
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Richard T
#
Solemn Mass
#
Richard T. Hill
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1026290 Composed by Richard T. Hill. 20th Century,Christian,Contemporary,Sacred. Octavo. 112 pages. Richard T. H...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1026290 Composed by Richard T. Hill. 20th Century,Christian,Contemporary,Sacred. Octavo. 112 pages. Richard T. Hill #6049701. Published by Richard T. Hill (A0.1026290). 20 minute setting of the Latin Mass for SATB (brief solos for SAT) and Organ that ranges from nods to pandiatonic polyphony to more modern sororities. SATB is Intermediate difficulty. Organ plays a prominent and complementary role and is Intermediate to Advanced. .
$14.99 ≈
14.03€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
#
Chorale SATB
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
82.34€
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
(+)
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
149.73€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
(+)
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
80.47€
Mass of the Resurrection (Downloadable Organ/Choral Score)
Mass of the Resurrection (Downloadable Organ/Choral Score)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Robert Lehman
#
Mass of the Resurrection
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir and organ, or brass quintet, timpani, and organ - Medium - SKU: MQ.8325-E Composed by Robert Lehman. Complete Mass, Easter, 20th Century. Dow...
(+)
SATB choir and organ, or brass quintet, timpani, and organ - Medium - SKU: MQ.8325-E Composed by Robert Lehman. Complete Mass, Easter, 20th Century. Downloadable organ/choral score. 16 pages. E. C. Schirmer Music Company - Digital #8325-E. Published by E. C. Schirmer Music Company - Digital (MQ.8325-E). English.The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, (the great Hymn of Thanksgiving, “We praise thee, O God...â€),* the Great Alleluia which is sung thrice at the Great Vigil of Easter, and the splendid Easter Sequence Victimæ Paschali laudes or “Christians, to the Paschal Victim…†These three Easter themes permeate the Mass thus joining us with those of past centuries who have sung these same melodies to celebrate the resurrection of the Lord Jesus Christ who has trampled down death and won for us the life eternal. Resurrexit Christi! Alleluia! -Robert W. LehmanDuration: 7:00.
$2.85 ≈
2.67€
Requiem (Full Score)
Requiem (Full Score)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
William Hawley
#
Requiem
#
William Hawley
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.889684 Composed by William Hawley. Contemporary,Sacred. Octavo. 82 pages. William Hawley #3479653. Published by ...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.889684 Composed by William Hawley. Contemporary,Sacred. Octavo. 82 pages. William Hawley #3479653. Published by William Hawley (A0.889684). William Hawley's Requiem Commemoratio Omnium Fidelium Defunctorum for Chorus and Orchestra, with Version for Chorus and Organ, was commissioned and premiered by St. Dominic's Catholic Church, San Francisco, Simon Berry, Director of Music And Liturgy. The Liturgical World Premiere took place on All Souls' Day, November 2, 2007 at Solemn Mass in St. Dominic's Church, with the combined forces of the San Francisco Choral Artists, Magen Solomon, Artistic Director, the St. Dominic's Solemn Mass Choir, and the St. Dominic's Festival Orchestra, conducted by Mr. Berry. The homily was given by the then Archbishop of San Francisco, George Hugh Niederauer.
$29.99 ≈
28.06€
Requiem (Vocal Score)
Requiem (Vocal Score)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
William Hawley
#
Requiem
#
William Hawley
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.889685 Composed by William Hawley. Contemporary,Sacred. Octavo. 47 pages. William Hawley #3479659. Published by ...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.889685 Composed by William Hawley. Contemporary,Sacred. Octavo. 47 pages. William Hawley #3479659. Published by William Hawley (A0.889685). Vocal Score, with Piano Reduction for rehearsal (47 pp.), with permission to print multiple copies for the Conductor, Rehearsal Pianist, and Chorus. Suggested Chorus size: 32 Singers (8S, 8A, 8T, 8B). William Hawley's Requiem Commemoratio Omnium Fidelium Defunctorum for Chorus and Orchestra, with Version for Chorus and Organ, was commissioned and premiered by St. Dominic's Catholic Church, San Francisco, Simon Berry, Director of Music And Liturgy. The Liturgical World Premiere took place on All Souls' Day, November 2, 2007 at Solemn Mass in St. Dominic's Church, with the combined forces of the San Francisco Choral Artists, Magen Solomon, Artistic Director, the St. Dominic's Solemn Mass Choir, and the St. Dominic's Festival Orchestra, conducted by Mr. Berry. The homily was given by the then Archbishop of San Francisco, George Hugh Niederauer.
$9.99 ≈
9.35€
Petite Messe Solennelle
Petite Messe Solennelle
#
Gioacchino Antonio Rossini
#
Petite Messe Solennelle
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Soloists, choir, harmonium and piano - SKU: S9.Q21183 Composed by Gioacchino Antonio Rossini. This edition: study score. Choral music - Ernst Eulenburg ...
