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Singing From The Windows
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Vous avez sélectionné:
Singing From The Windows
Partitions à imprimer
4 partitions trouvées
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1
Singing From The Windows
Singing From The Windows
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Chorale 3 parties
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INTERMÉDIAIRE
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Dave Matthews Band
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Singing From The Windows
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Jeffrey Brannon
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SheetMusicPlus
Choral Choir (SAA) - Level 3 - SKU: A0.518763 By Dave Matthews Band. By David Matthews. Arranged by Alandra Blume and Jeffrey Brannon. A Cappella,Contem...
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Choral Choir (SAA) - Level 3 - SKU: A0.518763 By Dave Matthews Band. By David Matthews. Arranged by Alandra Blume and Jeffrey Brannon. A Cappella,Contemporary. Octavo. 11 pages. Jeffrey Brannon #129471. Published by Jeffrey Brannon (A0.518763). Choral arrangement of Singing From The Windows by David J. Matthews, for three-part women's ensemble. In the early months of 2020, the COVID-19 pandemic caused lockdowns worldwide, including in the country of Italy. During this time of fear and social isolation, Italians still made music together, singing from their windows and playing instruments from their balconies. Inspired by their resilience, Dave Matthews wrote this tribute, which was first performed via livestream in March of 2020. In this a cappella arrangement, ideal for both rote learning and sight-reading, each voice part sings a section of the melody, while the lowest harmony also provides an ostinato. Arrangement is in the original Key of B and is also available in the Key of C upon request.
$2.50 ≈
2.23€
Whiter Than the Snow
Whiter Than the Snow
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Chorale SATB
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FACILE
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Text: Eden Reeder Latta
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Ken Litton
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Whiter Than the Snow
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99 ≈
2.67€
Play to the Birds
Play to the Birds
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Emily Howell
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Play to the Birds
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1009144 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6373241. Published by Emily Howell (A0.1009...
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Piano Solo - Level 3 - SKU: A0.1009144 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6373241. Published by Emily Howell (A0.1009144). While playing on the piano with the windows open on a sunny summer's afternoon, the birds in the garden seemed to burst into chorus as if they were singing along. Play to the Birds is the song I played to them, take from the solo piano album Suite de Jardin.
$2.99 ≈
2.67€
King Priam
King Priam
Opera
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Opera
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott...
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SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99 ≈
75.03€
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Singing From The Windows
