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Vous avez sélectionné:
Sketch I 'Sequence'
Partitions à imprimer
5 partitions trouvées
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1
Sketch I - 'Sequence'
Sketch I - 'Sequence'
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Piano seul
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FACILE
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Robert A
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Sketch I - 'Sequence'
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1089741 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Instructional. Score. 2 pages. Robert A. Howard...
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Piano Solo - Level 2 - SKU: A0.1089741 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Instructional. Score. 2 pages. Robert A. Howard #693948. Published by Robert A. Howard (A0.1089741). This is the first in a set of seven pieces that each elaborate upon ideas previously left dormant in sketch form. This particular piece has a slow introductory feel, with a rising added-note chord sequence alongside a descending bass line, in crescendo. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sketch cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 1 minute 15 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49 ≈
2.32€
Seven Sketches
Seven Sketches
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Piano seul
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INTERMÉDIAIRE
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Robert A
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Seven Sketches
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1089752 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 21 pages...
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Piano Solo - Level 3 - SKU: A0.1089752 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 21 pages. Robert A. Howard #693959. Published by Robert A. Howard (A0.1089752). This is the complete set of Sketches I-VII, that each elaborate upon ideas previously left dormant in sketch form. The first piece has a slow introductory feel, with a rising added-note chord sequence alongside a descending bass line, in crescendo. The second piece is based on a 7-bar ground bass (rising a minor third each time), that features considerable textural variation on each cycle, and culminates in a 3-part canon. The third piece explores the whole range of the piano in varied statements of a 10-bar semiquaver toccata theme, featuring canons and a superimposed scotch-snap theme. The fourth piece is cumulative, in four sections, and gradually descends in pitch by alternating hands in a minimalist build up of motifs, each followed by a chordal refrain. The fifth piece gradually builds up a right hand melody over various syncopated harmonies and appoggiaturas, before inverting the role of the hands. The sixth piece is a simple cycle of ascending repetitions of a 10-bar added-note chord sequence, with octave bass line, that rise by a perfect fifth each time. The seventh piece is a varied repetition of the opening movement (thus framing the cycle), with the initial chord sequence now arpeggiated, and with a fuller texture. The cycle is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Individual pieces from this Sketch cycle are also available separately, via Sheet Music Plus. Duration: 18 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$11.99 ≈
11.15€
Fragment I
Fragment I
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Piano seul
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FACILE
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Robert A
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Fragment I
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.998873 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. ...
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Piano Solo - Level 2 - SKU: A0.998873 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #6383261. Published by Robert A. Howard (A0.998873). The Fragment series of short piano pieces was conceived for pianists of almost any standard. As suggested in the title, each piece is based on a single compositional fragment or sketch that had otherwise remained incomplete and dormant. Fragment I uses a simple minor key chorale that features a descending bass line. This poignant chord sequence was later used and developed in the composer's 2020 anthem God So Loved the World (also available via Sheet Music Plus). In Fragment I this idea is repeated with textural variation, ascending in pitch, before a dramatic silence. The piece concludes with a further statement of the sequence, now finally with an added melody. The piece is highly accessible and is appropriate for almost all standards of pianist, including students and more advanced players. Other works from the Fragment cycle are also available via Sheet Music Plus.Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49 ≈
2.32€
Agnus Dei from Reconciliation
Agnus Dei from Reconciliation
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Tyler Merideth
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Agnus Dei from Reconciliation
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Tyler Merideth
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Meride...
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Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Merideth #4810437. Published by Tyler Merideth (A0.782530). Agnus Dei is the tenth movement from a larger work entitled Reconciliation, a set of 12 Latin prayers. Each movement takes it's inspiration from individual postcards containing pictures of St. Michael's Cathedral in Coventry, England. When performed in sequence, Reconciliation can serve as a worship service however, the individual movements also can stand alone. Although the tenth movement in Reconciliation, Agnus Dei was the initial small seed catalyst that grew into the idea to write a 12 movement work. The idea came to me when I first visited Coventry Cathedral and saw a statue entitled Reconciliation by Josefina de Vasconcellos. The statue depicts two figures kneeling in an embrace. What makes this statue so powerful is that the placement of the statue is among the ruins of the original Cathedral after the bombing by German Aircraft in WWII. I immediately sketched an idea for this movement on the bus after my college choir rehearsed in the cathedral. When I returned to the United States, I wrote a rough vocal line and string orchestra accompaniment. The composition then lay dormant for more than a decade with no major changes. It was only this past week (almost fifteen years later) that I rewrote the accompaniment for piano and cleaned up the choral part. The opening unison vocal line can be timeshared among the voice parts. Since it covers a wide range, let the lower voices sing what range they sing well and the higher voices reciprocate. Please feel free to vary the tempo with rubato throughout the piece to allow for proper breath support. Do not be shy leaning into the dissonances found in the suspensions as the ultimate resolution in the grant us peace
$3.99 ≈
3.71€
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Sketch I 'Sequence'
