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Vous avez sélectionné:
Slow Poke
Partitions à imprimer
27 partitions trouvées
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1
26
The Slowpoke Blues
The Slowpoke Blues
#
Piano seul
#
INTERMÉDIAIRE
#
Blues
#
Jazz
#
Steve Thweatt
#
Steve Thweatt
#
The Slowpoke Blues
#
Steve Thweatt
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1043702 By Steve Thweatt. By Steve Thweatt. Arranged by Steve Thweatt. Blues,Jazz. Score. 4 pages. Steve Thweatt #647698....
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Piano Solo - Level 3 - SKU: A0.1043702 By Steve Thweatt. By Steve Thweatt. Arranged by Steve Thweatt. Blues,Jazz. Score. 4 pages. Steve Thweatt #647698. Published by Steve Thweatt (A0.1043702). This blues piano solo is quite charming. Play this in a very relaxed tempo. It may be slow, but it is good!
$5.00 ≈
4.48€
Slow Poke by Pee Wee King - Piano/Vocal/Guitar
#
Piano, Voix et Guitare
#
Pee Wee King
#
Slow Poke
#
Musicnotes
Performed by: Pee Wee King: Slow Poke Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this a...
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Performed by: Pee Wee King: Slow Poke Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Country~~Cowboy~~Old-Time Country~~Traditional Country~~Western Swing
$5.50 ≈
4.93€
Slow Poke by Pee Wee King - for Accordion with Vocal/Chords
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Accordéon, Voix
#
Pee Wee King
#
Slow Poke
#
Musicnotes
Performed by: Pee Wee King: Slow Poke Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics),...
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Performed by: Pee Wee King: Slow Poke Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Instrument/Vocal/Chords, instruments: Accordion;Voice; 3 pages -- Country~~Cowboy~~Old-Time Country~~Traditional Country~~Western Swing
$4.95 ≈
4.43€
Slow Poke
Slow Poke
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Piano, Voix et Guitare
#
Country
#
Pee Wee King
#
Standards
#
Slow Poke
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Pee Wee King. For piano, voice, and guitar (chords only). Country; Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music...
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By Pee Wee King. For piano, voice, and guitar (chords only). Country; Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.47€
Redd Stewart: Slow Poke for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
#
Country
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Redd Stewart
#
Virtualsheetmusic
Instantly printable sheet music by Pee Wee King for voice, piano or guitar of MEDIUM skill level. / country,standards
Instantly printable sheet music by Pee Wee King for voice, piano or guitar of MEDIUM skill level. / country,standards
$6.97 ≈
6.24€
Redd Stewart: Slow Poke for accordion
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Accordéon
#
INTERMÉDIAIRE
#
Country
#
Redd Stewart
#
Virtualsheetmusic
Instantly printable sheet music by Pee Wee King for accordion of MEDIUM skill level. / country,standards
Instantly printable sheet music by Pee Wee King for accordion of MEDIUM skill level. / country,standards
$5.97 ≈
5.35€
Slow Poke
Slow Poke
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Accordéon
#
Country
#
Pee Wee King
#
Gary Meisner
#
Standards
#
Slow Poke
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Pee Wee King. Arranged by Gary Meisner. Country; Standards. ACD. 3 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Pee Wee King. Arranged by Gary Meisner. Country; Standards. ACD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.47€
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Piano Facile
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FACILE
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo, Narrator - Advanced - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Publish...
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Piano Solo, Narrator - Advanced - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95 ≈
17.87€
Let There Be Peace On Earth
Let There Be Peace On Earth
#
Chorale TTBB
#
DÉBUTANT
#
Jill Jackson and Sy Miller
#
Kirstie Smith
#
Let There Be Peace On Earth
#
Kirstie Smith
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 1 - SKU: A0.1477434 Composed by Jill Jackson and Sy Miller. Arranged by Kirstie Smith. Chamber,Christmas,Praise ...