(+)
Soloists, choir, harmonium and piano - SKU: S9.Q21183 Composed by Gioacchino Antonio Rossini. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21183. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21183). German • English.Apart from 'Stabat Mater', Rossini's 'little solemn mass', which he composed at the advanced age of 71, is his second major church music composition. In this work, the acclaimed 19th-century opera composer dealt intensively and creatively with Bach's and Palestrina's counterpoint. The edition is based on a revised reprint of the original publisher from Paris.
$16.99 ≈
15.90€
Requiem (World Liturgical Premiere Recording) Part I
Requiem (World Liturgical Premiere Recording) Part I
#
Christian contemporain
#
Musique Sacrée
#
St
#
Requiem
#
William Hawley
#
SheetMusicPlus
Level 5 - SKU: A0.1127881 By St. Dominic's Choir and Orchestra, SF Choral Artists,Simon Berry, Conductor. By William Hawley. Contemporary,Sacred. Full P...
(+)
Level 5 - SKU: A0.1127881 By St. Dominic's Choir and Orchestra, SF Choral Artists,Simon Berry, Conductor. By William Hawley. Contemporary,Sacred. Full Performance. Duration 924. William Hawley #728486. Published by William Hawley (A0.1127881). This is Part I of the World Liturgical Premiere Recording of William Hawley's Requiem Commemoratio Omnium Fidelium Defunctorum for Chorus, Orchestra, and Organ, commissioned by St. Dominic's Catholic Church, San Francisco. The Premiere took place at St. Dominic's on All Souls' Day, November 2, 2007, performed by the St. Dominic's Solemn Mass Choir; the San Francisco Choral Artists; and the St. Dominic's Festival Orchestra, Simon Berry, Conductor. The timings of the three movements of Part I are as follows: Introit and Kyrie 00:03-5:53 Psalm 6:01-9:31 Gradual and Tract 9:39-15:27 Part II of this recording is also available on this site, along with the Full Score, Vocal Score, Organ Version Score, Orchestral Parts and the complete Composer's Virtual Instruments Demo recording. Total Duration of the work in performance: ca. 29 minutes. The audio clip here consists of excerpts from all six movements of the World Premiere Recording. ASCAP https://williamhawley.net.
$3.99 ≈
3.73€
Messe solennelle
Messe solennelle
#
Orgue
#
Wolfgang Seifen
#
Messe solennelle
#
Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB) and organ - SKU: S9.Q42372 Composed by Wolfgang Seifen. This edition: score. Downloadable, score. Schott Music - Digital #Q42372. Pub...
(+)
Mixed choir (SATB) and organ - SKU: S9.Q42372 Composed by Wolfgang Seifen. This edition: score. Downloadable, score. Schott Music - Digital #Q42372. Published by Schott Music - Digital (S9.Q42372). Latin.A solemn mass setting for mixed choir and concert organ.
$36.99 ≈
34.62€
Messe solennelle
Messe solennelle
#
Orgue
#
Wolfgang Seifen
#
Messe solennelle
#
Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB) and organ - SKU: S9.Q42373 Composed by Wolfgang Seifen. This edition: choral score. Downloadable, Choral score. Schott Music - Digita...
(+)
Mixed choir (SATB) and organ - SKU: S9.Q42373 Composed by Wolfgang Seifen. This edition: choral score. Downloadable, Choral score. Schott Music - Digital #Q42373. Published by Schott Music - Digital (S9.Q42373). Latin.A solemn mass setting for mixed choir and concert organ.
$7.99 ≈
7.48€
PANIS ANGELICUS (in F) for String Quartet
PANIS ANGELICUS (in F) for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Cesar Franck
#
Alexandre Carvalho
#
PANIS ANGELICUS
#
Alexandre Barros de Carvalho
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.982080 Composed by Cesar Franck (1872). Arranged by Alexandre Carvalho. Christian,Concert,Graduation,R...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.982080 Composed by Cesar Franck (1872). Arranged by Alexandre Carvalho. Christian,Concert,Graduation,Romantic Period,World. Score and parts. 7 pages. Alexandre Barros de Carvalho #6350053. Published by Alexandre Barros de Carvalho (A0.982080). Arrangement for string quartet to accompany one, two or three voices in F major. It can be performed in solemn masses as it is a Latin chant; or it can be performed in recitals.
$10.00 ≈
9.36€
Lamb of God, 'have mercy on us'
Lamb of God, 'have mercy on us'
#
Chorale SATB
#
FACILE
#
Thomas Leke
#
Thomas Leke
#
Lamb of God, 'have mercy on us
#
Ezuer Leke
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1016215 Composed by Thomas Leke. Arranged by Thomas Leke. Contemporary,Sacred,Spiritual. Octavo. 1 pages. Ezuer ...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.1016215 Composed by Thomas Leke. Arranged by Thomas Leke. Contemporary,Sacred,Spiritual. Octavo. 1 pages. Ezuer Leke #5314381. Published by Ezuer Leke (A0.1016215). Lamb of God ,have mercy on us, is a solemn song that should be song during the celebration of mass during Agnus .It is been written in SOLFA NOTATION , for easy interpretation for those who cant really read music in STAFF so well. Is a very short and repetitive song for solemnity and prayers .
