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Singin' in the Rain: String Bass
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Vous avez sélectionné:
Singin' in the Rain: String Bass
Partitions à imprimer
13 partitions trouvées
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1
Singin' In The Rain
Singin' In The Rain
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Arthur Freed and Nacio Herb Br
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Seán Ó Cléirigh
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Singin' In The Rain
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Seán Ó Cléirigh
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1116232 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Se...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1116232 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Seán Ó Cléirigh. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 19 pages. Seán Ó Cléirigh #717867. Published by Seán Ó Cléirigh (A0.1116232). There is a plethora of string quartet arrangements available worldwide but not so much for string quintets including double bass. This arrangement of Singin' In The Rain is reminiscent of the unforgettable film music starring Gene Kelly. The arrangement would also work for a string quartet with two cellos.
$15.00 ≈
13.95€
Singin' in the Rain: String Bass
Singin' in the Rain: String Bass
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Contrebasse (partie séparée)
#
Methodes
#
Arthur Freed and Nacio Herb Br
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John Denton
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Singin' in the Rain: String Ba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0002438_SB String Bass. Composed by Arthur Freed and Nacio Herb Brown. Arranged by John Denton. Instructional. Part...
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Jazz Ensemble - SKU: AX.00-PC-0002438_SB String Bass. Composed by Arthur Freed and Nacio Herb Brown. Arranged by John Denton. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002438_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002438_SB). UPC: 654979990321.Here's a super swing chart for the younger player from arranger John Denton. From the MGM movie of the same name, this melody is well known to all ages. John has included a tenor solo with written solo provided and carefully kept the brass ranges and tempo quite reasonable keeping this chart accessible to this level. You'll really like the simple but clever harmonic twist and modulation that John included, and the swing figures are all logical and easy to teach. Singing in the Rain will make you happy again!
$3.00 ≈
2.79€
Singin' In The Rain
Singin' In The Rain
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Contemporain
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Nacio Herb Brown
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Daryl McKenzie
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Singin' In The Rain
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Bass Clarinet,Bass Voice,Drums,Flute,Guitar,Percussion,Piano,String Synthesizer,Trombone,Trumpet - Level 4 - SKU: A0.718350 Composed by N...
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Large Ensemble Bass Clarinet,Bass Voice,Drums,Flute,Guitar,Percussion,Piano,String Synthesizer,Trombone,Trumpet - Level 4 - SKU: A0.718350 Composed by Nacio Herb Brown. Arranged by Daryl McKenzie. Contemporary. Score and parts. 46 pages. Daryl McKenzie #5740587. Published by Daryl McKenzie (A0.718350). Instrumental version arranged in the style of the Boston Pops Orchestra (a theatrical style rendition) for Big Band (2 Flutes, 2 Clarinets, Bass Clarinet, 4 Trumpets, 4 Trombones, Piano, Keyboards (Strings), Guitar, Bass, Drums, Percussion) Note: All Saxes are on Woodwind Doubles.
$59.99 ≈
55.81€
Singin' In The Rain
Singin' In The Rain
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Arthur Freed and Nacio Herb Br
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Singin' In The Rain
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Violin - Level 4 - SKU: A0.1189547 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Uwe Rössle...
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Piano Trio,String Ensemble Cello,Double Bass,Violin - Level 4 - SKU: A0.1189547 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Uwe Rössler Roessler Rassler. 20th Century,Film/TV,Jazz,Pop. Score and parts. 19 pages. Uwe Roessler #789180. Published by Uwe Roessler (A0.1189547). Arrangement follows form and keys of Gene Kelly´s famous dance in the 1952 movie.Intro, Theme in violin1 (F major), key change to Eb and G (theme in cello), key change to Bb (theme tutti), Outro in G major. Minimum Instrumentation: Piano Trio (violin1, cello, piano). Arrangement can be expanded to piano quartet/quintet. Additional, independent voices for violin2 and bass included. Comes with full score and all individual parts. Professional sheet material!
$20.00 ≈
18.61€
Singing In The Rain
Singing In The Rain
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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INTERMÉDIAIRE
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Lennie Hayton
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Carl Raven
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Singing In The Rain
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PopWind.co.uk
#
SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.1120408 Composed by Lennie Hayton. Arranged by Carl Raven. 20th Century,Broadway,Film/TV,Musical/S...
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String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.1120408 Composed by Lennie Hayton. Arranged by Carl Raven. 20th Century,Broadway,Film/TV,Musical/Show. 19 pages. PopWind.co.uk #721680. Published by PopWind.co.uk (A0.1120408). A flexible string arrangement for violins, viola, cello and double bass. In 5 parts.
$12.99 ≈
12.08€
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Mult...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636651. Published by Regis Bookshar (A0.813994). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.44€
Silent Night (Bb) (String Octet - 3 Violins, 1 Viola, 3 Cellos, 1 Bass)
Silent Night (Bb) (String Octet - 3 Violins, 1 Viola, 3 Cellos, 1 Bass)
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813992 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instruct...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813992 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636649. Published by Regis Bookshar (A0.813992). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 1 Viola, 3 Violoncellos and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.44€
Silent Night (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
Silent Night (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,World. Sco...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635863. Published by Regis Bookshar (A0.813970). String Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00 ≈
4.65€
Bach's Arioso for String Quintet
Bach's Arioso for String Quintet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Johann Sebastian Bach
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Inacio Saldanha
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Bach's Arioso for String Quint
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Inacio Saldanha
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.798106 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha. Baroque,Co...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.798106 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha. Baroque,Concert,Contemporary,Wedding,World. Score and parts. 12 pages. Inacio Saldanha #5205469. Published by Inacio Saldanha (A0.798106). In classical music, arioso [aˈrjoËzo] (also aria parlante[1] [ˈaËrja parˈlante]) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato.Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in form, arioso generally not resorting to the process of repetition.Sinfonia from Cantata Ich steh’ mit einem Fuß im Grabe (BWV 156)
$14.99 ≈
13.95€
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95 ≈
15.77€
Singin' in the Rain (arr. Michael Brown) - String Bass
Singin' in the Rain (arr. Michael Brown) - String Bass
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gene Kelly
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Michael Brown
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Singin' in the Rain
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Hal Leonard - Digital
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SheetMusicPlus
Level 3 - SKU: HX.426210 By Gene Kelly. Arranged by Michael Brown. This edition: scorch. Film/TV,Musical/Show,Standards. 1 pages. Duration 130. Hal Leon...
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Level 3 - SKU: HX.426210 By Gene Kelly. Arranged by Michael Brown. This edition: scorch. Film/TV,Musical/Show,Standards. 1 pages. Duration 130. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.426210).
$6.00 ≈
5.58€
Singin' in the Rain: String Bass
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Contrebasse (partie séparée)
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Methodes
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Nacio Herb Brown
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Mark Hayes
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Singin' in the Rain: Stri
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Nacio Herb Brown. Arranged by Mark Hayes. For SoundPax. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Nacio Herb Brown. Arranged by Mark Hayes. For SoundPax. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.79€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.09€
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Singin' in the Rain: String Bass