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Choral Choir,Choral,TTBB Chorus - Level 1 - SKU: A0.1477434 Composed by Jill Jackson and Sy Miller. Arranged by Kirstie Smith. Chamber,Christmas,Praise & Worship,Religious,Sacred. 8 pages. Kirstie Smith #1054837. Published by Kirstie Smith (A0.1477434). A wonderfully unique and uplifting choral arrangement of 'Let There Be Peace On Earth', beginning with a gentle, slow waltz feel, slowly building in dynamics, tempo and orchestration to end with a choral a-cappella fanfare and rousing tutti finale.This bespoke score includes TTBB score and Level 1 piano accompaniment.Perfectly tailored for Male Voice Choirs, and a highly enjoyable song for all at Christmas Concerts, as well as throughout the year.Related Items:TTBB Choral Score (minus piano, easy- read 4-stave format): ArrangeMe ID 1054843Piano Accompaniment Score: ArrangeMe ID 1054847Piano Accompaniment MP3 Audio: ArrangeMe ID 1054861.
$2.99 ≈
2.68€
Let There Be Peace On Earth
Let There Be Peace On Earth
#
Piano Facile
#
DÉBUTANT
#
Jill Jackson and Sy Miller
#
Kirstie Smith
#
Let There Be Peace On Earth
#
Kirstie Smith
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1477458 Composed by Jill Jackson and Sy Miller. Arranged by Kirstie Smith. Chamber,Christmas,Praise & Worship,Religious,S...
(+)
Easy Piano - Level 1 - SKU: A0.1477458 Composed by Jill Jackson and Sy Miller. Arranged by Kirstie Smith. Chamber,Christmas,Praise & Worship,Religious,Sacred. Score. 4 pages. Kirstie Smith #1054847. Published by Kirstie Smith (A0.1477458). An easy piano accompaniment for a wonderfully unique and uplifting TTBB arrangement of 'Let There Be Peace On Earth'. This bespoke composition begins with a gentle, slow waltz feel, slowly building in dynamics, tempo and orchestration to finish with a choral a-cappella fanfare and rousing tutti finale.The related TTBB arrangement has been perfectly tailored for Male Voice Choirs, and a highly enjoyable song for all at Christmas Concerts, as well as throughout the year.Related Items:TTBB and Piano Arrangement - Full Score: ArrangeMe ID 1054837TTBB Vocal / Choral Score: ArrangeMe ID 1054843Piano Accompaniment MP3 Audio: ArrangeMe ID 1054861.
$4.99 ≈
4.47€
Let There Be Peace On Earth
Let There Be Peace On Earth
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Various
#
Kirstie Smith
#
Let There Be Peace On Earth
#
Kirstie Smith
#
SheetMusicPlus
Piano Accompaniment - Level 1 - SKU: A0.1477467 By Various. By Jill Jackson, Sy Miller. Arranged by Kirstie Smith. Christian,Christmas,Praise & Worship,...
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Piano Accompaniment - Level 1 - SKU: A0.1477467 By Various. By Jill Jackson, Sy Miller. Arranged by Kirstie Smith. Christian,Christmas,Praise & Worship,Religious,Sacred. Accompaniment. Duration 209. Kirstie Smith #1054861. Published by Kirstie Smith (A0.1477467). Audio MP3 of easy piano accompaniment for a wonderfully unique and uplifting Male Voice Choir TTBB arrangement of 'Let There Be Peace On Earth'.This bespoke composition begins with a gentle, slow waltz feel, slowly building in dynamics, tempo and orchestration to end with a choral a-cappella fanfare and rousing tutti finale.The related TTBB vocal arrangement has been perfectly tailored for Male Voice Choirs, and a highly enjoyable song for all at Christmas Concerts, as well as throughout the year.Related Items:TTBB and Piano Arrangement - Full Score: ArrangeMe ID 1054837TTBB Vocal / Choral Score: ArrangeMe ID 1054843Piano Accompaniment Score: ArrangeMe ID 1054847.