$2.50 ≈
2.34€
Franck: Panis Angelicus for String Trio
Franck: Panis Angelicus for String Trio
#
César Franck
#
James M
#
Franck: Panis Angelicus for St
#
jmsgu3
#
SheetMusicPlus
String Trio - Level 3 - SKU: A0.549171 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. ...
(+)
String Trio - Level 3 - SKU: A0.549171 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. 13 pages. Jmsgu3 #3455883. Published by jmsgu3 (A0.549171). Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. Panis Angelicus is significant for its musical beauty, historical and liturgical context, and emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.
$34.95 ≈
32.71€
Franck: Panis Angelicus for Piano Quintet
Franck: Panis Angelicus for Piano Quintet
#
C
#
James M
#
Franck: Panis Angelicus for Pi
#
jmsgu3
#
SheetMusicPlus
Piano Quintet Piano - Level 3 - SKU: A0.552116 Composed by C. Franck. Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 17 ...
(+)
Piano Quintet Piano - Level 3 - SKU: A0.552116 Composed by C. Franck. Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 17 pages. Jmsgu3 #6120511. Published by jmsgu3 (A0.552116). Ceasar Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. A famous Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version suits Lent, Easter, or any Christian eucharistic service. It is also an excellent choice for a recital encore because of the potential for musical expressivity.César Franck's Panis Angelicus is significant for several reasons:Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. In summary, Panis Angelicus is significant for its musical beauty, its historical and liturgical context, and its emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.
$42.95 ≈
40.19€
Missa sacra
Missa sacra
#
Robert Schumann
#
Missa sacra
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Choir and orchestra - SKU: S9.Q24158 For four-part choir and orchestra. Composed by Robert Schumann. This edition: study score. Choral music - Er...
(+)
Choir and orchestra - SKU: S9.Q24158 For four-part choir and orchestra. Composed by Robert Schumann. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 147. Ernst Eulenburg & Co. GmbH - Digital #Q24158. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24158). Latin.Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Not unlike Schubert and later Bruckner before, Schumann's Mass in C minor too is bound by tradition, yet finds its very own formulation of the 'Ordinarium Missae', the characteristic features of which point to the late style of the composer.
$21.99 ≈
20.58€
Lamb of God
Lamb of God
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Anderson Isiagu
#
Lamb of God
#
Anderson Isiagu
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1030892 Composed by Anderson Isiagu. Christian,Easter,Sacred. Octavo. 5 pages. Anderson Isiagu #51911. Published...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1030892 Composed by Anderson Isiagu. Christian,Easter,Sacred. Octavo. 5 pages. Anderson Isiagu #51911. Published by Anderson Isiagu (A0.1030892). Lamb of God with Amen is a sacred/religious choral music ideal for contemplative and solemn Christian worship. Suitable for performance in a Catholic Mass setting but with the Amen omitted. Released in early 2015, it runs for approximately 2 minutes and sixteen seconds. E-mail:aoa_i@yahoo.com Facebook: Anderson Isiagu Twitter: @Andersonisiagu Instagram: andersonisiagu.
$1.99 ≈
1.86€
Pater Noster of Peace
Pater Noster of Peace
#
Chorale SATB
#
INTERMÉDIAIRE
#
Thomas Leke
#
Thomas Leke
#
Pater Noster of Peace
#
Ezuer Leke
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1016217 Composed by Thomas Leke. Arranged by Thomas Leke. African,Contemporary,New Age,Sacred. Octavo. 1 ...
(+)
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1016217 Composed by Thomas Leke. Arranged by Thomas Leke. African,Contemporary,New Age,Sacred. Octavo. 1 pages. Ezuer Leke #5314523. Published by Ezuer Leke (A0.1016217). Pater Noster of Peace , is the lord's prayer with the mixture of both Latin and English languages. can be rendered at mass or in solemn religious occasions . Attached is a simple and local audio recording for guides.
$3.20 ≈
2.99€
Requiem for a Cat/Requiem pour un chat
Requiem for a Cat/Requiem pour un chat
#
Piano seul
#
INTERMÉDIAIRE
#
Contemporain
#
Alexandra Delgado
#
Requiem for a Cat/Requiem pour
#
Alexandra Delgado
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1001360 Composed by Alexandra Delgado. Contemporary. Score. 4 pages. Alexandra Delgado #6549469. Published by Alexandra D...
(+)
Piano Solo - Level 3 - SKU: A0.1001360 Composed by Alexandra Delgado. Contemporary. Score. 4 pages. Alexandra Delgado #6549469. Published by Alexandra Delgado (A0.1001360). Intermediate level. SOCAN. ISMN 979-0-706116-07-5A requiem being a Mass for the souls of the dead, this requiem was written in honor of a well-loved kitty. It is a musically imaginative piece where both grief and remembrance are expressed. A solemn beginning, cheerful memories, tender nostalgia...An excellent piece to develop interpretation.
$4.99 ≈
4.67€
<
1
26
51
76
Solemn Mass