$4.99 ≈
4.47€
Let There Be Peace On Earth
Let There Be Peace On Earth
#
Chorale TTBB
#
DÉBUTANT
#
Musique Sacrée
#
Jill Jackson and Sy Miller
#
Kirstie Smith
#
Let There Be Peace On Earth
#
Kirstie Smith
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 1 - SKU: A0.1477439 Composed by Jill Jackson and Sy Miller. Arranged by Kirstie Smith. Chamber,Christian,Christm...
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Choral Choir,Choral,TTBB Chorus - Level 1 - SKU: A0.1477439 Composed by Jill Jackson and Sy Miller. Arranged by Kirstie Smith. Chamber,Christian,Christmas,Praise & Worship,Sacred. 5 pages. Kirstie Smith #1054843. Published by Kirstie Smith (A0.1477439). A wonderfully unique and uplifting arrangement of 'Let There Be Peace On Earth', beginning with a gentle, slow waltz feel, slowly building in dynamics, tempo and orchestration to end with a choral a-cappella fanfare and rousing tutti finale.This bespoke score is formatted in TTBB easy read 4 -stave vocal score.Perfectly tailored for Male Voice Choirs, and a highly enjoyable song for all at Christmas Concerts, as well as throughout the year.Related Items:TTBB and Piano - Full Score: ArrangeMe ID 1054837Piano Accompaniment Part pdf: ArrangeMe ID 1054847Piano Accompaniment MP3 Audio: ArrangeMe ID 1054861.
$1.99 ≈
1.78€
Variations on Joy to the World - Score Only
Variations on Joy to the World - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jake Rogus
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Jake Rogus
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Variations on Joy to the World
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Jake Rogus
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1257711 By Jake Rogus. By Isaac Watts. Arranged by Jake Rogus. 21st Century,Christmas,Holiday. 24 pages. Jake Rogus #...
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Full Orchestra - Level 4 - SKU: A0.1257711 By Jake Rogus. By Isaac Watts. Arranged by Jake Rogus. 21st Century,Christmas,Holiday. 24 pages. Jake Rogus #850938. Published by Jake Rogus (A0.1257711). Variations on Joy to the World is an arrangement of Joy to the World for symphony orchestra. The piece starts off with a hoe down featuring a trumpet, oboe, sleigh bells, wood block, and slapstick. Then the fun and games abruptly end, leading to a slower, more calm style. The slow section of this piece features a clarinet solo and the bassoons and contrabassoon. This builds for some time before arriving at a chord, then silence. The violins play a fragmented version of the melody, modulating to a minor key. The scherzo begins. Filled with brassy melodies and woodwind flurries, this ending is exciting! But, not before the flute pokes fun at the orchestra at the end...
$24.99 ≈
22.38€
Melting Pot Overture
Melting Pot Overture
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Orchestre
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FACILE
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Sy Brandon
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Melting Pot Overture
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.755144 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 117 pages. Sy Brandon #3406725. Publi...
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Full Orchestra - Level 2 - SKU: A0.755144 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 117 pages. Sy Brandon #3406725. Published by Sy Brandon (A0.755144). This overture was written for the York Junior Symphony and premiered at the Eastern Regional MENC Conference. It is divided into three sections, each based upon different poetry with a common theme, the unity of people on earth. The work uses folk songs from different ethnic origins in combination with each other to create a composition reflective of the title. A slow introduction leads into a spirited allegro after the narrator speaks the ending of Emma Lazarus’ poem The New Colossus, which appears on the pedestal of the statue of Liberty. This is followed by a slow section where the composer’s poem, I’m From America, is spoken over the music. The final section is also a spirited allegro where the composer’s poem, We Are One, is spoken among a set of variations on a Quapaw Indian Song. The score prints on legal size paper and the parts on letter.
$39.99 ≈
35.81€
Sentimental Waltz
Sentimental Waltz
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Piano seul
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INTERMÉDIAIRE
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Max Potseluiev
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Sentimental Waltz
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Max Potseluiev
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255170 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potsel...
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Piano Solo - Level 3 - SKU: A0.1255170 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848735. Published by Max Potseluiev (A0.1255170). Sentimental Waltz is a tender and enchanting composition that sweeps the listener into a world of soft romance and heartfelt emotions. With its slow tempo and graceful waltz rhythm, this piece encapsulates the essence of a sentimental journey, evoking feelings of love, nostalgia, and gentle longing.The gentle sway of the waltz rhythm carries the listener through a dance of emotions, as if gliding across a moonlit ballroom. The delicate melodies and elegant chord progressions create a captivating atmosphere, immersing the listener in a timeless moment of tenderness.Sentimental Waltz exudes a sense of intimacy and vulnerability, inviting the listener to reflect on cherished memories and embrace the depth of their emotions. The soft dynamics and gentle phrasing enhance the romantic ambiance, evoking a heartfelt connection and a profound sense of longing.With its slow tempo and deliberate pacing, this composition allows each note to linger, as if savored like a precious memory. The melodies weave a tapestry of bittersweet beauty, capturing the complexities of love and the yearning for what once was or what might be.As the piece unfolds, it tells a story of delicate sentiments, unfolding like a love letter set to music. The tender melodies intertwine, expressing the nuances of emotions with grace and elegance. The music resonates with a nostalgic charm, reminiscent of cherished moments and unspoken desires.Sentimental Waltz is a testament to the power of music to convey deep emotions and touch the soul. Its soft romantic nature creates a space where hearts can open and emotions can flow freely. Whether listened to in quiet solitude or shared with a loved one, this composition offers a moment of reflection and a reminder of the beauty of sentimental connections.Allow yourself to be swept away by the melodies of Sentimental Waltz, and let it evoke a profound sense of love, nostalgia, and tender sentiment.
$4.99 ≈
4.47€
Also Sprach Zarathustra - Of Those at the Back of the World
Also Sprach Zarathustra - Of Those at the Back of the World
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Cloches
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Brian Leverett
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Also Sprach Zarathustra - Of T
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Timbila Music Co.
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.938904 Composed by Richard Strauss. Arranged by Brian Leverett. 20th Century,Sacred. Score. 7 pages. Timbila Music Co. #300...
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Handbell - Level 3 - SKU: A0.938904 Composed by Richard Strauss. Arranged by Brian Leverett. 20th Century,Sacred. Score. 7 pages. Timbila Music Co. #3004823. Published by Timbila Music Co. (A0.938904). Also sprach Zarathustra (1896) (Thus Spoke Zarathustra) is a tone poem by Richard Strauss (1864-1949). This piece pays homage to the philosopher Friedrich Nietzsche. A tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other non-musical source. This tone poem exhibits the entitlements of man and nature by the use of contrasting and opposing tonalities (C Major and B Major). Although, the first movement is Straus’s most famous selection, this arrangement is from the lesser known second movement translated: Of Those at the Back of the World. This lullaby type song conjures a slow emotional music that rises and fall. Perhaps it could be a type of love story. The arranger is Brian Leverett. He has a Bachelor’s and Master’s degrees in Music Education from Wayne State University and has now retired from teaching band in the Detroit Public Schools. He also have been an avid handbell choir member for twenty years.
$6.00 ≈
5.37€
We Are Orlando
We Are Orlando
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Contemporain
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Christopher Patton
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there is something in the air
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We Are Orlando
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Christopher Patton
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio English Horn,Flute,Oboe - SKU: A0.1029157 Composed by Christopher Patton. Contemporary. 13 pages. Christopher Patton #47...
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Woodwind Ensemble,Woodwind Trio English Horn,Flute,Oboe - SKU: A0.1029157 Composed by Christopher Patton. Contemporary. 13 pages. Christopher Patton #4760387. Published by Christopher Patton (A0.1029157). Writing this duet for flute and oboe//English Horn began immediately after the massacre at the Pulse night club in Orlando, FL in June 2016. The fate which befell those innocent people was undeserving in spite of where they were and who they were. I expressed my anger and outrage in this music to honor the memory of those who died that night. The first movement is a bit off-kilter; there is something in the air. The second movement is evocative of having a nice evening and enjoying time with friends. As the the third movement begins, the music depicts something ominous coming which crescendos to the flute and oboe a second apart representing screams. My intent with the prior statement is not to relive the horrors of that evening. I wanted to respectfully represent what happened. I wanted the performers in addition to interpreting my music to have an active role in the composition in which the flute and oboe engage in an improvisation to represent the rampage and their outrage. The remainder of the final movement gradually slows as the flute and oboe notes are sustained and ascending to a quiet and peaceful end with the unspoken message nothing will keep us down. .
$9.99 ≈
8.95€
Home
Home
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Chorale TTBB
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INTERMÉDIAIRE
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Phillip Phillips
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Eric Zittel
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Home
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Eric Zittel Arranging
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1156089 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Eric Zittel. A Cappella,Contemporary,P...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1156089 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Eric Zittel. A Cappella,Contemporary,Pop,Rock,Singer/Songwriter. Octavo. 10 pages. Eric Zittel Arranging #756402. Published by Eric Zittel Arranging (A0.1156089). Arrangement for 5 parts/TTTBB voicing with solo. Collegiate style arrangement for a baritone ensemble, slowed down version of the original. Email me at ejzittel@gmail.com for part-dominant practice tracks, or check out my website at ezarranging.weebly.com. Sample recording is of Oregon State University’s premiere baritone a cappella group Outspoken.
$5.00 ≈
4.48€
Ping-Pong for Trumpet Solo
Ping-Pong for Trumpet Solo
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dosia McKay
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Ping-Pong for Trumpet Solo
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Gavia Music
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music ...
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Trumpet Solo - Level 4 - SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music (A0.876677). I originally composed Ping-Pong for tuba solo. The following is a trumpet transcription. Although the program note relates to the tuba version, trumpet players might find the explanation of the genesis of the music helpful.When I first spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1'25, for advanced players.
$20.00 ≈
17.91€
Ping-Pong for Tuba Solo
Ping-Pong for Tuba Solo
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dosia McKay
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Ping-Pong for Tuba Solo
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Gavia Music
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0...
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Tuba Solo - Level 4 - SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0.876676). When I originally spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1’25, suitable for advanced players.
$20.00 ≈
17.91€
Concert Version: Darwin: To Love the Earth - The Full Score - Score Only
Concert Version: Darwin: To Love the Earth - The Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Leslie Kleen
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Concert Version: Darwin: To Lo
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Music From Riverside
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1004838 Composed by Leslie Kleen. Contemporary. Score and parts. 256 pages. Music From Riverside #4806269. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.1004838 Composed by Leslie Kleen. Contemporary. Score and parts. 256 pages. Music From Riverside #4806269. Published by Music From Riverside (A0.1004838). Concert Version: Darwin: To Love the Earth is a concert musical (optional staging) about the life of Charles Darwin. This is an abbreviated version of the staged musical: Charles Darwin: To Love the Earth The main singing role is of Darwin himself, Henslow, and his wife, Emma, and sister Caroline. There are several speaking roles, and a chorus which is offstage. The words come from Darwin and letters from friends. It shows how he was successful in many ways but was always criticized which he had to endure. This is accompanied by a chamber orchestra: Piano, Flute, Oboe, Clarinet, Bassoon, French Horn, Violin, Viola, and Cello. The Full Score includes all musical numbers as well as spoken lines.
$10.00 ≈
8.96€
alt.Callahans Reel
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50 ≈
6.72€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and pa...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05 ≈
19.75€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95 ≈
23.24€
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Slow Poke
